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    <added>1592999679000</added>
    <created>1312637261000</created>
    <flag>Standard Record</flag>
    <id>object-76422</id>
    <indexed>1761070695891</indexed>
    <modified>1724768700000</modified>
    <processed>1761070580972</processed>
    <source>adlib</source>
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    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/76422</uri>
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    <version>8</version>
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        <value>Gill &amp; Reigate was founded in 1898 and were at 85 Oxford Street in London by 1901. The firm described itself as 'Dealers in Antique &amp; Modern Furniture, Artistic Decorators and Upholsterers', and was decorator to George V. The firm lasted until 1958 by which time it was at Arlington House, Arlington Street. For this information and photographs of their showrooms at different dates, see https://antiquetrade.leeds.ac.uk/dealerships/35469.</value>
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    <summary_title>Gill &amp; Reigate</summary_title>
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        <value>Captain Reynolds was the son of C W Reynolds who acquired the Dwight stoneware statues and figures which were sold in 1871</value>
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      <type>reference</type>
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    <summary_title>Reynolds, Captain</summary_title>
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      <relation>person</relation>
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    <summary_title>Ganymede</summary_title>
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      <uid>adlib-term-108657</uid>
      <uuid>c170cd8e-fc63-3446-81a4-6682b5979808</uuid>
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    <summary_title>lead-glazed earthenware</summary_title>
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      <type>reference</type>
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      <id>term-42858</id>
      <uid>adlib-term-42858</uid>
      <uuid>28dd1a37-f2da-31c5-a8b7-684957070a75</uuid>
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    <summary_title>pearlware</summary_title>
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      <type>reference</type>
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      <id>term-147317</id>
      <uid>adlib-term-147317</uid>
      <uuid>27f67278-c263-3df1-942a-60f5abba7d49</uuid>
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    <summary_title>enamel painted figures</summary_title>
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    <link>
      <type>reference</type>
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      <id>term-113184</id>
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      <uuid>25fc548d-d02f-39a6-a34f-d609393a0043</uuid>
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    <summary_title>J. W. L. Glaisher</summary_title>
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      <note>
        <value>green, yellow, yellow ochre, flesh pink, pink, several shades of brown, and black</value>
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        <link>
          <type>reference</type>
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          <id>term-107563</id>
          <uid>adlib-term-107563</uid>
          <uuid>38dcd825-1de1-3222-82c6-15a95729b5ff</uuid>
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        <summary_title>enamels</summary_title>
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    <name>Decoration</name>
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      <note>
        <value>in green, yellow, yellow ochre, flesh pink, pink, several shades of brown, and black enamels</value>
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        <link>
          <type>reference</type>
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          <id>term-106226</id>
          <uid>adlib-term-106226</uid>
          <uuid>194567f2-2bcd-3446-ae31-652386611815</uuid>
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        <summary_title>painting</summary_title>
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    </techniques>
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  <component>
    <materials>
      <note>
        <value>slightly blue tinted, 'pearl' glaze</value>
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          <id>term-107733</id>
          <uid>adlib-term-107733</uid>
          <uuid>00160189-e3ce-3796-a88b-5aa8d6c808c4</uuid>
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        <summary_title>lead-glaze</summary_title>
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    <name>Surface</name>
    <techniques>
      <note>
        <value>very slightly blue-tinted</value>
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          <type>reference</type>
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          <id>term-120062</id>
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        <summary_title>lead-glazing</summary_title>
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    <measurements>
      <dimensions>
        <dimension>Depth</dimension>
        <units>cm</units>
        <value>10</value>
      </dimensions>
      <dimensions>
        <dimension>Width</dimension>
        <units>cm</units>
        <value>10.2</value>
      </dimensions>
    </measurements>
    <name>Base</name>
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  <content>
    <motifs>
      <link>
        <type>reference</type>
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      <admin>
        <id>term-107486</id>
        <uid>adlib-term-107486</uid>
        <uuid>234fe16e-17e4-3db8-881a-443636aac5ca</uuid>
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      <summary_title>classical mythology</summary_title>
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  <department>
    <value>Applied Arts</value>
  </department>
  <description>
    <value>lead-glazed earthenware painted in enamels</value>
  </description>
  <description>
    <value>White earthenware, moulded, covered with very slightly blue tinted lead glaze and painted green, yellow, yellow-ochre, flesh-pink, pale pink, several shades of brown, and black enamels. The figures are supported on a square straight-sided base which is concave underneath, and has two ventilation holes on the left near the back.  Ganymede stands beside a tall tree stump on the viewer's left. The eagle stands in front ot it, and looks up towards him. He holds out a drinking bowl in his left hand and rests his right arm on the top of the tree stump. He has brown hair, and wears a greenish-yellow Phrygian cap, a short pink tunic and a short pink cloak with a yellow lining, the end of which is draped over the top of the tree stump. The eagle is painted naturalistically in shades of brown with a black beak and yellow legs; the tree stump is dappled in green and brown, and the base is marbled in shades of yellow ochre and brown with darker brown veining.</value>
