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The company had revived the use of engraved designs in the mid 1930s \u2013 a mode of decoration which allowed the artist\u2019s own work and \u2018hand-writing\u2019 to be reproduced in a factory setting, and well suited to Guyatt\u2019s style. His design for this dinner service for  the High Table of King's College, Cambridge, was recorded on 18 March 1954. The  body was recorded as \u2018CC\u2019 (cream coloured earthenware, or \u2018Queen\u2019s ware\u2019), and pattern book entry, no. G5558, notes it was first  \u2018printed in sepia, gilt, with a narrow band at edge line below verge in gold which was sanded\u2019, though later versions are printed in black.  Since 1971, when the College ordered a new 2,500 piece service, it has been made in metallized bone china with over-glaze printing, by Wedgwood's Hotel Division. The design is based on various motifs in the tracery lights of the King\u2019s College Chapel windows. 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Wilson experimented with combinations of glazes on his \u2018Unique Ware\u2019, sometimes using as many as seven, and it is likely that the highly reflective black exterior of this vase, and the varied depth of colour in the turquoise, were achieved by applying several glazes."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-120080","uid":"adlib-term-120080","uuid":"d30af182-08cf-3646-84b8-1649593b6f21"},"summary_title":"20th Century, third quarter"},{"@link":{"type":"reference"},"admin":{"id":"term-107700","uid":"adlib-term-107700","uuid":"8f5360fb-b262-3ae9-8942-b81cc0e3e848"},"summary_title":"Elizabeth 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Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Cf. a similar vase, with thinly applied re-brown glaze on the outside, and information about Wilson\u2019s work at Wedgwood. 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A \u2018Travel\u2019 dinner service for six, depicting travel through snow  and by balloon, bus, train, aeroplane, steamboat and sail, cost \u00a317 3s 6d. Ravilious also designed commemorative wares, including a Coronation Mug for Edward VIII (1936), later adapted for the coronations of both George VI and Elizabeth II; a mug celebrating the company\u2019s relocation to Barlaston (1939); and a \u2018Boat Race Day\u2019 bowl, cup and stand (1938). Earlier designs were engraved at the factory from Ravilious\u2019 drawings, but the \u2018Boat Race\u2019 images were lithographs drawn by Ravilious himself for direct application to the ware."},{"value":"The Fitzwilliam Museum also holds a war-time watercolour by Ravilious, two books with his engravings and a number of his prints, and a book of Tirzah Ravilious\u2019 engravings."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-109795","uid":"adlib-term-109795","uuid":"8a394dfa-6091-3a16-97c3-fb85612c23b6"},"summary_title":"20th Century, Mid"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-114582","uid":"adlib-term-114582","uuid":"511cfe35-cd51-335e-b2a9-7683f4b84bd1"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Barlaston"}]}]},"materials":[{"note":[{"value":"'Windsor Grey coloured 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Also background information, including a 1940 letter from Ravilious to Tom Wedgwood concerning colours.","page":"171-2, 182-3","type":"reference"},"admin":{"id":"publication-1035","uid":"adlib-publication-1035","uuid":"15c007c0-86a5-3d45-beb8-29e69b3fbc75"},"summary_title":"Wedgwood Ceramics 1846-1959"},{"@link":{"type":"reference"},"admin":{"id":"publication-1047","uid":"adlib-publication-1047","uuid":"112a24b6-3168-3940-8a1d-79f4f835e30d"},"summary_title":"Eric Ravilious Memoir of an Artist"},{"@link":{"notes":"Cf. illustrations of Ravilious\u2019 dinner service work, including \u2018Garden\u2019 and \u2018Travel\u2019designs (p.246), the latter including \u2018train\u2019 and \u2018bus\u2019 images on jugs and tea-pot, and shown with three original watercolour drawings for the series, including \u2018aeroplane\u2019 and \u2018train\u2019. Also, a colour image of a goblet with \u2018Boat Race\u2019 design (C30), and a photograph showing four commemorative mugs, including that produced for the Coronation of Elizabeth II (p.222). Also information about Ravilious' work for Wedgwood. See pp. 651- 656 for pattern number and other marks.","page":"Vol II,:218-24, 246","type":"reference"},"admin":{"id":"publication-998","uid":"adlib-publication-998","uuid":"b78305dd-313b-343d-b005-05a294d9dc50"},"summary_title":"Wedgwood"},{"@link":{"notes":"Ref. 'Travel' was designed by Ravilious in 1938 and first produced in 1953. 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Oval with a sloping rim, and deep curved sides. Decorated in the centre with `Sailing' from 'Travel' pattern: a sailing boat on a turquoise lake, trees, grass and sun overhead; on the rim, black weather cones (?) alternating with turquoise semi-circles under curved black lines."}],"identifier":[{"accession_number":"C.13-1997","primary":true,"type":"accession number","value":"C.13-1997"},{"priref":"12097","type":"priref","value":"12097"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/12097","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/12097"}],"inscription":[{"location":"Underside of base","method":"printed in black","transcription":[{"value":"'TRAVEL\/DESIGNED BY RAVILIOUS'"}],"type":"factory mark"},{"description":[{"value":"circular mark, 'WEDGWOOD \/ MADE IN ENGLAND' in the centre"}],"location":"underside of base","method":"printed in black","transcription":[{"value":"'WEDGWOOD\/OF ETRURIA\/& BARLASTON\/MADE IN ENGLAND'"}],"type":"factory mark"},{"location":"on the base","method":"impressed","transcription":[{"value":"2 H 5 [final figure illegible]"}],"type":"mark"},{"location":"on the base","method":"painted in red","transcription":[{"value":"N \/ T U 472"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by the Friends of the Fitzwilliam Museum"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149645","uid":"adlib-agent-149645","uuid":"10925b71-6838-30f7-a8dd-b68a2afaa14d"},"summary_title":"The Friends of the Fitzwilliam Museum"}],"date":[{"earliest":1997,"latest":1997,"value":"1997-03-03"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1997-03-03"}]}],"creation":[{"date":[{"earliest":1954,"era":["CE"],"latest":1954,"precision":"circa","value":"1954"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-143576","uid":"adlib-agent-143576","uuid":"535626bd-0b17-316b-bbbf-3551cefd8265"},"summary_title":"Wedgwood"},{"@link":{"role":[{"value":"designer"}],"type":"reference"},"admin":{"id":"agent-112964","uid":"adlib-agent-112964","uuid":"04d09abd-10b5-3f7e-ba51-fb544857f335"},"summary_title":"Ravilious, Eric William"}],"note":[{"value":"Eric Ravilious (1903-42) studied engraving, illustration  and colour printing at the Royal College of Art and by  1926-28 was exhibiting watercolours, producing book illustrations and commissioned to paint murals. In 1930 he married Eileen Lucy \"Tirzah\" Garwood (1908-1951) also a noted artist and engraver.   From around 1936, he became one of Wedgwood\u2019s most prolific freelance designers, although many of his designs were not produced in quantity until after World War II, during which he was killed while serving as a war artist with the Royal Marines.  Wedgwood had revived the use of engraved designs in the mid 1930s \u2013 a mode of decoration which allowed the artist\u2019s own work and \u2018hand-writing\u2019 to be reproduced in a factory setting, and well suited to Ravilious\u2019 style."},{"value":"Ravilious produced at least seven Wedgwood tableware pattern series, each with a number of vignettes on a single everyday theme, and sometimes also drew the tableware shapes for additions such as jam-pots. \u2018Travel\u2019 was designed c.1937 and first made in 1953. It was printed in black on a newly-introduced Windsor Grey body and hand coloured.  A \u2018Travel\u2019 dinner service for six, depicting travel through snow  and by balloon, bus, train, aeroplane, steamboat and sail, cost \u00a317 3s 6d. Ravilious also designed commemorative wares, including a Coronation Mug for Edward VIII (1936), later adapted for the coronations of both George VI and Elizabeth II; a mug celebrating the company\u2019s relocation to Barlaston (1939); and a \u2018Boat Race Day\u2019 bowl, cup and stand (1938). Earlier designs were engraved at the factory from Ravilious\u2019 drawings, but the \u2018Boat Race\u2019 images were lithographs drawn by Ravilious himself for direct application to the ware."