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The Fitzwilliam holds an example of each, as well as this unglazed sample of the soup plate and examples from Guyatt\u2019s \u2018Oranges and Lemons\u2019 lemonade set and of commemorative mugs he designed for Wedgwood, as well as Wedgwood Queen\u2019s ware designed by Eric Ravilious."},{"value":"Richard Gerald Talbot Guyatt CBE (1914-2007) began his career as a freelance graphic designer with posters for Shell-Mex and BP and book illustrations. At the Royal College of Art, where he was a professor from 1948 and later rector, he lead the introduction of education in graphic design and influenced subsequent expansion into typography, illustration, printmaking, photography, film and television design. From 1952-55 and 1967-70 Guyatt was consultant designer to Wedgwood. The company had revived the use of engraved designs in the mid 1930s \u2013 a mode of decoration which allowed the artist\u2019s own work and \u2018hand-writing\u2019 to be reproduced in a factory setting, and well suited to Guyatt\u2019s style. His design for this dinner service for  the High Table of King's College, Cambridge, was recorded on 18 March 1954. The  body was recorded as \u2018CC\u2019 (cream coloured earthenware, or \u2018Queen\u2019s ware\u2019), and pattern book entry, no. G5558, notes it was first  \u2018printed in sepia, gilt, with a narrow band at edge line below verge in gold which was sanded\u2019, though later versions are printed in black.  Since 1971, when the College ordered a new 2,500 piece service, it has been made in metallized bone china with over-glaze printing, by Wedgwood's Hotel Division. The design is based on various motifs in the tracery lights of the King\u2019s College Chapel windows. The central Tudor Rose encloses the ciphers of Henry VI, who founded the College in 1441, Henry VII and Henry VIII."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-110488","uid":"adlib-term-110488","uuid":"4503a73a-ae49-3f4d-8814-88925dcd11a3"},"summary_title":"20th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-107700","uid":"adlib-term-107700","uuid":"8f5360fb-b262-3ae9-8942-b81cc0e3e848"},"summary_title":"Elizabeth II"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-114582","uid":"adlib-term-114582","uuid":"511cfe35-cd51-335e-b2a9-7683f4b84bd1"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Barlaston"}]}]},"materials":[{"note":[{"value":"unglazed"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42837","uid":"adlib-term-42837","uuid":"60792d1e-3967-38d7-8310-ee3edeb8a4ce"},"summary_title":"cream-coloured 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On the reverse a low, curved foot supports each shell. The upper surface decorated with pale yellow, pink and purple majolica glazes. The dolphins are covered in shades of pink with eyes and fins picked out in deeper pink. The same pink is used on the outer edges of the shells and around the rim of the central bowl, thicker at the edge and shading away into the depressions, which are tinged with pale yellow. The shape and pearlescence of the inner shells is indicated with a faint application of purple. The reverse clear-glazed."}],"identifier":[{"accession_number":"C.3-1986","primary":true,"type":"accession number","value":"C.3-1986"},{"priref":"12139","type":"priref","value":"12139"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/12139","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/12139"}],"inscription":[{"location":"on reverse","method":"impressed","transcription":[{"value":"WEDGWOOD"}],"type":"mark"},{"description":[{"value":"unclear"}],"location":"on reverse","method":"impressed","transcription":[{"value":"possibly 'CUD'"}],"type":"mark"},{"location":"on reverse","method":"impressed","transcription":[{"value":"W"}],"type":"mark"},{"description":[{"value":"lozenge shaped Patent Registration mark, possibly incorporating date letter 'D' (1878), but mainly illegible"}],"location":"on reverse","method":"impressed","type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by C.N. 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They were also produced in other colours, including brown\/pink dolphins and a mustard middle on a cream\/white plate and cobalt blue shells with grey dolphins and a turquoise middle. Some 42 different entries in the Wedgwood majolica ware pattern books refer to oyster trays and stands, illustrating the range and popularity of oyster plate designs produced."},{"value":"This is one of a pair of plates held in the Fitzwilliam collection. Oysters were abundant and inexpensive in the 19th Century, and oyster plates were fashionable from mid 1850s  until c.1940. Some of the best were made with majolica glazes, introduced by Minton in 1851 and a significant area of Wedgwood production in the 1870s. Both shape and colour are important in majolica ware, and the use of colour to highlight the detail of the moulding on these plates is typical. The delicately applied pink colour and the light purple which mimics the inside of an oyster shell (more evident on this plate than on the other) suggests they were made after 1878, when  Wedgwood updated its majolica ware, the new designs favouring embossed, often Japanese-inspired, naturalistic decoration painted in bright majolica colours against a pale or white background. This change, known as Argenta ware, followed the observation that earlier, more deeply coloured majolica seemed to be going out of fashion at the 1878 Paris exhibition. 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Oval with a sloping rim, and deep curved sides. Decorated in the centre with `Sailing' from 'Travel' pattern: a sailing boat on a turquoise lake, trees, grass and sun overhead; on the rim, black weather cones (?) alternating with turquoise semi-circles under curved black lines."}],"identifier":[{"accession_number":"C.13-1997","primary":true,"type":"accession number","value":"C.13-1997"},{"priref":"12097","type":"priref","value":"12097"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/12097","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/12097"}],"inscription":[{"location":"Underside of base","method":"printed in black","transcription":[{"value":"'TRAVEL\/DESIGNED BY RAVILIOUS'"}],"type":"factory mark"},{"description":[{"value":"circular mark, 'WEDGWOOD \/ MADE IN ENGLAND' in the centre"}],"location":"underside of base","method":"printed in black","transcription":[{"value":"'WEDGWOOD\/OF ETRURIA\/& BARLASTON\/MADE IN ENGLAND'"}],"type":"factory mark"},{"location":"on the base","method":"impressed","transcription":[{"value":"2 H 5 [final figure illegible]"}],"type":"mark"},{"location":"on the base","method":"painted in red","transcription":[{"value":"N \/ T U 472"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by the Friends of the Fitzwilliam Museum"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149645","uid":"adlib-agent-149645","uuid":"10925b71-6838-30f7-a8dd-b68a2afaa14d"},"summary_title":"The Friends of the Fitzwilliam Museum"}],"date":[{"earliest":1997,"latest":1997,"value":"1997-03-03"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1997-03-03"}]}],"creation":[{"date":[{"earliest":1954,"era":["CE"],"latest":1954,"precision":"circa","value":"1954"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-143576","uid":"adlib-agent-143576","uuid":"535626bd-0b17-316b-bbbf-3551cefd8265"},"summary_title":"Wedgwood"},{"@link":{"role":[{"value":"designer"}],"type":"reference"},"admin":{"id":"agent-112964","uid":"adlib-agent-112964","uuid":"04d09abd-10b5-3f7e-ba51-fb544857f335"},"summary_title":"Ravilious, Eric William"}],"note":[{"value":"Eric Ravilious (1903-42) studied engraving, illustration  and colour printing at the Royal College of Art and by  1926-28 was exhibiting watercolours, producing book illustrations and commissioned to paint murals. In 1930 he married Eileen Lucy \"Tirzah\" Garwood (1908-1951) also a noted artist and engraver.   From around 1936, he became one of Wedgwood\u2019s most prolific freelance designers, although many of his designs were not produced in quantity until after World War II, during which he was killed while serving as a war artist with the Royal Marines.  Wedgwood had revived the use of engraved designs in the mid 1930s \u2013 a mode of decoration which allowed the artist\u2019s own work and \u2018hand-writing\u2019 to be reproduced in a factory setting, and well suited to Ravilious\u2019 style."