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On the reverse a low, curved foot supports each shell. The upper surface decorated with pale yellow, pink and purple majolica glazes. The dolphins are covered in shades of pink with eyes and fins picked out in deeper pink. The same pink is used on the outer edges of the shells and around the rim of the central bowl, thicker at the edge and shading away into the depressions, which are tinged with pale yellow. The shape and pearlescence of the inner shells is indicated with a faint application of purple. 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Powell, DSO, OBE, FRSL, MA,  through the Friends of the Fitzwilliam Museum"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-151752","uid":"adlib-agent-151752","uuid":"3c296588-e3b7-356d-a7a4-fa40585cb784"},"summary_title":"Powell, C. N. Peter"}],"date":[{"earliest":1986,"latest":1986,"value":"1986-04-28"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1986-04-28"}]}],"creation":[{"date":[{"earliest":1878,"from":{"earliest":1878,"era":["CE"],"latest":1878,"precision":"circa","value":"1878"},"latest":1883,"range":true,"to":{"earliest":1883,"era":["CE"],"latest":1883,"value":"1883"}}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-143576","uid":"adlib-agent-143576","uuid":"535626bd-0b17-316b-bbbf-3551cefd8265"},"summary_title":"Wedgwood"}],"note":[{"value":"The Wedgwood pattern number for these plates is 2754, described as \u2018Oyster Tray, Argenta\u2019. They were also produced in other colours, including brown\/pink dolphins and a mustard middle on a cream\/white plate and cobalt blue shells with grey dolphins and a turquoise middle. Some 42 different entries in the Wedgwood majolica ware pattern books refer to oyster trays and stands, illustrating the range and popularity of oyster plate designs produced."},{"value":"This is one of a pair of plates held in the Fitzwilliam collection. Oysters were abundant and inexpensive in the 19th Century, and oyster plates were fashionable from mid 1850s  until c.1940. Some of the best were made with majolica glazes, introduced by Minton in 1851 and a significant area of Wedgwood production in the 1870s. Both shape and colour are important in majolica ware, and the use of colour to highlight the detail of the moulding on these plates is typical. The delicately applied pink colour and the light purple which mimics the inside of an oyster shell (less evident on this plate than on the other) suggests they were made after 1878, when  Wedgwood updated its majolica ware, the new designs favouring embossed, often Japanese-inspired, naturalistic decoration painted in bright majolica colours against a pale or white background. This change, known as Argenta ware, followed the observation that earlier, more deeply coloured majolica seemed to be going out of fashion at the 1878 Paris exhibition. The lozenge-shaped factory mark indicates that the plates were made before 1884."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-108070","uid":"adlib-term-108070","uuid":"7e278258-23e3-3d5b-a4ff-ab5ecacb4bf3"},"summary_title":"19th Century, Late"},{"@link":{"type":"reference"},"admin":{"id":"term-15214","uid":"adlib-term-15214","uuid":"744af2c4-a2f2-37ad-bbf4-2cd00e91ed9b"},"summary_title":"Victorian"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113623","uid":"adlib-term-113623","uuid":"87ef9eaf-54a8-3838-8337-94dbf03aad62"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Etruria"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107611","uid":"adlib-term-107611","uuid":"790e5a19-a186-34d5-a16e-2d8dff9f6247"},"summary_title":"white earthenware"}}],"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"23.5"},{"dimension":"Height","units":"cm","value":"3.7"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-11769","uid":"adlib-media-11769","uuid":"695f1a8f-c864-3f27-bb6f-af5ee09701e8"},"processed":{"large":{"format":"jpeg","location":"aa\/aa6\/C_4_1986.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1616258717473,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa6\/mid_C_4_1986.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":362},{"dimension":"width","units":"pixels","value":500}]},"modified":1616258717473,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa6\/C_4_1986.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1616258717473,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa6\/preview_C_4_1986.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":181},{"dimension":"width","units":"pixels","value":250}]},"modified":1616258717473,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-91581","uid":"adlib-term-91581","uuid":"547c0b66-e2a0-35cb-9321-88f97805e630"},"summary_title":"oyster plate"}}],"note":[{"type":"history note","value":"Unknown before C.N.P. 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He joined Wedgwood as Works Manager in 1927, and became joint Managing Director a few years before his retirement in 1963. His main contribution was in the technical modernisation of the factory, but he also created a number of decorative glazes (including the matt glazes used by Keith Murray and John Skeaping) and contributed to the design of successful tableware series."},{"value":"The forms and glazes of \u2018Unique Wares\u2019 were created by Wilson, although he did not throw and glaze the pots himself. This vase demonstrates his admiration for the simplicity of Chinese ware. The shape, no. 4669, is that \u2018meiping\u2019 vases, popular during the Song (960\u20131279) and Ming (1368\u20131644) periods, inspired by the characteristics of a young female body: a small mouth, a short, narrow neck, a plump bosom, and a concave belly. Wilson experimented with combinations of glazes on his \u2018Unique Ware\u2019, sometimes using as many as seven, and it is likely that the highly reflective black exterior of this vase, and the varied depth of colour in the turquoise, were achieved by applying several glazes."