},{"value":"The Fitzwilliam Museum also holds a war-time watercolour by Ravilious, two books with his engravings  and a number of his prints, and a book of Tirzah Ravilious\u2019 engravings."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-109795","uid":"adlib-term-109795","uuid":"8a394dfa-6091-3a16-97c3-fb85612c23b6"},"summary_title":"20th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-107700","uid":"adlib-term-107700","uuid":"8f5360fb-b262-3ae9-8942-b81cc0e3e848"},"summary_title":"Elizabeth 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Also background information, including a 1940 letter from Ravilious to Tom Wedgwood concerning colours.","page":"171-2, 182-183","type":"reference"},"admin":{"id":"publication-1035","uid":"adlib-publication-1035","uuid":"15c007c0-86a5-3d45-beb8-29e69b3fbc75"},"summary_title":"Wedgwood Ceramics 1846-1959"},{"@link":{"type":"reference"},"admin":{"id":"publication-1047","uid":"adlib-publication-1047","uuid":"112a24b6-3168-3940-8a1d-79f4f835e30d"},"summary_title":"Eric Ravilious Memoir of an Artist"},{"@link":{"notes":"Cf. illustrations of Ravilious\u2019 dinner service work, including \u2018Garden\u2019 and \u2018Travel\u2019designs (p.246), the latter including \u2018train\u2019 and \u2018bus\u2019 images on jugs and tea-pot, and shown with three original watercolour drawings for the series, including \u2018aeroplane\u2019 and \u2018train\u2019. Also, a colour image of a goblet with \u2018Boat Race\u2019 design (C30), and a photograph showing four commemorative mugs, including that produced for the Coronation of Elizabeth II (p.222). Also information about Ravilious' work for Wedgwood. See pp. 651- 656 for pattern number and other marks","page":"Vol II: 218-24, 246","type":"reference"},"admin":{"id":"publication-1044","uid":"adlib-publication-1044","uuid":"daae9e3f-5832-394b-8fd8-b2a4c4265f85"},"summary_title":"Wedgwood"},{"@link":{"notes":"Ref. p. 115 under 'Coloured Bodies'. 'Travel' was designed in 1938 and first produced in 1953. 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John Flaxman Senior (1726-95) provided designs and plaster models for the Wedgwood vases, and invoiced Josiah Wedgwood on 25 March, 1775 (CHECK is this 3 January 1775 the date given in VAM cat 1995) for 'A pair of Vases, one with a satyr & the other with a Triton Handle \u00a33.3s.' (Wedgwood Archives, University of Keele, L1-204). The plasters are in the Wedgwood Archives. Flaxman's drawing for the ewer 'Sacred to Neptune' (Wedgwood Archives, no. 4548)"},{"value":"The form is no. 236 in the  Wedgwood Shape Book (54.30019) where they were described as 'Marine & Satyr Handles & Ewer Sacred\/to Neptune & Bacch-us'. They are also in the Shape Book water-marked 1794 rebound in 1916. They sold at 42\/- ( 2 guineas) in black and 105\/- (5 guineas) in jasper. They were still in production in 1878, see The Wedgwood Illustrated Catalogue of Ornamental Shapes 1878."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106779","uid":"adlib-term-106779","uuid":"f0706fcd-d94c-3987-bcb5-f7f794332b6a"},"summary_title":"18th Century, Late"},{"@link":{"type":"reference"},"admin":{"id":"term-107437","uid":"adlib-term-107437","uuid":"96f4b0d1-fc11-39ff-ae91-1b23d888d479"},"summary_title":"George III"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113623","uid":"adlib-term-113623","uuid":"87ef9eaf-54a8-3838-8337-94dbf03aad62"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Etruria"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-109012","uid":"adlib-term-109012","uuid":"6b3470f9-1fc6-37b1-a546-0fa985333828"},"summary_title":"red dry-bodied 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Of elongated quatrefoil shape, standing on a low footring. Decorated with Pattern 266, a border of brown barley and blue trefoils (cornflowers?) inside a scalloped blue edging."}],"identifier":[{"accession_number":"EC.17-1939","primary":true,"type":"accession number","value":"EC.17-1939"},{"priref":"11743","type":"priref","value":"11743"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/11743","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/11743"}],"inscription":[{"location":"on base","method":"impressed","transcription":[{"value":"WEDGWOOD"}],"type":"factory mark"},{"location":"on base above factory mark","method":"impressed","transcription":[{"value":"M"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by The Hon. 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An interpretation of the Royal Arms, supported by a lion and a unicorn, with the initials 'E II R' and date '19  53'. Inside are the words 'GOD SAVE THE QUEEN'."},{"value":"Creamware (Queen's Ware) printed underglaze in black and painted onglaze in gold. The mug is cylindrical witha  loop handle. The underside is flat, recessed to form a foot-ring, and glazed. The exterior is decorated with a monochrome, graphic interpretation of the royal coat of arms. The initials, 'E II R' , almost the height of the mug, sit between the figures \u201919\u2019\u2026\u201953\u2019; both are in a stippled, foliate design which appears grey. Superimposed, in black, is the outline of a crown flanked by a lion and a unicorn, the animals described in outline by leafy strands. Another leafy strand runs down the centre of the handle. The outer upper and lower rims and the handle edge are banded in gold.  Inside, 'GOD SAVE THE QUEEN' is printed in black; the letters, in capitals and shaded and hatched, are evenly spaced to form a continuous band."}],"identifier":[{"accession_number":"C.9-1986","primary":true,"type":"accession number","value":"C.9-1986"},{"priref":"11793","type":"priref","value":"11793"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/11793","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/11793"}],"inscription":[{"description":[{"value":"Circular backstamp. \u2018Coronation\u2019 in flamboyant scripy; \u2018QUEEN ELIZABETH\u2019 in ornate capitals; a small crown above"}],"location":"underside of base","method":"printed in black","transcription":[{"value":"TO COMMEMORATE THE\/Coronation\/OF HER MAJESTY QUEEN ELIZABETH II\/1953\/ WEDGWOOD\/MADE IN ENGLAND\/DESIGNED BY RICHARD GUYATT"}],"type":"factory mark"},{"location":"on the exterior","method":"printed","transcription":[{"value":"19  53"}]}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Mrs D.V.G. 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He also designed Wedgwood commemorative mugs for the Prince of Wales's Investiture in 1969 and several royal weddings; his last, in 2005, was for the bicentenary of the Battle of Trafalgar. Guyatt\u2019s other commercial commissions ranged from exhibition stands to coins, stamps, the WH Smith logo and packaging for Anchor butter."},{"value":"Richard Gerald Talbot Guyatt CBE (1914-2007) began his career as a freelance graphic designer with posters for Shell-Mex and BP and book illustrations. At the Royal College of Art, where he was a professor from 1948 and later rector, he lead the introduction of education in graphic design and influenced subsequent expansion into typography, illustration, printmaking, photography, film and television design. From 1952-55 and 1967-70 Guyatt was consultant designer to Wedgwood and this commemorative mug for the Coronation of Queen Elizabeth II in 1953 was the first of his Wedgwood designs to be put into large scale production.  The company had revived the use of engraved designs in the mid 1930s \u2013 a mode of decoration which allowed the artist\u2019s own work and \u2018hand-writing\u2019 to be reproduced in a factory setting, and well suited to Guyatt\u2019s style. The same design was produced in black basalt with a gold printed design, and in a trial version in royal blue jasper printed in gold. 