},{"value":"Ravilious produced at least seven Wedgwood tableware pattern series, each with a number of vignettes on a single everyday theme, and sometimes also drew the tableware shapes for additions such as jam-pots. \u2018Travel\u2019 was designed c.1937 and first made in 1953. It was printed in black on a newly-introduced Windsor Grey body and hand coloured.  A \u2018Travel\u2019 dinner service for six, depicting travel through snow  and by balloon, bus, train, aeroplane, steamboat and sail, cost \u00a317 3s 6d. Ravilious also designed commemorative wares, including a Coronation Mug for Edward VIII (1936), later adapted for the coronations of both George VI and Elizabeth II; a mug celebrating the company\u2019s relocation to Barlaston (1939); and a \u2018Boat Race Day\u2019 bowl, cup and stand (1938). Earlier designs were engraved at the factory from Ravilious\u2019 drawings, but the \u2018Boat Race\u2019 images were lithographs drawn by Ravilious himself for direct application to the ware."},{"value":"The Fitzwilliam Museum also holds a war-time watercolour by Ravilious, two books with his engravings  and a number of his prints, and a book of Tirzah Ravilious\u2019 engravings."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-109795","uid":"adlib-term-109795","uuid":"8a394dfa-6091-3a16-97c3-fb85612c23b6"},"summary_title":"20th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-107700","uid":"adlib-term-107700","uuid":"8f5360fb-b262-3ae9-8942-b81cc0e3e848"},"summary_title":"Elizabeth 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Also background information, including a 1940 letter from Ravilious to Tom Wedgwood concerning colours.","page":"171-2, 182-183","type":"reference"},"admin":{"id":"publication-1035","uid":"adlib-publication-1035","uuid":"15c007c0-86a5-3d45-beb8-29e69b3fbc75"},"summary_title":"Wedgwood Ceramics 1846-1959"},{"@link":{"type":"reference"},"admin":{"id":"publication-1047","uid":"adlib-publication-1047","uuid":"112a24b6-3168-3940-8a1d-79f4f835e30d"},"summary_title":"Eric Ravilious Memoir of an Artist"},{"@link":{"notes":"Cf. illustrations of Ravilious\u2019 dinner service work, including \u2018Garden\u2019 and \u2018Travel\u2019designs (p.246), the latter including \u2018train\u2019 and \u2018bus\u2019 images on jugs and tea-pot, and shown with three original watercolour drawings for the series, including \u2018aeroplane\u2019 and \u2018train\u2019. Also, a colour image of a goblet with \u2018Boat Race\u2019 design (C30), and a photograph showing four commemorative mugs, including that produced for the Coronation of Elizabeth II (p.222). Also information about Ravilious' work for Wedgwood. See pp. 651- 656 for pattern number and other marks","page":"Vol II: 218-24, 246","type":"reference"},"admin":{"id":"publication-1044","uid":"adlib-publication-1044","uuid":"daae9e3f-5832-394b-8fd8-b2a4c4265f85"},"summary_title":"Wedgwood"},{"@link":{"notes":"Ref. p. 115 under 'Coloured Bodies'. 'Travel' was designed in 1938 and first produced in 1953. The Windsor Grey body was introduced in 1953.","page":"115","type":"reference"},"admin":{"id":"publication-989","uid":"adlib-publication-989","uuid":"82f5fd49-f1cd-3039-8aa9-a46ef3f93b0c"},"summary_title":"Wedgwood, The New Illustrated Dictionary"},{"@link":{"notes":"Cf. p. 66, pl. 56 and p. 125, no. 281, a circular plate of this design in the Wedgwood Museum, Barlaston; for the design see no. 282","page":"66, 124, 125","type":"reference"},"admin":{"id":"publication-1008","uid":"adlib-publication-1008","uuid":"3bf225e8-9d69-3810-848d-b9aa1e259d91"},"summary_title":"Wedgwood of Etruria and Barlaston"},{"@link":{"notes":"Cf. p. 92, lot 288, a part dinner, tea and coffee set of Travel pattern c. 1953, \u00a3460-600.","page":"92","type":"reference"},"admin":{"id":"publication-5879","uid":"adlib-publication-5879","uuid":"3bc31f9f-f9a5-3aed-b98b-bb97a60b3879"},"summary_title":"The Bolney Lodge Collection, The Estate of the Late Judge Coles Q.C."},{"@link":{"notes":"Cf. various items designed 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ilustrating part of a line of the nursery rhyme, Oranges and Lemons: 'Halfpence and Farthings'"},{"value":"Cream-coloured earthenware printed underglaze in black and painted overglaze in blue and green enamel. The mug is of truncated conical form with a loop handle. The exterior is decorated with the inscription 'Halfpence & Farthings', in black. The 'H' is formed by two trees, each with a branch which reaches towards the other; a girl sitting on the left hand branch is passing a coin to a boy on the right, their skipping rope and hoop are propped against the trunks. The '&' is a striped bell rope. The 'F' is a church facade and two strips of cloud. There is a green band round the rim and, at the bottom, the inscription \u2018Say the bells of St. Martins' with a blue band over. The inside and handle are unpainted. The underside is recessed and glazed."}],"identifier":[{"accession_number":"C.72B-1992","primary":true,"type":"accession number","value":"C.72B-1992"},{"priref":"11830","type":"priref","value":"11830"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/11830","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/11830"}],"inscription":[{"description":[{"value":"Circular backstamp, incorporating a horizontal leaf design; printed in black"}],"location":"on the base","method":"printed in black","transcription":[{"value":"*FIRST MADE FOR LIBERTYS BY*\/ WEDGWOOD\/MADE IN ENGLAND\/DESIGNED BY RICHARD GUYATT"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Sir Ivor and Lady Batchelor"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-166527","uid":"adlib-agent-166527","uuid":"3d240ab9-5cc0-3201-953a-01170d7e3328"},"summary_title":"Batchelor, Ivor, Sir and Lady"}],"date":[{"earliest":1992,"latest":1992,"value":"1992-04-27"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1992-04-27. The set originally had four mugs but one was broken and was not donated."}]}],"creation":[{"date":[{"earliest":1955,"from":{"earliest":1955,"era":["CE"],"latest":1955,"precision":"circa","value":"1955"},"latest":1960,"range":true,"to":{"earliest":1960,"era":["CE"],"latest":1960,"value":"1960"}}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-152728","uid":"adlib-agent-152728","uuid":"0cf03023-c7d0-3c40-9d5b-611ccacf7a0d"},"summary_title":"Josiah Wedgwood & Sons Ltd"},{"@link":{"role":[{"value":"designer"}],"type":"reference"},"admin":{"id":"agent-152875","uid":"adlib-agent-152875","uuid":"0259a919-8424-3cb3-a11a-fca4b96b9065"},"summary_title":"Guyatt, Richard Talbot"}],"note":[{"value":"Guyatt\u2019s other Wedgwood designs included a dinner service for King\u2019s College, Cambridge, also c.1952-53, and commemorative mugs for the Coronation of Queen Elizabeth II in 1953, the Prince of Wales's Investiture in 1969 and several royal weddings; his last mug, in 2005, was for the bicentenary of the Battle of Trafalgar. Outside Wedgwood, his commercial commissions ranged from exhibition stands to coins, stamps, the WH Smith logo and packaging for Anchor butter."},{"value":"Richard Gerald Talbot Guyatt CBE (1914-2007) began his career as a freelance graphic designer with posters for Shell-Mex and BP and book illustrations. At the Royal College of Art, where he was a professor from 1948 and later rector, he lead the introduction of education in graphic design and influenced subsequent expansion into typography, illustration, printmaking, photography, film and television design. From 1952-55 and 1967-70 Guyatt was consultant designer to Wedgwood. 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Cylindrical, with a reeded loop handle. On the lower half of the exterior:  a design incorporating the date (1937), the Royal Arms and 'ER', over-painted with a solid band of cornflower blue. On the upper half: fireworks highlighted in yellow, on one side against a darkened sky. Inside, near the rim: 'ER' beneath a crown, not coloured. The underside is flat and glazed, with a narrow, raised foot-rim."