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-120080","uid":"adlib-term-120080","uuid":"d30af182-08cf-3646-84b8-1649593b6f21"},"summary_title":"20th Century, third quarter"},{"@link":{"type":"reference"},"admin":{"id":"term-107700","uid":"adlib-term-107700","uuid":"8f5360fb-b262-3ae9-8942-b81cc0e3e848"},"summary_title":"Elizabeth 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See also p.228 for base of a vase by Wilson, with similar marks.","page":"pp. 224-6","type":"reference"},"admin":{"id":"publication-1035","uid":"adlib-publication-1035","uuid":"15c007c0-86a5-3d45-beb8-29e69b3fbc75"},"summary_title":"Wedgwood Ceramics 1846-1959"},{"@link":{"notes":"Cf. Plate 300, a vase of this form but decorated on the outside with brown and blue glazes, applied over Moonstone glaze, inside with green. See pp. 200-202 for information about Wilson and his work at Wedgwood. 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In 1930 he married Eileen Lucy \"Tirzah\" Garwood (1908-1951) also a noted artist and engraver.   From around 1936, he became one of Wedgwood\u2019s most prolific freelance designers, although many of his designs were not produced in quantity until after World War II, during which he was killed while serving as a war artist with the Royal Marines.  Wedgwood had revived the use of engraved designs in the mid 1930s \u2013 a mode of decoration which allowed the artist\u2019s own work and \u2018hand-writing\u2019 to be reproduced in a factory setting, and well suited to Ravilious\u2019 style."},{"value":"Ravilious produced at least seven Wedgwood tableware pattern series, each with a number of vignettes on a single everyday theme, and sometimes also drew the tableware shapes for additions such as jam-pots. \u2018Travel\u2019 was designed c.1937 and first made in 1953. It was printed in black on a newly-introduced Windsor Grey body and hand coloured.  A \u2018Travel\u2019 dinner service for six, depicting travel through snow  and by balloon, bus, train, aeroplane, steamboat and sail, cost \u00a317 3s 6d. Ravilious also designed commemorative wares, including a Coronation Mug for Edward VIII (1936), later adapted for the coronations of both George VI and Elizabeth II; a mug celebrating the company\u2019s relocation to Barlaston (1939); and a \u2018Boat Race Day\u2019 bowl, cup and stand (1938). Earlier designs were engraved at the factory from Ravilious\u2019 drawings, but the \u2018Boat Race\u2019 images were lithographs drawn by Ravilious himself for direct application to the ware."},{"value":"The Fitzwilliam Museum also holds a war-time watercolour by Ravilious, two books with his engravings and a number of his prints, and a book of Tirzah Ravilious\u2019 engravings."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-109795","uid":"adlib-term-109795","uuid":"8a394dfa-6091-3a16-97c3-fb85612c23b6"},"summary_title":"20th Century, Mid"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-114582","uid":"adlib-term-114582","uuid":"511cfe35-cd51-335e-b2a9-7683f4b84bd1"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Barlaston"}]}]},"materials":[{"note":[{"value":"'Windsor Grey coloured 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Also background information, including a 1940 letter from Ravilious to Tom Wedgwood concerning colours.","page":"171-2, 182-3","type":"reference"},"admin":{"id":"publication-1035","uid":"adlib-publication-1035","uuid":"15c007c0-86a5-3d45-beb8-29e69b3fbc75"},"summary_title":"Wedgwood Ceramics 1846-1959"},{"@link":{"type":"reference"},"admin":{"id":"publication-1047","uid":"adlib-publication-1047","uuid":"112a24b6-3168-3940-8a1d-79f4f835e30d"},"summary_title":"Eric Ravilious Memoir of an Artist"},{"@link":{"notes":"Cf. illustrations of Ravilious\u2019 dinner service work, including \u2018Garden\u2019 and \u2018Travel\u2019designs (p.246), the latter including \u2018train\u2019 and \u2018bus\u2019 images on jugs and tea-pot, and shown with three original watercolour drawings for the series, including \u2018aeroplane\u2019 and \u2018train\u2019. Also, a colour image of a goblet with \u2018Boat Race\u2019 design (C30), and a photograph showing four commemorative mugs, including that produced for the Coronation of Elizabeth II (p.222). Also information about Ravilious' work for Wedgwood. See pp. 651- 656 for pattern number and other marks.","page":"Vol II,:218-24, 246","type":"reference"},"admin":{"id":"publication-998","uid":"adlib-publication-998","uuid":"b78305dd-313b-343d-b005-05a294d9dc50"},"summary_title":"Wedgwood"},{"@link":{"notes":"Ref. 'Travel' was designed by Ravilious in 1938 and first produced in 1953. 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In 1930 he married Eileen Lucy \"Tirzah\" Garwood (1908-1951) also a noted artist and engraver.   From around 1936, he became one of Wedgwood\u2019s most prolific freelance designers, although many of his designs were not produced in quantity until after World War II, during which he was killed while serving as a war artist with the Royal Marines.  Wedgwood had revived the use of engraved designs in the mid 1930s \u2013 a mode of decoration which allowed the artist\u2019s own work and \u2018hand-writing\u2019 to be reproduced in a factory setting, and well suited to Ravilious\u2019 style."},{"value":"Ravilious produced at least seven Wedgwood tableware pattern series, each with a number of vignettes on a single everyday theme, and sometimes also drew the tableware shapes for additions such as jam-pots. \u2018Travel\u2019 was designed c.1937 and first made in 1953. It was printed in black on a newly-introduced Windsor Grey body and hand coloured.  A \u2018Travel\u2019 dinner service for six, depicting travel through snow  and by balloon, bus, train, aeroplane, steamboat and sail, cost \u00a317 3s 6d. Ravilious also designed commemorative wares, including a Coronation Mug for Edward VIII (1936), later adapted for the coronations of both George VI and Elizabeth II; a mug celebrating the company\u2019s relocation to Barlaston (1939); and a \u2018Boat Race Day\u2019 bowl, cup and stand (1938). Earlier designs were engraved at the factory from Ravilious\u2019 drawings, but the \u2018Boat Race\u2019 images were lithographs drawn by Ravilious himself for direct application to the ware."},{"value":"The Fitzwilliam Museum also holds a war-time watercolour by Ravilious, two books with his engravings  and a number of his prints, and a book of Tirzah Ravilious\u2019 engravings."