15929704390001312637261000Standard Recordobject-79586170206259427416026013710001702062268675fitz-onlineadlib-object-79586https://data.fitzmuseum.cam.ac.uk/id/object/79586e50631f5-ec34-3352-b7e3-a7e1cbe036265referenceterm-37637adlib-term-3763789b09133-dc0a-3a88-bd40-5aef1ad30ecbsoft-paste porcelainpresumed leadreferenceterm-107733adlib-term-10773300160189-e3ce-3796-a88b-5aa8d6c808c4lead-glazeVisible Surfacesunderside of base unglazedreferenceterm-120062adlib-term-120062d05176fb-17b8-3888-bba1-6c5e6c77d206lead-glazingBirdsoft-paste porcelain, slip-cast and lead-glazedpresumedreferenceterm-120096adlib-term-1200967cc05306-f07e-3189-849f-52addb9e2ca7slip-castingApplied ArtsGlazed soft-paste porcelain.Soft-paste porcelain, slip-cast, and lead-glazed. The flat underside is unglazed. there is a small ventilation hole under the bird's tail. The roughly circular base has an irregularly shaped edge, and rises up in the middle into a large and a small tree stump, which support the bird. The partridge stands on both feet in profile to right with its head turned to its right.G12referenceexhibition-1070adlib-exhibition-10702cb713dc-899f-35df-9c15-515a05f38d48Plagiarism Personified? European Pottery and Porcelain FiguresC.80-19321accession numberC.80-193279586priref79586urihttps://data.fitzmuseum.cam.ac.uk/id/object/79586https://data.fitzmuseum.cam.ac.uk/id/object/79586an oval pad with a raised anchoron the tree stump below the bird's tailappliedmarkcircular paper label with wide black border printed with the lettering in reserveon the baseprinted in blackFRANCES L. DICKSON.labelreferenceagent-149638adlib-agent-1496387376d833-d0a7-3be0-916e-9c892b7a24d8The Fitzwilliam MuseumGiven by Mrs W.D. Dicksonreferenceagent-180712adlib-agent-180712855e3948-593a-3b3c-9d66-028df74284feDickson, W. D. (Frances Louisa), Mrs193219321932givenEntry date: 1932-1017501750CE1750circa1750175211752CE17521752factoryreferenceagent-157802adlib-agent-157802e51ed5e2-3605-39a0-b953-487f1f622a3aChelsea Porcelain ManufactoryThis model was derived from pl. 72, The White Partridge in George Edwards, The Natural History of Uncommon Birds, II, 1743.referenceterm-106451adlib-term-1064519cdfd62c-ee07-3884-ae08-c797aad0863118th Century, Midreferenceterm-113135adlib-term-113135fa76c83a-f086-31bd-a5a2-372c797ce3cfRaised anchor period (1749-1752)referenceterm-107736adlib-term-107736e93a8dd1-d76d-320b-be9b-afa352e322a1George IIreferenceterm-106998adlib-term-106998e3be6de7-1089-333e-a2e9-d7165b18816dliteralEnglandEnglandcountryliteralMiddlesexMiddlesexregionChelseareferenceterm-37637adlib-term-3763789b09133-dc0a-3a88-bd40-5aef1ad30ecbsoft-paste porcelainHeightcm15.9referenceterm-110277adlib-term-11027797f1ad1c-7b1d-373a-b0ae-ed010d95f37banimal figurehistory noteUnknown before donor, Mrs W.D. (Frances Louisa) Dickson, Bournemouth1referenceobject-80509adlib-object-8050951047591-cff5-3ebf-a20b-f9f6d3a50b311reference1term-110277adlib-term-11027797f1ad1c-7b1d-373a-b0ae-ed010d95f37banimal figureanimal figurereferenceagent-149638adlib-agent-1496387376d833-d0a7-3be0-916e-9c892b7a24d8The Fitzwilliam MuseumPubl. No. G12 illustrated pl. 33.43referencepublication-992adlib-publication-992e26b9de8-5607-3d6e-82c1-bba7d8cb57c4Plagiarism Personified? European Pottery and Porcelain Figuresreferencepublication-3299adlib-publication-329940ebe595-be0c-33a7-a31d-d14f258b7d03A Natural History of Uncommon Birds: and of some other rare and undescribed animals, quadrupeds, fishes, reptiles, insects, &c., exhibited in two hundred and ten copper-plates, from designs copied immediately from nature, and curiously coloured after life, with a full and accurate description of each figure, to which is added A brief and general idea of drawing and painting in water-colours; with instructions for etching on copper with aqua fortis; likewise some thoughts on the passage of birds; and additions to many subjects described in this workCf. Apair of enamelled examples with raised anchor mark (no red enamel) in the Metropolitan Museum of Art, New York, pl. 7, fig. 23, and pp. 32-3, figure 23. These have a sheaf of wheat and forget-me-knots on the base which rise up in front of the breast of each bird.32-3referencepublication-2614adlib-publication-2614bd0c2e2e-8e28-3664-bf00-fe50da012352Chelsea and other English Porcelain, Pottery and Enamel in the Irwin Untermyer CollectionCf. Two enamelled examples both with raised anchor mark, pp. 124-5, no. 115. The source illustrated p. 124. Formerly in the Dixon Collection, sold Sotheby's, London, 27 May 1952, lot 106.124-5referencepublication-2848adlib-publication-2848a942bdbc-f783-3c09-af7f-0ddd821c2525Chelsea Porcelain at WilliamsburgRef. The White Partridge is B18 in Bradshaw's list of Chelsea figures made between 1750 and 1753.90referencepublication-2721adlib-publication-27212c88b854-02af-3d32-8222-0e69e8451a7dEighteenth Century English Porcelain Figures 1745-1795referenceterm-9010adlib-term-9010ecd03def-5d2a-3b43-bb92-76be16fbabf6Rococoanimalreferenceterm-106419adlib-term-1064196a020a7a-d710-3cb6-af17-8cd664abcf90birdliteralbirdbirdreferenceterm-110277adlib-term-11027797f1ad1c-7b1d-373a-b0ae-ed010d95f37banimal figureanimal figureThe White Partridgeobject
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