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The Fitzwilliam holds an example of each, as well as this unglazed sample of the soup plate and examples from Guyatt\u2019s \u2018Oranges and Lemons\u2019 lemonade set and of commemorative mugs he designed for Wedgwood, as well as Wedgwood Queen\u2019s ware designed by Eric Ravilious."},{"value":"Richard Gerald Talbot Guyatt CBE (1914-2007) began his career as a freelance graphic designer with posters for Shell-Mex and BP and book illustrations. At the Royal College of Art, where he was a professor from 1948 and later rector, he lead the introduction of education in graphic design and influenced subsequent expansion into typography, illustration, printmaking, photography, film and television design. From 1952-55 and 1967-70 Guyatt was consultant designer to Wedgwood. The company had revived the use of engraved designs in the mid 1930s \u2013 a mode of decoration which allowed the artist\u2019s own work and \u2018hand-writing\u2019 to be reproduced in a factory setting, and well suited to Guyatt\u2019s style. His design for this dinner service for  the High Table of King's College, Cambridge, was recorded on 18 March 1954. The  body was recorded as \u2018CC\u2019 (cream coloured earthenware, or \u2018Queen\u2019s ware\u2019), and pattern book entry, no. G5558, notes it was first  \u2018printed in sepia, gilt, with a narrow band at edge line below verge in gold which was sanded\u2019, though later versions are printed in black.  Since 1971, when the College ordered a new 2,500 piece service, it has been made in metallized bone china with over-glaze printing, by Wedgwood's Hotel Division. The design is based on various motifs in the tracery lights of the King\u2019s College Chapel windows. The central Tudor Rose encloses the ciphers of Henry VI, who founded the College in 1441, Henry VII and Henry VIII."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-110488","uid":"adlib-term-110488","uuid":"4503a73a-ae49-3f4d-8814-88925dcd11a3"},"summary_title":"20th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-107700","uid":"adlib-term-107700","uuid":"8f5360fb-b262-3ae9-8942-b81cc0e3e848"},"summary_title":"Elizabeth II"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-114582","uid":"adlib-term-114582","uuid":"511cfe35-cd51-335e-b2a9-7683f4b84bd1"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Barlaston"}]}]},"materials":[{"note":[{"value":"unglazed"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42837","uid":"adlib-term-42837","uuid":"60792d1e-3967-38d7-8310-ee3edeb8a4ce"},"summary_title":"cream-coloured 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On the reverse a low, curved foot supports each shell. The upper surface decorated with pale yellow, pink and purple majolica glazes. The dolphins are covered in shades of pink with eyes and fins picked out in deeper pink. The same pink is used on the outer edges of the shells and around the rim of the central bowl, thicker at the edge and shading away into the depressions, which are tinged with pale yellow. The shape and pearlescence of the inner shells is indicated with a faint application of purple. The reverse clear-glazed."}],"identifier":[{"accession_number":"C.3-1986","primary":true,"type":"accession number","value":"C.3-1986"},{"priref":"12139","type":"priref","value":"12139"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/12139","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/12139"}],"inscription":[{"location":"on reverse","method":"impressed","transcription":[{"value":"WEDGWOOD"}],"type":"mark"},{"description":[{"value":"unclear"}],"location":"on reverse","method":"impressed","transcription":[{"value":"possibly 'CUD'"}],"type":"mark"},{"location":"on reverse","method":"impressed","transcription":[{"value":"W"}],"type":"mark"},{"description":[{"value":"lozenge shaped Patent Registration mark, possibly incorporating date letter 'D' (1878), but mainly illegible"}],"location":"on reverse","method":"impressed","type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by C.N. 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They were also produced in other colours, including brown\/pink dolphins and a mustard middle on a cream\/white plate and cobalt blue shells with grey dolphins and a turquoise middle. Some 42 different entries in the Wedgwood majolica ware pattern books refer to oyster trays and stands, illustrating the range and popularity of oyster plate designs produced."},{"value":"This is one of a pair of plates held in the Fitzwilliam collection. Oysters were abundant and inexpensive in the 19th Century, and oyster plates were fashionable from mid 1850s  until c.1940. Some of the best were made with majolica glazes, introduced by Minton in 1851 and a significant area of Wedgwood production in the 1870s. Both shape and colour are important in majolica ware, and the use of colour to highlight the detail of the moulding on these plates is typical. The delicately applied pink colour and the light purple which mimics the inside of an oyster shell (more evident on this plate than on the other) suggests they were made after 1878, when  Wedgwood updated its majolica ware, the new designs favouring embossed, often Japanese-inspired, naturalistic decoration painted in bright majolica colours against a pale or white background. This change, known as Argenta ware, followed the observation that earlier, more deeply coloured majolica seemed to be going out of fashion at the 1878 Paris exhibition. The lozenge-shaped factory mark indicates that the plates were made before 1884."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-15214","uid":"adlib-term-15214","uuid":"744af2c4-a2f2-37ad-bbf4-2cd00e91ed9b"},"summary_title":"Victorian"},{"@link":{"type":"reference"},"admin":{"id":"term-108070","uid":"adlib-term-108070","uuid":"7e278258-23e3-3d5b-a4ff-ab5ecacb4bf3"},"summary_title":"19th Century, Late"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113623","uid":"adlib-term-113623","uuid":"87ef9eaf-54a8-3838-8337-94dbf03aad62"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Etruria"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107611","uid":"adlib-term-107611","uuid":"790e5a19-a186-34d5-a16e-2d8dff9f6247"},"summary_title":"white earthenware"}}],"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"23.5"},{"dimension":"Height","units":"cm","value":"3.7"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-11767","uid":"adlib-media-11767","uuid":"4c1d6247-c71f-3f39-9496-2d5b7ac13211"},"processed":{"large":{"format":"jpeg","location":"aa\/aa6\/C_3_1986.