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-109795","uid":"adlib-term-109795","uuid":"8a394dfa-6091-3a16-97c3-fb85612c23b6"},"summary_title":"20th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-107700","uid":"adlib-term-107700","uuid":"8f5360fb-b262-3ae9-8942-b81cc0e3e848"},"summary_title":"Elizabeth 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Also background information, including a 1940 letter from Ravilious to Tom Wedgwood concerning colours.","page":"171-2, 182-183","type":"reference"},"admin":{"id":"publication-1035","uid":"adlib-publication-1035","uuid":"15c007c0-86a5-3d45-beb8-29e69b3fbc75"},"summary_title":"Wedgwood Ceramics 1846-1959"},{"@link":{"type":"reference"},"admin":{"id":"publication-1047","uid":"adlib-publication-1047","uuid":"112a24b6-3168-3940-8a1d-79f4f835e30d"},"summary_title":"Eric Ravilious Memoir of an Artist"},{"@link":{"notes":"Cf. illustrations of Ravilious\u2019 dinner service work, including \u2018Garden\u2019 and \u2018Travel\u2019designs (p.246), the latter including \u2018train\u2019 and \u2018bus\u2019 images on jugs and tea-pot, and shown with three original watercolour drawings for the series, including \u2018aeroplane\u2019 and \u2018train\u2019. Also, a colour image of a goblet with \u2018Boat Race\u2019 design (C30), and a photograph showing four commemorative mugs, including that produced for the Coronation of Elizabeth II (p.222). Also information about Ravilious' work for Wedgwood. See pp. 651- 656 for pattern number and other marks","page":"Vol II: 218-24, 246","type":"reference"},"admin":{"id":"publication-1044","uid":"adlib-publication-1044","uuid":"daae9e3f-5832-394b-8fd8-b2a4c4265f85"},"summary_title":"Wedgwood"},{"@link":{"notes":"Ref. p. 115 under 'Coloured Bodies'. 'Travel' was designed in 1938 and first produced in 1953. 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The mug is of  truncated conical form with a loop handle. The underside is recessed and glazed. The sides are decorated with the inscription 'Brickbats & Tiles', in black. The 'B\u2019 is formed from bricks, with the spaces within the letter indicated by a doorway (containing a tree) and an upper window, where a workman sits astride the sill, hammering; a ladder reaches up to the window, whilst on the ground another man is poised to throw a brick up. The '&' is a striped bell rope. The 'T' is a church with a tall tower, across which is a flaring strip of flocking birds. There is a pink band round the rim and, at the bottom, the inscription \u2018Say the bells of St. Giles\u2019 with a green band over. 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Cylindrical, with a reeded loop handle. On the lower half of the exterior:  a design incorporating the date (1937), the Royal Arms and 'ER', over-painted with a solid band of cornflower blue. On the upper half: fireworks highlighted in yellow, on one side against a darkened sky. Inside, near the rim: 'ER' beneath a crown, not coloured. The underside is flat and glazed, with a narrow, raised foot-rim."}],"identifier":[{"accession_number":"EC.1-1945","primary":true,"type":"accession number","value":"EC.1-1945"},{"priref":"11751","type":"priref","value":"11751"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/11751","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/11751"}],"inscription":[{"description":[{"value":"back-stamp in black with a crown above"}],"location":"on the base","method":"stamped in black","transcription":[{"value":"TO COMMEMORATE\/THE CORONATION\/OF HIS MAJESTY\/KING EDWARD VIII \/1937 \/WEDGWOOD\/MADE IN ENGLAND,\/DESIGNED BY\/RAVILIOUS"}],"type":"mark"},{"description":[{"value":"(towards the rim, above and below the back-stamp)"}],"location":"on the base","method":"impressed","transcription":[{"value":"WEDGWOOD \/ MADE IN ENGLAND"}],"type":"mark"},{"location":"on the base","method":"printed in black","transcription":[{"value":"R"}],"type":"mark"},{"location":"on the base","method":"painted in red","transcription":[{"value":"CL6203\/A"}],"type":"mark"},{"location":"on the base","method":"painted in blue","transcription":[{"value":"4"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by R.S. Hart"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152871","uid":"adlib-agent-152871","uuid":"2c8a0a40-bcc4-3088-b334-a5f80a27b23f"},"summary_title":"Hart, R. S."}],"date":[{"earliest":1945,"latest":1945,"value":"1945"}],"method":{"value":"given"},"note":[{"value":"no date given in accession register"}]}],"creation":[{"date":[{"earliest":1936,"from":{"earliest":1936,"era":["CE"],"latest":1936,"value":"1936"},"latest":1937,"range":true,"to":{"earliest":1937,"era":["CE"],"latest":1937,"value":"1937"}}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-166133","uid":"adlib-agent-166133","uuid":"ff744cb8-7ff0-3cc6-86bf-ef4c533b1c4f"},"summary_title":"Josiah Wedgwood & Sons"},{"@link":{"role":[{"value":"designer"}],"type":"reference"},"admin":{"id":"agent-112964","uid":"adlib-agent-112964","uuid":"04d09abd-10b5-3f7e-ba51-fb544857f335"},"summary_title":"Ravilious, Eric William"}],"note":[{"value":"Eric Ravilious (1903-42) studied engraving, illustration  and colour printing at the Royal College of Art and by  1926-28 was exhibiting watercolours, producing book illustrations and commissioned to paint murals. In 1930 he married Eileen Lucy \"Tirzah\" Garwood (1908-1951) also a noted artist and engraver.   From around 1936, he became one of Wedgwood\u2019s most prolific freelance designers, although many of his designs were not produced in quantity until after World War II, during which he was killed while serving as a war artist with the Royal Marines.  Wedgwood had revived the use of engraved designs in the mid 1930s \u2013 a mode of decoration which allowed the artist\u2019s own work and \u2018hand-writing\u2019 to be reproduced in a factory setting, and well suited to Ravilious\u2019 style."},{"value":"Ravilious\u2019 engraving for this mug was produced in 1936, for the Coronation of Edward VIII the following year, but the king abdicated before the event took place. The design was later adapted for the coronations of both George VI and Elizabeth II. Other Wedgwood commemorative ware by Ravilious includes a mug celebrating the company\u2019s relocation to Barlaston  in1939 and a \u2018Boat Race Day\u2019 bowl, cup and stand (1938).  He also designed at least seven Wedgwood tableware services, each with a number of vignettes on a single everyday theme.  