}],"identifier":[{"accession_number":"EC.1-1945","primary":true,"type":"accession number","value":"EC.1-1945"},{"priref":"11751","type":"priref","value":"11751"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/11751","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/11751"}],"inscription":[{"description":[{"value":"back-stamp in black with a crown above"}],"location":"on the base","method":"stamped in black","transcription":[{"value":"TO COMMEMORATE\/THE CORONATION\/OF HIS MAJESTY\/KING EDWARD VIII \/1937 \/WEDGWOOD\/MADE IN ENGLAND,\/DESIGNED BY\/RAVILIOUS"}],"type":"mark"},{"description":[{"value":"(towards the rim, above and below the back-stamp)"}],"location":"on the base","method":"impressed","transcription":[{"value":"WEDGWOOD \/ MADE IN ENGLAND"}],"type":"mark"},{"location":"on the base","method":"printed in black","transcription":[{"value":"R"}],"type":"mark"},{"location":"on the base","method":"painted in red","transcription":[{"value":"CL6203\/A"}],"type":"mark"},{"location":"on the base","method":"painted in blue","transcription":[{"value":"4"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by R.S. Hart"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152871","uid":"adlib-agent-152871","uuid":"2c8a0a40-bcc4-3088-b334-a5f80a27b23f"},"summary_title":"Hart, R. S."}],"date":[{"earliest":1945,"latest":1945,"value":"1945"}],"method":{"value":"given"},"note":[{"value":"no date given in accession register"}]}],"creation":[{"date":[{"earliest":1936,"from":{"earliest":1936,"era":["CE"],"latest":1936,"value":"1936"},"latest":1937,"range":true,"to":{"earliest":1937,"era":["CE"],"latest":1937,"value":"1937"}}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-166133","uid":"adlib-agent-166133","uuid":"ff744cb8-7ff0-3cc6-86bf-ef4c533b1c4f"},"summary_title":"Josiah Wedgwood & Sons"},{"@link":{"role":[{"value":"designer"}],"type":"reference"},"admin":{"id":"agent-112964","uid":"adlib-agent-112964","uuid":"04d09abd-10b5-3f7e-ba51-fb544857f335"},"summary_title":"Ravilious, Eric William"}],"note":[{"value":"Eric Ravilious (1903-42) studied engraving, illustration  and colour printing at the Royal College of Art and by  1926-28 was exhibiting watercolours, producing book illustrations and commissioned to paint murals. In 1930 he married Eileen Lucy \"Tirzah\" Garwood (1908-1951) also a noted artist and engraver.   From around 1936, he became one of Wedgwood\u2019s most prolific freelance designers, although many of his designs were not produced in quantity until after World War II, during which he was killed while serving as a war artist with the Royal Marines.  Wedgwood had revived the use of engraved designs in the mid 1930s \u2013 a mode of decoration which allowed the artist\u2019s own work and \u2018hand-writing\u2019 to be reproduced in a factory setting, and well suited to Ravilious\u2019 style."},{"value":"Ravilious\u2019 engraving for this mug was produced in 1936, for the Coronation of Edward VIII the following year, but the king abdicated before the event took place. The design was later adapted for the coronations of both George VI and Elizabeth II. Other Wedgwood commemorative ware by Ravilious includes a mug celebrating the company\u2019s relocation to Barlaston  in1939 and a \u2018Boat Race Day\u2019 bowl, cup and stand (1938).  He also designed at least seven Wedgwood tableware services, each with a number of vignettes on a single everyday theme.  His \u2018Travel\u2019 dinner service for six, produced in the 1950s and depicting travel through snow  and by balloon, bus, train, aeroplane, steamboat and sail, cost \u00a317 3s 6d. Earlier designs were engraved at the factory from Ravilious\u2019 drawings; others, including the \u2018Boat Race\u2019 images, were lithographs drawn by Ravilious himself for direct application to the ware."},{"value":"The Fitzwilliam Museum also holds a war-time watercolour by Ravilious, two books with his engravings  a number of his prints, a book of Tirzah Ravilious\u2019 engravings, and Wedgwood Coronation mugs designed by Richard Guyatt."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-107749","uid":"adlib-term-107749","uuid":"e089b122-3c61-3b88-a645-624a4a54e267"},"summary_title":"1930s"},{"@link":{"type":"reference"},"admin":{"id":"term-125908","uid":"adlib-term-125908","uuid":"4538ea25-0c4e-3020-bce6-709b706652bd"},"summary_title":"Edward VIII"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113623","uid":"adlib-term-113623","uuid":"87ef9eaf-54a8-3838-8337-94dbf03aad62"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Etruria"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-37088","uid":"adlib-term-37088","uuid":"0a28530e-cea8-3d08-b792-a30bf68f524f"},"summary_title":"clear glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42837","uid":"adlib-term-42837","uuid":"60792d1e-3967-38d7-8310-ee3edeb8a4ce"},"summary_title":"cream-coloured earthenware"}}],"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"10.6"},{"dimension":"Height","units":"cm","value":"10.2"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-11602","uid":"adlib-media-11602","uuid":"be0aa9fb-f751-34d8-8bd1-dd2f3dd24b7f"},"processed":{"large":{"format":"jpeg","location":"aa\/aa6\/EC_1_1945_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1616275276068,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa6\/mid_EC_1_1945_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":362},{"dimension":"width","units":"pixels","value":500}]},"modified":1616275276068,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa6\/EC_1_1945_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1616275276068,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa6\/preview_EC_1_1945_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":181},{"dimension":"width","units":"pixels","value":250}]},"modified":1616275276068,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}},{"@link":{"type":"reference"},"admin":{"id":"media-11603","uid":"adlib-media-11603","uuid":"cd5bda4d-e46d-34bb-a804-69168508ba84"},"processed":{"large":{"format":"jpeg","location":"aa\/aa6\/EC_1_1945_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1616278292206,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa6\/mid_EC_1_1945_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":362},{"dimension":"width","units":"pixels","value":500}]},"modified":1616278292206,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa6\/EC_1_1945_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1616278292206,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa6\/preview_EC_1_1945_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":181},{"dimension":"width","units":"pixels","value":250}]},"modified":1616278292206,"resizable":true,"type":"image"}},"sort":"1","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-91188","uid":"adlib-term-91188","uuid":"40f320f4-04b6-3303-8129-f9e81e2b4671"},"summary_title":"mug"}}],"note":[{"type":"history note","value":"given by R S Hart, 1945; 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of the nursery rhyme, 'Oranges and Lemons': Bullseyes & Targets'."},{"value":"Cream-coloured earthenware printed underglaze in black and painted overglaze in blue and green enamel. The mug is of truncated conical form with a loop handle. The underside is recessed and glazed. The sides are decorated with the inscription 'Bullseyes & Targets\u2019: the 'B\u2019 is in the form of a tree with a man aiming a shotgun at three targets on its trunk; the '&' is a bell rope; and the 'T' is a church tower, topped by a cloud, all in black. There is a green band round the rim and, at the bottom, the inscription \u2018say the bells of St Margarets\u2019 with a blue band over. The inside and handle are unpainted."