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1616252948701,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa6\/mid_C_3_1986.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":362},{"dimension":"width","units":"pixels","value":500}]},"modified":1616252948701,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa6\/C_3_1986.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1616252948701,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa6\/preview_C_3_1986.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":181},{"dimension":"width","units":"pixels","value":250}]},"modified":1616252948701,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-91581","uid":"adlib-term-91581","uuid":"547c0b66-e2a0-35cb-9321-88f97805e630"},"summary_title":"oyster plate"}}],"note":[{"type":"history note","value":"Unknown before C.N.P. 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The delicately applied pink colour and the light purple which mimics the inside of an oyster shell (less evident on this plate than on the other) suggests they were made after 1878, when  Wedgwood updated its majolica ware, the new designs favouring embossed, often Japanese-inspired, naturalistic decoration painted in bright majolica colours against a pale or white background. This change, known as Argenta ware, followed the observation that earlier, more deeply coloured majolica seemed to be going out of fashion at the 1878 Paris exhibition. 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The neck and shoulders are smooth, with the throwing ridges showing clearly below. The neck is finished with an out-turned, chamfered rim, which displays turquoise colour of the interior. The underside is concave and glazed, within an unglazed foot rim."}],"identifier":[{"accession_number":"C.73-1992","primary":true,"type":"accession number","value":"C.73-1992"},{"priref":"12154","type":"priref","value":"12154"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/12154","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/12154"}],"inscription":[{"location":"on the base","method":"impressed","transcription":[{"value":"WEDGWOOD\/MADE IN\/ENGLAND"}],"type":"factory mark"},{"location":"on the base","method":"impressed","transcription":[{"value":"N"}],"type":"mark"},{"location":"on the base","method":"impressed","transcription":[{"value":"NW"}],"type":"mark"},{"location":"on the base","method":"rectangular paper label, typed inscription","transcription":[{"value":"NORMAN WILSON\/WARE & GLAZES"}],"type":"label"},{"description":[{"value":"top line obscured by the other label"}],"method":"square paper label, inscribed in blue ink","transcription":[{"value":"...VASE 9 \u00be\"\/4699 SHAPE\/BLACK ON OUTSIDE\/ TURQUOISE ON INSIDE"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Sir Ivor and Lady Batchelor"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-166527","uid":"adlib-agent-166527","uuid":"3d240ab9-5cc0-3201-953a-01170d7e3328"},"summary_title":"Batchelor, Ivor, Sir and Lady"}],"date":[{"earliest":1992,"latest":1992,"value":"1992-04-27"}],"method":{"value":"given"}}],"creation":[{"date":[{"earliest":1962,"era":["CE"],"latest":1962,"note":[{"value":"(date noted on acquisition; Reilly dates similar vase 1953-62)"}],"value":"1962"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-143576","uid":"adlib-agent-143576","uuid":"535626bd-0b17-316b-bbbf-3551cefd8265"},"summary_title":"Wedgwood"},{"@link":{"role":[{"value":"designer"}],"type":"reference"},"admin":{"id":"agent-152950","uid":"adlib-agent-152950","uuid":"bcba06c0-9ef9-399d-9186-0f5090043afa"},"summary_title":"Wilson, Norman"}],"note":[{"value":"Norman Wilson (1902-85) learned his trade working in his father\u2019s china works while studying at North Staffordshire technical College, where he won a silver medal and, later, lectured. 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Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Cf. a similar vase, with thinly applied re-brown glaze on the outside, and information about Wilson\u2019s work at Wedgwood. 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A \u2018Travel\u2019 dinner service for six, depicting travel through snow  and by balloon, bus, train, aeroplane, steamboat and sail, cost \u00a317 3s 6d. Ravilious also designed commemorative wares, including a Coronation Mug for Edward VIII (1936), later adapted for the coronations of both George VI and Elizabeth II; a mug celebrating the company\u2019s relocation to Barlaston (1939); and a \u2018Boat Race Day\u2019 bowl, cup and stand (1938). Earlier designs were engraved at the factory from Ravilious\u2019 drawings, but the \u2018Boat Race\u2019 images were lithographs drawn by Ravilious himself for direct application to the ware."},{"value":"The Fitzwilliam Museum also holds a war-time watercolour by Ravilious, two books with his engravings and a number of his prints, and a book of Tirzah Ravilious\u2019 engravings."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-109795","uid":"adlib-term-109795","uuid":"8a394dfa-6091-3a16-97c3-fb85612c23b6"},"summary_title":"20th Century, Mid"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-114582","uid":"adlib-term-114582","uuid":"511cfe35-cd51-335e-b2a9-7683f4b84bd1"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Barlaston"}]}]},"materials":[{"note":[{"value":"'Windsor Grey coloured 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A \u2018Travel\u2019 dinner service for six, depicting travel through snow  and by balloon, bus, train, aeroplane, steamboat and sail, cost \u00a317 3s 6d. Ravilious also designed commemorative wares, including a Coronation Mug for Edward VIII (1936), later adapted for the coronations of both George VI and Elizabeth II; a mug celebrating the company\u2019s relocation to Barlaston (1939); and a \u2018Boat Race Day\u2019 bowl, cup and stand (1938). Earlier designs were engraved at the factory from Ravilious\u2019 drawings, but the \u2018Boat Race\u2019 images were lithographs drawn by Ravilious himself for direct application to the ware."