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Cylindrical mug with oval loop handle. Decorated with three oval reserves entitled: 'BIRTHPLACE OF JOSIAH WEDGWOOD 1730\/CHURCHYARD WORKS BURSLEM 1649'; 'ETRURIA, JUNE 13TH 1769\/TRENT & MERSEY CANAL 1777'; and 'BARLASTON 1939', each containing a related black and white image. The third image, of the new factory with a statue of Josiah Wedgwood at left, also contains a flag-pole with Union Jack flag, in colour. Trailing ivy, strawberry plants and fruiting vines, in colour against a cloudy background, surround the ovals. On the handle, five green palmettes, separated by purple spots surrounded by six dots. 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Cylindrical, with a reeded loop handle. On the lower half of the exterior:  a design incorporating the date (1937), the Royal Arms and 'ER', over-painted with a solid band of cornflower blue. On the upper half: fireworks highlighted in yellow, on one side against a darkened sky. Inside, near the rim: 'ER' beneath a crown, not coloured. 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In 1930 he married Eileen Lucy \"Tirzah\" Garwood (1908-1951) also a noted artist and engraver.   From around 1936, he became one of Wedgwood\u2019s most prolific freelance designers, although many of his designs were not produced in quantity until after World War II, during which he was killed while serving as a war artist with the Royal Marines.  Wedgwood had revived the use of engraved designs in the mid 1930s \u2013 a mode of decoration which allowed the artist\u2019s own work and \u2018hand-writing\u2019 to be reproduced in a factory setting, and well suited to Ravilious\u2019 style."},{"value":"Ravilious\u2019 engraving for this mug was produced in 1936, for the Coronation of Edward VIII the following year, but the king abdicated before the event took place. The design was later adapted for the coronations of both George VI and Elizabeth II. Other Wedgwood commemorative ware by Ravilious includes a mug celebrating the company\u2019s relocation to Barlaston  in1939 and a \u2018Boat Race Day\u2019 bowl, cup and stand (1938).  He also designed at least seven Wedgwood tableware services, each with a number of vignettes on a single everyday theme.  His \u2018Travel\u2019 dinner service for six, produced in the 1950s and depicting travel through snow  and by balloon, bus, train, aeroplane, steamboat and sail, cost \u00a317 3s 6d. Earlier designs were engraved at the factory from Ravilious\u2019 drawings; others, including the \u2018Boat Race\u2019 images, were lithographs drawn by Ravilious himself for direct application to the ware."},{"value":"The Fitzwilliam Museum also holds a war-time watercolour by Ravilious, two books with his engravings  a number of his prints, a book of Tirzah Ravilious\u2019 engravings, and Wedgwood Coronation mugs designed by Richard Guyatt."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-107749","uid":"adlib-term-107749","uuid":"e089b122-3c61-3b88-a645-624a4a54e267"},"summary_title":"1930s"},{"@link":{"type":"reference"},"admin":{"id":"term-125908","uid":"adlib-term-125908","uuid":"4538ea25-0c4e-3020-bce6-709b706652bd"},"summary_title":"Edward VIII"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113623","uid":"adlib-term-113623","uuid":"87ef9eaf-54a8-3838-8337-94dbf03aad62"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Etruria"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-37088","uid":"adlib-term-37088","uuid":"0a28530e-cea8-3d08-b792-a30bf68f524f"},"summary_title":"clear glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42837","uid":"adlib-term-42837","uuid":"60792d1e-3967-38d7-8310-ee3edeb8a4ce"},"summary_title":"cream-coloured earthenware"}}],"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"10.6"},{"dimension":"Height","units":"cm","value":"10.2"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-11602","uid":"adlib-media-11602","uuid":"be0aa9fb-f751-34d8-8bd1-dd2f3dd24b7f"},"processed":{"large":{"format":"jpeg","location":"aa\/aa6\/EC_1_1945_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1616275276068,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa6\/mid_EC_1_1945_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":362},{"dimension":"width","units":"pixels","value":500}]},"modified":1616275276068,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa6\/EC_1_1945_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1616275276068,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa6\/preview_EC_1_1945_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":181},{"dimension":"width","units":"pixels","value":250}]},"modified":1616275276068,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}},{"@link":{"type":"reference"},"admin":{"id":"media-11603","uid":"adlib-media-11603","uuid":"cd5bda4d-e46d-34bb-a804-69168508ba84"},"processed":{"large":{"format":"jpeg","location":"aa\/aa6\/EC_1_1945_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1616278292206,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa6\/mid_EC_1_1945_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":362},{"dimension":"width","units":"pixels","value":500}]},"modified":1616278292206,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa6\/EC_1_1945_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1616278292206,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa6\/preview_EC_1_1945_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":181},{"dimension":"width","units":"pixels","value":250}]},"modified":1616278292206,"resizable":true,"type":"image"}},"sort":"1","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-91188","uid":"adlib-term-91188","uuid":"40f320f4-04b6-3303-8129-f9e81e2b4671"},"summary_title":"mug"}}],"note":[{"type":"history note","value":"given by R S Hart, 1945; 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Black and white illustration of similar Ravilious Edward VIII mug. Also biographical information","page":"p. 295-6","type":"reference"},"admin":{"id":"publication-990","uid":"adlib-publication-990","uuid":"855ac047-90b3-3643-ab04-2385fd833d93"},"summary_title":"The Dictionary of Wedgwood"},{"@link":{"notes":"Cf. A group of Ravilious Coronation mugs, including one very similar to this, p. 10, colour pl. X. Also illustrations of the nine vignettes used for \u2018Travel\u2019 series, on various tableware shapes; four original drawings for \u2018Garden\u2019 series; \u2018Boat Race\u2019 bowl and cup and other Ravilious designs for Wedgwood. 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The mug is of truncated conical form with a loop handle. The underside is recessed and glazed. The sides are decorated with the inscription 'Bullseyes & Targets\u2019: the 'B\u2019 is in the form of a tree with a man aiming a shotgun at three targets on its trunk; the '&' is a bell rope; and the 'T' is a church tower, topped by a cloud, all in black. There is a green band round the rim and, at the bottom, the inscription \u2018say the bells of St Margarets\u2019 with a blue band over. The inside and handle are unpainted."}],"identifier":[{"accession_number":"C.72D-1992","primary":true,"type":"accession number","value":"C.72D-1992"},{"priref":"11833","type":"priref","value":"11833"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/11833","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/11833"}],"inscription":[{"description":[{"value":"Circular backstamp, incorporating a horizontal leaf design"}],"location":"underside of base","method":"printed in black","transcription":[{"value":"*FIRST MADE FOR LIBERTYS BY*\/ WEDGWOOD\/MADE IN ENGLAND\/DESIGNED BY RICHARD GUYATT"}],"type":"mark"},{"location":"underside of base","method":"painted in green enamel","transcription":[{"value":"'B'"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Sir Ivor and Lady Batchelor"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-166527","uid":"adlib-agent-166527","uuid":"3d240ab9-5cc0-3201-953a-01170d7e3328"},"summary_title":"Batchelor, Ivor, Sir and Lady"}],"date":[{"earliest":1992,"latest":1992,"value":"1992-04-27"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1992-04-27"}]}],"creation":[{"date":[{"earliest":1953,"from":{"earliest":1953,"era":["CE"],"latest":1953,"precision":"circa","value":"1953"},"latest":1960,"note":[{"value":"(Reilly (1989) dates the design as 1955, but other authors suggest c.1953)"}],"range":true,"to":{"earliest":1960,"era":["CE"],"latest":1960,"value":"1960"}}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-152728","uid":"adlib-agent-152728","uuid":"0cf03023-c7d0-3c40-9d5b-611ccacf7a0d"},"summary_title":"Josiah Wedgwood & Sons Ltd"},{"@link":{"role":[{"value":"designer"}],"type":"reference"},"admin":{"id":"agent-152875","uid":"adlib-agent-152875","uuid":"0259a919-8424-3cb3-a11a-fca4b96b9065"},"summary_title":"Guyatt, Richard Talbot"}],"note":[{"value":"Guyatt\u2019s other Wedgwood designs included a dinner service for King\u2019s College, Cambridge, also c.1952-53, and commemorative mugs for the Coronation of Queen Elizabeth II in 1953, the Prince of Wales's Investiture in 1969 and several royal weddings; his last mug, in 2005, was for the bicentenary of the Battle of Trafalgar. Outside Wedgwood, his commercial commissions ranged from exhibition stands to coins, stamps, the WH Smith logo and packaging for Anchor butter."