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The few coloured examples may have been enamelled by William Duesbury, whose London Account Book for the period November 1751 to August 1753 mentions on 24 June 1751 a 'Mr. Woodward' and a 'Mrs. Clive' at 3s. 0d. each, see p.12.","page":"p. 12","type":"reference"},"admin":{"id":"publication-2762","uid":"adlib-publication-2762","uuid":"69ec0f01-d173-3d54-bbb1-dc3c36479dba"},"summary_title":"William Duesbury's London Account Book 1751-1753"},{"@link":{"notes":"Cf. O15 The drawing of Henry Woodward. by Francis Hayman.","page":"p. 248","type":"reference"},"admin":{"id":"publication-2341","uid":"adlib-publication-2341","uuid":"9f995346-7a8d-3fd8-910c-b973dd37873b"},"summary_title":"Rococo: Art and Design in Hogarth's England"},{"@link":{"notes":"Ref. This model  is A2 in Bradshaw's list of Bow figures.                                                                                                            Cf. A white example with Kitty Clive in the National Museum of Ireland, see p. 61, pl. 2.","page":"pp. 61, 88","type":"reference"},"admin":{"id":"publication-2758","uid":"adlib-publication-2758","uuid":"aae1cefe-a8f4-3d0e-b8c5-0b213fcd157b"},"summary_title":"Bow Porcelain Figures circa 1748-1774"},{"@link":{"notes":"Ref. For the drawing by Francis Hayman (1708-76) and engraving, and a discussion of the details of the figure, see pp. 27-31; the drawing, p. 28, fig. 41; the mezzotint, p. 29, fig. 42.\nCf. A white example in the Yarborough Collection, see, p. 28, cat. 4.","page":"pp. 27-31","type":"reference"},"admin":{"id":"publication-2761","uid":"adlib-publication-2761","uuid":"3388becd-0e43-3a5d-87ae-2b0d22ec610f"},"summary_title":"Bow Porcelain and the London Theatre: vivitur ingenio"},{"@link":{"notes":"Cf. A white example p.8, I.5 and pl. 2.","page":"p. 8","type":"reference"},"admin":{"id":"publication-2716","uid":"adlib-publication-2716","uuid":"1839e893-0fd8-312e-9443-9e7bccf27506"},"summary_title":"Catalogue of the Collection of English Porcelain in the Department of British and Mediaeval Antiquities and Ethnography of the British Museum"},{"@link":{"type":"reference"},"admin":{"id":"publication-1013","uid":"adlib-publication-1013","uuid":"e6774d16-9d42-373b-a20c-90a966447f48"},"summary_title":"Victoria and Albert Museum Department of Ceramics, Catalogue of English Porcelain, Earthenware, Enamels and Glass collected by Charles Schreiber Esq., M.P.,  and the Lady Charlotte Elizabeth Schreiber, and presented to the Museum in 1884, Volume I, Porcelain"},{"@link":{"notes":"Cf. A white example in the Metropolitan Museum of Art, New York, see pp. 166-70, fig. 241, and pl. 77.","page":"pp. 166-70","type":"reference"},"admin":{"id":"publication-2614","uid":"adlib-publication-2614","uuid":"bd0c2e2e-8e28-3664-bf00-fe50da012352"},"summary_title":"Chelsea and other English Porcelain, Pottery and Enamel in the Irwin Untermyer Collection"},{"@link":{"type":"reference"},"admin":{"id":"publication-2638","uid":"adlib-publication-2638","uuid":"b726d173-c02a-3b14-9d59-e12ad49bbf8a"},"summary_title":"English Ceramics 1580-1830, A Commemorative Catalogue to Celebrate the 50th Anniversary of the English Ceramic Circle 1927-1977"},{"@link":{"notes":"Cf. A coloured example with a Kitty Clive in the Godden collection, colour pl. H. See 2nd edition, 1991, colour pl. H, and p. 124\nA biscuit example formerly in the Mackenna Collection was, in 1981, in the Mrs. S. J. Katz collection, mentioned, p. 135, note 6.","page":"pp. 124, 135","type":"reference"},"admin":{"id":"publication-2688","uid":"adlib-publication-2688","uuid":"2634db86-6ad0-3838-a637-0970bac11a83"},"summary_title":"Bow Porcelain"},{"@link":{"notes":"Cf. An example with some cold-fired gilding, p. 122, no. 187.","page":"p. 122","type":"reference"},"admin":{"id":"publication-2678","uid":"adlib-publication-2678","uuid":"d747a7ce-aa62-3337-b66f-befcaea7a0d9"},"summary_title":"Bow Porcelain: The Collection formed by Geoffrey Freeman"},{"@link":{"notes":"Cf. A white example with Kitty Clive, p. 195, lot 385; previously sold Sotheby's, 21 February 1971, lot 167. Estimate: \u00a320-30,000; fetched \u00a335,200.","page":"p. 195","type":"reference"},"admin":{"id":"publication-2581","uid":"adlib-publication-2581","uuid":"1028337b-2c06-329b-ac8e-30af68e34013"},"summary_title":"Ceramics from the Rous Lench Collection including British Pottery and Porcelain, Dutch Delft . . ."