},{"value":"The Fitzwilliam Museum also holds a war-time watercolour by Ravilious, two books with his engravings  and a number of his prints, and a book of Tirzah Ravilious\u2019 engravings."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-109795","uid":"adlib-term-109795","uuid":"8a394dfa-6091-3a16-97c3-fb85612c23b6"},"summary_title":"20th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-107700","uid":"adlib-term-107700","uuid":"8f5360fb-b262-3ae9-8942-b81cc0e3e848"},"summary_title":"Elizabeth 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The mug is of  truncated conical form with a loop handle. The underside is recessed and glazed. The sides are decorated with the inscription 'Brickbats & Tiles', in black. The 'B\u2019 is formed from bricks, with the spaces within the letter indicated by a doorway (containing a tree) and an upper window, where a workman sits astride the sill, hammering; a ladder reaches up to the window, whilst on the ground another man is poised to throw a brick up. The '&' is a striped bell rope. The 'T' is a church with a tall tower, across which is a flaring strip of flocking birds. There is a pink band round the rim and, at the bottom, the inscription \u2018Say the bells of St. Giles\u2019 with a green band over. 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Cylindrical, with a reeded loop handle. On the lower half of the exterior:  a design incorporating the date (1937), the Royal Arms and 'ER', over-painted with a solid band of cornflower blue. On the upper half: fireworks highlighted in yellow, on one side against a darkened sky. Inside, near the rim: 'ER' beneath a crown, not coloured. The underside is flat and glazed, with a narrow, raised foot-rim."}],"identifier":[{"accession_number":"EC.1-1945","primary":true,"type":"accession number","value":"EC.1-1945"},{"priref":"11751","type":"priref","value":"11751"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/11751","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/11751"}],"inscription":[{"description":[{"value":"back-stamp in black with a crown above"}],"location":"on the base","method":"stamped in black","transcription":[{"value":"TO COMMEMORATE\/THE CORONATION\/OF HIS MAJESTY\/KING EDWARD VIII \/1937 \/WEDGWOOD\/MADE IN ENGLAND,\/DESIGNED BY\/RAVILIOUS"}],"type":"mark"},{"description":[{"value":"(towards the rim, above and below the back-stamp)"}],"location":"on the base","method":"impressed","transcription":[{"value":"WEDGWOOD \/ MADE IN ENGLAND"}],"type":"mark"},{"location":"on the base","method":"printed in black","transcription":[{"value":"R"}],"type":"mark"},{"location":"on the base","method":"painted in red","transcription":[{"value":"CL6203\/A"}],"type":"mark"},{"location":"on the base","method":"painted in blue","transcription":[{"value":"4"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by R.S. 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In 1930 he married Eileen Lucy \"Tirzah\" Garwood (1908-1951) also a noted artist and engraver.   From around 1936, he became one of Wedgwood\u2019s most prolific freelance designers, although many of his designs were not produced in quantity until after World War II, during which he was killed while serving as a war artist with the Royal Marines.  Wedgwood had revived the use of engraved designs in the mid 1930s \u2013 a mode of decoration which allowed the artist\u2019s own work and \u2018hand-writing\u2019 to be reproduced in a factory setting, and well suited to Ravilious\u2019 style."},{"value":"Ravilious\u2019 engraving for this mug was produced in 1936, for the Coronation of Edward VIII the following year, but the king abdicated before the event took place. The design was later adapted for the coronations of both George VI and Elizabeth II. Other Wedgwood commemorative ware by Ravilious includes a mug celebrating the company\u2019s relocation to Barlaston  in1939 and a \u2018Boat Race Day\u2019 bowl, cup and stand (1938).  He also designed at least seven Wedgwood tableware services, each with a number of vignettes on a single everyday theme.  His \u2018Travel\u2019 dinner service for six, produced in the 1950s and depicting travel through snow  and by balloon, bus, train, aeroplane, steamboat and sail, cost \u00a317 3s 6d. Earlier designs were engraved at the factory from Ravilious\u2019 drawings; others, including the \u2018Boat Race\u2019 images, were lithographs drawn by Ravilious himself for direct application to the ware."},{"value":"The Fitzwilliam Museum also holds a war-time watercolour by Ravilious, two books with his engravings  a number of his prints, a book of Tirzah Ravilious\u2019 engravings, and Wedgwood Coronation mugs designed by Richard Guyatt."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-107749","uid":"adlib-term-107749","uuid":"e089b122-3c61-3b88-a645-624a4a54e267"},"summary_title":"1930s"},{"@link":{"type":"reference"},"admin":{"id":"term-125908","uid":"adlib-term-125908","uuid":"4538ea25-0c4e-3020-bce6-709b706652bd"},"summary_title":"Edward VIII"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113623","uid":"adlib-term-113623","uuid":"87ef9eaf-54a8-3838-8337-94dbf03aad62"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Etruria"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-37088","uid":"adlib-term-37088","uuid":"0a28530e-cea8-3d08-b792-a30bf68f524f"},"summary_title":"clear glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42837","uid":"adlib-term-42837","uuid":"60792d1e-3967-38d7-8310-ee3edeb8a4ce"},"summary_title":"cream-coloured