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    <summary_title>Polidoro da Caravaggio fra Napoli e Messina</summary_title>
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    <summary_title>[Fitzwilliam Museum, 2000-2002]</summary_title>
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    <credit_line>From the Gow and Rylands funds with a contribution from the National Art Collections Fund, 2003.</credit_line>
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        <summary_title>Executors of Myril Pouncey</summary_title>
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        <summary_title>Polidoro da Caravaggio (Polidoro Caldara)</summary_title>
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        <summary_title>1520s</summary_title>
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      <summary_title>drawing</summary_title>
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  <note>
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    <value>Mrs T.H. Riches; her sale, Sotheby's 29 November 1950, part of lot 21; Hans Calmann; Philip Pouncey; Myril Pouncey, acquired from her executors [withdrawn from sale at Sotheby's, New York, 21 January 2003, lot 6]</value>
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    <summary_title>The Fitzwilliam Museum</summary_title>
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      <notes>Cat. 92-3.</notes>
      <page>322-3</page>
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    <summary_title>Polidoro da Caravaggio</summary_title>
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      <notes>Cat. 116.</notes>
      <page>320</page>
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    <admin>
      <id>publication-200001254</id>
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    <summary_title>'Polidoro Caldara da Caravaggio'</summary_title>
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      <notes>Cat. 148-9.</notes>
      <page>169</page>
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    <summary_title>Polidoro Caldara da Caravaggio</summary_title>
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      <page>28-30</page>
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    <summary_title>'Polidoro alla Pietra del pesce'</summary_title>
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    <link>
      <page>22-3</page>
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    <admin>
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    <summary_title>I Dipinti di Polidoro da Caravvio per la chiesa della Pescheria a Napoli</summary_title>
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    <link>
      <notes>And note 57.</notes>
      <page>58-63, 68-9</page>
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    <summary_title>'Forastieri e regnicoli'</summary_title>
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  <publications>
    <link>
      <notes>No. 34, 254.</notes>
      <page>163</page>
      <type>reference</type>
    </link>
    <admin>
      <id>publication-3699</id>
      <uid>adlib-publication-3699</uid>
      <uuid>bbbdb4dc-8628-398e-98b9-f4fa4d65a2d9</uuid>
    </admin>
    <summary_title>Andrea da Salerno nel Rinascimento meridionale</summary_title>
  </publications>
  <publications>
    <link>
      <page>440</page>
      <type>reference</type>
    </link>
    <admin>
      <id>publication-3700</id>
      <uid>adlib-publication-3700</uid>
      <uuid>5fe0ef35-dab7-3458-94b9-cc3a58182b88</uuid>
    </admin>
    <summary_title>La Pittura in Italia: Il Cinquecento</summary_title>
  </publications>
  <school_or_style>
    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>term-8403</id>
      <uid>adlib-term-8403</uid>
      <uuid>f0de1729-98ba-32a3-adc6-c207550ffb08</uuid>
    </admin>
    <summary_title>Italian</summary_title>
  </school_or_style>
  <summary>
    <reference>
      <link>
        <type>reference</type>
      </link>
      <admin>
        <id>term-97946</id>
        <uid>adlib-term-97946</uid>
        <uuid>388f10ba-526c-32ab-869a-65750eb7faac</uuid>
      </admin>
      <summary_title>drawing</summary_title>
    </reference>
  </summary>
  <summary_title>drawing</summary_title>
  <techniques>
    <description>
      <value>red chalk on paper, losses upper left, left corner, top left</value>
    </description>
    <reference>
      <link>
        <type>reference</type>
      </link>
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        <id>term-97946</id>
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      <summary_title>drawing</summary_title>
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  </techniques>
  <title>
    <type>recto</type>
    <value>Two head studies of a youth looking down; study for the Virgin of the Annunciation; two standing women, one holding a baby</value>
  </title>
  <title>
    <type>verso</type>
    <value>Head of a youth in profile to left; two head studies of a youth looking down; four separate studies for the Virgin of the Annunciation</value>
  </title>
  <type>
    <base>object</base>
    <type>OBJECT</type>
  </type>
</root>