},{"@link":{"type":"reference"},"admin":{"id":"publication-2150","uid":"adlib-publication-2150","uuid":"0f45160a-fce9-37ca-a7d6-244f0e99e110"},"summary_title":"English and Continental Ceramics"},{"@link":{"notes":"Cf. A white example, with Kitty Clive, at Belton House (National Trust), mentioned, p. 41","page":"p. 41","type":"reference"},"admin":{"id":"publication-2764","uid":"adlib-publication-2764","uuid":"2597edfa-ec10-3442-9909-3974ca7303b4"},"summary_title":"Belton House, Lincolnshire"},{"@link":{"notes":"Cf. A white example, no. 72.","page":"85","type":"reference"},"admin":{"id":"publication-2842","uid":"adlib-publication-2842","uuid":"e7ad7690-e595-3b11-86e7-09cf962c8dae"},"summary_title":"Made at New Canton, Bow Porcelain from the Collection of the London Borough of Newham"},{"@link":{"notes":"Cf. p. 91, pl. 4.1 an example with a figure of Kitty Clive, in the Folger Shakespeare Library, and see text p. 90-1.","page":"87-105","type":"reference"},"admin":{"id":"publication-200002950","uid":"adlib-publication-200002950","uuid":"c611b982-085b-3d03-a70e-bf7ad5f22567"},"summary_title":"Marketing Celebrity: Porcelain and Theatrical Display"},{"@link":{"notes":"Cf. p. 140, fig. 20 the drawing of Woodward by Hayman, and the print after it by McArdell, with an example of the Bow figure in the Raymond Yarbrough collection.","page":"140","type":"reference"},"admin":{"id":"publication-200003155","uid":"adlib-publication-200003155","uuid":"b94626a1-e8f4-38e6-b36c-c26d7a1f84da"},"summary_title":"John De Lanauze and others associated with the Bow factory"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-9010","uid":"adlib-term-9010","uuid":"ecd03def-5d2a-3b43-bb92-76be16fbabf6"},"summary_title":"Rococo"}],"subjects":[{"@link":{"relation":"activity","type":"reference"},"admin":{"id":"term-110517","uid":"adlib-term-110517","uuid":"d21bf5a3-90b7-321c-a277-52dd639bd321"},"summary_title":"acting"},{"@link":{"type":"literal"},"name":[{"value":"acting"}],"summary_title":"acting"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"}},"summary_title":"figure","techniques":[{"description":[{"value":"soft-paste porcelain containing bone ash, press-moulded and hand-modelled, with clear, iron-speckled glaze"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120085","uid":"adlib-term-120085","uuid":"68c62b7c-aaf4-38a5-a1be-4d6c615c0714"},"summary_title":"press-moulding"}},{"note":[{"value":"presumed lead"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120062","uid":"adlib-term-120062","uuid":"d05176fb-17b8-3888-bba1-6c5e6c77d206"},"summary_title":"lead-glazing"}}],"title":[{"value":"Henry Woodward as 'The Fine Gentleman' in Lethe"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-41540","_score":15.318993,"_source":{"admin":{"added":1592964559000,"created":1312637261000,"flag":"Standard Record","id":"object-41540","indexed":1752602702360,"modified":1714465338000,"processed":1752602690710,"source":"adlib","stream":"fitz-online","uid":"adlib-object-41540","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/41540","uuid":"433177e1-1f83-394b-8673-656b94dfbb89","version":6},"agents":[{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-150630","uid":"adlib-agent-150630","uuid":"d6ec1a62-2d67-369d-9bdb-a3a669b0c08c"},"summary_title":"actress"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-37642","uid":"adlib-term-37642","uuid":"8f36efe3-4fe1-3da2-9944-000db5687ad7"},"summary_title":"porcelain"},{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}],"collection":[{"@link":{"type":"reference"},"admin":{"id":"term-113184","uid":"adlib-term-113184","uuid":"25fc548d-d02f-39a6-a34f-d609393a0043"},"summary_title":"J. W. L. Glaisher"}],"component":[{"measurements":{"dimensions":[{"dimension":"Depth","units":"cm","value":"7.8"},{"dimension":"Width","units":"cm","value":"7.7"}]},"name":"Base"}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-107359","uid":"adlib-term-107359","uuid":"d5be0b0d-3959-3dc6-9196-611577dd1604"},"summary_title":"theatre"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Soft-paste porcelain figure of an Actress in Turkish Costume."