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Fry sculpsit Black printer's ink recto, below print."},{"id":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82567\/inscription\/2","type":"LinguisticObject","classified_as":[{"id":"http:\/\/vocab.getty.edu\/aat\/300435414","type":"Type","_label":"Inscription Description"},{"id":"http:\/\/vocab.getty.edu\/aat\/300418049","type":"Type","_label":"Brief Text"}],"content":"... folio volumes, not so large, with inferior illuminations. \/ VITA CHRISTI. This large folio MS. is worth notic- \/ ing for its singularity. The text and the surrounding borders are all complete: but not a single subject is \/ introduced, although void spaces are left for them. \/ One may hence be induced to suppose, that the \/ Scribe and the Rubricator first finished their labours, \/ before the illuminator commenced his task. This, \/ however, is a mere conjecture. \/ LES ECHECS AMOUREUX. Folio. No. 6808. The \/ title does not savour of any moral application to be \/ derived from the perusal of the work. Nevertheless, \/ there are portions of it which were evidently written \/ with this view - and, as I have no particular article \/ for MISCELLANEOUS subjects, you must e'en receive \/ this in its present place. Indeed it is so lovely, and I \/ had almost said so matchless, a volume, that you ought \/ to rejoice to have an account of it in any shape. On \/ the score of delicate, fresh, carefully-executed art, \/ this folio may challenge comparison with any simi- \/ lar treasure in the Biblioth\u00e8que du Roi. The sub- \/ jects are not crowded, nor minute; nor of a very \/ wonderful and intricate nature; but they are quietly \/ composed, softly executed, and are, at this present mo- \/ ment, in a state of preservation perfectly beautiful and \/ 2 Black printer's ink verso."}]}