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<root>
  <admin>
    <added>1592996858000</added>
    <created>1312637261000</created>
    <flag>Standard Record</flag>
    <id>object-98861</id>
    <indexed>1747246373284</indexed>
    <modified>1607437479000</modified>
    <processed>1747245850681</processed>
    <source>adlib</source>
    <stream>fitz-online</stream>
    <uid>adlib-object-98861</uid>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/98861</uri>
    <uuid>27bffd38-7e02-30f3-937b-67b8209635ab</uuid>
    <version>12</version>
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    <summary_title>porcelain</summary_title>
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    <summary_title>Studio Ceramics</summary_title>
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    <materials>
      <note>
        <value>blue and red</value>
      </note>
      <reference>
        <link>
          <type>reference</type>
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          <id>term-113656</id>
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        <summary_title>oxide colours</summary_title>
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    </materials>
    <name>Decoration</name>
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      <note>
        <value>blue and pinkish-red</value>
      </note>
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        <link>
          <type>reference</type>
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          <id>term-106226</id>
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          <uuid>194567f2-2bcd-3446-ae31-652386611815</uuid>
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        <summary_title>painting</summary_title>
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  <department>
    <value>Applied Arts</value>
  </department>
  <description>
    <value>Group of three figures, porcelain with semi-opaque white glaze, painted in blue, and pinkish-red. Three nude figures, a man, a woman, and a man with a boar-like head, each tickling the waist of the one in front, in a tangled continuous group supported on the toes of one of each figure's feet. The man leans back, and has his left arm behind his back; the woman leans forward towards him with her left arm bent up, and the other outstretched, and the boar-headed man leans right forward so that his back is almost flat.</value>
  </description>
  <identifier>
    <accession_number>C.4-2004</accession_number>
    <primary>1</primary>
    <type>accession number</type>
    <value>C.4-2004</value>
  </identifier>
  <identifier>
    <priref>98861</priref>
    <type>priref</type>
    <value>98861</value>
  </identifier>
  <identifier>
    <date>
      <earliest>2004</earliest>
      <latest>2004</latest>
      <value>2004</value>
    </date>
    <source>The Fitzwilliam Museum</source>
    <type>Entry form</type>
    <value>603</value>
  </identifier>
  <identifier>
    <type>uri</type>
    <uri>https://data.fitzmuseum.cam.ac.uk/id/object/98861</uri>
    <value>https://data.fitzmuseum.cam.ac.uk/id/object/98861</value>
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  <institutions>
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    <summary_title>The Fitzwilliam Museum</summary_title>
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  <legal>
    <credit_line>Gift of Nicholas and Judith Goodison through the National Art Collections Fund</credit_line>
  </legal>
  <lifecycle>
    <acquisition>
      <agents>
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          <id>agent-156032</id>
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          <uuid>3aded83c-6f5c-39b8-a50c-07f712e01b2c</uuid>
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        <summary_title>Goodison, Nicholas and Judith</summary_title>
      </agents>
      <date>
        <earliest>2004</earliest>
        <latest>2004</latest>
        <value>2004-04-26</value>
      </date>
      <method>
        <value>given</value>
      </method>
      <note>
        <value>the donors do not wish their titles to be used in the credit line (Sir and Lady)</value>
      </note>
    </acquisition>
    <creation>
      <date>
        <earliest>2003</earliest>
        <era>CE</era>
        <latest>2003</latest>
        <value>2003</value>
      </date>
      <maker>
        <link>
          <role>
            <value>potter</value>
          </role>
          <type>reference</type>
        </link>
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          <id>agent-156351</id>
          <uid>adlib-agent-156351</uid>
          <uuid>f739b7c3-f638-30cb-ba65-00a3a1a44bea</uuid>
        </admin>
        <summary_title>Flynn, Michael</summary_title>
      </maker>
      <note>
        <value>Text from object entry in A. Game (2016) &#x2018;Contemporary British Crafts: The Goodison Gift to the Fitzwilliam Museum&#x2019;. London: Philip Wilson Publishers: &#x2018;Each piece seems to contain an internal fight, a clashing of gentility and violence, of soft and hard, sensitivity and wantonness. I tend to think that this is partly a result of Flynn&#x2019;s long-standing interest in the 18th century, which gave us at the same time Meissen, Fragonard, Fuseli, and Goya.&#x2019; Paul Greenhalgh, Director, Sainsbury Centre for Visual Arts, University of East Anglia</value>
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          <type>reference</type>
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          <id>term-109891</id>
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          <uuid>ad6efeb2-90e2-3107-ada3-8348ed09c40f</uuid>
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        <summary_title>21st Century, Early</summary_title>
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      <periods>
        <link>
          <type>reference</type>