His \u2018Travel\u2019 dinner service for six, produced in the 1950s and depicting travel through snow  and by balloon, bus, train, aeroplane, steamboat and sail, cost \u00a317 3s 6d. Earlier designs were engraved at the factory from Ravilious\u2019 drawings; others, including the \u2018Boat Race\u2019 images, were lithographs drawn by Ravilious himself for direct application to the ware."},{"value":"The Fitzwilliam Museum also holds a war-time watercolour by Ravilious, two books with his engravings  a number of his prints, a book of Tirzah Ravilious\u2019 engravings, and Wedgwood Coronation mugs designed by Richard Guyatt."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-107749","uid":"adlib-term-107749","uuid":"e089b122-3c61-3b88-a645-624a4a54e267"},"summary_title":"1930s"},{"@link":{"type":"reference"},"admin":{"id":"term-125908","uid":"adlib-term-125908","uuid":"4538ea25-0c4e-3020-bce6-709b706652bd"},"summary_title":"Edward VIII"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113623","uid":"adlib-term-113623","uuid":"87ef9eaf-54a8-3838-8337-94dbf03aad62"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Etruria"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-37088","uid":"adlib-term-37088","uuid":"0a28530e-cea8-3d08-b792-a30bf68f524f"},"summary_title":"clear glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42837","uid":"adlib-term-42837","uuid":"60792d1e-3967-38d7-8310-ee3edeb8a4ce"},"summary_title":"cream-coloured earthenware"}}],"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"10.6"},{"dimension":"Height","units":"cm","value":"10.2"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-11602","uid":"adlib-media-11602","uuid":"be0aa9fb-f751-34d8-8bd1-dd2f3dd24b7f"},"processed":{"large":{"format":"jpeg","location":"aa\/aa6\/EC_1_1945_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1616275276068,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa6\/mid_EC_1_1945_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":362},{"dimension":"width","units":"pixels","value":500}]},"modified":1616275276068,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa6\/EC_1_1945_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1616275276068,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa6\/preview_EC_1_1945_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":181},{"dimension":"width","units":"pixels","value":250}]},"modified":1616275276068,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}},{"@link":{"type":"reference"},"admin":{"id":"media-11603","uid":"adlib-media-11603","uuid":"cd5bda4d-e46d-34bb-a804-69168508ba84"},"processed":{"large":{"format":"jpeg","location":"aa\/aa6\/EC_1_1945_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1616278292206,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa6\/mid_EC_1_1945_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":362},{"dimension":"width","units":"pixels","value":500}]},"modified":1616278292206,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa6\/EC_1_1945_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1616278292206,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa6\/preview_EC_1_1945_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":181},{"dimension":"width","units":"pixels","value":250}]},"modified":1616278292206,"resizable":true,"type":"image"}},"sort":"1","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-91188","uid":"adlib-term-91188","uuid":"40f320f4-04b6-3303-8129-f9e81e2b4671"},"summary_title":"mug"}}],"note":[{"type":"history note","value":"given by R S Hart, 1945; 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of the nursery rhyme, 'Oranges and Lemons': Bullseyes & Targets'."},{"value":"Cream-coloured earthenware printed underglaze in black and painted overglaze in blue and green enamel. The mug is of truncated conical form with a loop handle. The underside is recessed and glazed. The sides are decorated with the inscription 'Bullseyes & Targets\u2019: the 'B\u2019 is in the form of a tree with a man aiming a shotgun at three targets on its trunk; the '&' is a bell rope; and the 'T' is a church tower, topped by a cloud, all in black. There is a green band round the rim and, at the bottom, the inscription \u2018say the bells of St Margarets\u2019 with a blue band over. The inside and handle are unpainted."}],"identifier":[{"accession_number":"C.72D-1992","primary":true,"type":"accession number","value":"C.72D-1992"},{"priref":"11833","type":"priref","value":"11833"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/11833","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/11833"}],"inscription":[{"description":[{"value":"Circular backstamp, incorporating a horizontal leaf design"}],"location":"underside of base","method":"printed in black","transcription":[{"value":"*FIRST MADE FOR LIBERTYS BY*\/ WEDGWOOD\/MADE IN ENGLAND\/DESIGNED BY RICHARD GUYATT"}],"type":"mark"},{"location":"underside of base","method":"painted in green enamel","transcription":[{"value":"'B'"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Sir Ivor and Lady Batchelor"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-166527","uid":"adlib-agent-166527","uuid":"3d240ab9-5cc0-3201-953a-01170d7e3328"},"summary_title":"Batchelor, Ivor, Sir and Lady"}],"date":[{"earliest":1992,"latest":1992,"value":"1992-04-27"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1992-04-27"}]}],"creation":[{"date":[{"earliest":1953,"from":{"earliest":1953,"era":["CE"],"latest":1953,"precision":"circa","value":"1953"},"latest":1960,"note":[{"value":"(Reilly (1989) dates the design as 1955, but other authors suggest c.1953)"}],"range":true,"to":{"earliest":1960,"era":["CE"],"latest":1960,"value":"1960"}}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-152728","uid":"adlib-agent-152728","uuid":"0cf03023-c7d0-3c40-9d5b-611ccacf7a0d"},"summary_title":"Josiah Wedgwood & Sons Ltd"},{"@link":{"role":[{"value":"designer"}],"type":"reference"},"admin":{"id":"agent-152875","uid":"adlib-agent-152875","uuid":"0259a919-8424-3cb3-a11a-fca4b96b9065"},"summary_title":"Guyatt, Richard Talbot"}],"note":[{"value":"Guyatt\u2019s other Wedgwood designs included a dinner service for King\u2019s College, Cambridge, also c.1952-53, and commemorative mugs for the Coronation of Queen Elizabeth II in 1953, the Prince of Wales's Investiture in 1969 and several royal weddings; his last mug, in 2005, was for the bicentenary of the Battle of Trafalgar. Outside Wedgwood, his commercial commissions ranged from exhibition stands to coins, stamps, the WH Smith logo and packaging for Anchor butter."