earthenware"}}],"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"10.6"},{"dimension":"Height","units":"cm","value":"10.2"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-11602","uid":"adlib-media-11602","uuid":"be0aa9fb-f751-34d8-8bd1-dd2f3dd24b7f"},"processed":{"large":{"format":"jpeg","location":"aa\/aa6\/EC_1_1945_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1616275276068,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa6\/mid_EC_1_1945_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":362},{"dimension":"width","units":"pixels","value":500}]},"modified":1616275276068,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa6\/EC_1_1945_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1616275276068,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa6\/preview_EC_1_1945_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":181},{"dimension":"width","units":"pixels","value":250}]},"modified":1616275276068,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}},{"@link":{"type":"reference"},"admin":{"id":"media-11603","uid":"adlib-media-11603","uuid":"cd5bda4d-e46d-34bb-a804-69168508ba84"},"processed":{"large":{"format":"jpeg","location":"aa\/aa6\/EC_1_1945_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1616278292206,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa6\/mid_EC_1_1945_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":362},{"dimension":"width","units":"pixels","value":500}]},"modified":1616278292206,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa6\/EC_1_1945_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1616278292206,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa6\/preview_EC_1_1945_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":181},{"dimension":"width","units":"pixels","value":250}]},"modified":1616278292206,"resizable":true,"type":"image"}},"sort":"1","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-91188","uid":"adlib-term-91188","uuid":"40f320f4-04b6-3303-8129-f9e81e2b4671"},"summary_title":"mug"}}],"note":[{"type":"history note","value":"given by R S Hart, 1945; 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Outside Wedgwood, his commercial commissions ranged from exhibition stands to coins, stamps, the WH Smith logo and packaging for Anchor butter."},{"value":"Richard Gerald Talbot Guyatt CBE (1914-2007) began his career as a freelance graphic designer with posters for Shell-Mex and BP and book illustrations. At the Royal College of Art, where he was a professor from 1948 and later rector, he lead the introduction of education in graphic design and influenced subsequent expansion into typography, illustration, printmaking, photography, film and television design. From 1952-55 and 1967-70 Guyatt was consultant designer to Wedgwood. The company had revived the use of engraved designs in the mid 1930s \u2013 a mode of decoration which allowed the artist\u2019s own work and \u2018hand-writing\u2019 to be reproduced in a factory setting, and well suited to Guyatt\u2019s style."},{"value":"The Fitzwilliam Museum holds examples of the jug and three of the mugs from the \u2018Oranges and Lemons\u2019 set, as well as items from the King\u2019s College dinner service and Wedgwood Queen\u2019s ware designed by Eric Ravilious."},{"value":"This mug is part of a \u2018lemonade set\u2019 comprising a jug and four mugs, originally made for sale through Liberty\u2019s and later distributed more widely. The set illustrates old London churches, using the theme of the nursery rhyme \u2018Oranges and Lemons\u2019. \u2018Bullseyes and Targets, say the bells of St Margaret\u2019s\u2019 refers to the archery practice that took place nearby when St Margaret\u2019s, Lothbury, in the City of London, was built in the 15th Century."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-110488","uid":"adlib-term-110488","uuid":"4503a73a-ae49-3f4d-8814-88925dcd11a3"},"summary_title":"20th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-107700","uid":"adlib-term-107700","uuid":"8f5360fb-b262-3ae9-8942-b81cc0e3e848"},"summary_title":"Elizabeth 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The inside of the rim is chamfered towards the centre, to form a flat upper surface. The sides are lathe-cut with sixteen facets on the exterior. The underside is slightly recessed and glazed within the foot-rim."}],"identifier":[{"accession_number":"C.9-1980","primary":true,"type":"accession number","value":"C.9-1980"},{"priref":"12151","type":"priref","value":"12151"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/12151","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/12151"}],"inscription":[{"description":[{"value":"facsimile signature underlined, with print letters below"}],"location":"on the base","method":"printed in blue","transcription":[{"value":"Keith Murray\/ WEDGWOOD \/MADE IN ENGLAND"}],"type":"mark"},{"description":[{"value":"small and indistinct"}],"location":"on the base, near the foot-rim","method":"impressed","transcription":[{"value":"MADE IN \/ ENGLAND"}],"type":"mark"},{"description":[{"value":"small, preceded by another figure (possibly an 8 or a monogram ?)"}],"location":"on the base","method":"impressed","transcription":[{"value":"Z[?] 34"}],"type":"mark"},{"description":[{"value":"followed by two symbols ('E' or 'm'? and 'y'?)"}],"location":"on the base","method":"incised","transcription":[{"value":"3819"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"lifecycle":{"acquisition":[{"date":[{"earliest":1980,"latest":1980,"value":"1980-03-10"}],"method":{"value":"bought"},"note":[{"value":"Purchased as furnishing at an unknown date. 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His designs  were commercially popular and many remained in production until the 1950s. In 1936, Keith Murray and Charles White were commissioned to design Wedgwood\u2019s new factory at Barlaston, alongside a model village estate by Louis Soissons. Murray retired from ceramic design in 1948, though continued his architectural practice until 1967."},{"value":"Keith Murray\u2019s elegant, architectural designs include vases, jugs and bowls, generally decorated only by moulding or simple incised lines. They were well suited to new matt glazes being created in the 1930s by Norman Wilson, then works manager at Wedgwood\u2019s Etruria factory. This shape, which was produced in Moonstone, Matt Green or Straw, appears on page BY3 (matt glazes) of the \u2018Keith Murray Shapes Catalogue\u2019, 1940. The Matt Green glaze, obtained here by the addition of celadon slip and uranium oxide, is reminiscent of that found on early Korean pottery in the Fitzwilliam. At Wedgwood\u2019s request, Murray also designed several tableware series."