<?xml version="1.0"?>
<root>
  <admin>
    <added>1592984324000</added>
    <created>1312637261000</created>
    <flag>Standard Record</flag>
    <id>object-76449</id>
    <indexed>1752602739599</indexed>
    <modified>1712079368000</modified>
    <processed>1752602690710</processed>
    <source>adlib</source>
    <stream>fitz-online</stream>
    <uid>adlib-object-76449</uid>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/76449</uri>
    <uuid>9b2e271a-ffb7-3927-8144-0bc513d619a6</uuid>
    <version>6</version>
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  <agents>
    <link>
      <note>
        <value>according to Mr Stoner, Captain Reynolds was the son of the Mr C W Reynolds who acquired the Dwight statues and figures which were sold in 1871</value>
      </note>
      <type>reference</type>
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      <id>agent-193960</id>
      <uid>adlib-agent-193960</uid>
      <uuid>acb873ce-c408-3b5f-8621-4ffd388737ad</uuid>
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    <summary_title>Reynolds, Captain</summary_title>
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      <type>reference</type>
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    <admin>
      <id>term-108657</id>
      <uid>adlib-term-108657</uid>
      <uuid>c170cd8e-fc63-3446-81a4-6682b5979808</uuid>
    </admin>
    <summary_title>lead-glazed earthenware</summary_title>
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  <categories>
    <link>
      <type>reference</type>
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      <id>term-147317</id>
      <uid>adlib-term-147317</uid>
      <uuid>27f67278-c263-3df1-942a-60f5abba7d49</uuid>
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    <summary_title>enamel painted figures</summary_title>
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  <categories>
    <link>
      <type>reference</type>
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    <admin>
      <id>term-42858</id>
      <uid>adlib-term-42858</uid>
      <uuid>28dd1a37-f2da-31c5-a8b7-684957070a75</uuid>
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    <summary_title>pearlware</summary_title>
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  <collection>
    <link>
      <type>reference</type>
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      <id>term-113184</id>
      <uid>adlib-term-113184</uid>
      <uuid>25fc548d-d02f-39a6-a34f-d609393a0043</uuid>
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    <summary_title>J. W. L. Glaisher</summary_title>
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        <link>
          <type>reference</type>
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          <id>term-107563</id>
          <uid>adlib-term-107563</uid>
          <uuid>38dcd825-1de1-3222-82c6-15a95729b5ff</uuid>
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        <summary_title>enamels</summary_title>
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    </materials>
    <name>Decoration</name>
    <techniques>
      <note>
        <value>in enamels</value>
      </note>
      <reference>
        <link>
          <type>reference</type>
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          <id>term-106226</id>
          <uid>adlib-term-106226</uid>
          <uuid>194567f2-2bcd-3446-ae31-652386611815</uuid>
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        <summary_title>painting</summary_title>
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  <component>
    <materials>
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        <link>
          <type>reference</type>
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          <id>term-107733</id>
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          <uuid>00160189-e3ce-3796-a88b-5aa8d6c808c4</uuid>
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        <summary_title>lead-glaze</summary_title>
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    </materials>
    <name>Surface</name>
    <techniques>
      <reference>
        <link>
          <type>reference</type>
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          <id>term-120062</id>
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        <summary_title>lead-glazing</summary_title>
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  <department>
    <value>Applied Arts</value>
  </department>
  <description>
    <value>Lead-glazed earthenware, moulded, and painted overglaze in blue, green, yellow, red, brown, and black enamels. 'PERSWAITION' impressed on a plaque on the viewer's right front corner.</value>
  </description>
  <identifier>
    <accession_number>C.957-1928</accession_number>
    <primary>1</primary>
    <type>accession number</type>
    <value>C.957-1928</value>
  </identifier>
  <identifier>
    <priref>76449</priref>
    <type>priref</type>
    <value>76449</value>
  </identifier>
  <identifier>
    <source>Glaisher MS Catalogue, vol. 11</source>
    <type>old object number</type>
    <value>3204</value>
  </identifier>
  <identifier>
    <type>uri</type>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/76449</uri>
    <value>https://data.fitzmuseum.cam.ac.uk/id/object/76449</value>
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  <institutions>
    <link>
      <type>reference</type>
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    <admin>
      <id>agent-149638</id>
      <uid>adlib-agent-149638</uid>