}],"identifier":[{"accession_number":"C.72D-1992","primary":true,"type":"accession number","value":"C.72D-1992"},{"priref":"11833","type":"priref","value":"11833"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/11833","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/11833"}],"inscription":[{"description":[{"value":"Circular backstamp, incorporating a horizontal leaf design"}],"location":"underside of base","method":"printed in black","transcription":[{"value":"*FIRST MADE FOR LIBERTYS BY*\/ WEDGWOOD\/MADE IN ENGLAND\/DESIGNED BY RICHARD GUYATT"}],"type":"mark"},{"location":"underside of base","method":"painted in green enamel","transcription":[{"value":"'B'"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Sir Ivor and Lady Batchelor"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-166527","uid":"adlib-agent-166527","uuid":"3d240ab9-5cc0-3201-953a-01170d7e3328"},"summary_title":"Batchelor, Ivor, Sir and Lady"}],"date":[{"earliest":1992,"latest":1992,"value":"1992-04-27"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1992-04-27"}]}],"creation":[{"date":[{"earliest":1953,"from":{"earliest":1953,"era":["CE"],"latest":1953,"precision":"circa","value":"1953"},"latest":1960,"note":[{"value":"(Reilly (1989) dates the design as 1955, but other authors suggest c.1953)"}],"range":true,"to":{"earliest":1960,"era":["CE"],"latest":1960,"value":"1960"}}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-152728","uid":"adlib-agent-152728","uuid":"0cf03023-c7d0-3c40-9d5b-611ccacf7a0d"},"summary_title":"Josiah Wedgwood & Sons Ltd"},{"@link":{"role":[{"value":"designer"}],"type":"reference"},"admin":{"id":"agent-152875","uid":"adlib-agent-152875","uuid":"0259a919-8424-3cb3-a11a-fca4b96b9065"},"summary_title":"Guyatt, Richard Talbot"}],"note":[{"value":"Guyatt\u2019s other Wedgwood designs included a dinner service for King\u2019s College, Cambridge, also c.1952-53, and commemorative mugs for the Coronation of Queen Elizabeth II in 1953, the Prince of Wales's Investiture in 1969 and several royal weddings; his last mug, in 2005, was for the bicentenary of the Battle of Trafalgar. Outside Wedgwood, his commercial commissions ranged from exhibition stands to coins, stamps, the WH Smith logo and packaging for Anchor butter."},{"value":"Richard Gerald Talbot Guyatt CBE (1914-2007) began his career as a freelance graphic designer with posters for Shell-Mex and BP and book illustrations. At the Royal College of Art, where he was a professor from 1948 and later rector, he lead the introduction of education in graphic design and influenced subsequent expansion into typography, illustration, printmaking, photography, film and television design. From 1952-55 and 1967-70 Guyatt was consultant designer to Wedgwood. The company had revived the use of engraved designs in the mid 1930s \u2013 a mode of decoration which allowed the artist\u2019s own work and \u2018hand-writing\u2019 to be reproduced in a factory setting, and well suited to Guyatt\u2019s style."},{"value":"The Fitzwilliam Museum holds examples of the jug and three of the mugs from the \u2018Oranges and Lemons\u2019 set, as well as items from the King\u2019s College dinner service and Wedgwood Queen\u2019s ware designed by Eric Ravilious."},{"value":"This mug is part of a \u2018lemonade set\u2019 comprising a jug and four mugs, originally made for sale through Liberty\u2019s and later distributed more widely. The set illustrates old London churches, using the theme of the nursery rhyme \u2018Oranges and Lemons\u2019. \u2018Bullseyes and Targets, say the bells of St Margaret\u2019s\u2019 refers to the archery practice that took place nearby when St Margaret\u2019s, Lothbury, in the City of London, was built in the 15th Century."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-110488","uid":"adlib-term-110488","uuid":"4503a73a-ae49-3f4d-8814-88925dcd11a3"},"summary_title":"20th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-107700","uid":"adlib-term-107700","uuid":"8f5360fb-b262-3ae9-8942-b81cc0e3e848"},"summary_title":"Elizabeth 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A complete \u2018Oranges and Lemons\u2019 lemonade set.","page":"170, 179","type":"reference"},"admin":{"id":"publication-1035","uid":"adlib-publication-1035","uuid":"15c007c0-86a5-3d45-beb8-29e69b3fbc75"},"summary_title":"Wedgwood Ceramics 1846-1959"},{"@link":{"notes":"Cf. plate 314, and a jug and \u2018St Margarets\u2019 and \u2018St Annes\u2019  mugs from the \u2018Oranges and Lemons\u2019 series;  plates 310-311: Queen Elizabeth II commemorative mugs; plates 312-314, 332: a souvenir mug celebrating sporting centres, 1966; a plate from the King\u2019s College dinner service, 1952; and a commemorative mug for the American bicentenary, 1976.  See pp. 651- 656 for pattern number and other marks.","page":"Vol II, 317, 264-6","type":"reference"},"admin":{"id":"publication-1044","uid":"adlib-publication-1044","uuid":"daae9e3f-5832-394b-8fd8-b2a4c4265f85"},"summary_title":"Wedgwood"},{"@link":{"notes":"Cf. 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The inside of the rim is chamfered towards the centre, to form a flat upper surface. The sides are lathe-cut with sixteen facets on the exterior. The underside is slightly recessed and glazed within the foot-rim."}],"identifier":[{"accession_number":"C.9-1980","primary":true,"type":"accession number","value":"C.9-1980"},{"priref":"12151","type":"priref","value":"12151"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/12151","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/12151"}],"inscription":[{"description":[{"value":"facsimile signature underlined, with print letters below"}],"location":"on the base","method":"printed in blue","transcription":[{"value":"Keith Murray\/ WEDGWOOD \/MADE IN ENGLAND"}],"type":"mark"},{"description":[{"value":"small and indistinct"}],"location":"on the base, near the foot-rim","method":"impressed","transcription":[{"value":"MADE IN \/ ENGLAND"}],"type":"mark"},{"description":[{"value":"small, preceded by another figure (possibly an 8 or a monogram ?)"}],"location":"on the base","method":"impressed","transcription":[{"value":"Z[?] 34"}],"type":"mark"},{"description":[{"value":"followed by two symbols ('E' or 'm'? and 'y'?)"}],"location":"on the base","method":"incised","transcription":[{"value":"3819"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"lifecycle":{"acquisition":[{"date":[{"earliest":1980,"latest":1980,"value":"1980-03-10"}],"method":{"value":"bought"},"note":[{"value":"Purchased as furnishing at an unknown date. Accessioned in 1980"}]}],"creation":[{"date":[{"earliest":1934,"era":["CE"],"latest":1934,"value":"1934"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-166133","uid":"adlib-agent-166133","uuid":"ff744cb8-7ff0-3cc6-86bf-ef4c533b1c4f"},"summary_title":"Josiah Wedgwood & Sons"},{"@link":{"role":[{"value":"designer"}],"type":"reference"},"admin":{"id":"agent-96956","uid":"adlib-agent-96956","uuid":"f8f023cc-3106-3aac-b1fe-a2a403bb8c7d"},"summary_title":"Murray, Keith Day Pearce"}],"note":[{"value":"Keith Day Pearce Murray MC, RDI, FRIBA (1892-1981) trained as an architect, but turned to the design of ceramics and glassware in the 1930s. His first designs for Wedgwood were produced in 1932, after which he was engaged for three months a year. By November 1933, an exhibition of \u2018New Wedgwood Shapes Designed by Keith Murray\u2019, held at John Lewis, Oxford Street, included 124 shapes, some listed as \u2018hand thrown finger finished\u2019. His designs  were commercially popular and many remained in production until the 1950s. In 1936, Keith Murray and Charles White were commissioned to design Wedgwood\u2019s new factory at Barlaston, alongside a model village estate by Louis Soissons. Murray retired from ceramic design in 1948, though continued his architectural practice until 1967."},{"value":"Keith Murray\u2019s elegant, architectural designs include vases, jugs and bowls, generally decorated only by moulding or simple incised lines. They were well suited to new matt glazes being created in the 1930s by Norman Wilson, then works manager at Wedgwood\u2019s Etruria factory. This shape, which was produced in Moonstone, Matt Green or Straw, appears on page BY3 (matt glazes) of the \u2018Keith Murray Shapes Catalogue\u2019, 1940. The Matt Green glaze, obtained here by the addition of celadon slip and uranium oxide, is reminiscent of that found on early Korean pottery in the Fitzwilliam. At Wedgwood\u2019s request, Murray also designed several tableware series."},{"value":"The Fitzwilliam Collection also holds three items of Keith Murray glassware, made by Stevens & Williams, on loan."},{"value":"Wedgwood\u2019s matt glazes are mainly found on figures by John Skeaping and on shapes designed by Keith Murray. They were rarely used after 1941."