},{"value":"The Fitzwilliam Collection also holds three items of Keith Murray glassware, made by Stevens & Williams, on loan."},{"value":"Wedgwood\u2019s matt glazes are mainly found on figures by John Skeaping and on shapes designed by Keith Murray. They were rarely used after 1941."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-120066","uid":"adlib-term-120066","uuid":"7d68b404-6003-3715-bdce-af5ba4e8f5a3"},"summary_title":"20th Century, second quarter"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113623","uid":"adlib-term-113623","uuid":"87ef9eaf-54a8-3838-8337-94dbf03aad62"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Etruria"}]}]},"materials":[{"note":[{"value":"grey-green matt"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-32652","uid":"adlib-term-32652","uuid":"82d8ae3b-f165-395c-ba93-dfa1c282b7be"},"summary_title":"glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"25.2"},{"dimension":"Diameter","units":"cm","value":"7.5"},{"dimension":"Height","units":"cm","value":"12.5"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-11774","uid":"adlib-media-11774","uuid":"bf7fc7cc-5baf-35e2-9355-ec7e2c9a5a7f"},"processed":{"large":{"format":"jpeg","location":"aa\/aa4\/C_9_1980_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1616275629204,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa4\/mid_C_9_1980_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":362},{"dimension":"width","units":"pixels","value":500}]},"modified":1616275629204,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa4\/C_9_1980_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1616275629204,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa4\/preview_C_9_1980_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":181},{"dimension":"width","units":"pixels","value":250}]},"modified":1616275629204,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}},{"@link":{"type":"reference"},"admin":{"id":"media-11775","uid":"adlib-media-11775","uuid":"d4f0a154-d40e-3d89-bcd2-502611569657"},"processed":{"large":{"format":"jpeg","location":"aa\/aa4\/C_9_1980_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1616279756689,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa4\/mid_C_9_1980_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":362},{"dimension":"width","units":"pixels","value":500}]},"modified":1616279756689,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa4\/C_9_1980_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1616279756689,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa4\/preview_C_9_1980_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":181},{"dimension":"width","units":"pixels","value":250}]},"modified":1616279756689,"resizable":true,"type":"image"}},"sort":"1","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107667","uid":"adlib-term-107667","uuid":"1b81c806-cfb7-3291-9803-525db5f75e09"},"summary_title":"bowl"}}],"note":[{"type":"history note","value":"unknown"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Cf. Page from Keith Murray Shapes Catalogue, 1940, showing drawing of this shape, one-fifth size (plate 517),; black and white illustration of a similar bowl (plate 518); other Murray items (plates509-518); and a Keith Murray commemorative mug (plate 542)  . Also colour illustration of Keith Murray pottery, showing items with similar glaze (plate L) and Keith Murray facsimile signature mark, introduced in 1932, and two other Murray marks (p.228). Biography pp.205-6.","page":"205-211,221 228","type":"reference"},"admin":{"id":"publication-1035","uid":"adlib-publication-1035","uuid":"15c007c0-86a5-3d45-beb8-29e69b3fbc75"},"summary_title":"Wedgwood Ceramics 1846-1959"},{"@link":{"notes":"Cf. various plates for other exambles of Keith Murray\u2019s work. See also:  pp. 211-14 for biography of Keith Murray (photographs pp.199, 211); pp.226-8 for his design of the Barlaston factory; p.394 for matt glazes; pp. 651- 657 for pattern number and other marks, incl. printed signature.","page":"Vol II, 211-4, 226-8 394, 651-6","type":"reference"},"admin":{"id":"publication-1044","uid":"adlib-publication-1044","uuid":"daae9e3f-5832-394b-8fd8-b2a4c4265f85"},"summary_title":"Wedgwood"},{"@link":{"notes":"Ref. lists several items designed by Murray (one ill. p. viii),  along with extract from instructions he received from Josiah Wedgwood V and some information on glazes.","page":"58","type":"reference"},"admin":{"id":"publication-988","uid":"adlib-publication-988","uuid":"4906b591-b7ec-3791-bc5f-13d64bed4581"},"summary_title":"Wedgwood in London, 225th Anniversary Exhibition 1759-1984"},{"@link":{"notes":"Ref. photograph of new factory at Barlaston and various Keith Murray items described;","page":"34, 125-126","type":"reference"},"admin":{"id":"publication-1008","uid":"adlib-publication-1008","uuid":"3bf225e8-9d69-3810-848d-b9aa1e259d91"},"summary_title":"Wedgwood of Etruria and Barlaston"},{"@link":{"notes":"Ref. 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Decorated in the centre with 'Train' in 'Travel' pattern: a steam train and carriages coming out of a tunnel; on the rim, black weather cones (?) alternating with turquoise semi-circles under curved black lines."}],"identifier":[{"accession_number":"C.14-1997","primary":true,"type":"accession number","value":"C.14-1997"},{"priref":"12100","type":"priref","value":"12100"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/12100","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/12100"}],"inscription":[{"location":"on the back, over circular backstamp","method":"printed in black","transcription":[{"value":"TRAVEL\/DESIGNED BY RAVILIOUS"}],"type":"factory mark"},{"description":[{"value":"circular mark, 'WEDGWOOD \/ MADE IN ENGLAND' in the centre"}],"location":"on the back","method":"printed in black","transcription":[{"value":"'WEDGWOOD\/OF ETRURIA\/& BARLASTON\/MADE IN ENGLAND'"}],"type":"mark"},{"location":"on the back","method":"impressed","transcription":[{"value":"WEDGWOOD\/9 N 5"}],"type":"mark"},{"location":"on the back","method":"painted in red enamel","transcription":[{"value":"N\/TL 472"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by the Friends of the Fitzwilliam"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149645","uid":"adlib-agent-149645","uuid":"10925b71-6838-30f7-a8dd-b68a2afaa14d"},"summary_title":"The