},{"value":"Richard Gerald Talbot Guyatt CBE (1914-2007) began his career as a freelance graphic designer with posters for Shell-Mex and BP and book illustrations. At the Royal College of Art, where he was a professor from 1948 and later rector, he lead the introduction of education in graphic design and influenced subsequent expansion into typography, illustration, printmaking, photography, film and television design. From 1952-55 and 1967-70 Guyatt was consultant designer to Wedgwood. The company had revived the use of engraved designs in the mid 1930s \u2013 a mode of decoration which allowed the artist\u2019s own work and \u2018hand-writing\u2019 to be reproduced in a factory setting, and well suited to Guyatt\u2019s style."},{"value":"The Fitzwilliam Museum holds examples of the jug and three of the mugs from the \u2018Oranges and Lemons\u2019 set, as well as items from the King\u2019s College dinner service and Wedgwood Queen\u2019s ware designed by Eric Ravilious."},{"value":"This mug is part of a \u2018lemonade set\u2019 comprising a jug and four mugs, originally made for sale through Liberty\u2019s and later distributed more widely. 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His designs  were commercially popular and many remained in production until the 1950s. In 1936, Keith Murray and Charles White were commissioned to design Wedgwood\u2019s new factory at Barlaston, alongside a model village estate by Louis Soissons. Murray retired from ceramic design in 1948, though continued his architectural practice until 1967."},{"value":"Keith Murray\u2019s elegant, architectural designs include vases, jugs and bowls, generally decorated only by moulding or simple incised lines. They were well suited to new matt glazes being created in the 1930s by Norman Wilson, then works manager at Wedgwood\u2019s Etruria factory. This shape, which was produced in Moonstone, Matt Green or Straw, appears on page BY3 (matt glazes) of the \u2018Keith Murray Shapes Catalogue\u2019, 1940. The Matt Green glaze, obtained here by the addition of celadon slip and uranium oxide, is reminiscent of that found on early Korean pottery in the Fitzwilliam. 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Page from Keith Murray Shapes Catalogue, 1940, showing drawing of this shape, one-fifth size (plate 517),; black and white illustration of a similar bowl (plate 518); other Murray items (plates509-518); and a Keith Murray commemorative mug (plate 542)  . Also colour illustration of Keith Murray pottery, showing items with similar glaze (plate L) and Keith Murray facsimile signature mark, introduced in 1932, and two other Murray marks (p.228). Biography pp.205-6.","page":"205-211,221 228","type":"reference"},"admin":{"id":"publication-1035","uid":"adlib-publication-1035","uuid":"15c007c0-86a5-3d45-beb8-29e69b3fbc75"},"summary_title":"Wedgwood Ceramics 1846-1959"},{"@link":{"notes":"Cf. various plates for other exambles of Keith Murray\u2019s work. See also:  pp. 211-14 for biography of Keith Murray (photographs pp.199, 211); pp.226-8 for his design of the Barlaston factory; p.394 for matt glazes; pp. 651- 657 for pattern number and other marks, incl. printed signature.","page":"Vol II, 211-4, 226-8 394, 651-6","type":"reference"},"admin":{"id":"publication-1044","uid":"adlib-publication-1044","uuid":"daae9e3f-5832-394b-8fd8-b2a4c4265f85"},"summary_title":"Wedgwood"},{"@link":{"notes":"Ref. lists several items designed by Murray (one ill. p. viii),  along with extract from instructions he received from Josiah Wedgwood V and some information on glazes.","page":"58","type":"reference"},"admin":{"id":"publication-988","uid":"adlib-publication-988","uuid":"4906b591-b7ec-3791-bc5f-13d64bed4581"},"summary_title":"Wedgwood in London, 225th Anniversary Exhibition 1759-1984"},{"@link":{"notes":"Ref. photograph of new factory at Barlaston and various Keith Murray items described;","page":"34, 125-126","type":"reference"},"admin":{"id":"publication-1008","uid":"adlib-publication-1008","uuid":"3bf225e8-9d69-3810-848d-b9aa1e259d91"},"summary_title":"Wedgwood of Etruria and Barlaston"},{"@link":{"notes":"Ref. 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In 1930 he married Eileen Lucy \"Tirzah\" Garwood (1908-1951) also a noted artist and engraver.   From around 1936, he became one of Wedgwood\u2019s most prolific freelance designers, although many of his designs were not produced in quantity until after World War II, during which he was killed while serving as a war artist with the Royal Marines. Wedgwood had revived the use of engraved designs in the mid 1930s \u2013 a mode of decoration which allowed the artist\u2019s own work and \u2018hand-writing\u2019 to be reproduced in a factory setting, and well suited to Ravilious\u2019 style."},{"value":"Ravilious produced at least seven Wedgwood tableware pattern series, each with a number of vignettes on a single everyday theme, and sometimes also drew the tableware shapes for additions such as jam-pots. \u2018Travel\u2019 was designed c.1937 and first made in 1953. It was printed in black on a newly-introduced Windsor Grey body and hand coloured.  A \u2018Travel\u2019 dinner service for six, depicting travel through snow  and by balloon, bus, train, aeroplane, steamboat and sail, cost \u00a317 3s 6d. Ravilious also designed commemorative wares, including a Coronation Mug for Edward VIII (1936), later adapted for the coronations of both George VI and Elizabeth II; a mug celebrating the company\u2019s relocation to Barlaston (1939); and a \u2018Boat Race Day\u2019 bowl, cup and stand (1938). Earlier designs were engraved at the factory from Ravilious\u2019 drawings, but the \u2018Boat Race\u2019 images were lithographs drawn by Ravilious himself for direct application to the ware."},{"value":"The Fitzwilliam Museum also holds a war-time watercolour by Ravilious, two books with his engravings  and a number of his prints, and a book of Tirzah Ravilious\u2019 engravings."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-109795","uid":"adlib-term-109795","uuid":"8a394dfa-6091-3a16-97c3-fb85612c23b6"},"summary_title":"20th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-107700","uid":"adlib-term-107700","uuid":"8f5360fb-b262-3ae9-8942-b81cc0e3e848"},"summary_title":"Elizabeth 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\u2018bus\u2019 images on jugs and tea-pot, and shown with three original watercolour drawings for the series, including \u2018aeroplane\u2019 and \u2018train\u2019. Also, a colour image of a goblet with \u2018Boat Race\u2019 design (C30), and a photograph showing four commemorative mugs, including that produced for the Coronation of Elizabeth II (p.222). Also information about Ravilious' work for Wedgwood. See pp. 651- 656 for pattern number and other marks.","page":"Vol. II, pp. 218-24, 246, 651-656","type":"reference"},"admin":{"id":"publication-998","uid":"adlib-publication-998","uuid":"b78305dd-313b-343d-b005-05a294d9dc50"},"summary_title":"Wedgwood"},{"@link":{"notes":"Cf. illustrations of the nine vignettes used for \u2018Travel\u2019 series, on various tableware shapes; four original drawings for \u2018Garden\u2019 series; \u2018Boat Race\u2019 bowl and cup and other Ravilious designs for Wedgwood. Also background information, including a 1940 letter from Ravilious to Tom Wedgwood concerning colours.","page":"pp. 171-2, 182-183","type":"reference"},"admin":{"id":"publication-1035","uid":"adlib-publication-1035","uuid":"15c007c0-86a5-3d45-beb8-29e69b3fbc75"},"summary_title":"Wedgwood Ceramics 1846-1959"},{"@link":{"type":"reference"},"admin":{"id":"publication-1047","uid":"adlib-publication-1047","uuid":"112a24b6-3168-3940-8a1d-79f4f835e30d"},"summary_title":"Eric Ravilious Memoir of an Artist"},{"@link":{"notes":"Ref. 