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In 1930 he married Eileen Lucy \"Tirzah\" Garwood (1908-1951) also a noted artist and engraver.   From around 1936, he became one of Wedgwood\u2019s most prolific freelance designers, although many of his designs were not produced in quantity until after World War II, during which he was killed while serving as a war artist with the Royal Marines.  Wedgwood had revived the use of engraved designs in the mid 1930s \u2013 a mode of decoration which allowed the artist\u2019s own work and \u2018hand-writing\u2019 to be reproduced in a factory setting, and well suited to Ravilious\u2019 style."},{"value":"Ravilious produced at least seven Wedgwood tableware pattern series, each with a number of vignettes on a single everyday theme, and sometimes also drew the tableware shapes for additions such as jam-pots. \u2018Travel\u2019 was designed c.1937 and first made in 1953. It was printed in black on a newly-introduced Windsor Grey body and hand coloured.  A \u2018Travel\u2019 dinner service for six, depicting travel through snow  and by balloon, bus, train, aeroplane, steamboat and sail, cost \u00a317 3s 6d. Ravilious also designed commemorative wares, including a Coronation Mug for Edward VIII (1936), later adapted for the coronations of both George VI and Elizabeth II; a mug celebrating the company\u2019s relocation to Barlaston (1939); and a \u2018Boat Race Day\u2019 bowl, cup and stand (1938). Earlier designs were engraved at the factory from Ravilious\u2019 drawings, but the \u2018Boat Race\u2019 images were lithographs drawn by Ravilious himself for direct application to the ware."},{"value":"The Fitzwilliam Museum also holds a war-time watercolour by Ravilious, two books with his engravings and a number of his prints, and a book of Tirzah Ravilious\u2019 engravings."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-109795","uid":"adlib-term-109795","uuid":"8a394dfa-6091-3a16-97c3-fb85612c23b6"},"summary_title":"20th Century, Mid"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-114582","uid":"adlib-term-114582","uuid":"511cfe35-cd51-335e-b2a9-7683f4b84bd1"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Barlaston"}]}]},"materials":[{"note":[{"value":"'Windsor Grey coloured 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Also background information, including a 1940 letter from Ravilious to Tom Wedgwood concerning colours.","page":"171-2, 182-3","type":"reference"},"admin":{"id":"publication-1035","uid":"adlib-publication-1035","uuid":"15c007c0-86a5-3d45-beb8-29e69b3fbc75"},"summary_title":"Wedgwood Ceramics 1846-1959"},{"@link":{"type":"reference"},"admin":{"id":"publication-1047","uid":"adlib-publication-1047","uuid":"112a24b6-3168-3940-8a1d-79f4f835e30d"},"summary_title":"Eric Ravilious Memoir of an Artist"},{"@link":{"notes":"Cf. illustrations of Ravilious\u2019 dinner service work, including \u2018Garden\u2019 and \u2018Travel\u2019designs (p.246), the latter including \u2018train\u2019 and \u2018bus\u2019 images on jugs and tea-pot, and shown with three original watercolour drawings for the series, including \u2018aeroplane\u2019 and \u2018train\u2019. Also, a colour image of a goblet with \u2018Boat Race\u2019 design (C30), and a photograph showing four commemorative mugs, including that produced for the Coronation of Elizabeth II (p.222). Also information about Ravilious' work for Wedgwood. See pp. 651- 656 for pattern number and other marks.","page":"Vol II,:218-24, 246","type":"reference"},"admin":{"id":"publication-998","uid":"adlib-publication-998","uuid":"b78305dd-313b-343d-b005-05a294d9dc50"},"summary_title":"Wedgwood"},{"@link":{"notes":"Ref. 'Travel' was designed by Ravilious in 1938 and first produced in 1953. The Windsor Grey body was introduced in 1953, see, p. 115 under Coloured Bodies'.","page":"115","type":"reference"},"admin":{"id":"publication-989","uid":"adlib-publication-989","uuid":"82f5fd49-f1cd-3039-8aa9-a46ef3f93b0c"},"summary_title":"Wedgwood, The New Illustrated Dictionary"},{"@link":{"notes":"Cf. various items designed by Ravilious, including \u2018Garden\u2019 and \u2018Boat Race\u2019, exhibited at Wedgwood House, Wigmore St, LondonMay-August 1984.","page":"60, viii","type":"reference"},"admin":{"id":"publication-988","uid":"adlib-publication-988","uuid":"4906b591-b7ec-3791-bc5f-13d64bed4581"},"summary_title":"Wedgwood in London, 225th Anniversary Exhibition 1759-1984"},{"@link":{"notes":"Cf. descriptions of various items