<?xml version="1.0"?>
<root>
  <admin>
    <added>1592951649000</added>
    <created>1312637261000</created>
    <flag>Standard Record</flag>
    <id>object-9338</id>
    <indexed>1760552624383</indexed>
    <modified>1760544003000</modified>
    <processed>1760552437485</processed>
    <source>adlib</source>
    <stream>fitz-online</stream>
    <uid>adlib-object-9338</uid>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/9338</uri>
    <uuid>80d97490-e188-3207-9d8b-e0bbc4ddf265</uuid>
    <version>9</version>
  </admin>
  <categories>
    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>term-101697</id>
      <uid>adlib-term-101697</uid>
      <uuid>613a191a-56ce-3317-8b6e-e5df00e65022</uuid>
    </admin>
    <summary_title>sketchbook</summary_title>
  </categories>
  <component>
    <materials>
      <reference>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>term-106206</id>
          <uid>adlib-term-106206</uid>
          <uuid>da969d02-66a2-3e51-8dde-d1d8613f2ff6</uuid>
        </admin>
        <summary_title>paper</summary_title>
      </reference>
    </materials>
    <name>Support</name>
  </component>
  <component>
    <measurements>
      <dimensions>
        <dimension>Height</dimension>
        <units>mm</units>
        <value>139</value>
      </dimensions>
      <dimensions>
        <dimension>Width</dimension>
        <units>mm</units>
        <value>229</value>
      </dimensions>
    </measurements>
    <name>Page Size</name>
  </component>
  <department>
    <value>Paintings, Drawings and Prints</value>
  </department>
  <identifier>
    <accession_number>859.f.4</accession_number>
    <primary>1</primary>
    <type>accession number</type>
    <value>859.f.4</value>
  </identifier>
  <identifier>
    <priref>9338</priref>
    <type>priref</type>
    <value>9338</value>
  </identifier>
  <identifier>
    <type>uri</type>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/9338</uri>
    <value>https://data.fitzmuseum.cam.ac.uk/id/object/9338</value>
  </identifier>
  <inscription>
    <description>
      <value>text in brackets indicates it has been crossed through</value>
    </description>
    <location>recto</location>
    <method>graphite and black ink</method>
    <transcription>
      <value>(Kind of) the only technical instruction in art not prejudicial / to the recipient (that I can imagine) would be / careful (drawing from the antique under) training by (a 1st rate master) / first rate artists - this might tend to (inculcate) justify / a feeling for form &amp; proportion (all of the following in black ink) in pictures / etc. &amp; an ear for time in music - / setting aside the question of music we may decide / that Careful drawing from the antique / under competent supervision would be / desirable and not harmful(?), but the / effects of partial instruction on a / subordinate branch of art might be / surmised by contrast if one were to try / &amp; imagine what might have been the result on / Lorenzo dei Medici as patron of / Michaelangelo had he been rashly? / trained to copy water-colour sketches / by (second) third-rate english artists - &amp; (?) that / is what happen to the possible english Larenzo</value>
    </transcription>
  </inscription>
  <inscription>
    <description>
      <value>text in brackets indicates it has been crossed through</value>
    </description>
    <location>verso</location>
    <method>graphite</method>
    <transcription>
      <value>The march of modern art towards / realism &amp; idealism: This at / first apparent anomaly - (but) &amp; of / imitation of  (?) necessarily low / objects only, &amp; (idealism) imagination  / only dealt with the supernatural - as Edgar Poe / asserts, this would be so. but that / such is not the case will be one of the / endeavours of these two lectures to prove.  a possible school of painting in england of all the first / european artists.  Dalou here already / (through) owing to the proverbially very ill wind not having blown. (who) Tadema also / what if we could have had Rogneau / &amp; M been opposed to each other;  all these foreign / painters improve by their contact with / English art (?) suit there be black in colours etc etc . This nouveau is an ideal &amp; / very different aspiration to that of the south / Kensington Commissioners who seem mainly / bent on freighting over here the sweepings of / the foreign studio (on) &amp; giving them sale</value>
    </transcription>
  </inscription>
  <institutions>
    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>agent-149638</id>
      <uid>adlib-agent-149638</uid>
      <uuid>7376d833-d0a7-3be0-916e-9c892b7a24d8</uuid>
    </admin>
    <summary_title>The Fitzwilliam Museum</summary_title>
  </institutions>
  <lifecycle>
    <acquisition>
      <agents>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>agent-153239</id>