},{"value":"Soft-paste porcelain containing bone ash, press-moulded, and covered with lead-glaze, appearing yellowish-white. The base has a roughly circular ventilation hole which extends into the figure. The shallow, square base is deeper at the front than at the back. The actress stands with her right hand resting on her chest, and her left arm bent at the elbow and extended towards the front. She wears a headdress which curves upwards at the back and has a veil hanging down to waist level. She wears a chemise under a fitted bodice, a skirt with three tiers, trousers, slippers, and a long, fur-lined coat which is open at the front, and has furred edgings to the pocket slits at the back."}],"identifier":[{"accession_number":"C.3027-1928","primary":true,"type":"accession number","value":"C.3027-1928"},{"priref":"41540","type":"priref","value":"41540"},{"source":"Glaisher MS Catalogue, vol. 27","type":"old object number","value":"4489"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/41540","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/41540"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Bequeathed by Dr J.W.L. 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L., Dr"}],"date":[{"earliest":1928,"latest":1928,"value":"1928-12-07"}],"method":{"value":"bequeathed"},"note":[{"value":"Entry date: 1928"}]}],"creation":[{"date":[{"earliest":1750,"from":{"earliest":1750,"latest":1750,"precision":"circa","value":"1750"},"latest":1754,"range":true,"to":{"earliest":1754,"latest":1754,"value":"1754"}}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-157665","uid":"adlib-agent-157665","uuid":"b68c5501-4b5f-39e8-8048-c9b58de684e3"},"summary_title":"Bow Porcelain Manufactory"},{"@link":{"role":[{"value":"modeller"}],"type":"reference"},"admin":{"id":"agent-157761","uid":"adlib-agent-157761","uuid":"4f7b836f-9866-32e3-8af0-1b00757769fc"},"summary_title":"'The Muses Modeller'"}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106496","uid":"adlib-term-106496","uuid":"bd563695-7339-3178-a8c4-251899070993"},"summary_title":"18th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-107736","uid":"adlib-term-107736","uuid":"e93a8dd1-d76d-320b-be9b-afa352e322a1"},"summary_title":"George II"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110490","uid":"adlib-term-110490","uuid":"bb9026c5-22c6-3c07-8c4c-b6817acc50c4"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Stratford-le-Bow"}]}]},"materials":[{"note":[{"value":"presumed lead"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107733","uid":"adlib-term-107733","uuid":"00160189-e3ce-3796-a88b-5aa8d6c808c4"},"summary_title":"lead-glaze"}},{"note":[{"value":"presumed phosphatic"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"19.5"}]},"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"}}],"note":[{"type":"history note","value":"Frank Stoner, London, from whom purchased on 2 March 1917 for \u00a312 by Dr J.W.L. Glaisher, FRS, Trinity College, Cambridge"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. Vol. I, p. 384, no. 3027, Vol. II, pl. 243D","page":"p. 384","type":"reference"},"admin":{"id":"publication-1031","uid":"adlib-publication-1031","uuid":"a5cc6cb3-2b6f-390a-af51-7e9d123e55ed"},"summary_title":"Catalogue of the Glaisher Collection of Pottery and Porcelain in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Ref. The figure is A5 in Bradshaw's list of Bow figures, see p. 88, A5. He suggests that this model and its male companion might be characters from the play, Tamburlaine the Great. The cream-colour of the porcelain suggests an early date around 1750-4.\nCf. A coloured example sold by Christie's, p. 62, pl. 5","page":"pp. 62, 88","type":"reference"},"admin":{"id":"publication-2758","uid":"adlib-publication-2758","uuid":"aae1cefe-a8f4-3d0e-b8c5-0b213fcd157b"},"summary_title":"Bow Porcelain Figures circa 1748-1774"},{"@link":{"notes":"Cf. A white example marked with a caduceus, p. 9, I.19.","page":"p. 9","type":"reference"},"admin":{"id":"publication-2716","uid":"adlib-publication-2716","uuid":"1839e893-0fd8-312e-9443-9e7bccf27506"},"summary_title":"Catalogue of the Collection of English Porcelain in the Department of British and Mediaeval Antiquities and Ethnography of the British Museum"},{"@link":{"notes":"Cf. A coloured example with its companion, p. 14, no. 33, and pl. 1. The porcelain was tested and found to be phosphatic.","page":"p. 