designed by Ravilious, and their marks, including a plate from the \u2018Travel\u2019 series with sailing design.","page":"124,125","type":"reference"},"admin":{"id":"publication-1008","uid":"adlib-publication-1008","uuid":"3bf225e8-9d69-3810-848d-b9aa1e259d91"},"summary_title":"Wedgwood of Etruria and Barlaston"},{"@link":{"notes":"Cf. illustrations 94a (\u2018Boat Race\u2019 bowl) and 95 (Jug showing nine garden designs), and information on Ravilious\u2019 work for Wedgwood.","page":"25","type":"reference"},"admin":{"id":"publication-1046","uid":"adlib-publication-1046","uuid":"284e0df1-f28d-323f-bb60-68da8644fadc"},"summary_title":"Wedgwood Ware"},{"@link":{"type":"reference"},"admin":{"id":"publication-7584","uid":"adlib-publication-7584","uuid":"0ddd2cb3-1ed7-324e-ac9e-92d87895838b"},"summary_title":"Ravilious and Wedgwood: The Complete Wedgwood Designs of Eric Ravilious"},{"@link":{"type":"reference"},"admin":{"id":"publication-7586","uid":"adlib-publication-7586","uuid":"5024fbcd-4475-3546-bd1d-de3e1c1be57e"},"summary_title":"Ravilious and Wedgwood"},{"@link":{"type":"reference"},"admin":{"id":"publication-7585","uid":"adlib-publication-7585","uuid":"29dd3c88-be61-3a28-80eb-dd33ae955fd1"},"summary_title":"Ravilious at the Fry: A guide to his works in The Fry Art Gallery"},{"@link":{"notes":"Ref.  lot 288, a part dinner, tea and coffee set in Travel pattern, including Train. 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Oval with a sloping rim, and deep curved sides. Decorated in the centre with `Sailing' from 'Travel' pattern: a sailing boat on a turquoise lake, trees, grass and sun overhead; on the rim, black weather cones (?) alternating with turquoise semi-circles under curved black lines."}],"identifier":[{"accession_number":"C.13-1997","primary":true,"type":"accession number","value":"C.13-1997"},{"priref":"12097","type":"priref","value":"12097"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/12097","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/12097"}],"inscription":[{"location":"Underside of base","method":"printed in black","transcription":[{"value":"'TRAVEL\/DESIGNED BY RAVILIOUS'"}],"type":"factory mark"},{"description":[{"value":"circular mark, 'WEDGWOOD \/ MADE IN ENGLAND' in the centre"}],"location":"underside of base","method":"printed in black","transcription":[{"value":"'WEDGWOOD\/OF ETRURIA\/& BARLASTON\/MADE IN ENGLAND'"}],"type":"factory mark"},{"location":"on the base","method":"impressed","transcription":[{"value":"2 H 5 [final figure illegible]"}],"type":"mark"},{"location":"on the base","method":"painted in red","transcription":[{"value":"N \/ T U 472"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by the Friends of the Fitzwilliam Museum"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149645","uid":"adlib-agent-149645","uuid":"10925b71-6838-30f7-a8dd-b68a2afaa14d"},"summary_title":"The Friends of the Fitzwilliam Museum"}],"date":[{"earliest":1997,"latest":1997,"value":"1997-03-03"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1997-03-03"}]}],"creation":[{"date":[{"earliest":1954,"era":["CE"],"latest":1954,"precision":"circa","value":"1954"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-143576","uid":"adlib-agent-143576","uuid":"535626bd-0b17-316b-bbbf-3551cefd8265"},"summary_title":"Wedgwood"},{"@link":{"role":[{"value":"designer"}],"type":"reference"},"admin":{"id":"agent-112964","uid":"adlib-agent-112964","uuid":"04d09abd-10b5-3f7e-ba51-fb544857f335"},"summary_title":"Ravilious, Eric William"}],"note":[{"value":"Eric Ravilious (1903-42) studied engraving, illustration  and colour printing at the Royal College of Art and by  1926-28 was exhibiting watercolours, producing book illustrations and commissioned to paint murals. In 1930 he married Eileen Lucy \"Tirzah\" Garwood (1908-1951) also a noted artist and engraver.   From around 1936, he became one of Wedgwood\u2019s most prolific freelance designers, although many of his designs were not produced in quantity until after World War II, during which he was killed while serving as a war artist with the Royal Marines.  Wedgwood had revived the use of engraved designs in the mid 1930s \u2013 a mode of decoration which allowed the artist\u2019s own work and \u2018hand-writing\u2019 to be reproduced in a factory setting, and well suited to Ravilious\u2019 style."