},{"value":"Richard Gerald Talbot Guyatt CBE (1914-2007) began his career as a freelance graphic designer with posters for Shell-Mex and BP and book illustrations. At the Royal College of Art, where he was a professor from 1948 and later rector, he lead the introduction of education in graphic design and influenced subsequent expansion into typography, illustration, printmaking, photography, film and television design. From 1952-55 and 1967-70 Guyatt was consultant designer to Wedgwood. The company had revived the use of engraved designs in the mid 1930s \u2013 a mode of decoration which allowed the artist\u2019s own work and \u2018hand-writing\u2019 to be reproduced in a factory setting, and well suited to Guyatt\u2019s style."},{"value":"The Fitzwilliam Museum holds examples of the jug and three of the mugs from the \u2018Oranges and Lemons\u2019 set, as well as items from the King\u2019s College dinner service and Wedgwood Queen\u2019s ware designed by Eric Ravilious."},{"value":"This mug is part of a \u2018lemonade set\u2019 comprising a jug and four mugs, originally made for sale through Liberty\u2019s and later distributed more widely. The set illustrates old London churches, using the theme of the nursery rhyme \u2018Oranges and Lemons\u2019. \u2018Bullseyes and Targets, say the bells of St Margaret\u2019s\u2019 refers to the archery practice that took place nearby when St Margaret\u2019s, Lothbury, in the City of London, was built in the 15th Century."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-110488","uid":"adlib-term-110488","uuid":"4503a73a-ae49-3f4d-8814-88925dcd11a3"},"summary_title":"20th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-107700","uid":"adlib-term-107700","uuid":"8f5360fb-b262-3ae9-8942-b81cc0e3e848"},"summary_title":"Elizabeth 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A complete \u2018Oranges and Lemons\u2019 lemonade set.","page":"170, 179","type":"reference"},"admin":{"id":"publication-1035","uid":"adlib-publication-1035","uuid":"15c007c0-86a5-3d45-beb8-29e69b3fbc75"},"summary_title":"Wedgwood Ceramics 1846-1959"},{"@link":{"notes":"Cf. plate 314, and a jug and \u2018St Margarets\u2019 and \u2018St Annes\u2019  mugs from the \u2018Oranges and Lemons\u2019 series;  plates 310-311: Queen Elizabeth II commemorative mugs; plates 312-314, 332: a souvenir mug celebrating sporting centres, 1966; a plate from the King\u2019s College dinner service, 1952; and a commemorative mug for the American bicentenary, 1976.  See pp. 651- 656 for pattern number and other marks.","page":"Vol II, 317, 264-6","type":"reference"},"admin":{"id":"publication-1044","uid":"adlib-publication-1044","uuid":"daae9e3f-5832-394b-8fd8-b2a4c4265f85"},"summary_title":"Wedgwood"},{"@link":{"notes":"Cf. 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The inside of the rim is chamfered towards the centre, to form a flat upper surface. The sides are lathe-cut with sixteen facets on the exterior. The underside is slightly recessed and glazed within the foot-rim."}],"identifier":[{"accession_number":"C.9-1980","primary":true,"type":"accession number","value":"C.9-1980"},{"priref":"12151","type":"priref","value":"12151"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/12151","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/12151"}],"inscription":[{"description":[{"value":"facsimile signature underlined, with print letters below"}],"location":"on the base","method":"printed in blue","transcription":[{"value":"Keith Murray\/ WEDGWOOD \/MADE IN ENGLAND"}],"type":"mark"},{"description":[{"value":"small and indistinct"}],"location":"on the base, near the foot-rim","method":"impressed","transcription":[{"value":"MADE IN \/ ENGLAND"}],"type":"mark"},{"description":[{"value":"small, preceded by another figure (possibly an 8 or a monogram ?)"}],"location":"on the base","method":"impressed","transcription":[{"value":"Z[?] 34"}],"type":"mark"},{"description":[{"value":"followed by two symbols ('E' or 'm'? and 'y'?)"}],"location":"on the base","method":"incised","transcription":[{"value":"3819"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"lifecycle":{"acquisition":[{"date":[{"earliest":1980,"latest":1980,"value":"1980-03-10"}],"method":{"value":"bought"},"note":[{"value":"Purchased as furnishing at an unknown date. Accessioned in 1980"}]}],"creation":[{"date":[{"earliest":1934,"era":["CE"],"latest":1934,"value":"1934"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-166133","uid":"adlib-agent-166133","uuid":"ff744cb8-7ff0-3cc6-86bf-ef4c533b1c4f"},"summary_title":"Josiah Wedgwood & Sons"},{"@link":{"role":[{"value":"designer"}],"type":"reference"},"admin":{"id":"agent-96956","uid":"adlib-agent-96956","uuid":"f8f023cc-3106-3aac-b1fe-a2a403bb8c7d"},"summary_title":"Murray, Keith Day Pearce"}],"note":[{"value":"Keith Day Pearce Murray MC, RDI, FRIBA (1892-1981) trained as an architect, but turned to the design of ceramics and glassware in the 1930s. His first designs for Wedgwood were produced in 1932, after which he was engaged for three months a year. By November 1933, an exhibition of \u2018New Wedgwood Shapes Designed by Keith Murray\u2019, held at John Lewis, Oxford Street, included 124 shapes, some listed as \u2018hand thrown finger finished\u2019. His designs  were commercially popular and many remained in production until the 1950s. In 1936, Keith Murray and Charles White were commissioned to design Wedgwood\u2019s new factory at Barlaston, alongside a model village estate by Louis Soissons. Murray retired from ceramic design in 1948, though continued his architectural practice until 1967."},{"value":"Keith Murray\u2019s elegant, architectural designs include vases, jugs and bowls, generally decorated only by moulding or simple incised lines. They were well suited to new matt glazes being created in the 1930s by Norman Wilson, then works manager at Wedgwood\u2019s Etruria factory. This shape, which was produced in Moonstone, Matt Green or Straw, appears on page BY3 (matt glazes) of the \u2018Keith Murray Shapes Catalogue\u2019, 1940. The Matt Green glaze, obtained here by the addition of celadon slip and uranium oxide, is reminiscent of that found on early Korean pottery in the Fitzwilliam. At Wedgwood\u2019s request, Murray also designed several tableware series."