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-120066","uid":"adlib-term-120066","uuid":"7d68b404-6003-3715-bdce-af5ba4e8f5a3"},"summary_title":"20th Century, second quarter"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113623","uid":"adlib-term-113623","uuid":"87ef9eaf-54a8-3838-8337-94dbf03aad62"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Etruria"}]}]},"materials":[{"note":[{"value":"grey-green matt"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-32652","uid":"adlib-term-32652","uuid":"82d8ae3b-f165-395c-ba93-dfa1c282b7be"},"summary_title":"glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"25.2"},{"dimension":"Diameter","units":"cm","value":"7.5"},{"dimension":"Height","units":"cm","value":"12.5"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-11774","uid":"adlib-media-11774","uuid":"bf7fc7cc-5baf-35e2-9355-ec7e2c9a5a7f"},"processed":{"large":{"format":"jpeg","location":"aa\/aa4\/C_9_1980_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1616275629204,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa4\/mid_C_9_1980_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":362},{"dimension":"width","units":"pixels","value":500}]},"modified":1616275629204,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa4\/C_9_1980_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1616275629204,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa4\/preview_C_9_1980_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":181},{"dimension":"width","units":"pixels","value":250}]},"modified":1616275629204,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}},{"@link":{"type":"reference"},"admin":{"id":"media-11775","uid":"adlib-media-11775","uuid":"d4f0a154-d40e-3d89-bcd2-502611569657"},"processed":{"large":{"format":"jpeg","location":"aa\/aa4\/C_9_1980_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1616279756689,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa4\/mid_C_9_1980_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":362},{"dimension":"width","units":"pixels","value":500}]},"modified":1616279756689,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa4\/C_9_1980_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1616279756689,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa4\/preview_C_9_1980_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":181},{"dimension":"width","units":"pixels","value":250}]},"modified":1616279756689,"resizable":true,"type":"image"}},"sort":"1","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107667","uid":"adlib-term-107667","uuid":"1b81c806-cfb7-3291-9803-525db5f75e09"},"summary_title":"bowl"}}],"note":[{"type":"history note","value":"unknown"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Cf. Page from Keith Murray Shapes Catalogue, 1940, showing drawing of this shape, one-fifth size (plate 517),; black and white illustration of a similar bowl (plate 518); other Murray items (plates509-518); and a Keith Murray commemorative mug (plate 542)  . Also colour illustration of Keith Murray pottery, showing items with similar glaze (plate L) and Keith Murray facsimile signature mark, introduced in 1932, and two other Murray marks (p.228). Biography pp.205-6.","page":"205-211,221 228","type":"reference"},"admin":{"id":"publication-1035","uid":"adlib-publication-1035","uuid":"15c007c0-86a5-3d45-beb8-29e69b3fbc75"},"summary_title":"Wedgwood Ceramics 1846-1959"},{"@link":{"notes":"Cf. various plates for other exambles of Keith Murray\u2019s work. See also:  pp. 211-14 for biography of Keith Murray (photographs pp.199, 211); pp.226-8 for his design of the Barlaston factory; p.394 for matt glazes; pp. 651- 657 for pattern number and other marks, incl. printed signature.","page":"Vol II, 211-4, 226-8 394, 651-6","type":"reference"},"admin":{"id":"publication-1044","uid":"adlib-publication-1044","uuid":"daae9e3f-5832-394b-8fd8-b2a4c4265f85"},"summary_title":"Wedgwood"},{"@link":{"notes":"Ref. lists several items designed by Murray (one ill. p. viii),  along with extract from instructions he received from Josiah Wedgwood V and some information on glazes.","page":"58","type":"reference"},"admin":{"id":"publication-988","uid":"adlib-publication-988","uuid":"4906b591-b7ec-3791-bc5f-13d64bed4581"},"summary_title":"Wedgwood in London, 225th Anniversary Exhibition 1759-1984"},{"@link":{"notes":"Ref. photograph of new factory at Barlaston and various Keith Murray items described;","page":"34, 125-126","type":"reference"},"admin":{"id":"publication-1008","uid":"adlib-publication-1008","uuid":"3bf225e8-9d69-3810-848d-b9aa1e259d91"},"summary_title":"Wedgwood of Etruria and Barlaston"},{"@link":{"notes":"Ref. 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The neck is flared, with a broad lip. The handle is moulded in a flowing dolphin-like design with a thumb piece. The base is encircled by a mock-gadroon design. Each side of the body has a moulded hunting scene in low relief, with figures of two horsemen surrounded by dogs, against a background of trees. In one, the dogs are running while the riders wait by a gate. In the other, one rider has dismounted to show dead prey to the other, while the dogs crowd around. A large tree divides the scenes, its trunk smoothed to cover the join of the press moulded halves. A faux gadroon design runs around the base.  On the neck are three applied white stoneware sprigs: fruiting vines and flowers on each side, and classical motifs on the underside of the lip. The underside is recessed and smear-glazed."}],"identifier":[{"accession_number":"C.119-2015","primary":true,"type":"accession number","value":"C.119-2015"},{"priref":"197585","type":"priref","value":"197585"},{"date":[{"earliest":2006,"latest":2006,"value":"2006-01-30"}],"source":"Fitzwilliam Museum","type":"old loan number","value":"AAL.119-2006"},{"date":[{"earliest":2005,"latest":2005,"value":"2005-11-09"}],"source":"Fitzwilliam Museum","type":"entry form number","value":"648"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/197585","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/197585"}],"inscription":[{"description":[{"value":"small, circular pad with impressed inscription; '21' in the centre"}],"location":"underside of base","method":"applied white stoneware pad","transcription":[{"value":"IMPERIAL \/ STONE \/ 21"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Sir Ivor and Lady Batchelor Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-150324","uid":"adlib-agent-150324","uuid":"dd176adf-8936-36ce-9b77-032a82cb2c88"},"summary_title":"Batchelor, Ivor, Sir and Lady"}],"date":[{"earliest":2015,"latest":2015,"value":"2015-04-27"}],"method":{"value":"bequeathed"}}],"creation":[{"maker":[{"@link":{"type":"reference"},"admin":{"id":"agent-187914","uid":"adlib-agent-187914","uuid":"3ff8e302-3ac3-3560-9a60-800ee4445118"},"summary_title":"Unidentified factory"}],"note":[{"value":"Relief moulded jugs were popular in mid 19th Century homes, where they were used for water, beer milk and other liquids which might now be kept in bottles, cans or plastic jars. The smear-glazing makes the most of the way that colour-stained clays show off crisply-moulded ornament, the stoneware is sufficiently durable for everyday use and two piece press-moulding was a relatively inexpensive process. There are several examples in the Fitzwilliam Collection."},{"value":"The earliest recorded  relief moulded jugs of this type date from c.1820 (see C.48-1981) and they were widely available from the early 1930s. The white stoneware sprigs on this example suggest an early date, perhaps c.1820-30, since the application of sprigs would have added to the labout cost.   The style is similar to white stoneware jugs made by Wedgwood, c.1820, also decorated in relief with sprigs applied around the neck, although the handle is different. Hunting scenes were used on sprigged jugs from the late 18th Century, and the same scenes were later often used for relief moulds. This same scene was used by Wedgwood on a similarly-shaped white stoneware jug decorated with painted reliefs and sprigs around the neck, and by other factories on relief moulded drab coloured stoneware."