},{"value":"Ravilious produced at least seven Wedgwood tableware pattern series, each with a number of vignettes on a single everyday theme, and sometimes also drew the tableware shapes for additions such as jam-pots. \u2018Travel\u2019 was designed c.1937 and first made in 1953. It was printed in black on a newly-introduced Windsor Grey body and hand coloured.  A \u2018Travel\u2019 dinner service for six, depicting travel through snow  and by balloon, bus, train, aeroplane, steamboat and sail, cost \u00a317 3s 6d. Ravilious also designed commemorative wares, including a Coronation Mug for Edward VIII (1936), later adapted for the coronations of both George VI and Elizabeth II; a mug celebrating the company\u2019s relocation to Barlaston (1939); and a \u2018Boat Race Day\u2019 bowl, cup and stand (1938). Earlier designs were engraved at the factory from Ravilious\u2019 drawings, but the \u2018Boat Race\u2019 images were lithographs drawn by Ravilious himself for direct application to the ware."},{"value":"The Fitzwilliam Museum also holds a war-time watercolour by Ravilious, two books with his engravings  and a number of his prints, and a book of Tirzah Ravilious\u2019 engravings."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-109795","uid":"adlib-term-109795","uuid":"8a394dfa-6091-3a16-97c3-fb85612c23b6"},"summary_title":"20th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-107700","uid":"adlib-term-107700","uuid":"8f5360fb-b262-3ae9-8942-b81cc0e3e848"},"summary_title":"Elizabeth 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Also background information, including a 1940 letter from Ravilious to Tom Wedgwood concerning colours.","page":"171-2, 182-183","type":"reference"},"admin":{"id":"publication-1035","uid":"adlib-publication-1035","uuid":"15c007c0-86a5-3d45-beb8-29e69b3fbc75"},"summary_title":"Wedgwood Ceramics 1846-1959"},{"@link":{"type":"reference"},"admin":{"id":"publication-1047","uid":"adlib-publication-1047","uuid":"112a24b6-3168-3940-8a1d-79f4f835e30d"},"summary_title":"Eric Ravilious Memoir of an Artist"},{"@link":{"notes":"Cf. illustrations of Ravilious\u2019 dinner service work, including \u2018Garden\u2019 and \u2018Travel\u2019designs (p.246), the latter including \u2018train\u2019 and \u2018bus\u2019 images on jugs and tea-pot, and shown with three original watercolour drawings for the series, including \u2018aeroplane\u2019 and \u2018train\u2019. Also, a colour image of a goblet with \u2018Boat Race\u2019 design (C30), and a photograph showing four commemorative mugs, including that produced for the Coronation of Elizabeth II (p.222). Also information about Ravilious' work for Wedgwood. See pp. 651- 656 for pattern number and other marks","page":"Vol II: 218-24, 246","type":"reference"},"admin":{"id":"publication-1044","uid":"adlib-publication-1044","uuid":"daae9e3f-5832-394b-8fd8-b2a4c4265f85"},"summary_title":"Wedgwood"},{"@link":{"notes":"Ref. p. 115 under 'Coloured Bodies'. 'Travel' was designed in 1938 and first produced in 1953. The Windsor Grey body was introduced in 1953.","page":"115","type":"reference"},"admin":{"id":"publication-989","uid":"adlib-publication-989","uuid":"82f5fd49-f1cd-3039-8aa9-a46ef3f93b0c"},"summary_title":"Wedgwood, The New Illustrated Dictionary"},{"@link":{"notes":"Cf. p. 66, pl. 56 and p. 125, no. 281, a circular plate of this design in the Wedgwood Museum, Barlaston; for the design see no. 282","page":"66, 124, 125","type":"reference"},"admin":{"id":"publication-1008","uid":"adlib-publication-1008","uuid":"3bf225e8-9d69-3810-848d-b9aa1e259d91"},"summary_title":"Wedgwood of Etruria and Barlaston"},{"@link":{"notes":"Cf. p. 92, lot 288, a part dinner, tea and coffee set of Travel pattern c. 1953, \u00a3460-600.","page":"92","type":"reference"},"admin":{"id":"publication-5879","uid":"adlib-publication-5879","uuid":"3bc31f9f-f9a5-3aed-b98b-bb97a60b3879"},"summary_title":"The Bolney Lodge Collection, The Estate of the Late Judge Coles Q.C."},{"@link":{"notes":"Cf. various items designed 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Cylindrical, with a reeded loop handle. On the lower half of the exterior:  a design incorporating the date (1937), the Royal Arms and 'ER', over-painted with a solid band of cornflower blue. On the upper half: fireworks highlighted in yellow, on one side against a darkened sky. Inside, near the rim: 'ER' beneath a crown, not coloured. The underside is flat and glazed, with a narrow, raised foot-rim."