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Decorated on the body with four transfer-prints over-painted with enamels. The rim is coated with mottled pink lustre and there are squiggles of pink lustre on the body, between the transfers. There are two pink lustre bands round the foot and a  pink line runs down the back of the handle. The underside is flat and glazed, with a raised foot-rim."},{"value":"The images and text are as follows:\n(i)To left of handle:  'THE SAILOR'S FAREWELL', above an image of same with a ship in the background, above verse: 'Far from Home across the Sea\/To Foreign climes I go.\/While far away O think on me\/And I'll remember you'. \n(ii)To right of handle: 'THE SAILOR'S RETURN', above an image of same with ship, above verse: 'Now safe returned from dangers past\/With joy I hail the shore.\/And fear no more the tempests blast\/Nor Oceans angry roar.' \n(iii) Under the spout, to the left: a trophy with a lion, an eagle, the Union Jack, the French flag, a shield inscribed 'CRIMEA', and the words, 'MAY THEY EVER BE UNITED. VIVe L'EMPREUR GOD SAVE THE QUEEN'. \n(iv) Under the spout to the right, in a wreath, the lines: 'England, England, the glorious name\/Home of freedom star of fame\/Light o'er Ocean widely sent\/Empress of the element\/Gorgeous sea encircled gem\/Of the world's bright diadem\/ Nations nations to command\/Who but points admiring hand\/To thee our own our native land'."}],"identifier":[{"accession_number":"C.1090-1928","primary":true,"type":"accession number","value":"C.1090-1928"},{"priref":"71296","type":"priref","value":"71296"},{"source":"Glaisher MS Catalogue, vol. 7","type":"old object number","value":"2986"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71296","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71296"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L. 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L., Dr"}],"date":[{"earliest":1928,"latest":1928,"value":"1928"}],"method":{"value":"bequeathed"},"note":[{"value":"Entry date: 1928-12-07"}]}],"creation":[{"date":[{"earliest":1854,"from":{"earliest":1854,"era":["CE"],"latest":1854,"precision":"circa","value":"1854"},"latest":1856,"range":true,"to":{"earliest":1856,"era":["CE"],"latest":1856,"precision":"circa","value":"1856"}}],"maker":[{"@link":{"qualifier":"possibly","role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-171576","uid":"adlib-agent-171576","uuid":"a0006426-f97d-3f21-8599-e323c9d356d3"},"summary_title":"Scott Brothers & Co"},{"@link":{"qualifier":"(alternative name)","type":"reference"},"admin":{"id":"agent-161261","uid":"adlib-agent-161261","uuid":"8b4aee01-92f1-3d41-a22d-9e6d710d521c"},"summary_title":"Scott's Southwick Pottery"}],"note":[{"value":"Images of \u2018the Sailor\u2019s Farewell and Happy Return\u2019, popular from the mid-18th Century in engravings or on ceramic plaques as well as on jugs and bowls, were used as a mark of  patriotism during the Crimean War. A contemporary account records that \u2018The Sailor\u2019s Farewell\u2019, hung on the wall when the sailor left shore, would be swapped for \u2018Return\u2019 when he came safely home."},{"value":"Sunderland potteries were particularly known for their use of thinly hand-painted lustre,  together with hand-painted transfer-prints which feature designs, verses and mottos. The designs usually have local or topical relevance and often allude to seafaring. Scott Brothers (also known as Scott\u2019s Pottery), founded in 1788, was one of the most important Sunderland producers of lustre transfer-print designs and had a substantial export market as well as domestic customers."},{"value":"The \u2018Crimea\u2019 transfer dates the jug to the time of the Crimean War, 1853-56. It was used by Scott Brothers on jugs, mugs and bowls, although the design is thought to have been bought from another pottery, known as \u2018Garrison\u2019, and was also used by Moore. Designs were frequently copied between potteries and the original copper printing plates changed hands when firms closed.  All three verses have been found on bowls made by Scott Brothers and by other Sunderland potteries such as Moore, Ball and another known as \u2018Garrison\u2019. The poem \u2018England, England\u2026\u2019 is the first of two verses by Richard Howitt, published in \u2018The Metropolitan Magazine\u2019 in 1852 and later in the author\u2019s collected poems. The first verse of the poem was also printed, alongside \u2018Crimea\u2019 and an image of a frigate, on a large jug exhibited at the Royal Naval Exhibition 1891 (cat. p.319-20, 2922).  Three of the four transfers used here (\u2018Crimea\u2019 , \u2018Farewell\u2019 and \u2018Return\u2019) are found on a pink-lustred punchbowl, marked \u2018SCOTT\u2019S \/ PARIS\u2019,  in the Fitzwilliam Collection (C.96-1997). The National Maritime Museum holds a Sunderland pink lustre jug, c.1854, of similar shape with the same \u2018Sailor\u2019s Farewell\u2019 and \u2018Crimea\u2019 transfers, though other aspects of the decoration are different (No. AAA5175)."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-109672","uid":"adlib-term-109672","uuid":"a788e98b-c8a4-313c-9617-1a812228e864"},"summary_title":"19th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-120127","uid":"adlib-term-120127","uuid":"ee2ddbd4-503c-30f5-8cf9-3c2d121bd315"},"summary_title":"Victoria I"},{"@link":{"type":"reference"},"admin":{"id":"term-108082","uid":"adlib-term-108082","uuid":"1c5310ee-4d1a-3a9a-98b3-45edd40b2c0e"},"summary_title":"Crimean 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