14","type":"reference"},"admin":{"id":"publication-1013","uid":"adlib-publication-1013","uuid":"e6774d16-9d42-373b-a20c-90a966447f48"},"summary_title":"Victoria and Albert Museum Department of Ceramics, Catalogue of English Porcelain, Earthenware, Enamels and Glass collected by Charles Schreiber Esq., M.P.,  and the Lady Charlotte Elizabeth Schreiber, and presented to the Museum in 1884, Volume I, Porcelain"},{"@link":{"type":"reference"},"admin":{"id":"publication-2766","uid":"adlib-publication-2766","uuid":"c3f79447-44cb-31fe-8ac2-f394068b2b05"},"summary_title":"The Important Collection of Fine English Porcelain, The Property of the Late Sir Bernard Eckstein Barrett, 29th March 1949"},{"@link":{"type":"reference"},"admin":{"id":"publication-2583","uid":"adlib-publication-2583","uuid":"a03a57f2-ff44-35e5-a713-47a246c085b3"},"summary_title":"18th-Century English Porcelain"},{"@link":{"notes":"Cf. A coloured example with its companion, formerly in the Wallace Elliot and Frank Hurlbutt collections, p. 43, lot 173. Now belonging to the London Borough of Newham, see below.","page":"p. 43","type":"reference"},"admin":{"id":"publication-2773","uid":"adlib-publication-2773","uuid":"2bf73684-d864-36b5-9663-75380ee9589a"},"summary_title":"English Porcelain and 19th Century European Ceramics, 13th February 1984"},{"@link":{"notes":"Cf. Another with complete headdress, p. 136, lot 387, ill. p. 137. Estimate \u00a32,500-3,500","page":"pp. 136-7","type":"reference"},"admin":{"id":"publication-2095","uid":"adlib-publication-2095","uuid":"d766cbec-dde9-31ae-be1a-456c5a4a4c9b"},"summary_title":"Early English and Continental Ceramics and Glass"},{"@link":{"notes":"Cf. A coloured example with its pair (possibly coloured later?), p. 57, lot 511, and colour pl. 25. 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The Fitzwilliam's example is cited.","page":"87","type":"reference"},"admin":{"id":"publication-2842","uid":"adlib-publication-2842","uuid":"e7ad7690-e595-3b11-86e7-09cf962c8dae"},"summary_title":"Made at New Canton, Bow Porcelain from the Collection of the London Borough of Newham"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-9010","uid":"adlib-term-9010","uuid":"ecd03def-5d2a-3b43-bb92-76be16fbabf6"},"summary_title":"Rococo"}],"subjects":[{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-74928","uid":"adlib-term-74928","uuid":"19c22639-0aa9-3714-b416-e910d71eb145"},"summary_title":"costume\/fashion"},{"@link":{"type":"literal"},"name":[{"value":"costume\/fashion"}],"summary_title":"costume\/fashion"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"}},"summary_title":"figure","techniques":[{"description":[{"value":"soft-paste porcelain containing bone ash, press-moulded, and covered with lead-glaze, appearing yellowish-white"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120085","uid":"adlib-term-120085","uuid":"68c62b7c-aaf4-38a5-a1be-4d6c615c0714"},"summary_title":"press-moulding"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-27616","uid":"adlib-term-27616","uuid":"61e6a95d-84c8-3893-b6c8-213392262987"},"summary_title":"glazing (coating)"}}],"title":[{"value":"Actress in Turkish Costume"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-74419","_score":15.318993,"_source":{"admin":{"added":1592999642000,"created":1312637261000,"flag":"Standard Record","id":"object-74419","indexed":1752602742499,"modified":1749729456000,"processed":1752602690710,"source":"adlib","stream":"fitz-online","uid":"adlib-object-74419","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/74419","uuid":"ac1e683d-8862-3ef0-9636-ff104f317bef","version":7},"agents":[{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-160624","uid":"adlib-agent-160624","uuid":"0ca1f853-7356-345f-8740-cdb71e3fabc5"},"summary_title":"Autumn"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-37627","uid":"adlib-term-37627","uuid":"254febfe-0021-3e45-89a7-d57ba40044c7"},"summary_title":"hard-paste porcelain"}],"collection":[{"@link":{"type":"reference"},"admin":{"id":"term-113184","uid":"adlib-term-113184","uuid":"25fc548d-d02f-39a6-a34f-d609393a0043"},"summary_title":"J. W. L. Glaisher"}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-102639","uid":"adlib-term-102639","uuid":"2c240716-c1bb-36c4-9594-b0a98f1208c2"},"summary_title":"allegory"}]},"department":{"value":"Applied Arts"},"description":[{"value":"glazed hard-paste