  </description>
  <identifier>
    <accession_number>C.942-1928</accession_number>
    <primary>1</primary>
    <type>accession number</type>
    <value>C.942-1928</value>
  </identifier>
  <identifier>
    <priref>76422</priref>
    <type>priref</type>
    <value>76422</value>
  </identifier>
  <identifier>
    <source>Glaisher MS Catalogue vol.</source>
    <type>old object number</type>
    <value>3116</value>
  </identifier>
  <identifier>
    <type>uri</type>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/76422</uri>
    <value>https://data.fitzmuseum.cam.ac.uk/id/object/76422</value>
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  <inscription>
    <location>on closed underside of base</location>
    <method>impressed</method>
    <transcription>
      <value>LAKIN &amp; POOLE</value>
    </transcription>
    <type>factory mark</type>
  </inscription>
  <inscription>
    <description>
      <value>rectangular white paper stick on label with a narrow blueline edging and plant motifs in top corners</value>
    </description>
    <location>on closed underside of base</location>
    <method>hand-written in black ink</method>
    <transcription>
      <value>No 3116/Staffordshire/statuette of/Ganymede/marked Lakin/&amp; Poole/b. in London/June 8 .1910</value>
    </transcription>
    <type>label</type>
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  <institutions>
    <link>
      <type>reference</type>
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    <admin>
      <id>agent-149638</id>
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      <uuid>7376d833-d0a7-3be0-916e-9c892b7a24d8</uuid>
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    <summary_title>The Fitzwilliam Museum</summary_title>
  </institutions>
  <legal>
    <credit_line>Dr J. W. L. Glaisher Bequest</credit_line>
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  <lifecycle>
    <acquisition>
      <agents>
        <link>
          <type>reference</type>
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        <admin>
          <id>agent-152564</id>
          <uid>adlib-agent-152564</uid>
          <uuid>c20df94d-f096-3e0b-a9b5-6ddd12161fb7</uuid>
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        <summary_title>Glaisher, J. W. L., Dr</summary_title>
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      <date>
        <earliest>1928</earliest>
        <latest>1928</latest>
        <value>1928-12-07</value>
      </date>
      <method>
        <value>bequeathed</value>
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      <note>
        <value>the Glaisher ceramic collection was entered in the accession register as one item with the date of Dr Glaisher&#x2019;s death</value>
      </note>
    </acquisition>
    <creation>
      <date>
        <earliest>1791</earliest>
        <from>
          <earliest>1791</earliest>
          <latest>1791</latest>
          <precision>circa</precision>
          <value>1791</value>
        </from>
        <latest>1795</latest>
        <range>1</range>
        <to>
          <earliest>1795</earliest>
          <latest>1795</latest>
          <value>1795</value>
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      </date>
      <maker>
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            <value>production</value>
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        <summary_title>Lakin &amp; Poole</summary_title>
      </maker>
      <note>
        <value>The figure portrays Ganymede in his role as cup bearer of the Gods.</value>
      </note>
      <note>
        <value>Thomas Lakin and John Ellison Poole entered into partnership in 1791, and in 1795 were joined by Poole's brother-in-law, Thomas Shrigley. Thomas Lakin withdrew from the partnership in January 1796 and a year later the other partners were declared bankrupt. During the short period of operation their factory made some exceptionally well-modelled and decorated figures, many of which stood on marbled bases.</value>
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          <id>term-147367</id>
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        <summary_title>18th Century, Late</summary_title>
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      <periods>
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          <id>term-107437</id>
          <uid>adlib-term-107437</uid>
          <uuid>96f4b0d1-fc11-39ff-ae91-1b23d888d479</uuid>
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        <summary_title>George III</summary_title>
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      <places>
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          <id>term-108171</id>
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        <hierarchies>
          <link>
            <type>literal</type>
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          <name>
            <value>England</value>
          </name>
          <summary_title>England</summary_title>
          <type>country</type>
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        <hierarchies>
          <link>
            <type>literal</type>
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          <name>
            <value>Staffordshire</value>
          </name>
          <summary_title>Staffordshire</summary_title>
          <type>region</type>
        </hierarchies>
        <summary_title>Burslem</summary_title>
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      <admin>
        <id>term-42861</id>
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        <uuid>5b368285-f1a8-3dcf-a5b2-637fd3c3956c</uuid>
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      <summary_title>earthenware</summary_title>
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    <dimensions>
      <dimension>Height</dimension>
      <units>cm</units>
      <value>33.4</value>
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    <dimensions>
      <dimension>Width</dimension>
      <units>cm</units>
      <value>13.9</value>
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      <notes>Cf. p. 33, lot 104, a similar model, on which Ganymede has a yellow  and blue garment, and the name GANYMEDE is painted on the front of the base.  H. 34 cm. Estimate &#xA3;150-250.</notes>
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