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106498","uid":"adlib-term-106498","uuid":"272179a1-524b-3f36-aab7-bf342ce484d6"},"summary_title":"19th Century, Early"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-107658","uid":"adlib-term-107658","uuid":"824d3ecf-92c1-33aa-8d45-2f0239317270"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Staffordshire"}],"summary_title":"Staffordshire","type":"region"}]],"note":[{"value":"(probably)"}],"summary_title":"Staffordshire"}]}]},"materials":[{"note":[{"value":"marked 'Imperial Stone'"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42825","uid":"adlib-term-42825","uuid":"858e5d17-b554-33d6-936f-25b16f72f39d"},"summary_title":"stoneware"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"15.2"},{"dimension":"Width","units":"cm","value":"14"}]},"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-89400","uid":"adlib-term-89400","uuid":"194f8c99-93e1-30de-9465-9209222dafaa"},"summary_title":"jug"}}],"note":[{"type":"history note","value":"Sir Ivor and Lady Batchelor, St Andrew\u2019s, Fife; Sir Ivor died on 24 April 2005; on loan since 2006"}],"objects":[{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-75252","uid":"adlib-object-75252","uuid":"3bc3e7fa-84eb-349f-bbc1-64b427ea60a8"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-89400","uid":"adlib-term-89400","uuid":"194f8c99-93e1-30de-9465-9209222dafaa"},"summary_title":"jug"}},"summary_title":"jug"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Cf. Examples of a slipcast and sprigged hunting scene jug by Wedgwood and another version by an unknown maker, the latter moulded in dark buff stoneware, with white sprigs. In each case the style of jug, the hunting scenes and the gadrooning are similar to the Fitzwilliam jug, but the sprigged decoration around the neck is different. The existence of other examples with a moulded dolphin handle and \u2018IMPERIAL STONE\u2019 padmark is noted.","page":"51-53","type":"reference"},"admin":{"id":"publication-2707","uid":"adlib-publication-2707","uuid":"7930037b-b9e9-33ee-9c08-7542049d8e4e"},"summary_title":"Relief-Moulded Jugs 1820-1900"},{"@link":{"notes":"Cf. example of similarly styled jug decorated in relief and with sprigs, marked Wedgwood, c.1820; also, information about the popularity of hunting scenes.","page":"Vol II, pp.544-545","type":"reference"},"admin":{"id":"publication-1044","uid":"adlib-publication-1044","uuid":"daae9e3f-5832-394b-8fd8-b2a4c4265f85"},"summary_title":"Wedgwood"},{"@link":{"notes":"Cf. Relief moulded jug by Ridgway & Abington.","page":"106-7","type":"reference"},"admin":{"id":"publication-1030","uid":"adlib-publication-1030","uuid":"9cf77d50-a614-3947-8d0e-919f695fe7b0"},"summary_title":"Fitzwilliam Museum Handbooks, English Pottery"},{"@link":{"type":"reference"},"admin":{"id":"publication-7643","uid":"adlib-publication-7643","uuid":"739360c2-8112-32c7-a914-bb9bdf270094"},"summary_title":"Victorian Relief-Moulded Jugs"}],"subjects":[{"@link":{"relation":"animal","type":"reference"},"admin":{"id":"term-118890","uid":"adlib-term-118890","uuid":"ea7c42bb-5706-36b1-b276-500b1ad2f9ed"},"summary_title":"horse"},{"@link":{"type":"literal"},"name":[{"value":"horse"}],"summary_title":"horse"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-89400","uid":"adlib-term-89400","uuid":"194f8c99-93e1-30de-9465-9209222dafaa"},"summary_title":"jug"}},"summary_title":"jug","techniques":[{"description":[{"value":"buff stoneware press moulded in two halves, with sprig decoration"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120085","uid":"adlib-term-120085","uuid":"68c62b7c-aaf4-38a5-a1be-4d6c615c0714"},"summary_title":"press-moulding"}}],"title":[{"value":"Hunting scene wine jug"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-11825","_score":16.37444,"_source":{"admin":{"added":1592990975000,"created":1312637261000,"flag":"Standard Record","id":"object-11825","indexed":1747160997161,"modified":1747050235000,"processed":1747159409017,"source":"adlib","stream":"fitz-online","uid":"adlib-object-11825","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/11825","uuid":"b92be09a-56f3-372e-957d-c9b9450183bd","version":6},"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-153299","uid":"adlib-agent-153299","uuid":"bed5c982-f67c-3704-b79b-7fb73783d61d"},"summary_title":"Royal College of Art"},{"@link":{"type":"reference"},"admin":{"id":"agent-152756","uid":"adlib-agent-152756","uuid":"18a2c30b-3822-3c5e-9608-9a5e2abdaeaa"},"summary_title":"Liberty"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-42868","uid":"adlib-term-42868","uuid":"12e3067e-2626-36c9-9d36-870f776c981f"},"summary_title":"creamware"},{"@link":{"type":"reference"},"admin":{"id":"term-107547","uid":"adlib-term-107547","uuid":"00150c8d-023f-3b67-8df3-856a4aa5462f"},"summary_title":"Queen's ware"}],"component":[{"materials":[{"note":[{"value":"green and pink"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107563","uid":"adlib-term-107563","uuid":"38dcd825-1de1-3222-82c6-15a95729b5ff"},"summary_title":"enamels"}}],"name":"Banding"},{"name":"Decoration","techniques":[{"note":[{"value":"green"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120095","uid":"adlib-term-120095","uuid":"723f5117-6f8b-3766-b1da-9f44da575716"},"summary_title":"painting onglaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120103","uid":"adlib-term-120103","uuid":"def8c289-fc76-3bff-8408-2a98b1c6dca1"},"summary_title":"printing underglaze"}}]}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-102717","uid":"adlib-term-102717","uuid":"27ac5942-229b-3f7c-80a8-7047915ddcfb"},"summary_title":"nursery rhyme"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Earthenware, printed underglaze in black and painted overglaze in  green enamel with a design illustrating the nursery rhyme title, 'Oranges and Lemons'."},{"value":"Cream earthenware printed underglaze in black and painted overglaze in pale green enamel. The pear-shaped jug has a loop handle and sparrow-beak spout, and stands on a foot-ring. The underside is recessed and glazed. The sides are decorated around the middle with the inscription, 'Oranges & Lemons: the 'O' formed by a vignette showing a woman and a man picking fruit, assisted by a small girl: the \u2018&\u2019 by a pink and black striped bell rope; the 'L an image of a church with a tall tower, beside a tree. Below, the inscription continues: 'Say the bells of St. Clements'. Around the top and bottom there is a border of pendant bells in a pale green band. The spout, inside and handle are unpainted, a slight indentation decorates the outside of the handle."}],"identifier":[{"accession_number":"C.72A-1992","primary":true,"type":"accession number","value":"C.72A-1992"},{"priref":"11825","type":"priref","value":"11825"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/11825","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/11825"}],"inscription":[{"description":[{"value":"Circular backstamp, incorporating a horizontal leaf design"}],"location":"underside of base","method":"printed in black","transcription":[{"value":"*FIRST MADE FOR LIBERTYS BY*\/ WEDGWOOD\/MADE IN ENGLAND\/DESIGNED BY RICHARD GUYATT"}],"type":"mark"},{"description":[{"value":"partly underneath backstamp"}],"location":"underside of base","method":"painted in black","transcription":[{"value":"IV"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Sir Ivor and Lady Batchelor"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-166527","uid":"adlib-agent-166527","uuid":"3d240ab9-5cc0-3201-953a-01170d7e3328"},"summary_title":"Batchelor, Ivor, Sir and Lady"}],"date":[{"earliest":1992,"latest":1992,"value":"1992-04-27"}],"method":{"value":"given"},"note":[{"value":"The set originally had four mugs but one was broken and was not donated."}]}],"creation":[{"date":[{"earliest":1955,"from":{"earliest":1955,"era":["CE"],"latest":1955,"precision":"circa","value":"1955"},"latest":1960,"range":true,"to":{"earliest":1960,"era":["CE"],"latest":1960,"value":"1960"}}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-152728","uid":"adlib-agent-152728","uuid":"0cf03023-c7d0-3c40-9d5b-611ccacf7a0d"},"summary_title":"Josiah Wedgwood & Sons Ltd"},{"@link":{"role":[{"value":"designer"}],"type":"reference"},"admin":{"id":"agent-152875","uid":"adlib-agent-152875","uuid":"0259a919-8424-3cb3-a11a-fca4b96b9065"},"summary_title":"Guyatt, Richard Talbot"}],"note":[{"value":"Guyatt\u2019s other Wedgwood designs included a dinner service for King\u2019s College, Cambridge, also c.1952-53, and commemorative mugs for the Coronation of Queen Elizabeth II in 1953, the Prince of Wales's Investiture in 1969 and several royal weddings; his last mug, in 2005, was for the bicentenary of the Battle of Trafalgar. 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The underside is flat, recessed to form a foot-ring, and glazed."