          <uid>adlib-agent-153239</uid>
          <uuid>d8e74e61-a4a9-37b7-9e13-326601bb5bec</uuid>
        </admin>
        <summary_title>Murray, Charles Fairfax</summary_title>
      </agents>
      <date>
        <earliest>1917</earliest>
        <latest>1917</latest>
        <value>1917</value>
      </date>
      <method>
        <value>given</value>
      </method>
    </acquisition>
    <creation>
      <date>
        <earliest>1870</earliest>
        <from>
          <earliest>1870</earliest>
          <latest>1870</latest>
          <precision>not before</precision>
          <value>1870</value>
        </from>
        <latest>1875</latest>
        <note>
          <value>early date given by the exhibition date for Regnault's Salome (1869-70, exhibited 1870) (see continuation of this text in 859.4.verso and 859.5.recto)</value>
        </note>
        <range>1</range>
        <to>
          <earliest>1875</earliest>
          <latest>1875</latest>
          <value>1875</value>
        </to>
      </date>
      <maker>
        <link>
          <role>
            <value>draughtsman</value>
          </role>
          <type>reference</type>
        </link>
        <admin>
          <id>agent-18757</id>
          <uid>adlib-agent-18757</uid>
          <uuid>fd0db184-149c-317a-98b9-92558d7faf93</uuid>
        </admin>
        <summary_title>Brown, Ford Madox</summary_title>
      </maker>
      <periods>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>term-106921</id>
          <uid>adlib-term-106921</uid>
          <uuid>0fc8373f-cfab-3453-a477-10d56a0498cb</uuid>
        </admin>
        <summary_title>1870s</summary_title>
      </periods>
    </creation>
  </lifecycle>
  <medium>
    <materials>
      <reference>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>term-106207</id>
          <uid>adlib-term-106207</uid>
          <uuid>db58bae6-9f6a-3aca-bda4-ae04968b9dfc</uuid>
        </admin>
        <summary_title>black ink</summary_title>
      </reference>
    </materials>
    <materials>
      <reference>
        <link>
          <type>reference</type>
        </link>
        <admin>
          <id>term-31041</id>
          <uid>adlib-term-31041</uid>
          <uuid>777e9d03-48c7-3aba-a563-03dee309fe95</uuid>
        </admin>
        <summary_title>graphite</summary_title>
      </reference>
    </materials>
  </medium>
  <name>
    <reference>
      <link>
        <type>reference</type>
      </link>
      <admin>
        <id>term-101697</id>
        <uid>adlib-term-101697</uid>
        <uuid>613a191a-56ce-3317-8b6e-e5df00e65022</uuid>
      </admin>
      <summary_title>sketchbook</summary_title>
    </reference>
  </name>
  <objects>
    <link>
      <cascade>1</cascade>
      <type>reference</type>
    </link>
    <admin>
      <id>object-185463</id>
      <uid>adlib-object-185463</uid>
      <uuid>d7a6b0f1-f9b6-3e3e-8567-8a1f4c5084fe</uuid>
    </admin>
    <summary_title>859.5 recto</summary_title>
  </objects>
  <objects>
    <link>
      <cascade>1</cascade>
      <type>reference</type>
    </link>
    <admin>
      <id>object-185464</id>
      <uid>adlib-object-185464</uid>
      <uuid>32b2b2eb-a4af-3016-a9fa-9224ac1ca2b1</uuid>
    </admin>
    <summary_title>859.4.verso</summary_title>
  </objects>
  <owners>
    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>agent-149638</id>
      <uid>adlib-agent-149638</uid>
      <uuid>7376d833-d0a7-3be0-916e-9c892b7a24d8</uuid>
    </admin>
    <summary_title>The Fitzwilliam Museum</summary_title>
  </owners>
  <school_or_style>
    <link>
      <type>reference</type>
    </link>
    <admin>
      <id>term-9168</id>
      <uid>adlib-term-9168</uid>
      <uuid>6b0c59e1-73cc-3b5c-8e54-56f42806ba6f</uuid>
    </admin>
    <summary_title>British</summary_title>
  </school_or_style>
  <summary>
    <reference>
      <link>
        <type>reference</type>
      </link>
      <admin>
        <id>term-101697</id>
        <uid>adlib-term-101697</uid>
        <uuid>613a191a-56ce-3317-8b6e-e5df00e65022</uuid>
      </admin>
      <summary_title>sketchbook</summary_title>
    </reference>
  </summary>
  <summary_title>sketchbook</summary_title>
  <techniques>
    <description>
      <value>recto: graphite and black ink
verso: graphite on paper</value>
    </description>
    <reference>
      <link>
        <type>reference</type>
      </link>
      <admin>
        <id>term-27007</id>
        <uid>adlib-term-27007</uid>
        <uuid>326f020c-e0a2-3e7f-8f96-c7ad94fe8767</uuid>
      </admin>
      <summary_title>handwriting</summary_title>
    </reference>
  </techniques>
  <title>
    <type>recto</type>
    <value>Text</value>
  </title>
  <title>
    <type>verso</type>
    <value>Text</value>
  </title>
  <type>
    <base>object</base>
    <type>OBJECT</type>
  </type>
</root>