porcelain"},{"value":"Hard-paste greyish-white porcelain, press-moulded and glazed. The figure is supported on an oblong rocky base with a tree trunk at the back and a beehive beside it on the viewer's right. Summer is represented as a boy looking downards to his left. He stands on his right leg with his left bent at the knee and crossed in front of it. He leans his left elbow on a projecting branch of the tree. He supports a sheaf of corn on his right hip with his right hand, and holds a small posy of flowers in his left hand. He wears a wreath of corn over his short hair, a shirt with a frilled opening which has fallen off his left shoulder, and front -fall breeches. His lower legs and feet are bare. 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The flat underside is unglazed, and has three patch marks, and a circular ventilation hole to rear of centre. The roughly oval base has a tall, thick tree stump at the back, and rococo scrolls at the front, above which are three groups of applied flowers and leaves. Quinn stands facing the front, with his feet apart. His right hand holds an upright sword (missing), and an oval shield is strapped to his upper left arm, the clenched hand of which rests on his hip. He has a ruddy complexion, a grey beard and white hair, over which is a white broad-brimmed hat with a mauve underside, and white feathers. He wears a soft white ruff, a yellow sleeved doublet with gold borders, pockets, and red cuffs, a red and gold belt, a pink sleeveless coat with a gold edge, red breeches, and pale brown high boots. A bill projects from his right waistcoat pocket. The flowers on either side of his feet are mauve, and yellow, and those between his feet, are mauve, yellow, and red. The scrolls are picked out in gold. 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Sold at the Golden Head in Covent Garden. See an example in the British Museum. CS.149.1 Cheylesmore colln. 1902.10-11.3373."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-113159","uid":"adlib-term-113159","uuid":"4bdfb4a7-b307-3dfa-a3d6-8ada4683271e"},"summary_title":"18th Century, third quarter"},{"@link":{"type":"reference"},"admin":{"id":"term-107437","uid":"adlib-term-107437","uuid":"96f4b0d1-fc11-39ff-ae91-1b23d888d479"},"summary_title":"George III"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110521","uid":"adlib-term-110521","uuid":"b57fb046-bca3-3371-a721-2093adc3a282"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Derby"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste 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The earliest Derby version of Falstaff is model E4 in Bradshaw's list of Derby figures, see, p. 95. It recurs as no. 231, see pp. 314-6 and, in five different sizes, as no. 291, see p. 339","page":"pp. 314-6","type":"reference"},"admin":{"id":"publication-2845","uid":"adlib-publication-2845","uuid":"aed83438-5cba-3d3d-914c-0603afed5d46"},"summary_title":"Derby Porcelain Figures 1750-1848"},{"@link":{"notes":"Ref. An unglazed fragment of Falstaff's doublet, with the list protruding from the pocket, was found in a kiln dump at the site of the China Works between Nottingham Road and Wood Street, in 1990 (now occupied by playing fields, car park and landscaping of the nearby Derby Technology College). See pp. 229-39, mentioned on pp. 231-2, illustrated p. 232, fig. 6, and a figure on p. 231, fig. 5, an example at Burghley House.","page":"pp. 229-39","type":"reference"},"admin":{"id":"publication-200000898","uid":"adlib-publication-200000898","uuid":"3db35781-cf62-3582-ac9b-54500b67e315"},"summary_title":"A 1770-1790 Kiln Dump of the Derby China Works"},{"@link":{"notes":"Cf. A model in the Victoria and Albert Museum, see p. 65, no. 305, and pl. 35, 13\" high.