}],"identifier":[{"accession_number":"C.70-1992","primary":true,"type":"accession number","value":"C.70-1992"},{"priref":"11807","type":"priref","value":"11807"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/11807","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/11807"}],"inscription":[{"description":[{"value":"Circular backstamp. \u2018Coronation\u2019 in flamboyant scripy; \u2018QUEEN ELIZABETH\u2019 in ornate capitals; a small crown above"}],"location":"on the base","method":"transfer-printed in brown","transcription":[{"value":"TO COMMEMORATE THE\/Coronation\/OF HER MAJESTY QUEEN ELIZABETH II\/1953\/WEDGWOOD\/ MADE IN ENGLAND\/DESIGNED BY RICHARD GUYATT"}],"type":"mark"},{"location":"on the base","method":"painted in red enamel","transcription":[{"value":"CL 6487.E."}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Sir Ivor and Lady Batchelor"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-166527","uid":"adlib-agent-166527","uuid":"3d240ab9-5cc0-3201-953a-01170d7e3328"},"summary_title":"Batchelor, Ivor, Sir and Lady"}],"date":[{"earliest":1992,"latest":1992,"value":"1992-04-27"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1992-04-27"}]}],"creation":[{"date":[{"earliest":1953,"era":["CE"],"latest":1953,"value":"1953"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-152728","uid":"adlib-agent-152728","uuid":"0cf03023-c7d0-3c40-9d5b-611ccacf7a0d"},"summary_title":"Josiah Wedgwood & Sons Ltd"},{"@link":{"role":[{"value":"designer"}],"type":"reference"},"admin":{"id":"agent-152875","uid":"adlib-agent-152875","uuid":"0259a919-8424-3cb3-a11a-fca4b96b9065"},"summary_title":"Guyatt, Richard Talbot"}],"note":[{"value":"In 1952-3, Guyatt also designed a dinner service for King\u2019s College, Cambridge, incorporating a number of college emblems and a lemonade set for Liberty\u2019s, featuring views of old London churches, a design known as, \u2018Oranges and Lemons\u2019 .  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Cylindrical, with a reeded loop handle. On the lower half of the exterior: a design incorporating the date, 1953 the Royal Arms and 'EIIR', over-painted with a solid band of pink. On the upper half: fireworks highlighted in pale yellow, on one side against a darkened sky. Inside, near the rim: 'EIIR' beneath a crown, not coloured. The underside is flat and glazed, with a narrow, raised foot-rim."}],"identifier":[{"accession_number":"C.69-1992","primary":true,"type":"accession number","value":"C.69-1992"},{"priref":"11805","type":"priref","value":"11805"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/11805","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/11805"}],"inscription":[{"description":[{"value":"a crown over"}],"location":"on the base","method":"printed in black","transcription":[{"value":"TO COMMEMORATE\/THE CORONATION\/OF HER MAJESTY\/QUEEN ELIZABETH II\/1953\/WEDGWOOD\/MADE IN ENGLAND\/FROM THE DESIGN BY\/ERIC RAVILIOUS"}],"type":"mark"},{"location":"on the base","method":"painted in red enamel","transcription":[{"value":"CL 6485\/.V."}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Sir Ivor and Lady Batchelor"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-166527","uid":"adlib-agent-166527","uuid":"3d240ab9-5cc0-3201-953a-01170d7e3328"},"summary_title":"Batchelor, Ivor, Sir and Lady"}],"date":[{"earliest":1992,"latest":1992,"value":"1992-04-27"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1992-04-27"}]}],"creation":[{"date":[{"earliest":1953,"era":["CE"],"latest":1953,"note":[{"value":"(original design 1936)"}],"value":"1953"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-152728","uid":"adlib-agent-152728","uuid":"0cf03023-c7d0-3c40-9d5b-611ccacf7a0d"},"summary_title":"Josiah Wedgwood & Sons Ltd"},{"@link":{"role":[{"value":"designer"}],"type":"reference"},"admin":{"id":"agent-112964","uid":"adlib-agent-112964","uuid":"04d09abd-10b5-3f7e-ba51-fb544857f335"},"summary_title":"Ravilious, Eric William"}],"note":[{"value":"Eric Ravilious (1903-42) studied engraving, illustration  and colour printing at the Royal College of Art and by  1926-28 was exhibiting watercolours, producing book illustrations and commissioned to paint murals. In 1930 he married Eileen Lucy \"Tirzah\" Garwood (1908-1951) also a noted artist and engraver.   From around 1936, he became one of Wedgwood\u2019s most prolific freelance designers, although many of his designs were not produced in quantity until after World War II, during which he was killed while serving as a war artist with the Royal Marines.  Wedgwood had revived the use of engraved designs in the mid 1930s \u2013 a mode of decoration which allowed the artist\u2019s own work and \u2018hand-writing\u2019 to be reproduced in a factory setting, and well suited to Ravilious\u2019 style."},{"value":"Ravilious\u2019 engraving for this mug was produced in 1936, for the Coronation of Edward VIII the following year, but the king abdicated before the event took place. The design was later adapted for the coronations of both George VI and Elizabeth II. Other Wedgwood commemorative ware by Ravilious includes a mug celebrating the company\u2019s relocation to Barlaston  in1939 and a \u2018Boat Race Day\u2019 bowl, cup and stand (1938).  He also designed at least seven Wedgwood tableware services, each with a number of vignettes on a single everyday theme.  His \u2018Travel\u2019 dinner service for six, produced in the 1950s and depicting travel through snow  and by balloon, bus, train, aeroplane, steamboat and sail, cost \u00a317 3s 6d. Earlier designs were engraved at the factory from Ravilious\u2019 drawings; others, including the \u2018Boat Race\u2019 images, were lithographs drawn by Ravilious himself for direct application to the ware."},{"value":"The Fitzwilliam Museum also holds a war-time watercolour by Ravilious, two books with his engravings  a number of his prints, a book of Tirzah Ravilious\u2019 engravings, and Wedgwood Coronation mugs designed by Richard Guyatt."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-109795","uid":"adlib-term-109795","uuid":"8a394dfa-6091-3a16-97c3-fb85612c23b6"},"summary_title":"20th Century, 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The glaze on reverse has not adhered to the whole, leaving unglazed areas here and there, The dish is made in six segments with hollows between them on the underside, and stands on five shallow bun feet. The upper side has a central five-sided compartment surrounded by five compartments with three  slightly curved internal sides and a two scallops on the outer edge (ten in all). Each compartment is decorated with a different stylized floral spray and the outer edge and raised edges between the compartments have borders of wavy sprays of leaves and stylized flowers."}],"exhibitions":[{"@link":{"catalogue":"42","type":"reference"},"admin":{"id":"exhibition-3296","uid":"adlib-exhibition-3296","uuid":"22c63b63-3fa0-30d1-b048-52bda900eda7"},"summary_title":"Collecting & Giving"}],"identifier":[{"accession_number":"C.53-2015","primary":true,"type":"accession number","value":"C.53-2015"},{"priref":"201803","type":"priref","value":"201803"},{"source":"Batchelor Collection number","type":"old object number","value":"34"},{"date":[{"earliest":2005,"latest":2005,"value":"2005-11-09"}],"source":"The Fitzwilliam Museum","type":"entry form number","value":"648"},{"date":[{"earliest":2006,"latest":2006,"value":"2006"}],"source":"The Fitzwilliam Museum, Department of Applied Art","type":"old loan number","value":"AAL.53-2006"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/201803","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/201803"}],"inscription":[{"description":[{"value":"rectangular white paper stick-on label"}],"location":"on base","method":"hand-written in black ink","transcription":[{"value":"34"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Sir Ivor and Lady Batchelor Bequest through The Art Fund"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-166527","uid":"adlib-agent-166527","uuid":"3d240ab9-5cc0-3201-953a-01170d7e3328"},"summary_title":"Batchelor, Ivor, Sir and Lady"}],"date":[{"earliest":2015,"latest":2015,"value":"2015-04-27"}],"method":{"value":"bequeathed"}}],"creation":[{"date":[{"earliest":1750,"era":["CE"],"latest":1750,"precision":"circa","value":"1750"}],"maker":[{"@link":{"role":[{"value":"pottery"}],"type":"reference"},"admin":{"id":"agent-188151","uid":"adlib-agent-188151","uuid":"18d86ab0-4707-3d3b-8515-eefb597b664a"},"summary_title":"Lambeth High Street Pottery"},{"@link":{"role":[{"value":"proprietor of pottery"}],"type":"reference"},"admin":{"id":"agent-190121","uid":"adlib-agent-190121","uuid":"66db52c6-7381-38d9-866b-610476cc9738"},"summary_title":"Griffith, William"}],"note":[{"value":"This shape is uncommon in delftware. 