},{"value":"The Fitzwilliam Collection also holds three items of Keith Murray glassware, made by Stevens & Williams, on loan."},{"value":"Wedgwood\u2019s matt glazes are mainly found on figures by John Skeaping and on shapes designed by Keith Murray. They were rarely used after 1941."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-120066","uid":"adlib-term-120066","uuid":"7d68b404-6003-3715-bdce-af5ba4e8f5a3"},"summary_title":"20th Century, second quarter"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113623","uid":"adlib-term-113623","uuid":"87ef9eaf-54a8-3838-8337-94dbf03aad62"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Etruria"}]}]},"materials":[{"note":[{"value":"grey-green matt"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-32652","uid":"adlib-term-32652","uuid":"82d8ae3b-f165-395c-ba93-dfa1c282b7be"},"summary_title":"glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"25.2"},{"dimension":"Diameter","units":"cm","value":"7.5"},{"dimension":"Height","units":"cm","value":"12.5"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-11774","uid":"adlib-media-11774","uuid":"bf7fc7cc-5baf-35e2-9355-ec7e2c9a5a7f"},"processed":{"large":{"format":"jpeg","location":"aa\/aa4\/C_9_1980_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1616275629204,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa4\/mid_C_9_1980_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":362},{"dimension":"width","units":"pixels","value":500}]},"modified":1616275629204,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa4\/C_9_1980_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1616275629204,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa4\/preview_C_9_1980_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":181},{"dimension":"width","units":"pixels","value":250}]},"modified":1616275629204,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}},{"@link":{"type":"reference"},"admin":{"id":"media-11775","uid":"adlib-media-11775","uuid":"d4f0a154-d40e-3d89-bcd2-502611569657"},"processed":{"large":{"format":"jpeg","location":"aa\/aa4\/C_9_1980_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1616279756689,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa4\/mid_C_9_1980_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":362},{"dimension":"width","units":"pixels","value":500}]},"modified":1616279756689,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa4\/C_9_1980_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1616279756689,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa4\/preview_C_9_1980_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":181},{"dimension":"width","units":"pixels","value":250}]},"modified":1616279756689,"resizable":true,"type":"image"}},"sort":"1","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107667","uid":"adlib-term-107667","uuid":"1b81c806-cfb7-3291-9803-525db5f75e09"},"summary_title":"bowl"}}],"note":[{"type":"history note","value":"unknown"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Cf. Page from Keith Murray Shapes Catalogue, 1940, showing drawing of this shape, one-fifth size (plate 517),; black and white illustration of a similar bowl (plate 518); other Murray items (plates509-518); and a Keith Murray commemorative mug (plate 542)  . Also colour illustration of Keith Murray pottery, showing items with similar glaze (plate L) and Keith Murray facsimile signature mark, introduced in 1932, and two other Murray marks (p.228). Biography pp.205-6.","page":"205-211,221 228","type":"reference"},"admin":{"id":"publication-1035","uid":"adlib-publication-1035","uuid":"15c007c0-86a5-3d45-beb8-29e69b3fbc75"},"summary_title":"Wedgwood Ceramics 1846-1959"},{"@link":{"notes":"Cf. various plates for other exambles of Keith Murray\u2019s work. See also:  pp. 211-14 for biography of Keith Murray (photographs pp.199, 211); pp.226-8 for his design of the Barlaston factory; p.394 for matt glazes; pp. 651- 657 for pattern number and other marks, incl. printed signature.","page":"Vol II, 211-4, 226-8 394, 651-6","type":"reference"},"admin":{"id":"publication-1044","uid":"adlib-publication-1044","uuid":"daae9e3f-5832-394b-8fd8-b2a4c4265f85"},"summary_title":"Wedgwood"},{"@link":{"notes":"Ref. lists several items designed by Murray (one ill. p. viii),  along with extract from instructions he received from Josiah Wedgwood V and some information on glazes.","page":"58","type":"reference"},"admin":{"id":"publication-988","uid":"adlib-publication-988","uuid":"4906b591-b7ec-3791-bc5f-13d64bed4581"},"summary_title":"Wedgwood in London, 225th Anniversary Exhibition 1759-1984"},{"@link":{"notes":"Ref. photograph of new factory at Barlaston and various Keith Murray items described;","page":"34, 125-126","type":"reference"},"admin":{"id":"publication-1008","uid":"adlib-publication-1008","uuid":"3bf225e8-9d69-3810-848d-b9aa1e259d91"},"summary_title":"Wedgwood of Etruria and Barlaston"},{"@link":{"notes":"Ref. 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Decorated in the centre with 'Train' in 'Travel' pattern: a steam train and carriages coming out of a tunnel; on the rim, black weather cones (?) alternating with turquoise semi-circles under curved black lines."}],"identifier":[{"accession_number":"C.14-1997","primary":true,"type":"accession number","value":"C.14-1997"},{"priref":"12100","type":"priref","value":"12100"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/12100","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/12100"}],"inscription":[{"location":"on the back, over circular backstamp","method":"printed in black","transcription":[{"value":"TRAVEL\/DESIGNED BY RAVILIOUS"}],"type":"factory mark"},{"description":[{"value":"circular mark, 'WEDGWOOD \/ MADE IN ENGLAND' in the centre"}],"location":"on the back","method":"printed in black","transcription":[{"value":"'WEDGWOOD\/OF ETRURIA\/& BARLASTON\/MADE IN ENGLAND'"}],"type":"mark"},{"location":"on the back","method":"impressed","transcription":[{"value":"WEDGWOOD\/9 N 5"}],"type":"mark"},{"location":"on the back","method":"painted in red enamel","transcription":[{"value":"N\/TL 472"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by the Friends of the