Friends of the Fitzwilliam Museum"}],"date":[{"earliest":1997,"latest":1997,"value":"1997-03-03"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1997-03-03"}]}],"creation":[{"date":[{"earliest":1954,"era":["CE"],"latest":1954,"precision":"circa","value":"1954"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-143576","uid":"adlib-agent-143576","uuid":"535626bd-0b17-316b-bbbf-3551cefd8265"},"summary_title":"Wedgwood"},{"@link":{"role":[{"value":"designer"}],"type":"reference"},"admin":{"id":"agent-112964","uid":"adlib-agent-112964","uuid":"04d09abd-10b5-3f7e-ba51-fb544857f335"},"summary_title":"Ravilious, Eric William"}],"note":[{"value":"Eric Ravilious (1903-42) studied engraving, illustration  and colour printing at the Royal College of Art and by  1926-28 was exhibiting watercolours, producing book illustrations and commissioned to paint murals. In 1930 he married Eileen Lucy \"Tirzah\" Garwood (1908-1951) also a noted artist and engraver.   From around 1936, he became one of Wedgwood\u2019s most prolific freelance designers, although many of his designs were not produced in quantity until after World War II, during which he was killed while serving as a war artist with the Royal Marines. Wedgwood had revived the use of engraved designs in the mid 1930s \u2013 a mode of decoration which allowed the artist\u2019s own work and \u2018hand-writing\u2019 to be reproduced in a factory setting, and well suited to Ravilious\u2019 style."},{"value":"Ravilious produced at least seven Wedgwood tableware pattern series, each with a number of vignettes on a single everyday theme, and sometimes also drew the tableware shapes for additions such as jam-pots. \u2018Travel\u2019 was designed c.1937 and first made in 1953. It was printed in black on a newly-introduced Windsor Grey body and hand coloured.  A \u2018Travel\u2019 dinner service for six, depicting travel through snow  and by balloon, bus, train, aeroplane, steamboat and sail, cost \u00a317 3s 6d. Ravilious also designed commemorative wares, including a Coronation Mug for Edward VIII (1936), later adapted for the coronations of both George VI and Elizabeth II; a mug celebrating the company\u2019s relocation to Barlaston (1939); and a \u2018Boat Race Day\u2019 bowl, cup and stand (1938). Earlier designs were engraved at the factory from Ravilious\u2019 drawings, but the \u2018Boat Race\u2019 images were lithographs drawn by Ravilious himself for direct application to the ware."},{"value":"The Fitzwilliam Museum also holds a war-time watercolour by Ravilious, two books with his engravings  and a number of his prints, and a book of Tirzah Ravilious\u2019 engravings."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-109795","uid":"adlib-term-109795","uuid":"8a394dfa-6091-3a16-97c3-fb85612c23b6"},"summary_title":"20th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-107700","uid":"adlib-term-107700","uuid":"8f5360fb-b262-3ae9-8942-b81cc0e3e848"},"summary_title":"Elizabeth 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\u2018bus\u2019 images on jugs and tea-pot, and shown with three original watercolour drawings for the series, including \u2018aeroplane\u2019 and \u2018train\u2019. Also, a colour image of a goblet with \u2018Boat Race\u2019 design (C30), and a photograph showing four commemorative mugs, including that produced for the Coronation of Elizabeth II (p.222). Also information about Ravilious' work for Wedgwood. See pp. 651- 656 for pattern number and other marks.","page":"Vol. II, pp. 218-24, 246, 651-656","type":"reference"},"admin":{"id":"publication-998","uid":"adlib-publication-998","uuid":"b78305dd-313b-343d-b005-05a294d9dc50"},"summary_title":"Wedgwood"},{"@link":{"notes":"Cf. illustrations of the nine vignettes used for \u2018Travel\u2019 series, on various tableware shapes; four original drawings for \u2018Garden\u2019 series; \u2018Boat Race\u2019 bowl and cup and other Ravilious designs for Wedgwood. 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Exhibition illustrated the company\u2019s trading activities and its close involvement with artistic, scientific, social and other aspects of London life.","page":"60, viii","type":"reference"},"admin":{"id":"publication-988","uid":"adlib-publication-988","uuid":"4906b591-b7ec-3791-bc5f-13d64bed4581"},"summary_title":"Wedgwood in London, 225th Anniversary Exhibition 1759-1984"},{"@link":{"notes":"Cf. descriptions of various items designed by Ravilious, and their marks, including a plate from the \u2018Travel\u2019 series with sailing design.","page":"124-125","type":"reference"},"admin":{"id":"publication-1008","uid":"adlib-publication-1008","uuid":"3bf225e8-9d69-3810-848d-b9aa1e259d91"},"summary_title":"Wedgwood of Etruria and Barlaston"},{"@link":{"notes":"Cf. illustrations 94a (\u2018Boat Race\u2019 bowl) and 95 (Jug showing nine garden designs), and information on Ravilious\u2019 work for 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Circular with a narrow, slightly concave rim, curved sides, and flat centre. Decorated in the centre with a vignette of a woman holding a book while sitting in a deckchair, to the left of a tree. A shopping basket on wheels stands on the right in the shadow of the tree. On the rim there are nineteen overlapping lengths of twisted, striped, ribbon, with a broad yellow band on the inner edge."