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        <admin>
          <id>term-107700</id>
          <uid>adlib-term-107700</uid>
          <uuid>8f5360fb-b262-3ae9-8942-b81cc0e3e848</uuid>
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        <summary_title>Elizabeth II</summary_title>
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      <places>
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          <type>reference</type>
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          <id>term-107680</id>
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        <hierarchies>
          <link>
            <type>literal</type>
          </link>
          <name>
            <value>Wales</value>
          </name>
          <summary_title>Wales</summary_title>
          <type>country</type>
        </hierarchies>
        <summary_title>Cardiff</summary_title>
      </places>
    </creation>
  </lifecycle>
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    <reference>
      <link>
        <type>reference</type>
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      <admin>
        <id>term-32652</id>
        <uid>adlib-term-32652</uid>
        <uuid>82d8ae3b-f165-395c-ba93-dfa1c282b7be</uuid>
      </admin>
      <summary_title>glaze</summary_title>
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  </materials>
  <materials>
    <reference>
      <link>
        <type>reference</type>
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        <id>term-37642</id>
        <uid>adlib-term-37642</uid>
        <uuid>8f36efe3-4fe1-3da2-9944-000db5687ad7</uuid>
      </admin>
      <summary_title>porcelain</summary_title>
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    <dimensions>
      <dimension>Height</dimension>
      <units>cm</units>
      <value>26.4</value>
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    <dimensions>
      <dimension>Length</dimension>
      <units>cm</units>
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        <id>term-110220</id>
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        <uuid>e22d3544-a393-3f19-9be4-dc2632ca9942</uuid>
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      <summary_title>figure group</summary_title>
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  </name>
  <note>
    <type>history note</type>
    <value>Contemporary Applied Arts, 2 Percy Street, London, W1T 1DD, from which purchased on 26 February 2004 by the donors</value>
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    <link>
      <type>reference</type>
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      <id>agent-149638</id>
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    <summary_title>The Fitzwilliam Museum</summary_title>
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    <link>
      <notes>Publ. p. 138 listed under '5509, Nicholas and Judith Goodison Gift, Cambridge, Fitzwilliam Museum'</notes>
      <page>138-9</page>
      <type>reference</type>
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      <id>publication-5286</id>
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    <summary_title>2004 Review, The Annual Report of the National Art Collections Fund</summary_title>
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  <publications>
    <link>
      <notes>Ref. Michael Flynn</notes>
      <page>110-15</page>
      <type>reference</type>
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      <id>publication-7736</id>
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      <uuid>c6c68bba-cac9-3f9e-b511-a36911c0345d</uuid>
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    <summary_title>Modern British Potters and their Studios</summary_title>
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    <link>
      <notes>Publ. pp. 138-9, no. 53, object description, illustration, and a quote from the director of the Sainsbury Centre for Visual Arts</notes>
      <number>no. 53</number>
      <page>138-139</page>
      <type>reference</type>
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      <id>publication-8258</id>
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    <summary_title>Contemporary British Crafts: The Goodison Gift to The Fitzwilliam Museum</summary_title>
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    <admin>
      <id>term-117337</id>
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    <summary_title>Contemporary Craft</summary_title>
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    <admin>
      <id>term-42692</id>
      <uid>adlib-term-42692</uid>
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    <summary_title>Studio Ceramics</summary_title>
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        <type>reference</type>
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        <id>term-110220</id>
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      <summary_title>figure group</summary_title>
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  <summary_title>figure group</summary_title>
  <techniques>
    <note>
      <value>semi-opque white</value>
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    <reference>
      <link>
        <type>reference</type>
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        <id>term-27616</id>
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        <uuid>61e6a95d-84c8-3893-b6c8-213392262987</uuid>
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      <summary_title>glazing (coating)</summary_title>
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      <summary_title>modelled</summary_title>
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  <title>
    <value>Tickle</value>
  </title>
  <type>
    <base>object</base>
    <type>OBJECT</type>
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</root>