Fitzwilliam"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149645","uid":"adlib-agent-149645","uuid":"10925b71-6838-30f7-a8dd-b68a2afaa14d"},"summary_title":"The Friends of the Fitzwilliam Museum"}],"date":[{"earliest":1997,"latest":1997,"value":"1997-03-03"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1997-03-03"}]}],"creation":[{"date":[{"earliest":1954,"era":["CE"],"latest":1954,"precision":"circa","value":"1954"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-143576","uid":"adlib-agent-143576","uuid":"535626bd-0b17-316b-bbbf-3551cefd8265"},"summary_title":"Wedgwood"},{"@link":{"role":[{"value":"designer"}],"type":"reference"},"admin":{"id":"agent-112964","uid":"adlib-agent-112964","uuid":"04d09abd-10b5-3f7e-ba51-fb544857f335"},"summary_title":"Ravilious, Eric William"}],"note":[{"value":"Eric Ravilious (1903-42) studied engraving, illustration  and colour printing at the Royal College of Art and by  1926-28 was exhibiting watercolours, producing book illustrations and commissioned to paint murals. In 1930 he married Eileen Lucy \"Tirzah\" Garwood (1908-1951) also a noted artist and engraver.   From around 1936, he became one of Wedgwood\u2019s most prolific freelance designers, although many of his designs were not produced in quantity until after World War II, during which he was killed while serving as a war artist with the Royal Marines. Wedgwood had revived the use of engraved designs in the mid 1930s \u2013 a mode of decoration which allowed the artist\u2019s own work and \u2018hand-writing\u2019 to be reproduced in a factory setting, and well suited to Ravilious\u2019 style."},{"value":"Ravilious produced at least seven Wedgwood tableware pattern series, each with a number of vignettes on a single everyday theme, and sometimes also drew the tableware shapes for additions such as jam-pots. \u2018Travel\u2019 was designed c.1937 and first made in 1953. It was printed in black on a newly-introduced Windsor Grey body and hand coloured.  A \u2018Travel\u2019 dinner service for six, depicting travel through snow  and by balloon, bus, train, aeroplane, steamboat and sail, cost \u00a317 3s 6d. Ravilious also designed commemorative wares, including a Coronation Mug for Edward VIII (1936), later adapted for the coronations of both George VI and Elizabeth II; a mug celebrating the company\u2019s relocation to Barlaston (1939); and a \u2018Boat Race Day\u2019 bowl, cup and stand (1938). Earlier designs were engraved at the factory from Ravilious\u2019 drawings, but the \u2018Boat Race\u2019 images were lithographs drawn by Ravilious himself for direct application to the ware."},{"value":"The Fitzwilliam Museum also holds a war-time watercolour by Ravilious, two books with his engravings  and a number of his prints, and a book of Tirzah Ravilious\u2019 engravings."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-109795","uid":"adlib-term-109795","uuid":"8a394dfa-6091-3a16-97c3-fb85612c23b6"},"summary_title":"20th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-107700","uid":"adlib-term-107700","uuid":"8f5360fb-b262-3ae9-8942-b81cc0e3e848"},"summary_title":"Elizabeth 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\u2018bus\u2019 images on jugs and tea-pot, and shown with three original watercolour drawings for the series, including \u2018aeroplane\u2019 and \u2018train\u2019. Also, a colour image of a goblet with \u2018Boat Race\u2019 design (C30), and a photograph showing four commemorative mugs, including that produced for the Coronation of Elizabeth II (p.222). Also information about Ravilious' work for Wedgwood. See pp. 651- 656 for pattern number and other marks.","page":"Vol. II, pp. 218-24, 246, 651-656","type":"reference"},"admin":{"id":"publication-998","uid":"adlib-publication-998","uuid":"b78305dd-313b-343d-b005-05a294d9dc50"},"summary_title":"Wedgwood"},{"@link":{"notes":"Cf. illustrations of the nine vignettes used for \u2018Travel\u2019 series, on various tableware shapes; four original drawings for \u2018Garden\u2019 series; \u2018Boat Race\u2019 bowl and cup and other Ravilious designs for Wedgwood. Also background information, including a 1940 letter from Ravilious to Tom Wedgwood concerning colours.","page":"pp. 171-2, 182-183","type":"reference"},"admin":{"id":"publication-1035","uid":"adlib-publication-1035","uuid":"15c007c0-86a5-3d45-beb8-29e69b3fbc75"},"summary_title":"Wedgwood Ceramics 1846-1959"},{"@link":{"type":"reference"},"admin":{"id":"publication-1047","uid":"adlib-publication-1047","uuid":"112a24b6-3168-3940-8a1d-79f4f835e30d"},"summary_title":"Eric Ravilious Memoir of an Artist"},{"@link":{"notes":"Ref. 'Travel' was designed by Ravilious in 1938 and first produced in 1953. The Windsor Grey body was introduced in 1953, see 'Coloured Bodies',  p.115.","page":"p. 115","type":"reference"},"admin":{"id":"publication-989","uid":"adlib-publication-989","uuid":"82f5fd49-f1cd-3039-8aa9-a46ef3f93b0c"},"summary_title":"Wedgwood, The New Illustrated Dictionary"},{"@link":{"notes":"Ref. p. 92, lot 288, a part dinner, tea and coffee set in Travel pattern, including Train. 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Circular with a narrow, slightly concave rim, curved sides, and flat centre. Decorated in the centre with a vignette of a woman holding a book while sitting in a deckchair, to the left of a tree. A shopping basket on wheels stands on the right in the shadow of the tree. On the rim there are nineteen overlapping lengths of twisted, striped, ribbon, with a broad yellow band on the inner edge."