}],"identifier":[{"accession_number":"C.3-2001","primary":true,"type":"accession number","value":"C.3-2001"},{"priref":"20885","type":"priref","value":"20885"},{"source":"The Fitzwilliam Museum","type":"entry form number","value":"150"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/20885","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/20885"}],"inscription":[{"location":"underside, off centre","method":"impressed","transcription":[{"value":"WEDGWOOD\/3 R54"}],"type":"mark"},{"description":[{"value":"over circular factory back stamp"}],"location":"underside, off centre","method":"printed in black","transcription":[{"value":"GARDEN\/DESIGNED BY RAVILIOUS"}],"type":"mark"},{"description":[{"value":"circular mark, 'WEDGWOOD \/ MADE IN ENGLAND' in the centre"}],"location":"underside, off centre","method":"printed in black","transcription":[{"value":"WEDGWOOD\/OF ETRURIA  \/& BARLASTON\/ MADE IN ENGLAND"}],"type":"mark"},{"description":[{"value":"with indistinct red enamel numbers (259?) painted over it"}],"location":"underside, off centre, below circular factory stamp","method":"in enamel","transcription":[{"value":"7"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by the Friends of the Fitzwilliam Museum, purchased from Gabor Cossa Antiques"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149645","uid":"adlib-agent-149645","uuid":"10925b71-6838-30f7-a8dd-b68a2afaa14d"},"summary_title":"The Friends of the Fitzwilliam Museum"}],"date":[{"earliest":2001,"latest":2001,"value":"2001-01-22"}],"method":{"value":"given"},"note":[{"value":"Entry date: 2001-01-22"}]}],"creation":[{"date":[{"earliest":1954,"era":["CE"],"latest":1903,"value":"1954-03"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-152728","uid":"adlib-agent-152728","uuid":"0cf03023-c7d0-3c40-9d5b-611ccacf7a0d"},"summary_title":"Josiah Wedgwood & Sons Ltd"},{"@link":{"role":[{"value":"designer"}],"type":"reference"},"admin":{"id":"agent-112964","uid":"adlib-agent-112964","uuid":"04d09abd-10b5-3f7e-ba51-fb544857f335"},"summary_title":"Ravilious, Eric William"}],"note":[{"value":"Eric Ravilious (1903-42) studied engraving, illustration  and colour printing at the Royal College of Art and by  1926-28 was exhibiting watercolours, producing book illustrations and commissioned to paint murals. In 1930 he married Eileen Lucy \"Tirzah\" Garwood (1908-1951) also a noted artist and engraver.   From around 1936, he became one of Wedgwood\u2019s most prolific freelance designers, although many of his designs were not produced in quantity until after World War II, during which he was killed while serving as a war artist with the Royal Marines.  Wedgwood had revived the use of engraved designs in the mid 1930s \u2013 a mode of decoration which allowed the artist\u2019s own work and \u2018hand-writing\u2019 to be reproduced in a factory setting, and well suited to Ravilious\u2019 style."},{"value":"Ravilious produced at least seven Wedgwood tableware pattern series, each with a number of vignettes on a single everyday theme, and sometimes also drew the tableware shapes for additions such as jam-pots. \u2018Garden\u2019, introduced in 1938  and also produced in the 1950s,  used lithography on earthenware, with enamel wash bands of yellow, blue or green; four of the nine original drawingss - including with the deckchair - are shown in Batkin. The design was also produced without the printed centre image. A comparable dinner service with \u2018Travel\u2019 design sold for \u00a317 3s 6d in the early 1950s. Ravilious also designed commemorative wares, including a Coronation Mug for Edward VIII (1936), later adapted for the coronations of both George VI and Elizabeth II; a mug celebrating the company\u2019s relocation to Barlaston (1939); and a \u2018Boat Race Day\u2019 bowl, cup and stand (1938). Earlier designs were engraved at the factory from Ravilious\u2019 drawings, but the \u2018Boat Race\u2019 images were lithographs drawn by Ravilious himself for direct application to the ware."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-109795","uid":"adlib-term-109795","uuid":"8a394dfa-6091-3a16-97c3-fb85612c23b6"},"summary_title":"20th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-107700","uid":"adlib-term-107700","uuid":"8f5360fb-b262-3ae9-8942-b81cc0e3e848"},"summary_title":"Elizabeth 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Also background information, including a 1940 letter from Ravilious to Tom Wedgwood concerning colours.","page":"pp. 17-2, 181-3","type":"reference"},"admin":{"id":"publication-1035","uid":"adlib-publication-1035","uuid":"15c007c0-86a5-3d45-beb8-29e69b3fbc75"},"summary_title":"Wedgwood Ceramics 1846-1959"},{"@link":{"notes":"Cf. illustrations of Ravilious\u2019 dinner service work, including \u2018Garden\u2019 (221) and \u2018Travel\u2019designs (p.246), the latter including \u2018train\u2019 and \u2018bus\u2019 images on jugs and tea-pot, and shown with three original watercolour drawings for the series, including \u2018aeroplane\u2019 and \u2018train\u2019. Also, a colour image of a goblet with \u2018Boat Race\u2019 design (C30), and a photograph showing four commemorative mugs, including that produced for the Coronation of Elizabeth II (p.222). Also information about Ravilious' work for Wedgwood. See pp. 651- 656 for pattern number and other marks.","page":"pp. 218-24, 246","type":"reference"},"admin":{"id":"publication-998","uid":"adlib-publication-998","uuid":"b78305dd-313b-343d-b005-05a294d9dc50"},"summary_title":"Wedgwood"},{"@link":{"notes":"Cf. various items designed by Ravilious, including \u2018Garden\u2019 and \u2018Boat Race\u2019, exhibited at Wedgwood House, Wigmore St, LondonMay-August 1984.","page":"60, viii","type":"reference"},"admin":{"id":"publication-988","uid":"adlib-publication-988","uuid":"4906b591-b7ec-3791-bc5f-13d64bed4581"},"summary_title":"Wedgwood in London, 225th Anniversary Exhibition 1759-1984"},{"@link":{"notes":"Cf. descriptions of various items designed by Ravilious, and their marks, including a plate from the \u2018Travel\u2019 series with sailing design","page":"124-125","type":"reference"},"admin":{"id":"publication-1008","uid":"adlib-publication-1008","uuid":"3bf225e8-9d69-3810-848d-b9aa1e259d91"},"summary_title":"Wedgwood of Etruria and Barlaston"},{"@link":{"notes":"Cf. illustrations 94a (\u2018Boat Race\u2019 bowl) and 95 (Jug showing nine garden designs), and information on Ravilious\u2019 work for Wedgwood.","page":"25","type":"reference"},"admin":{"id":"publication-1046","uid":"adlib-publication-1046","uuid":"284e0df1-f28d-323f-bb60-68da8644fadc"},"summary_title":"Wedgwood Ware"},{"@link":{"notes":"Cf. p. 66, lots 353-357, circular plates of different sizes, sauceboat, jug, and two oval dishes of Garden pattern","page":"66","type":"reference"},"admin":{"id":"publication-6325","uid":"adlib-publication-6325","uuid":"8cbb0366-69fc-38fa-bbc7-049ba16aff80"},"summary_title":"The Autumn Country House Sale"},{"@link":{"notes":"Ref. lot 288, a part dinner, tea and coffee set in Travel pattern, including Train. 