15929997160001312637261000Standard Recordobject-98864170292703760617028933030001702926924669fitz-onlineadlib-object-98864https://data.fitzmuseum.cam.ac.uk/id/object/988641776b8d3-a15c-3506-a75b-38a00b61871f16referenceterm-42825adlib-term-42825858e5d17-b554-33d6-936f-25b16f72f39dstonewareDiametercm13BaseDecorationreferenceterm-26511adlib-term-26511297f636c-20a1-3b41-9eb9-a42a35369cb5impressingreferenceterm-27616adlib-term-2761661e6a95d-84c8-3893-b6c8-213392262987glazing (coating)Applied ArtsRed-brown stoneware, thrown, with impressed decoration under dark brown and semi-opaque white gazes. Tall ovoid form with a short cylindrical neck curving outwards at the top into a flat, circular rim. The upper two-thirds of the body is scattered with impressed groups of three oval depressions with a 'tadpole' shape in the centre of each. nThe majority of the vase is covered with semi-opaque white glaze, and the lower area with a raku-like brown glaze.referenceexhibition-3693adlib-exhibition-36939e3cab43-2466-3751-b113-9ee6cbd630f3Of the Earth, Contemporary Ceramics and Glass from The Fitzwilliam MuseumC.6-20041accession numberC.6-200498864priref98864200420042004Entry form603urihttps://data.fitzmuseum.cam.ac.uk/id/object/98864https://data.fitzmuseum.cam.ac.uk/id/object/98864JM in a square outlineon side of vase near to the edge of the baseimpressed in square sealJMmaker's markA underlined in a square outlineon side of vase near to the edge of the baseimpressed in square sealA underlinedmarkoval white label printed with a pale brown oval with GALERIE/BESSON in reserved lettersstuck onto the baseprintedGALERIE/ BESSONlabelreferenceagent-149638adlib-agent-1496387376d833-d0a7-3be0-916e-9c892b7a24d8The Fitzwilliam MuseumGift of Nicholas and Judith Goodison through the National Art Collections Fundreferenceagent-156032adlib-agent-1560323aded83c-6f5c-39b8-a50c-07f712e01b2cGoodison, Nicholas and Judith200420042004-04-26given1998CE1998dated1998potterreferenceagent-166933adlib-agent-1669331d7c70a3-8ef6-30fa-bf98-295a264ce55aMalone, JimText from object entry in A. Game (2016) ‘Contemporary British Crafts: The Goodison Gift to the Fitzwilliam Museum’. London: Philip Wilson Publishers: Jim Malone trained as a teacher in North Wales and taught in secondary schools for three years before studying Ceramics at Camberwell in 1972. On graduation, he spent a year working with Ray Finch (1914–2012) at Winchcombe Pottery and then established his first studio in North Wales, before moving to Cumbria where he still lives and works. Malone’s influences are South East Asian, thirteenth-century Chinese and sixteenthcentury Korean wares, and he works mainly in stoneware with incised or brushed decoration. His work can be best understood within the influential tradition of twentieth-century British studio ceramics spearheaded by Bernard Leach (1887–1979) and his Japanese contemporaries such as Shoji Hamada (1894–1978). Malone has been a highly respected maker within this tradition, and his works are held in many public collections. He exhibits regularly at solo and group exhibitions, and Manchester Metropolitan University has published a slide set with commentary and a video by Alex McErlain entitled Jim Malone: Artist-Potter. Jim Malone: ‘Shoji Hamada said there were two kinds of pot. The first he compared to hothouse plants, the second to a tree growing on the mountainside. In his own work he aspired to the latter; I have endeavoured to do likewise.’referenceterm-109890adlib-term-109890825251c2-9904-34be-b6ab-c855347f224720th Century, Late#referenceterm-107700adlib-term-1077008f5360fb-b262-3ae9-8942-b81cc0e3e848Elizabeth IIreferenceterm-134049adlib-term-134049d508c5ba-4ea1-3f23-bf3c-a6cbd2aa0a9eliteralEnglandEnglandcountryliteralCumbriaCumbriaregionLessonhallexcept for the basereferenceterm-32652adlib-term-3265282d8ae3b-f165-395c-ba93-dfa1c282b7beglazereferenceterm-42825adlib-term-42825858e5d17-b554-33d6-936f-25b16f72f39dstonewareHeightcm51.4referencemedia-196737adlib-media-19673793c75ddd-71fb-3466-a533-0492a398a26djpegaa/aa33/C_6_2004_200806_mfj22_dc2.jpg1heightpixels1025widthpixels68317029265235451imagejpegaa/aa33/mid_C_6_2004_200806_mfj22_dc2.jpg1heightpixels750widthpixels50017029265235451imagejpegaa/aa33/C_6_2004_200806_mfj22_dc2.jpg1heightpixels1025widthpixels68317029265235451imagejpegaa/aa33/preview_C_6_2004_200806_mfj22_dc2.jpg1heightpixels375widthpixels25017029265235451image0media
imagereferenceterm-89323adlib-term-8932397ac314a-355a-32e4-9e69-cc42cfebdce8bottleobject namereferenceterm-42692adlib-term-4269268c2b295-0e5f-3e4e-ac86-2aebb8653b91Studio Ceramicscategoryvasehistory noteGalerie Besson, 15 Royal Arcade, 28 Old Bond Street, London, W1X 3HB, where purchased on 13 February 2004 by the donrs.referenceagent-149638adlib-agent-1496387376d833-d0a7-3be0-916e-9c892b7a24d8The Fitzwilliam MuseumPubl. p. 138, listed under '5509 Nicholas and Judith Goodiosn Gift, Cambridge, Fitzwilliam Museum'138-9referencepublication-5286adlib-publication-5286396efcd7-1019-3564-a7dc-7c12d16a639c2004 Review, The Annual Report of the National Art Collections FundPubl. pp. 142-3, no. 55, object description, illustration, maker's biography, and quoteno. 55142-43referencepublication-8258adlib-publication-825871d79ea2-2385-305e-9044-fbb0cde9ffe7Contemporary British Crafts: The Goodison Gift to The Fitzwilliam MuseumRef. Jim Malone34-9referencepublication-7736adlib-publication-7736c6c68bba-cac9-3f9e-b511-a36911c0345dModern British Potters and their Studiosreferenceterm-117337adlib-term-1173374384df20-5604-3ac1-aff2-e396ed3bf20dContemporary Craftreferenceterm-42692adlib-term-4269268c2b295-0e5f-3e4e-ac86-2aebb8653b91Studio Ceramicsreferenceterm-89323adlib-term-8932397ac314a-355a-32e4-9e69-cc42cfebdce8bottlebottlered-brown stoneware, thrown, with impressed decoration under dark brown, and semi-opaque white gazesreferenceterm-120082adlib-term-120082ea83ed85-6b07-3e7e-83fc-440cfda22f7ethrowingTall Bottleobject
OBJECT