15929966330001312637261000Standard Recordobject-75916170249414727016699814230001702494117301fitz-onlineadlib-object-75916https://data.fitzmuseum.cam.ac.uk/id/object/75916b0e2d1f3-84e8-3fbf-8e71-8e65a4fef0a320referenceterm-42861adlib-term-428615b368285-f1a8-3dcf-a5b2-637fd3c3956cearthenwareApplied ArtsTerracotta, handbuilt (coiled), burnished and reduced black in firing. The jar is globular with a short neck and slightly everted rim.4referenceexhibition-3312adlib-exhibition-33124c3c3696-a861-334e-a4fe-c4c9c0d65affMagdalene Odundo: The Journey of Thingsreferenceexhibition-3684adlib-exhibition-36843c4edd64-75a0-39f4-9870-391d613366c2Magdalene Odundo in CambridgeC.7-19861accession numberC.7-198675916priref75916urihttps://data.fitzmuseum.cam.ac.uk/id/object/75916https://data.fitzmuseum.cam.ac.uk/id/object/75916on baseincisedOdundosignaturereferenceagent-149638adlib-agent-1496387376d833-d0a7-3be0-916e-9c892b7a24d8The Fitzwilliam MuseumPurchased with the J.R.V. Smyth Fund and a grant from the Eastern Arts Associationreferenceagent-166489adlib-agent-16648908ab1fab-aa88-3f20-bc70-f7875a37c712Queensbury Hunt198619861986-06-09boughtEntry date: 1986-06-091983CE1983according to the vendor, the pot was made shortly after Odundo left the Royal College of Art where she studied from 1979-82circa1983potterreferenceagent-100463adlib-agent-100463c38808e2-f99a-3cc1-8317-214e4d04352aOdundo, Magdalenereferenceterm-109890adlib-term-109890825251c2-9904-34be-b6ab-c855347f224720th Century, Late#referenceterm-107700adlib-term-1077008f5360fb-b262-3ae9-8942-b81cc0e3e848Elizabeth IIreferenceterm-33162adlib-term-331626f1730c6-1049-36b9-80ae-d22bc9d2254cterracottaHeightcm27.5referencemedia-209455adlib-media-209455e0f47195-62e2-32c5-96f6-33dd5171dbd6jpegaa/aa37/C_7_1986_201810_adn21_dc2.jpg1heightpixels1025widthpixels101816162820504601imagejpegaa/aa37/mid_C_7_1986_201810_adn21_dc2.jpg1heightpixels503widthpixels50016162820504601imagejpegaa/aa37/C_7_1986_201810_adn21_dc2.jpg1heightpixels1025widthpixels101816162820504601imagejpegaa/aa37/preview_C_7_1986_201810_adn21_dc2.jpg1heightpixels252widthpixels25016162820504601image0media
imagereferenceterm-42687adlib-term-426877823354c-791a-3aa9-ba6f-1b56ea6c3cdfpotreferenceterm-42692adlib-term-4269268c2b295-0e5f-3e4e-ac86-2aebb8653b91Studio Ceramicshistory noteQueensbury Hunt, 24 Brook Mews North, London, W.2referenceagent-149638adlib-agent-1496387376d833-d0a7-3be0-916e-9c892b7a24d8The Fitzwilliam MuseumRef. pp. 223-4, brief biograph of the potter223-4referencepublication-1884adlib-publication-1884a0a5e5b4-dfaa-3530-9af5-80212d4ee637British Studio Pottery, the Victoria and Albert Museum CollectionRef. pp. 88-92,'Magdalene Odundo', where there is a description of her techniques88-92referencepublication-7666adlib-publication-766630a0864d-8815-3422-bb95-3610bf417e6bSmoke Firing. Contemporary artists and approachesPubl. Colour plate, no. 4; p. 22, no. 4, brief description22referencepublication-8738adlib-publication-873889b64a55-e9e0-3f92-adff-c2db1ed75dbeMagdalene Odundo: The Journey of ThingsPubl. Text p. 34, illustrated p. 3534-5referencepublication-8847adlib-publication-8847bd6566bc-fdba-3003-9f61-8492dc95befaMagdalene Odundo in Cambridgereferenceterm-42692adlib-term-4269268c2b295-0e5f-3e4e-ac86-2aebb8653b91Studio Ceramicsreferenceterm-42687adlib-term-426877823354c-791a-3aa9-ba6f-1b56ea6c3cdfpotpotearthenware, coiled, burnished, and firedreferenceterm-28369adlib-term-283694abf5718-41d9-3386-804b-c04f966b7656coilingreferenceterm-106816adlib-term-106816f1a668db-ceac-3fc3-a917-6e1919268bdfburnishingreferenceterm-26926adlib-term-26926548f0043-4a20-308e-8b58-43245555b4e2firing (heating)object
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