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The outside covered in flecked brown and grey, resembling porphyry, with gold outlines around the base, neck, scallop lugs and gadrooning at the base of the bowl. The inside is undecorated cream, and glazed. 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Cylindrical, with a reeded loop handle. On the lower half of the exterior: a design incorporating the date, 1953 the Royal Arms and 'EIIR', over-painted with a solid band of pink. On the upper half: fireworks highlighted in pale yellow, on one side against a darkened sky. Inside, near the rim: 'EIIR' beneath a crown, not coloured. The underside is flat and glazed, with a narrow, raised foot-rim."}],"identifier":[{"accession_number":"C.69-1992","primary":true,"type":"accession number","value":"C.69-1992"},{"priref":"11805","type":"priref","value":"11805"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/11805","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/11805"}],"inscription":[{"description":[{"value":"a crown over"}],"location":"on the base","method":"printed in black","transcription":[{"value":"TO COMMEMORATE\/THE CORONATION\/OF HER MAJESTY\/QUEEN ELIZABETH II\/1953\/WEDGWOOD\/MADE IN ENGLAND\/FROM THE DESIGN BY\/ERIC RAVILIOUS"}],"type":"mark"},{"location":"on the base","method":"painted in red enamel","transcription":[{"value":"CL 6485\/.V."}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Sir Ivor and Lady Batchelor"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-166527","uid":"adlib-agent-166527","uuid":"3d240ab9-5cc0-3201-953a-01170d7e3328"},"summary_title":"Batchelor, Ivor, Sir and Lady"}],"date":[{"earliest":1992,"latest":1992,"value":"1992-04-27"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1992-04-27"}]}],"creation":[{"date":[{"earliest":1953,"era":["CE"],"latest":1953,"note":[{"value":"(original design 1936)"}],"value":"1953"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-152728","uid":"adlib-agent-152728","uuid":"0cf03023-c7d0-3c40-9d5b-611ccacf7a0d"},"summary_title":"Josiah Wedgwood & Sons Ltd"},{"@link":{"role":[{"value":"designer"}],"type":"reference"},"admin":{"id":"agent-112964","uid":"adlib-agent-112964","uuid":"04d09abd-10b5-3f7e-ba51-fb544857f335"},"summary_title":"Ravilious, Eric William"}],"note":[{"value":"Eric Ravilious (1903-42) studied engraving, illustration  and colour printing at the Royal College of Art and by  1926-28 was exhibiting watercolours, producing book illustrations and commissioned to paint murals. In 1930 he married Eileen Lucy \"Tirzah\" Garwood (1908-1951) also a noted artist and engraver.   From around 1936, he became one of Wedgwood\u2019s most prolific freelance designers, although many of his designs were not produced in quantity until after World War II, during which he was killed while serving as a war artist with the Royal Marines.  Wedgwood had revived the use of engraved designs in the mid 1930s \u2013 a mode of decoration which allowed the artist\u2019s own work and \u2018hand-writing\u2019 to be reproduced in a factory setting, and well suited to Ravilious\u2019 style."},{"value":"Ravilious\u2019 engraving for this mug was produced in 1936, for the Coronation of Edward VIII the following year, but the king abdicated before the event took place. The design was later adapted for the coronations of both George VI and Elizabeth II. Other Wedgwood commemorative ware by Ravilious includes a mug celebrating the company\u2019s relocation to Barlaston  in1939 and a \u2018Boat Race Day\u2019 bowl, cup and stand (1938).  He also designed at least seven Wedgwood tableware services, each with a number of vignettes on a single everyday theme.  His \u2018Travel\u2019 dinner service for six, produced in the 1950s and depicting travel through snow  and by balloon, bus, train, aeroplane, steamboat and sail, cost \u00a317 3s 6d. Earlier designs were engraved at the factory from Ravilious\u2019 drawings; others, including the \u2018Boat Race\u2019 images, were lithographs drawn by Ravilious himself for direct application to the ware."},{"value":"The Fitzwilliam Museum also holds a war-time watercolour by Ravilious, two books with his engravings  a number of his prints, a book of Tirzah Ravilious\u2019 engravings, and Wedgwood Coronation mugs designed by Richard Guyatt."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-109795","uid":"adlib-term-109795","uuid":"8a394dfa-6091-3a16-97c3-fb85612c23b6"},"summary_title":"20th Century, 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Black and white illustration of similar Ravilious Edward VIII mug. Also biographical information.","page":"295-6","type":"reference"},"admin":{"id":"publication-990","uid":"adlib-publication-990","uuid":"855ac047-90b3-3643-ab04-2385fd833d93"},"summary_title":"The Dictionary of Wedgwood"},{"@link":{"notes":"Cf. A group of Ravilious Coronation mugs, including one very similar to this, p. 10, colour pl. X. Also illustrations of the nine vignettes used for \u2018Travel\u2019 series, on various tableware shapes; four original drawings for \u2018Garden\u2019 series; \u2018Boat Race\u2019 bowl and cup and other Ravilious designs for Wedgwood. Also background information, including a 1940 letter from Ravilious to Tom Wedgwood concerning colours.","page":"10, 171-2, 182-183","type":"reference"},"admin":{"id":"publication-1035","uid":"adlib-publication-1035","uuid":"15c007c0-86a5-3d45-beb8-29e69b3fbc75"},"summary_title":"Wedgwood Ceramics 1846-1959"},{"@link":{"notes":"Cf. and a photograph showing four commemorative mugs, including those produced for the Coronations of George VI and Elizabeth II (p.222). Also illustrations of Ravilious\u2019 dinner service work, including \u2018Garden\u2019 and \u2018Travel\u2019designs (p.246), shown with three original watercolour drawings; a colour image of a goblet with \u2018Boat Race\u2019 design (C30); and information about Ravilious' work for Wedgwood. See p.656 for pattern number prefixes.","page":"Vol II., 218-24, 246","type":"reference"},"admin":{"id":"publication-1044","uid":"adlib-publication-1044","uuid":"daae9e3f-5832-394b-8fd8-b2a4c4265f85"},"summary_title":"Wedgwood"},{"@link":{"notes":"Cf. 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