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The company had revived the use of engraved designs in the mid 1930s \u2013 a mode of decoration which allowed the artist\u2019s own work and \u2018hand-writing\u2019 to be reproduced in a factory setting, and well suited to Guyatt\u2019s style. His design for this dinner service for  the High Table of King\u2019s College, Cambridge, was recorded on 18 March 1954. The  body is listed as \u2018CC\u2019 (cream coloured earthenware, or \u2018Queen\u2019s ware\u2019), and pattern book entry, no. G5558, notes it was first  \u2018printed in sepia, gilt, with a narrow band at edge line below verge in gold which was sanded\u2019, though later versions are printed in black.  Since 1971, when the College ordered a new 2,500 piece service, it has been made in metallized bone china with over-glaze printing, by Wedgwood's Hotel Division. The design is based on various motifs in the tracery lights of the King\u2019s College Chapel windows. 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Circular with a wide rim and deep curved sides, standing on a foot-ring. In the centre is an owl in a circular medallion surrounded by radiating oak leaves and forest animals amid stylised oak trees. Above these, and extending across the rim, are eight leaf arches, each containing a black and white striped vase encircled by eleven, long-stemmed, stylised daisies on alternate pale blue and black backgrounds.  The triangular space between each leaf arch contains a thistle. There is a thin white band around the edge and another, crossed only by the leaf arches, between the centre of the dish and the rim. Around the back is a wide garland of thin leaves and flowers. 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In 1906, in conjunction with Wedgwood, he set up a studio at 20 Red Lion Square, where he and his wife, (Ada) Louise Lessore (1882-1856), hand-decorated biscuit-ware from Wedgwood\u2019s Etruria factory. Alfred was originally an architect and Louise a calligrapher and illuminator. Together, they trained decorators at the Etruria factory, revived some late eighteenth century patterns, experimented with painting on tin-glaze and were influential in re-introducing hand-painting after World War I; they also hand-painted furniture for Ernest Gimson and Sydney Barnsley. Exhibiting regularly at the Arts & Crafts exhibitions from 1906-1935, their works were widely praised as \u2018unique productions\u2019 and \u2018admirable examples of design and facture\u2019, dominating the field until the growth of studio pottery in the mid-1920s."},{"value":"Powell was inspired by the designs of the Arts & Crafts Movement, and the influence of William Morris and Edward Burne-Jones can be seen in the decoration of this dish: the animals and foliage remind, particularly, of tapestries made by Morris & Co at Merton Abbey. A pair of similar dishes, one with an owl and the other with a peacock at its centre, were in the Zeitlin Collection until 2004. Many of Powell\u2019s designs are based on plant and animal motifs, others feature architectural views and calligraphy. 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Plate C21 (opp. p.216): charger with a peacock at the centre, also (C.22) another charger designed by Powell, decorated in brown and gold with an image of a large bird against sea and cliffs, 1923, marked on the reverse with Powell\u2019s monogram. See also for information about Alfred and Louise Powell and their work with Wedgwood.","page":"Vol II : 162-173, 216","type":"reference"},"admin":{"id":"publication-1044","uid":"adlib-publication-1044","uuid":"daae9e3f-5832-394b-8fd8-b2a4c4265f85"},"summary_title":"Wedgwood"},{"@link":{"notes":"Ref. For Alfred Powell and Wedgwood, pp. 10-12","page":"pp. 10-12","type":"reference"},"admin":{"id":"publication-200000485","uid":"adlib-publication-200000485","uuid":"fcb1d411-7ffa-35f9-af60-78a14f0e5cfc"},"summary_title":"Powell-Wedgwood Pottery"},{"@link":{"notes":"Ref. 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glazed liner."},{"value":"Oval dish of dark buff-coloured stoneware, or \u2018caneware\u2019, moulded to simulate a decorated raised pie crust. The sides are decorated with swags of fruiting vine and hanging game birds and a narrow rolled band at top and bottom edges, the cover with game birds and dead rabbits. A central rabbit finial provides a handle for the cover. The dish has vertical mould marks at either end and an inner rim which supports the cover; it is glazed on the inside beneath the rim.The underside is very slightly concave with no foot-rim. The liner is undecorated, but of paler colour on the inside and with small \u2018handles\u2019 inside each end; it is glazed inside and out, except for the rim which is coloured with a brown stain."}],"exhibitions":[{"@link":{"catalogue":"C.16","type":"reference"},"admin":{"id":"exhibition-1071","uid":"adlib-exhibition-1071","uuid":"1e2a642b-176c-3627-bc33-da9966fc1da6"},"summary_title":"Curious Variations on Ceramic Themes, Geometrical and Zoomorphic Forms"}],"identifier":[{"accession_number":"C.28 & A & B-1912","primary":true,"type":"accession number","value":"C.28 & A & B-1912"},{"priref":"12055","type":"priref","value":"12055"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/12055","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/12055"}],"inscription":[{"description":[{"value":"'T' is sideways"}],"location":"on base of dish","method":"impressed","transcription":[{"value":"WEDGWOOD\/C7R\/T"}],"type":"mark"},{"location":"on base of dish","method":"impressed","transcription":[{"value":"8"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Mrs Laurence Humphrey"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-150690","uid":"adlib-agent-150690","uuid":"1f8132c4-f649-3e5a-afc0-4901c4797fe6"},"summary_title":"Humphrey, Laurence, Mrs"}],"date":[{"earliest":1912,"latest":1912,"value":"1912-08-15"}],"method":{"value":"given"}}],"creation":[{"date":[{"earliest":1850,"era":["CE"],"latest":1850,"note":[{"value":"Accessioned as c. 1800. It is possible that liners were introduced earlier than mentioned."}],"precision":"circa","value":"1850"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-166133","uid":"adlib-agent-166133","uuid":"ff744cb8-7ff0-3cc6-86bf-ef4c533b1c4f"},"summary_title":"Josiah Wedgwood & Sons"}],"note":[{"value":"Caneware, introduced in the 1770s, is generally found unglazed except for the interior of tableware. In 1786, Richard Lovell Edgworth suggested to Josiah Wedgwood that \u2018oval baking dishes\u2026 in the shape of raised paste pies\u2026would be a saleable article\u2019 and the Oven Books record some 4,000 decorated \u2018cane piys\u2019 made in 1794-5, the first year of production. Other potters followed suit, and such pie dishes moulded to mimic pastry, or sometimes in the form of animals or game birds, became particularly popular in the early years of the 19th Century when flour was in short supply. The Staffordshire Advertiser of 3 May 1800 records rioters seizing potatoes and flour and the Royal Household forbade the use  of flour for pastry."},{"value":"The moulded decoration on this example, and the separate stoneware liner, suggest a date of c.1850. Earlier examples are decorated with applied reliefs, but from c.1840 the decoration was moulded with the body. In 1850 Wedgwood introduced a glazed stoneware liner, or \u2018pie middle\u2019, which could be used for cooking meat or game in the oven and then placed inside the warmed pie dish before serving. The university colleges were the largest customer for these lined pie dishes, which were available in four sizes."},{"value":"The oval game pie dish was no. 2006 in the Wedgwood Shape Book rebound in 1916 with watermark for 1794. Also no. 2006 in the 1880 illustrated Catalogue. The list of Wedgwood exhibits for the Great Exhibition includes 'Oval game pie, cane colour'. 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