'Travel' was designed by Ravilious in 1938 and first produced in 1953. The Windsor Grey body was introduced in 1953, see 'Coloured Bodies',  p.115.","page":"p. 115","type":"reference"},"admin":{"id":"publication-989","uid":"adlib-publication-989","uuid":"82f5fd49-f1cd-3039-8aa9-a46ef3f93b0c"},"summary_title":"Wedgwood, The New Illustrated Dictionary"},{"@link":{"notes":"Ref. p. 92, lot 288, a part dinner, tea and coffee set in Travel pattern, including Train. 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Circular with a narrow, slightly concave rim, curved sides, and flat centre. Decorated in the centre with a vignette of a woman holding a book while sitting in a deckchair, to the left of a tree. A shopping basket on wheels stands on the right in the shadow of the tree. On the rim there are nineteen overlapping lengths of twisted, striped, ribbon, with a broad yellow band on the inner edge."}],"identifier":[{"accession_number":"C.3-2001","primary":true,"type":"accession number","value":"C.3-2001"},{"priref":"20885","type":"priref","value":"20885"},{"source":"The Fitzwilliam Museum","type":"entry form number","value":"150"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/20885","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/20885"}],"inscription":[{"location":"underside, off centre","method":"impressed","transcription":[{"value":"WEDGWOOD\/3 R54"}],"type":"mark"},{"description":[{"value":"over circular factory back stamp"}],"location":"underside, off centre","method":"printed in black","transcription":[{"value":"GARDEN\/DESIGNED BY RAVILIOUS"}],"type":"mark"},{"description":[{"value":"circular mark, 'WEDGWOOD \/ MADE IN ENGLAND' in the centre"}],"location":"underside, off centre","method":"printed in black","transcription":[{"value":"WEDGWOOD\/OF ETRURIA  \/& BARLASTON\/ MADE IN ENGLAND"}],"type":"mark"},{"description":[{"value":"with indistinct red enamel numbers (259?) painted over it"}],"location":"underside, off centre, below circular factory stamp","method":"in enamel","transcription":[{"value":"7"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by the Friends of the Fitzwilliam Museum, purchased from Gabor Cossa Antiques"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149645","uid":"adlib-agent-149645","uuid":"10925b71-6838-30f7-a8dd-b68a2afaa14d"},"summary_title":"The Friends of the Fitzwilliam Museum"}],"date":[{"earliest":2001,"latest":2001,"value":"2001-01-22"}],"method":{"value":"given"},"note":[{"value":"Entry date: 2001-01-22"}]}],"creation":[{"date":[{"earliest":1954,"era":["CE"],"latest":1903,"value":"1954-03"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-152728","uid":"adlib-agent-152728","uuid":"0cf03023-c7d0-3c40-9d5b-611ccacf7a0d"},"summary_title":"Josiah Wedgwood & Sons Ltd"},{"@link":{"role":[{"value":"designer"}],"type":"reference"},"admin":{"id":"agent-112964","uid":"adlib-agent-112964","uuid":"04d09abd-10b5-3f7e-ba51-fb544857f335"},"summary_title":"Ravilious, Eric William"}],"note":[{"value":"Eric Ravilious (1903-42) studied engraving, illustration  and colour printing at the Royal College of Art and by  1926-28 was exhibiting watercolours, producing book illustrations and commissioned to paint murals. In 1930 he married Eileen Lucy \"Tirzah\" Garwood (1908-1951) also a noted artist and engraver.   From around 1936, he became one of Wedgwood\u2019s most prolific freelance designers, although many of his designs were not produced in quantity until after World War II, during which he was killed while serving as a war artist with the Royal Marines.  Wedgwood had revived the use of engraved designs in the mid 1930s \u2013 a mode of decoration which allowed the artist\u2019s own work and \u2018hand-writing\u2019 to be reproduced in a factory setting, and well suited to Ravilious\u2019 style."},{"value":"Ravilious produced at least seven Wedgwood tableware pattern series, each with a number of vignettes on a single everyday theme, and sometimes also drew the tableware shapes for additions such as jam-pots. \u2018Garden\u2019, introduced in 1938  and also produced in the 1950s,  used lithography on earthenware, with enamel wash bands of yellow, blue or green; four of the nine original drawingss - including with the deckchair - are shown in Batkin. The design was also produced without the printed centre image. A comparable dinner service with \u2018Travel\u2019 design sold for \u00a317 3s 6d in the early 1950s. Ravilious also designed commemorative wares, including a Coronation Mug for Edward VIII (1936), later adapted for the coronations of both George VI and Elizabeth II; a mug celebrating the company\u2019s relocation to Barlaston (1939); and a \u2018Boat Race Day\u2019 bowl, cup and stand (1938). Earlier designs were engraved at the factory from Ravilious\u2019 drawings, but the \u2018Boat Race\u2019 images were lithographs drawn by Ravilious himself for direct application to the ware."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-109795","uid":"adlib-term-109795","uuid":"8a394dfa-6091-3a16-97c3-fb85612c23b6"},"summary_title":"20th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-107700","uid":"adlib-term-107700","uuid":"8f5360fb-b262-3ae9-8942-b81cc0e3e848"},"summary_title":"Elizabeth 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Also background information, including a 1940 letter from Ravilious to Tom Wedgwood concerning colours.","page":"pp. 17-2, 181-3","type":"reference"},"admin":{"id":"publication-1035","uid":"adlib-publication-1035","uuid":"15c007c0-86a5-3d45-beb8-29e69b3fbc75"},"summary_title":"Wedgwood Ceramics 1846-1959"},{"@link":{"notes":"Cf. illustrations of Ravilious\u2019 dinner service work, including \u2018Garden\u2019 (221) and \u2018Travel\u2019designs (p.246), the latter including \u2018train\u2019 and \u2018bus\u2019 images on jugs and tea-pot, and shown with three original watercolour drawings for the series, including \u2018aeroplane\u2019 and \u2018train\u2019. Also, a colour image of a goblet with \u2018Boat Race\u2019 design (C30), and a photograph showing four commemorative mugs, including that produced for the Coronation of Elizabeth II (p.222). Also information about Ravilious' work for Wedgwood. See pp. 651- 656 for pattern number and other marks.","page":"pp. 218-24, 246","type":"reference"},"admin":{"id":"publication-998","uid":"adlib-publication-998","uuid":"b78305dd-313b-343d-b005-05a294d9dc50"},"summary_title":"Wedgwood"},{"@link":{"notes":"Cf. various items designed by Ravilious, including \u2018Garden\u2019 and \u2018Boat Race\u2019, exhibited at Wedgwood House, Wigmore St, LondonMay-August 1984.","page":"60, viii","type":"reference"},"admin":{"id":"publication-988","uid":"adlib-publication-988","uuid":"4906b591-b7ec-3791-bc5f-13d64bed4581"},"summary_title":"Wedgwood in London, 225th Anniversary Exhibition 1759-1984"},{"@link":{"notes":"Cf. descriptions of various items designed by Ravilious, and their marks, including a plate from the \u2018Travel\u2019 series with sailing design","page":"124-125","type":"reference"},"admin":{"id":"publication-1008","uid":"adlib-publication-1008","uuid":"3bf225e8-9d69-3810-848d-b9aa1e259d91"},"summary_title":"Wedgwood of Etruria and Barlaston"},{"@link":{"notes":"Cf. illustrations 94a (\u2018Boat Race\u2019 bowl) and 95 (Jug showing nine garden designs), and information on Ravilious\u2019 work for Wedgwood.","page":"25","type":"reference"},"admin":{"id":"publication-1046","uid":"adlib-publication-1046","uuid":"284e0df1-f28d-323f-bb60-68da8644fadc"},"summary_title":"Wedgwood Ware"},{"@link":{"notes":"Cf. p. 66, lots 353-357, circular plates of different sizes, sauceboat, jug, and two oval dishes of Garden pattern","page":"66","type":"reference"},"admin":{"id":"publication-6325","uid":"adlib-publication-6325","uuid":"8cbb0366-69fc-38fa-bbc7-049ba16aff80"},"summary_title":"The Autumn Country House Sale"},{"@link":{"notes":"Ref. lot 288, a part dinner, tea and coffee set in Travel pattern, including Train. 