      <uuid>7376d833-d0a7-3be0-916e-9c892b7a24d8</uuid>
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    <summary_title>The Fitzwilliam Museum</summary_title>
  </institutions>
  <legal>
    <credit_line>Dr J.W.L. Glaisher Bequest</credit_line>
  </legal>
  <lifecycle>
    <acquisition>
      <agents>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>agent-152564</id>
          <uid>adlib-agent-152564</uid>
          <uuid>c20df94d-f096-3e0b-a9b5-6ddd12161fb7</uuid>
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        <summary_title>Glaisher, J. W. L., Dr</summary_title>
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      <date>
        <earliest>1928</earliest>
        <latest>1928</latest>
        <value>1928-12-07</value>
      </date>
      <method>
        <value>bequeathed</value>
      </method>
      <note>
        <value>Dr Glaisher&#x2019;s death the Glaisher ceramic collection was entered in the accession register as one item with the date of</value>
      </note>
    </acquisition>
    <creation>
      <date>
        <earliest>1820</earliest>
        <from>
          <earliest>1820</earliest>
          <latest>1820</latest>
          <precision>circa</precision>
          <value>1820</value>
        </from>
        <latest>1825</latest>
        <range>1</range>
        <to>
          <earliest>1825</earliest>
          <latest>1825</latest>
          <value>1825</value>
        </to>
      </date>
      <maker>
        <link>
          <role>
            <value>potter</value>
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          <type>reference</type>
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        <admin>
          <id>agent-142793</id>
          <uid>adlib-agent-142793</uid>
          <uuid>2a1d7e13-5f0c-374e-9c78-81760a8e06a3</uuid>
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        <summary_title>Walton, John</summary_title>
      </maker>
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        <value>'Perswaition' is a charming product of the realistic school of figure-making which developed in the Potteries between about 1800 and 1840. Tjhe couple are depicted in an unaffected manner, as if the young man had decided to propose on a stroll in tjhe garden, or on their way home from church or chapel. The stylized tree behind them, known as bocage (a grove) was derived from eighteenth-century porcelain figures. It was a feature of figures by John Walton, who was baptized in 1780, and was listed as a potter in local directories from 1818 to 1835. 'Perswaition'  can be attributed to Walton because strictly comparable groups exist marked 'WALTON' impressed or in relief on a raised scroll.  The group may have been derived from a print entitled PERSUASION, published in 1809.</value>
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        <link>
          <type>reference</type>
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          <id>term-106498</id>
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          <uuid>272179a1-524b-3f36-aab7-bf342ce484d6</uuid>
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        <summary_title>19th Century, Early</summary_title>
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          <type>reference</type>
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          <id>term-108976</id>
          <uid>adlib-term-108976</uid>
          <uuid>dc8f08bb-8cb5-3af0-a884-9780ec8d0e12</uuid>
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        <summary_title>George IV</summary_title>
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        <link>
          <type>reference</type>
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          <id>term-108171</id>
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        <hierarchies>
          <link>
            <type>literal</type>
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          <name>
            <value>England</value>
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          <summary_title>England</summary_title>
          <type>country</type>
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        <hierarchies>
          <link>
            <type>literal</type>
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          <name>
            <value>Staffordshire</value>
          </name>
          <summary_title>Staffordshire</summary_title>
          <type>region</type>
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        <summary_title>Burslem</summary_title>
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        <id>term-42861</id>
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      <summary_title>earthenware</summary_title>
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  <measurements>
    <dimensions>
      <dimension>Height</dimension>
      <units>cm</units>
      <value>20</value>
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    <type>history note</type>
    <value>Captain Reynolds, London; sold en bloc to Messrs Gill &amp; Reigate, London; one of thirty-five pieces bought from them by Mr Stoner of Stoner &amp; Evans, London; bought from him with eighteen further pieces by Dr J.W.L. Glaisher, FRS, Trinity College, Cambridge.</value>
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      <notes>Cf. p. 253, bottom left, a comparable group in the Royal Pavilion Art Gallery and Museum, Brighton, inv. HW 777.</notes>
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