\nCf. A white Bow example in the Victoria and Albert Museum, see p. 10, no. 2, and pl. 8","page":"pp. 10, 65","type":"reference"},"admin":{"id":"publication-1013","uid":"adlib-publication-1013","uuid":"e6774d16-9d42-373b-a20c-90a966447f48"},"summary_title":"Victoria and Albert Museum Department of Ceramics, Catalogue of English Porcelain, Earthenware, Enamels and Glass collected by Charles Schreiber Esq., M.P.,  and the Lady Charlotte Elizabeth Schreiber, and presented to the Museum in 1884, Volume I, Porcelain"},{"@link":{"notes":"Cf. An earthenware Quinn by Wood & Caldwell in the Glaisher Collection, see vol. I, p. 119, no. 906.","page":"p. 119","type":"reference"},"admin":{"id":"publication-1031","uid":"adlib-publication-1031","uuid":"a5cc6cb3-2b6f-390a-af51-7e9d123e55ed"},"summary_title":"Catalogue of the Glaisher Collection of Pottery and Porcelain in the Fitzwilliam Museum Cambridge"},{"@link":{"type":"reference"},"admin":{"id":"publication-2847","uid":"adlib-publication-2847","uuid":"632612a3-b59c-3d9f-934c-2ab43b83b78b"},"summary_title":"Derby Porcelain 1750-1848"},{"@link":{"notes":"Cf. For a similar example see p. 168, lot 508 (estimate \u00a3400-600)","page":"p. 168","type":"reference"},"admin":{"id":"publication-2095","uid":"adlib-publication-2095","uuid":"d766cbec-dde9-31ae-be1a-456c5a4a4c9b"},"summary_title":"Early English and Continental Ceramics and Glass"},{"@link":{"notes":"Cf. An example at Burghley House, Stamford, see p. 50, no. 95. This is 36.3 cm high. It lacks its sword but has the bill sticking out of its pocket. Other examples are cited and the reference given to Henry IV, Part I, Act II, Scene IV, in which Prince Hal and Peto investigate the contents of the sleeping Falstaff's pockets and find the itemised bill for food.","page":"p. 50","type":"reference"},"admin":{"id":"publication-984","uid":"adlib-publication-984","uuid":"b49b3bba-0038-3f3d-a4c1-70885283ce9f"},"summary_title":"European Ceramics at Burghley House"},{"@link":{"notes":"Cf. p. 55, of interest but not strictly comparable, B76, probably by Samson of Paris, B77, French or German, 19th century, and B78, Staffordshire pottery, 20th century. Illustrated on p. 54","page":"pp. 54-5","type":"reference"},"admin":{"id":"publication-4683","uid":"adlib-publication-4683","uuid":"c44183d2-20e3-3f22-b143-bf60e169519c"},"summary_title":"The Richard Bebb Collection in the Garrick Club, A Catalogue of Figures, Sculpture and Paintings"},{"@link":{"notes":"Ref. pp. 122-6 prints by James McArdell used for porcelain figures. See p. 122, fig. 55, a mezzotint by Richard Earlom of a self portrait of James McArdell, and pp. 122-6 for his career and the use of his prints as sources for English porcelain figures. Cf. p. 124, fig. 58, the prin of Falstaff, Victoria & Albert Museum S.24-2009, and fig. 59 a Bow, white porcelain Falstaff, dated to c. 1752. 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The unglazed underside has one obvious patch mark and a central circular ventilation hole. The group is on a high, heavily scrolled base picked out in turquoise-green and gold. Winged and bearded Time is seated on a tree trunk with his right leg forward, the foot resting on a sheaf of arrows. He holds Cupid over his left knee with his left hand and is about to clip Cupid's wing with a pair of small shears held in his right hand. Time wears a purple robe decorated with large and small circular motifs, which is held up by red cross bands. Cupid has a yellow drape. On the base to the viewer's right there is a crown, a sceptre, and an hourglass, and on the left, a globe."}],"exhibitions":[{"@link":{"catalogue":"F19","type":"reference"},"admin":{"id":"exhibition-1070","uid":"adlib-exhibition-1070","uuid":"2cb713dc-899f-35df-9c15-515a05f38d48"},"summary_title":"Plagiarism Personified? 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The theme, however, may have been inspired by a more recent work, Otto van Veen's Amorum Emblemata (1608), which included the verse:\n\t'Loues harrte is euer young\n\tT'is onlie tyme that can the winges of Cupid clip,\n\tAnd make him fly more low than he was wont to doo,\n\tBut Tyme clips not away his good will thereunto,\n\tThe aged carter loves to heare the lashing whip.'"}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-120880","uid":"adlib-term-120880","uuid":"91c8f217-47bf-321d-93f9-504a4a1305f0"},"summary_title":"18th Century, second half"},{"@link":{"type":"reference"},"admin":{"id":"term-107437","uid":"adlib-term-107437","uuid":"96f4b0d1-fc11-39ff-ae91-1b23d888d479"},"summary_title":"George III"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110521","uid":"adlib-term-110521","uuid":"b57fb046-bca3-3371-a721-2093adc3a282"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Derby"}]}]},"materials":[{"note":[{"value":"presumed lead"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107733","uid":"adlib-term-107733","uuid":"00160189-e3ce-3796-a88b-5aa8d6c808c4"},"summary_title":"lead-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"33"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-17393","uid":"adlib-media-17393","uuid":"51b4348b-8e0b-3f77-af13-f6799110b1a3"},"processed":{"large":{"format":"jpeg","location":"aa\/aa19\/C_38_1932.