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The outside covered in flecked brown and grey, resembling porphyry, with gold outlines around the base, neck, scallop lugs and gadrooning at the base of the bowl. The inside is undecorated cream, and glazed. The underside has a narrow foot-ring, within which it is glazed and rises to a small, central vent hole."}],"identifier":[{"accession_number":"C.121-2015","primary":true,"type":"accession number","value":"C.121-2015"},{"priref":"205005","type":"priref","value":"205005"},{"type":"Batchelor number","value":"none"},{"date":[{"earliest":2005,"latest":2005,"value":"2005-11-09"}],"source":"Fitzwilliam Museum","type":"Entry form number","value":"648"},{"date":[{"earliest":2006,"latest":2006,"value":"2006-01-30"}],"source":"Fitzwilliam Museum","type":"Old object number","value":"AAL.121-2006"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/205005","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/205005"}],"inscription":[{"location":"underside of base","method":"impressed","transcription":[{"value":"WEDGWOOD"}],"type":"mark"},{"location":"underside of base","method":"impressed","transcription":[{"value":"11    Z    58"}],"type":"mark"},{"description":[{"value":"'WEDGWOOD' printed in blue, remainder inscribed"}],"location":"underside of base","method":"rectangular paper label, printed in blue, inscribed in black","transcription":[{"value":"WEDGWOOD  \/   \u2018PORPHYRY \/ GREY PEBBLE No 3  \/ VASE S\/S 4868 SHAPE"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Sir Ivor and Lady Batchelor"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-166527","uid":"adlib-agent-166527","uuid":"3d240ab9-5cc0-3201-953a-01170d7e3328"},"summary_title":"Batchelor, Ivor, Sir and Lady"}],"date":[{"earliest":2015,"latest":2015,"value":"2015-04-27"}],"method":{"value":"bequeathed"},"note":[{"value":"Entry date: 1992-04-27"}]}],"creation":[{"date":[{"earliest":1958,"from":{"earliest":1958,"era":["CE"],"latest":1958,"value":"1958"},"latest":1962,"range":true,"to":{"earliest":1962,"era":["CE"],"latest":1962,"value":"1962"}}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-143576","uid":"adlib-agent-143576","uuid":"535626bd-0b17-316b-bbbf-3551cefd8265"},"summary_title":"Wedgwood"},{"@link":{"role":[{"value":"designer"}],"type":"reference"},"admin":{"id":"agent-152950","uid":"adlib-agent-152950","uuid":"bcba06c0-9ef9-399d-9186-0f5090043afa"},"summary_title":"Wilson, Norman"}],"note":[{"value":"In the 1950s, Wedgwood\u2019s experimentation with glazes was lead by Norman Wilson (1902-85). Wilson learned his trade working in his father\u2019s china works while studying at North Staffordshire technical College, where he won a silver medal and, later, lectured. He joined Wedgwood as Works Manager in 1927, and became joint Managing Director a few years before his retirement in 1963. His main contribution was in the technical modernisation of the factory, but he also created decorative glazes (including the matt glazes used by Keith Murray and John Skeaping), contributed to the design of  successful tableware series and created his own of \u2018Unique Wares\u2019 which explore forms and experimental glazes, sometimes using several glazes on a single pot."},{"value":"This vase revisits Josiah Wedgwood\u2019s introduction of classical vase forms and \u2018porphyry\u2019 or \u2018pebble\u2019 glazes, in the 1770s. Alongside variegated wares produced by mixing clays or trailing or painting coloured slips, natural stone was imitated by sprinkling powdered oxides onto the biscuit ware or, perhaps, onglaze. By 1772 Wedgwood claimed \u2018upwards of 100 good forms\u2019 of such vases. 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Cylindrical, with a reeded loop handle. On the lower half of the exterior: a design incorporating the date, 1953 the Royal Arms and 'EIIR', over-painted with a solid band of pink. On the upper half: fireworks highlighted in pale yellow, on one side against a darkened sky. Inside, near the rim: 'EIIR' beneath a crown, not coloured. The underside is flat and glazed, with a narrow, raised foot-rim."}],"identifier":[{"accession_number":"C.69-1992","primary":true,"type":"accession number","value":"C.69-1992"},{"priref":"11805","type":"priref","value":"11805"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/11805","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/11805"}],"inscription":[{"description":[{"value":"a crown over"}],"location":"on the base","method":"printed in black","transcription":[{"value":"TO COMMEMORATE\/THE CORONATION\/OF HER MAJESTY\/QUEEN ELIZABETH II\/1953\/WEDGWOOD\/MADE IN ENGLAND\/FROM THE DESIGN BY\/ERIC RAVILIOUS"}],"type":"mark"},{"location":"on the base","method":"painted in red enamel","transcription":[{"value":"CL 6485\/.V."}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Sir Ivor and Lady Batchelor"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-166527","uid":"adlib-agent-166527","uuid":"3d240ab9-5cc0-3201-953a-01170d7e3328"},"summary_title":"Batchelor, Ivor, Sir and Lady"}],"date":[{"earliest":1992,"latest":1992,"value":"1992-04-27"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1992-04-27"}]}],"creation":[{"date":[{"earliest":1953,"era":["CE"],"latest":1953,"note":[{"value":"(original design 1936)"}],"value":"1953"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-152728","uid":"adlib-agent-152728","uuid":"0cf03023-c7d0-3c40-9d5b-611ccacf7a0d"},"summary_title":"Josiah Wedgwood & Sons Ltd"},{"@link":{"role":[{"value":"designer"}],"type":"reference"},"admin":{"id":"agent-112964","uid":"adlib-agent-112964","uuid":"04d09abd-10b5-3f7e-ba51-fb544857f335"},"summary_title":"Ravilious, Eric William"}],"note":[{"value":"Eric Ravilious (1903-42) studied engraving, illustration  and colour printing at the Royal College of Art and by  1926-28 was exhibiting watercolours, producing book illustrations and commissioned to paint murals. In 1930 he married Eileen Lucy \"Tirzah\" Garwood (1908-1951) also a noted artist and engraver.   From around 1936, he became one of Wedgwood\u2019s most prolific freelance designers, although many of his designs were not produced in quantity until after World War II, during which he was killed while serving as a war artist with the Royal Marines.  Wedgwood had revived the use of engraved designs in the mid 1930s \u2013 a mode of decoration which allowed the artist\u2019s own work and \u2018hand-writing\u2019 to be reproduced in a factory setting, and well suited to Ravilious\u2019 style."},{"value":"Ravilious\u2019 engraving for this mug was produced in 1936, for the Coronation of Edward VIII the following year, but the king abdicated before the event took place. The design was later adapted for the coronations of both George VI and Elizabeth II. Other Wedgwood commemorative ware by Ravilious includes a mug celebrating the company\u2019s relocation to Barlaston  in1939 and a \u2018Boat Race Day\u2019 bowl, cup and stand (1938).  He also designed at least seven Wedgwood tableware services, each with a number of vignettes on a single everyday theme.  His \u2018Travel\u2019 dinner service for six, produced in the 1950s and depicting travel through snow  and by balloon, bus, train, aeroplane, steamboat and sail, cost \u00a317 3s 6d. Earlier designs were engraved at the factory from Ravilious\u2019 drawings; others, including the \u2018Boat Race\u2019 images, were lithographs drawn by Ravilious himself for direct application to the ware."},{"value":"The Fitzwilliam Museum also holds a war-time watercolour by Ravilious, two books with his engravings  a number of his prints, a book of Tirzah Ravilious\u2019 engravings, and Wedgwood Coronation mugs designed by Richard Guyatt."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-109795","uid":"adlib-term-109795","uuid":"8a394dfa-6091-3a16-97c3-fb85612c23b6"},"summary_title":"20th Century, 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shades of blue, yellow, and pink enamels with an oval view of Piccadilly Circus on Boat Race Night in the middle, and, on the exterior, a mermaid, and three views of stages of the Boat Race."