}],"identifier":[{"accession_number":"C.3-2001","primary":true,"type":"accession number","value":"C.3-2001"},{"priref":"20885","type":"priref","value":"20885"},{"source":"The Fitzwilliam Museum","type":"entry form number","value":"150"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/20885","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/20885"}],"inscription":[{"location":"underside, off centre","method":"impressed","transcription":[{"value":"WEDGWOOD\/3 R54"}],"type":"mark"},{"description":[{"value":"over circular factory back stamp"}],"location":"underside, off centre","method":"printed in black","transcription":[{"value":"GARDEN\/DESIGNED BY RAVILIOUS"}],"type":"mark"},{"description":[{"value":"circular mark, 'WEDGWOOD \/ MADE IN ENGLAND' in the centre"}],"location":"underside, off centre","method":"printed in black","transcription":[{"value":"WEDGWOOD\/OF ETRURIA  \/& BARLASTON\/ MADE IN ENGLAND"}],"type":"mark"},{"description":[{"value":"with indistinct red enamel numbers (259?) painted over it"}],"location":"underside, off centre, below circular factory stamp","method":"in enamel","transcription":[{"value":"7"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by the Friends of the Fitzwilliam Museum, purchased from Gabor Cossa Antiques"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149645","uid":"adlib-agent-149645","uuid":"10925b71-6838-30f7-a8dd-b68a2afaa14d"},"summary_title":"The Friends of the Fitzwilliam Museum"}],"date":[{"earliest":2001,"latest":2001,"value":"2001-01-22"}],"method":{"value":"given"},"note":[{"value":"Entry date: 2001-01-22"}]}],"creation":[{"date":[{"earliest":1954,"era":["CE"],"latest":1903,"value":"1954-03"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-152728","uid":"adlib-agent-152728","uuid":"0cf03023-c7d0-3c40-9d5b-611ccacf7a0d"},"summary_title":"Josiah Wedgwood & Sons Ltd"},{"@link":{"role":[{"value":"designer"}],"type":"reference"},"admin":{"id":"agent-112964","uid":"adlib-agent-112964","uuid":"04d09abd-10b5-3f7e-ba51-fb544857f335"},"summary_title":"Ravilious, Eric William"}],"note":[{"value":"Eric Ravilious (1903-42) studied engraving, illustration  and colour printing at the Royal College of Art and by  1926-28 was exhibiting watercolours, producing book illustrations and commissioned to paint murals. In 1930 he married Eileen Lucy \"Tirzah\" Garwood (1908-1951) also a noted artist and engraver.   From around 1936, he became one of Wedgwood\u2019s most prolific freelance designers, although many of his designs were not produced in quantity until after World War II, during which he was killed while serving as a war artist with the Royal Marines.  Wedgwood had revived the use of engraved designs in the mid 1930s \u2013 a mode of decoration which allowed the artist\u2019s own work and \u2018hand-writing\u2019 to be reproduced in a factory setting, and well suited to Ravilious\u2019 style."},{"value":"Ravilious produced at least seven Wedgwood tableware pattern series, each with a number of vignettes on a single everyday theme, and sometimes also drew the tableware shapes for additions such as jam-pots. \u2018Garden\u2019, introduced in 1938  and also produced in the 1950s,  used lithography on earthenware, with enamel wash bands of yellow, blue or green; four of the nine original drawingss - including with the deckchair - are shown in Batkin. The design was also produced without the printed centre image. A comparable dinner service with \u2018Travel\u2019 design sold for \u00a317 3s 6d in the early 1950s. Ravilious also designed commemorative wares, including a Coronation Mug for Edward VIII (1936), later adapted for the coronations of both George VI and Elizabeth II; a mug celebrating the company\u2019s relocation to Barlaston (1939); and a \u2018Boat Race Day\u2019 bowl, cup and stand (1938). Earlier designs were engraved at the factory from Ravilious\u2019 drawings, but the \u2018Boat Race\u2019 images were lithographs drawn by Ravilious himself for direct application to the ware."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-109795","uid":"adlib-term-109795","uuid":"8a394dfa-6091-3a16-97c3-fb85612c23b6"},"summary_title":"20th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-107700","uid":"adlib-term-107700","uuid":"8f5360fb-b262-3ae9-8942-b81cc0e3e848"},"summary_title":"Elizabeth 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Also background information, including a 1940 letter from Ravilious to Tom Wedgwood concerning colours.","page":"pp. 17-2, 181-3","type":"reference"},"admin":{"id":"publication-1035","uid":"adlib-publication-1035","uuid":"15c007c0-86a5-3d45-beb8-29e69b3fbc75"},"summary_title":"Wedgwood Ceramics 1846-1959"},{"@link":{"notes":"Cf. illustrations of Ravilious\u2019 dinner service work, including \u2018Garden\u2019 (221) and \u2018Travel\u2019designs (p.246), the latter including \u2018train\u2019 and \u2018bus\u2019 images on jugs and tea-pot, and shown with three original watercolour drawings for the series, including \u2018aeroplane\u2019 and \u2018train\u2019. Also, a colour image of a goblet with \u2018Boat Race\u2019 design (C30), and a photograph showing four commemorative mugs, including that produced for the Coronation of Elizabeth II (p.222). Also information about Ravilious' work for Wedgwood. See pp. 651- 656 for pattern number and other marks.","page":"pp. 218-24, 246","type":"reference"},"admin":{"id":"publication-998","uid":"adlib-publication-998","uuid":"b78305dd-313b-343d-b005-05a294d9dc50"},"summary_title":"Wedgwood"},{"@link":{"notes":"Cf. various items designed by Ravilious, including \u2018Garden\u2019 and \u2018Boat Race\u2019, exhibited at Wedgwood House, Wigmore St, LondonMay-August 1984.","page":"60, viii","type":"reference"},"admin":{"id":"publication-988","uid":"adlib-publication-988","uuid":"4906b591-b7ec-3791-bc5f-13d64bed4581"},"summary_title":"Wedgwood in London, 225th Anniversary Exhibition 1759-1984"},{"@link":{"notes":"Cf. descriptions of various items designed by Ravilious, and their marks, including a plate from the \u2018Travel\u2019 series with sailing design","page":"124-125","type":"reference"},"admin":{"id":"publication-1008","uid":"adlib-publication-1008","uuid":"3bf225e8-9d69-3810-848d-b9aa1e259d91"},"summary_title":"Wedgwood of Etruria and Barlaston"},{"@link":{"notes":"Cf. illustrations 94a (\u2018Boat Race\u2019 bowl) and 95 (Jug showing nine garden designs), and information on Ravilious\u2019 work for Wedgwood.","page":"25","type":"reference"},"admin":{"id":"publication-1046","uid":"adlib-publication-1046","uuid":"284e0df1-f28d-323f-bb60-68da8644fadc"},"summary_title":"Wedgwood Ware"},{"@link":{"notes":"Cf. p. 66, lots 353-357, circular plates of different sizes, sauceboat, jug, and two oval dishes of Garden pattern","page":"66","type":"reference"},"admin":{"id":"publication-6325","uid":"adlib-publication-6325","uuid":"8cbb0366-69fc-38fa-bbc7-049ba16aff80"},"summary_title":"The Autumn Country House Sale"},{"@link":{"notes":"Ref. lot 288, a part dinner, tea and coffee set in Travel pattern, including Train. 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