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":532}]},"modified":1702926508083,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa19\/mid_C_38_1932.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":714},{"dimension":"width","units":"pixels","value":500}]},"modified":1702926508083,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa19\/C_38_1932.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":532}]},"modified":1702926508083,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa19\/preview_C_38_1932.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":357},{"dimension":"width","units":"pixels","value":250}]},"modified":1702926508083,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-110220","uid":"adlib-term-110220","uuid":"e22d3544-a393-3f19-9be4-dc2632ca9942"},"summary_title":"figure group"}}],"note":[{"type":"history note","value":"unknown before donor, Mrs W.D. Dickson, Bournemouth"}],"objects":[{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-76303","uid":"adlib-object-76303","uuid":"d6899cb8-99ec-3317-a78b-4a43ef0ff3e8"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-110220","uid":"adlib-term-110220","uuid":"e22d3544-a393-3f19-9be4-dc2632ca9942"},"summary_title":"figure group"}},"summary_title":"figure group"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. p. 42, F19, and pl. 28. For an undated mezzotint of of Time Clipping the Wings of Cupid by James MacArdell (c. 1729-65), in the Fitzwilliam, see p. 42, no. F20.","page":"p. 42","type":"reference"},"admin":{"id":"publication-992","uid":"adlib-publication-992","uuid":"e26b9de8-5607-3d6e-82c1-bba7d8cb57c4"},"summary_title":"Plagiarism Personified? European Pottery and Porcelain Figures"},{"@link":{"notes":"Ref. In his 'Price List of Groups and Single Figures'  Haslem cites  this model as no. 124 in three sizes, but does not give measurements for the first two.","page":"173","type":"reference"},"admin":{"id":"publication-2850","uid":"adlib-publication-2850","uuid":"d5dcd4d0-9032-35ca-b870-c7d2cb1b5ca6"},"summary_title":"The Old Derby China Factory"},{"@link":{"notes":"Publ. pp. 30-1, and pl. 30","page":"pp. 30-1","type":"reference"},"admin":{"id":"publication-1076","uid":"adlib-publication-1076","uuid":"acbefc51-07ab-373a-b40f-e69c780f634a"},"summary_title":"Tempus, The Art of Time"},{"@link":{"notes":"Ref. The porcelain group was mentioned in the catalogue of the first Chelsea and Derby sale held by Mr Christie from 17 to 20 April 1771, on the second day, lot 25: 'A curious figure of Time clipping of (sic) Cupid's wing, finely enamel'd and ornamented with burnish'd gold 1l. 9s'. See Appendix, p.22. lot 25.\nIt was also mentioned in the Christie and Ansell sale of Derby and Chelsea on 17 April 1780, first item 'A fine large figure of Time and Cupid 11s. 6d.' see Appendix, p. 58, no lot number.","page":"pp. 22, 58","type":"reference"},"admin":{"id":"publication-2576","uid":"adlib-publication-2576","uuid":"870654a9-2aff-3144-bcc3-8758472e4399"},"summary_title":"Contributions towards the History of Early English Porcelain from Contemporary Sources"},{"@link":{"notes":"Ref. The Louvre has a larger terracotta of this subject by Charles-Louis Corbet which is dated 1776, see Mabille, G\u00e9rard, 'Une terre cuite de Corbet: Le Temps coupant les ailes de l'Amour', La Revue du Louvre et des Mus\u00e9es de France, (2-1977), pp. 89-93, figs. 1-3, the Van Dyck, fig. 5, the Perrier print, fig. 5. This is very close to the painting, and seems likely to have been derived from the English print, which appears not to have been known to Mabille.","page":"pp. 89-93","type":"reference"},"admin":{"id":"publication-200000901","uid":"adlib-publication-200000901","uuid":"21e3beea-e021-3014-96b5-f2908cebb62f"},"summary_title":"Une terre cuite de Corbet: Le Temps coupant les ailes de l'Amour"},{"@link":{"notes":"Cf. An example in the Victoria and Albert Museum, see p. 70, no. 343","page":"p. 70","type":"reference"},"admin":{"id":"publication-1013","uid":"adlib-publication-1013","uuid":"e6774d16-9d42-373b-a20c-90a966447f48"},"summary_title":"Victoria