},{"value":"Creamware, printed underglaze in black, glazed, and painted with pale blue, royal blue, yellow, and pink enamels. Large, circular bowl with deep curved sides. The underside is flat and glazed, surrounded by a low foot-ring which is moulded to suggest two rings on the outside. In the middle, an oval view of Piccadilly Circus on Boat Race Night covers the base. The area is full of people, some swarming up the stairs of a bus, others on the roof of a car and atop a building. Signs advertise Guinness; Bovril; Schweppes; Bass; Dunlop and The Palladium theatre; a clock shows 11.30. The sky is dark; yellow light shines from the buildings; pale blue highlights the thronging crowd. There are four further oval vignettes on the outside of the bowl. One shows the race in progress: the light blue boat pulling ahead of the dark blue, boats on the riverbank, cheering spectators highlighted in pink. Two show spectators in a flag-bedecked boat beside a bridge, and in a steamship, with swans and reeds on the bank. The fourth is a smaller graphic emblem of a mermaid in a boat, under the yellow-rayed sun in a blue sky, surrounded by four sets of oars. The colours are used sparingly to highlight features of the images."}],"exhibitions":[{"@link":{"type":"reference"},"admin":{"id":"exhibition-1736","uid":"adlib-exhibition-1736","uuid":"03278636-f39c-388e-857d-8348a0fc881c"},"summary_title":"Eric Ravilious in Context"}],"identifier":[{"accession_number":"C.23-2002","primary":true,"type":"accession number","value":"C.23-2002"},{"priref":"82308","type":"priref","value":"82308"},{"date":[{"earliest":2002,"latest":2002,"value":"2002"}],"source":"The Fitzwilliam Museum","type":"Entry form","value":"179"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82308","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82308"}],"inscription":[{"location":"underside of base","method":"printed in black","transcription":[{"value":"'Designed\/by Eric\/Ravilious'"}],"type":"mark"},{"location":"underside of base","method":"printed in black","transcription":[{"value":"'WEDGWOOD\/MADE IN ENGLAND.'"}],"type":"mark"},{"location":"underside of base","method":"printed in black","transcription":[{"value":"'6'"}],"type":"mark"},{"location":"on the base","method":"printed in green","transcription":[{"value":"B"}],"type":"mark"},{"location":"on the base","method":"painted in red enamel","transcription":[{"value":"CL 6263 \/ MW"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by the Friends of the Fitzwilliam Museum"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149645","uid":"adlib-agent-149645","uuid":"10925b71-6838-30f7-a8dd-b68a2afaa14d"},"summary_title":"The Friends of the Fitzwilliam Museum"}],"date":[{"earliest":2002,"latest":2002,"value":"2002"}],"method":{"value":"given"},"note":[{"value":"Entry date: 2002-11-25"}]}],"creation":[{"date":[{"earliest":1938,"from":{"earliest":1938,"era":["CE"],"latest":1938,"precision":"circa","value":"1938"},"latest":1940,"note":[{"value":"Design 1938. 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From around 1936, he became one of Wedgwood\u2019s most prolific freelance designers, although many of his designs were not produced in quantity until after World War II, during which he was killed while serving as a war artist with the Royal Marines.  Wedgwood had revived the use of engraved designs in the mid 1930s \u2013 a mode of decoration which allowed the artist\u2019s own work and \u2018hand-writing\u2019 to be reproduced in a factory setting, and well suited to Ravilious\u2019 style."},{"value":"The Fitzwilliam Museum also holds a war-time watercolour by Ravilious, two books with his engravings  and a number of his prints, and a book of Tirzah Ravilious\u2019 engravings."},{"value":"\u2018Boat Race Day\u2019 was designed in 1938, and appeared on a bowl, cup and stand until around 1940. Earlier designs were engraved at the factory from Ravilious\u2019 drawings, but the \u2018Boat Race\u2019 images were lithographs drawn by Ravilious himself for direct application to the ware. The design was not among Ravilious designs produced again in the early 1950s, but a limited edition of 200 \u2018Boat Race Day\u2019 bowls was re-issued in 1975, with a special backstamp. Other Wedgwood commemorative ware by Ravilious includes an Edward VIII Coronation mug, later adapted for both George VI and Elizabeth II, and a mug celebrating the company\u2019s relocation to Barlaston  in1939.  He also designed at least seven Wedgwood tableware services, each with a number of vignettes on a single everyday theme.  His \u2018Travel\u2019 dinner service for six, produced in the 1950s and depicting travel through snow  and by balloon, bus, train, aeroplane, steamboat and sail, cost \u00a317 3s 6d."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-120066","uid":"adlib-term-120066","uuid":"7d68b404-6003-3715-bdce-af5ba4e8f5a3"},"summary_title":"20th Century, second quarter"},{"@link":{"type":"reference"},"admin":{"id":"term-107700","uid":"adlib-term-107700","uuid":"8f5360fb-b262-3ae9-8942-b81cc0e3e848"},"summary_title":"Elizabeth 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Plate.445: illustration of similar bowl and cup using some of the same vignettes; notes a stand with similar design has also been recorded.  Also vignettes used for \u2018Travel\u2019 series, on various tableware shapes and original drawings for \u2018Garden\u2019 series and other Ravilious designs. Background information includes a 1940 letter from Ravilious to Tom Wedgwood concerning colours","page":"171-2, 182-183","type":"reference"},"admin":{"id":"publication-1035","uid":"adlib-publication-1035","uuid":"15c007c0-86a5-3d45-beb8-29e69b3fbc75"},"summary_title":"Wedgwood Ceramics 1846-1959"},{"@link":{"type":"reference"},"admin":{"id":"publication-1047","uid":"adlib-publication-1047","uuid":"112a24b6-3168-3940-8a1d-79f4f835e30d"},"summary_title":"Eric Ravilious Memoir of an Artist"},{"@link":{"notes":"Cf. A colour image of a goblet with \u2018Boat Race\u2019 design (C30), a photograph showing four commemorative mugs, including that produced for the Coronation of Elizabeth II (p.222),  illustrations of Ravilious\u2019 dinner service work, including \u2018Garden\u2019 and \u2018Travel\u2019 designs and information about Ravilious' work for Wedgwood. See pp. 651- 656 for pattern number and other marks.","page":"Vol. II, 218-24, 246","type":"reference"},"admin":{"id":"publication-998","uid":"adlib-publication-998","uuid":"b78305dd-313b-343d-b005-05a294d9dc50"},"summary_title":"Wedgwood"},{"@link":{"notes":"Cf. various items designed by Ravilious, including \u2018Garden\u2019 and \u2018Boat Race\u2019, exhibited at Wedgwood House, Wigmore St, LondonMay-August 1984.","page":"60, viii","type":"reference"},"admin":{"id":"publication-988","uid":"adlib-publication-988","uuid":"4906b591-b7ec-3791-bc5f-13d64bed4581"},"summary_title":"Wedgwood in London, 225th Anniversary Exhibition 1759-1984"},{"@link":{"notes":"Cf. descriptions of various items designed by Ravilious, and their marks, including a plate from the \u2018Travel\u2019 series with sailing design.","page":"124-5","type":"reference"},"admin":{"id":"publication-1008","uid":"adlib-publication-1008","uuid":"3bf225e8-9d69-3810-848d-b9aa1e259d91"},"summary_title":"Wedgwood of Etruria and Barlaston"},{"@link":{"notes":"Publ. Illustrated on back page under 'Friends' Gifts 2001-3'","page":"back","type":"reference"},"admin":{"id":"publication-4630","uid":"adlib-publication-4630","uuid":"33736a88-3538-368c-a05f-4a8a0bacd5c8"},"summary_title":"Fitzwilliam Museum News, Number 21"},{"@link":{"notes":"Cf. p. 17, lot 25, another example, d. 30.8 cm. Dated to c. 1938. . Estimate $1000-1500. The entry notes that the bowls were not produced during the Second World War but were produced after it as late as the 1980s.","page":"17","type":"reference"},"admin":{"id":"publication-4694","uid":"adlib-publication-4694","uuid":"f929abe4-1a0c-3fe1-a740-903c99d10e52"},"summary_title":"English Furniture,Ceramics and Decorations including property from the Collections of the Dowager Duchess of Bedford and Mrs Douglas Auchincloss"},{"@link":{"notes":"Cf. a 12in (30cm) diameter, 1938, Wedgwood Queen\u2019s Ware \u2018Boat Race\u2019 bowl, sold to a private buyer at Robertson\u2019s of Kinbuck, near Dunblane, for \u00a32500. 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The cup, a flattened hemisphere, sits on a narrow recessed foot; it has two loop handles on opposite sides. The saucer (A) has shallow, curved sides with a central depression. The interior of the cup is decorated with `Ballooning' from `Travel' pattern: a turquoise-topped hot air balloon with a tiny figure in its basket, set between grey clouds; the outside is decorated round the top with black weather cones (?) alternating with turquoise semi-circles under curved black lines. The saucer is decorated en suite."