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    <summary_title>portrait of a lady</summary_title>
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    <summary_title>Lady Jane Grey</summary_title>
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    <summary_title>painting</summary_title>
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        <summary_title>panel (wood)</summary_title>
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    <name>Support</name>
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  <department>
    <value>Paintings, Drawings and Prints</value>
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    <summary_title>Treasured Possessions from the Renaissance to the Enlightenment</summary_title>
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    <type>uri</type>
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  <inscription>
    <location>on the small book hanging at her waist</location>
    <transcription>
      <value>D (?)</value>
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    <summary_title>The Fitzwilliam Museum</summary_title>
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        <summary_title>Ingram, Bruce Stirling, Sir</summary_title>
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        <earliest>1963</earliest>
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        <value>bequeathed</value>
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          <earliest>1550</earliest>
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          <latest>1550</latest>
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        <latest>1555</latest>
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          <value>Date derived from the costume.</value>
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        <range>1</range>
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          <earliest>1555</earliest>
          <era>CE</era>
          <latest>1555</latest>
          <value>1555</value>
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        <summary_title>Ewouts, Hans</summary_title>
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        <summary_title>1550s</summary_title>
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    <dimensions>
      <dimension>Height</dimension>
      <units>cm</units>
      <value>109.9</value>
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    <dimensions>
      <dimension>Width</dimension>
      <units>cm</units>
      <value>80</value>
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        <summary_title>oil paint</summary_title>
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        <value>Unknown Lady (perhaps Lady Jane Grey), by Hans Ewouts</value>
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      <summary_title>painting</summary_title>
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  <note>
    <type>history note</type>
    <value>Francis Barchard, (d. 1856), of Horstead Place, Uckfield, Sussex, who bought it in 1854; Mrs Maude Barchard , the widow of his great-grandson; bt. from her by P. and D. Colnaghi &amp; Co. Ltd, London; exh. Colnaghi's, 1949, when it was bought by Sir Bruce Ingram</value>
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      <id>agent-149638</id>
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    <summary_title>The Fitzwilliam Museum</summary_title>
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    <summary_title>[Unknown; Illustrated London News; 1960]</summary_title>
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      <notes>R.A. exhibition</notes>
      <page>11</page>
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    <summary_title>Souvenir (Works by Holbein and other masters of the 16th and 17th Centuries)</summary_title>
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    <link>
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      <uuid>b228b4e4-8f4d-3490-9252-3811c76ab69b</uuid>
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    <summary_title>Painting in Britain, 1530-1790</summary_title>
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    <link>
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    <admin>
      <id>publication-544</id>
      <uid>adlib-publication-544</uid>
      <uuid>721b393d-009f-30f4-8ad6-caee55ef3bec</uuid>
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    <summary_title>Fitzwilliam Museum, Cambridge. Annual Report for the Year ending 31 December 1963</summary_title>
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  <publications>
    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>publication-187</id>
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      <uuid>add5a9b3-8fb8-3927-89e9-013b524bb428</uuid>
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    <summary_title>Exhibiton Catalogue (Hans Eworth)</summary_title>
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    <link>
      <notes>Publ. p. 250, fig. 69b</notes>
      <page>250</page>
      <type>reference</type>
    </link>
    <admin>
      <id>publication-6402</id>
      <uid>adlib-publication-6402</uid>
      <uuid>b70b4cb9-7889-3f2f-b0dd-9e0852051bbd</uuid>
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    <summary_title>English Embroidery from The Metropolitan Museum of Art, 1580-1700, 'Twixt Art and Nature</summary_title>
  </publications>
  <publications>
    <link>
      <type>reference</type>
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    <admin>
      <id>publication-188</id>
      <uid>adlib-publication-188</uid>
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    <summary_title>The English Icon: Elizabethan and Jacobean Portraiture</summary_title>
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    <link>
      <notes>pl. 2</notes>
      <page>72-74</page>
      <type>reference</type>
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    <summary_title>Catalogue of Paintings in the Fitzwilliam Museum, Cambridge, Vol. III, British School</summary_title>
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      <notes>esp. pp.30-32, ill. p. 31 fig 1 (head and shoulders) and p. 32 (girdle-prayerbook only); and note 8 on p. 54. Tate suggests the the sitter is Lady Anne Penruddocke, on grounds of likeness to a well-documented portrait of that lady aged 20 in 1557, also ill. p. 33, fig. 4</notes>
      <page>29-57</page>
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    <admin>
      <id>publication-200000398</id>
      <uid>adlib-publication-200000398</uid>
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    <summary_title>The girdle-prayerbook or 'tablett': an important class of Renaissance jewellry at the court of Henry VIII</summary_title>
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  <publications>
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      <page>44-45</page>
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    <summary_title>A new face for the lady</summary_title>
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    <summary_title>Portrait may be only image of Lady Jane Grey</summary_title>
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      <notes>Illustrated on page 131 (fig. 143)</notes>
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