and Albert Museum Department of Ceramics, Catalogue of English Porcelain, Earthenware, Enamels and Glass collected by Charles Schreiber Esq., M.P.,  and the Lady Charlotte Elizabeth Schreiber, and presented to the Museum in 1884, Volume I, Porcelain"},{"@link":{"notes":"Cf. A biscuit example with a clock by Benjamin Vuilliamy at Buckingham Palace, see p. 230, fig. 1.","page":"p. 230","type":"reference"},"admin":{"id":"publication-200000902","uid":"adlib-publication-200000902","uuid":"e84b4948-0c02-3cd5-b916-fed190e294b6"},"summary_title":"A Masterpiece of Clockmaking"},{"@link":{"notes":"Cf. p. 133, fig. 50 a clock by Benjamin Vulliamy with a biscuit group. No. 124, 1786. Overall height 307 cm. Royal Colelction Trust (the clock at Buckingham Palace discussed by L.G.G. Ramsay, mentioned above).","page":"115-34","type":"reference"},"admin":{"id":"publication-200003199","uid":"adlib-publication-200003199","uuid":"3fd59f1f-718c-3694-8f5b-23e23cc5064a"},"summary_title":"The Neo-classical style and Derby Biscuit figures 1771-1800"},{"@link":{"type":"reference"},"admin":{"id":"publication-2847","uid":"adlib-publication-2847","uuid":"632612a3-b59c-3d9f-934c-2ab43b83b78b"},"summary_title":"Derby Porcelain 1750-1848"},{"@link":{"notes":"Cf. p. 127, pl. 81, and pp. 47, and 193, no. 81. Dated after 1770.","page":"47, 127, 193","type":"reference"},"admin":{"id":"publication-2679","uid":"adlib-publication-2679","uuid":"f7491494-53a3-3a8d-a975-b85790bad8ed"},"summary_title":"Derby Porcelain: The Golden Years, 1750-1770"},{"@link":{"notes":"Cf. An example in a private collection, p. 269, no. 124","page":"p. 269","type":"reference"},"admin":{"id":"publication-2845","uid":"adlib-publication-2845","uuid":"aed83438-5cba-3d3d-914c-0603afed5d46"},"summary_title":"Derby Porcelain Figures 1750-1848"},{"@link":{"type":"reference"},"admin":{"id":"publication-200002924","uid":"adlib-publication-200002924","uuid":"98c0af0d-40d6-3726-bc19-9d7a87883484"},"summary_title":"Influence of the Baroque on English Porcelain"},{"@link":{"notes":"Cf. p. 57, a group in the Victoria & Albert Museum, 414:409-1885. See p. 122, fig. 55, a mezzotint by Richard Earlom of a self portrait of James McArdell, and pp. 122-6 for his career and the use of his prints as sources for porcelain figures","page":"122-6","type":"reference"},"admin":{"id":"publication-200003303","uid":"adlib-publication-200003303","uuid":"be044a32-e81a-3295-a9c7-86235aefc75d"},"summary_title":"'The Dublin Group' of mezzotint engravers and their imprint on early English porcelain and enamels"},{"@link":{"type":"reference"},"admin":{"id":"publication-2855","uid":"adlib-publication-2855","uuid":"6e415068-4bd7-344c-9a4b-cbd3dc0d1d96"},"summary_title":"Christie's Sale Catalogue"},{"@link":{"notes":"Cf. p. 25, lot 77 (unsold)","page":"p. 25","type":"reference"},"admin":{"id":"publication-2649","uid":"adlib-publication-2649","uuid":"9b08eb7f-6008-36b1-b224-09eb83b97d17"},"summary_title":"British Ceramics"},{"@link":{"notes":"Cf. p. 59, lot 325. H. 32 cm. 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Painted overglaze in pale yellow, flesh pink, pink, red, purple, brown, and black enamels, and gilt. The partly glazed underside has a central circular ventilation hole, and four large patchmarks. The roughly oval, shaped base has at the front two upward scrolling feet, separated by a downward scroll or wave motif, and is almost flat on top. Wilkes stands on the viewer's right of the base with his right knee relaxed, his left hand on his waist, and his right resting on top of a rectangular pedestal, on which is a sheet of paper inscribed 'BILL OF RIGHTS', and a scroll inscribed 'MAGNA CARTA'. A putto is seated in front of the pedestal, holding up a cap of Liberty on a stick in his left hand, and steadying a book with his right hand. Wilkes is undecorated apart from his naturalistically painted face, a black bow on his queue, gold borders and bows on his jacket, breeches, and shoes, and a pink cloak. The putto has a pale yellow drape, and a brown stick, and the book is red. The inscriptions on the scrolls are in purple. The pedestal has gilded borders, and is inscribed on the front in gold, 'Ino.\/WILKES\/Esq.r' in gold. 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