}],"identifier":[{"accession_number":"C.16 & A-1997","primary":true,"type":"accession number","value":"C.16 & A-1997"},{"priref":"12105","type":"priref","value":"12105"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/12105","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/12105"}],"inscription":[{"location":"on the base of  cup and saucer","method":"printed in black","transcription":[{"value":"'TRAVEL\/DESIGNED BY RAVILIOUS'"}],"type":"factory mark"},{"description":[{"value":"circular mark, 'WEDGWOOD \/ MADE IN ENGLAND' in the centre"}],"location":"on base of cup and saucer","method":"printed in black","transcription":[{"value":"'WEDGWOOD\/OF ETRURIA\/& BARLASTON\/MADE IN ENGLAND'"}],"type":"factory mark"},{"location":"on the base of the  saucer","method":"impressed","transcription":[{"value":"WEDGWOOD\/1 F 54"}],"type":"factory mark"},{"description":[{"value":"(\u2018IE\u2019  may be \u20184\u2019)"}],"location":"on the saucer","method":"painted in pale red","transcription":[{"value":"TK 472\/IE"}],"type":"mark"},{"location":"on the base of the cup","method":"painted in red enamel","transcription":[{"value":"4"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by the Friends of the Fitzwilliam Museum"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149645","uid":"adlib-agent-149645","uuid":"10925b71-6838-30f7-a8dd-b68a2afaa14d"},"summary_title":"The Friends of the Fitzwilliam Museum"}],"date":[{"earliest":1997,"latest":1997,"value":"1997-03-03"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1997-03-03"}]}],"creation":[{"date":[{"earliest":1954,"era":["CE"],"latest":1954,"value":"1954"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-143576","uid":"adlib-agent-143576","uuid":"535626bd-0b17-316b-bbbf-3551cefd8265"},"summary_title":"Wedgwood"},{"@link":{"role":[{"value":"designer"}],"type":"reference"},"admin":{"id":"agent-112964","uid":"adlib-agent-112964","uuid":"04d09abd-10b5-3f7e-ba51-fb544857f335"},"summary_title":"Ravilious, Eric William"}],"note":[{"value":"Eric Ravilious (1903-42) studied engraving, illustration  and colour printing at the Royal College of Art and by  1926-28 was exhibiting watercolours, producing book illustrations and commissioned to paint murals. In 1930 he married Eileen Lucy \"Tirzah\" Garwood (1908-1951) also a noted artist and engraver.   From around 1936, he became one of Wedgwood\u2019s most prolific freelance designers, although many of his designs were not produced in quantity until after World War II, during which he was killed while serving as a war artist with the Royal Marines.  Wedgwood had revived the use of engraved designs in the mid 1930s \u2013 a mode of decoration which allowed the artist\u2019s own work and \u2018hand-writing\u2019 to be reproduced in a factory setting, and well suited to Ravilious\u2019 style."},{"value":"Ravilious produced at least seven Wedgwood tableware pattern series, each with a number of vignettes on a single everyday theme, and sometimes also drew the tableware shapes for additions such as jam-pots. \u2018Travel\u2019 was designed c.1937 and first made in 1953. It was printed in black on a newly-introduced Windsor Grey body and hand coloured.  A \u2018Travel\u2019 dinner service for six, depicting travel through snow  and by balloon, bus, train, aeroplane, steamboat and sail, cost \u00a317 3s 6d. Ravilious also designed commemorative wares, including a Coronation Mug for Edward VIII (1936), later adapted for the coronations of both George VI and Elizabeth II; a mug celebrating the company\u2019s relocation to Barlaston (1939); and a \u2018Boat Race Day\u2019 bowl, cup and stand (1938). Earlier designs were engraved at the factory from Ravilious\u2019 drawings, but the \u2018Boat Race\u2019 images were lithographs drawn by Ravilious himself for direct application to the ware."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-109795","uid":"adlib-term-109795","uuid":"8a394dfa-6091-3a16-97c3-fb85612c23b6"},"summary_title":"20th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-107700","uid":"adlib-term-107700","uuid":"8f5360fb-b262-3ae9-8942-b81cc0e3e848"},"summary_title":"Elizabeth II"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113623","uid":"adlib-term-113623","uuid":"87ef9eaf-54a8-3838-8337-94dbf03aad62"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Etruria"}]}]},"materials":[{"note":[{"value":"'Windsor Grey' coloured 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Also background information, including a 1940 letter from Ravilious to Tom Wedgwood concerning colours.","page":"pp. 171-2, 182-183","type":"reference"},"admin":{"id":"publication-1035","uid":"adlib-publication-1035","uuid":"15c007c0-86a5-3d45-beb8-29e69b3fbc75"},"summary_title":"Wedgwood Ceramics 1846-1959"},{"@link":{"type":"reference"},"admin":{"id":"publication-1047","uid":"adlib-publication-1047","uuid":"112a24b6-3168-3940-8a1d-79f4f835e30d"},"summary_title":"Eric Ravilious Memoir of an Artist"},{"@link":{"notes":"Cf. illustrations of Ravilious\u2019 dinner service work, including \u2018Garden\u2019 and \u2018Travel\u2019designs (p.246), the latter including \u2018train\u2019 and \u2018bus\u2019 images on jugs and tea-pot, and shown with three original watercolour drawings for the series, including \u2018aeroplane\u2019 and \u2018train\u2019. Also, a colour image of a goblet with \u2018Boat Race\u2019 design (C30), and a photograph showing four commemorative mugs, including that produced for the Coronation of Elizabeth II (p.222). Also information about Ravilious' work for Wedgwood. See pp. 651- 656 for pattern number and other marks.","page":"Vol II: pp. 218-24, 246","type":"reference"},"admin":{"id":"publication-998","uid":"adlib-publication-998","uuid":"b78305dd-313b-343d-b005-05a294d9dc50"},"summary_title":"Wedgwood"},{"@link":{"notes":"Ref. 'Travel' was designed by Ravilious in 1938 and first produced in 1953. The Windsor Grey body was introduced in 1953, see, p. 115 under 'Coloured Bodies'.","page":"p. 115","type":"reference"},"admin":{"id":"publication-989","uid":"adlib-publication-989","uuid":"82f5fd49-f1cd-3039-8aa9-a46ef3f93b0c"},"summary_title":"Wedgwood, The New Illustrated Dictionary"},{"@link":{"notes":"Cf. various items designed by Ravilious, including \u2018Garden\u2019 and \u2018Boat Race\u2019, exhibited at Wedgwood House, Wigmore St, LondonMay-August 1984.","page":"60, viii","type":"reference"},"admin":{"id":"publication-988","uid":"adlib-publication-988","uuid":"4906b591-b7ec-3791-bc5f-13d64bed4581"},"summary_title":"Wedgwood in London, 225th Anniversary Exhibition 1759-1984"},{"@link":{"notes":"Cf. descriptions of various items designed by Ravilious, and their marks, including a plate from the \u2018Travel\u2019 series with sailing design.","page":"124-125","type":"reference"},"admin":{"id":"publication-1008","uid":"adlib-publication-1008","uuid":"3bf225e8-9d69-3810-848d-b9aa1e259d91"},"summary_title":"Wedgwood of Etruria and Barlaston"},{"@link":{"notes":"Cf. illustrations 94a (\u2018Boat Race\u2019 bowl) and 95 (Jug showing nine garden designs), and information on Ravilious\u2019 work for Wedgwood.","page":"25","type":"reference"},"admin":{"id":"publication-1046","uid":"adlib-publication-1046","uuid":"284e0df1-f28d-323f-bb60-68da8644fadc"},"summary_title":"Wedgwood Ware"},{"@link":{"type":"reference"},"admin":{"id":"publication-7584","uid":"adlib-publication-7584","uuid":"0ddd2cb3-1ed7-324e-ac9e-92d87895838b"},"summary_title":"Ravilious and Wedgwood: The Complete Wedgwood Designs of Eric Ravilious"},{"@link":{"type":"reference"},"admin":{"id":"publication-7586","uid":"adlib-publication-7586","uuid":"5024fbcd-4475-3546-bd1d-de3e1c1be57e"},"summary_title":"Ravilious and Wedgwood"},{"@link":{"type":"reference"},"admin":{"id":"publication-7585","uid":"adlib-publication-7585","uuid":"29dd3c88-be61-3a28-80eb-dd33ae955fd1"},"summary_title":"Ravilious at the Fry: A guide to his works in The Fry Art Gallery"},{"@link":{"notes":"Ref. lot 288, a part dinner, tea and coffee set in Travel pattern, including Train. 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