}],"identifier":[{"accession_number":"EC.1-1945","primary":true,"type":"accession number","value":"EC.1-1945"},{"priref":"11751","type":"priref","value":"11751"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/11751","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/11751"}],"inscription":[{"description":[{"value":"back-stamp in black with a crown above"}],"location":"on the base","method":"stamped in black","transcription":[{"value":"TO COMMEMORATE\/THE CORONATION\/OF HIS MAJESTY\/KING EDWARD VIII \/1937 \/WEDGWOOD\/MADE IN ENGLAND,\/DESIGNED BY\/RAVILIOUS"}],"type":"mark"},{"description":[{"value":"(towards the rim, above and below the back-stamp)"}],"location":"on the base","method":"impressed","transcription":[{"value":"WEDGWOOD \/ MADE IN ENGLAND"}],"type":"mark"},{"location":"on the base","method":"printed in black","transcription":[{"value":"R"}],"type":"mark"},{"location":"on the base","method":"painted in red","transcription":[{"value":"CL6203\/A"}],"type":"mark"},{"location":"on the base","method":"painted in blue","transcription":[{"value":"4"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by R.S. Hart"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152871","uid":"adlib-agent-152871","uuid":"2c8a0a40-bcc4-3088-b334-a5f80a27b23f"},"summary_title":"Hart, R. S."}],"date":[{"earliest":1945,"latest":1945,"value":"1945"}],"method":{"value":"given"},"note":[{"value":"no date given in accession register"}]}],"creation":[{"date":[{"earliest":1936,"from":{"earliest":1936,"era":["CE"],"latest":1936,"value":"1936"},"latest":1937,"range":true,"to":{"earliest":1937,"era":["CE"],"latest":1937,"value":"1937"}}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-166133","uid":"adlib-agent-166133","uuid":"ff744cb8-7ff0-3cc6-86bf-ef4c533b1c4f"},"summary_title":"Josiah Wedgwood & Sons"},{"@link":{"role":[{"value":"designer"}],"type":"reference"},"admin":{"id":"agent-112964","uid":"adlib-agent-112964","uuid":"04d09abd-10b5-3f7e-ba51-fb544857f335"},"summary_title":"Ravilious, Eric William"}],"note":[{"value":"Eric Ravilious (1903-42) studied engraving, illustration  and colour printing at the Royal College of Art and by  1926-28 was exhibiting watercolours, producing book illustrations and commissioned to paint murals. In 1930 he married Eileen Lucy \"Tirzah\" Garwood (1908-1951) also a noted artist and engraver.   From around 1936, he became one of Wedgwood\u2019s most prolific freelance designers, although many of his designs were not produced in quantity until after World War II, during which he was killed while serving as a war artist with the Royal Marines.  Wedgwood had revived the use of engraved designs in the mid 1930s \u2013 a mode of decoration which allowed the artist\u2019s own work and \u2018hand-writing\u2019 to be reproduced in a factory setting, and well suited to Ravilious\u2019 style."},{"value":"Ravilious\u2019 engraving for this mug was produced in 1936, for the Coronation of Edward VIII the following year, but the king abdicated before the event took place. The design was later adapted for the coronations of both George VI and Elizabeth II. Other Wedgwood commemorative ware by Ravilious includes a mug celebrating the company\u2019s relocation to Barlaston  in1939 and a \u2018Boat Race Day\u2019 bowl, cup and stand (1938).  He also designed at least seven Wedgwood tableware services, each with a number of vignettes on a single everyday theme.  His \u2018Travel\u2019 dinner service for six, produced in the 1950s and depicting travel through snow  and by balloon, bus, train, aeroplane, steamboat and sail, cost \u00a317 3s 6d. Earlier designs were engraved at the factory from Ravilious\u2019 drawings; others, including the \u2018Boat Race\u2019 images, were lithographs drawn by Ravilious himself for direct application to the ware."},{"value":"The Fitzwilliam Museum also holds a war-time watercolour by Ravilious, two books with his engravings  a number of his prints, a book of Tirzah Ravilious\u2019 engravings, and Wedgwood Coronation mugs designed by Richard Guyatt."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-107749","uid":"adlib-term-107749","uuid":"e089b122-3c61-3b88-a645-624a4a54e267"},"summary_title":"1930s"},{"@link":{"type":"reference"},"admin":{"id":"term-125908","uid":"adlib-term-125908","uuid":"4538ea25-0c4e-3020-bce6-709b706652bd"},"summary_title":"Edward VIII"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113623","uid":"adlib-term-113623","uuid":"87ef9eaf-54a8-3838-8337-94dbf03aad62"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Etruria"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-37088","uid":"adlib-term-37088","uuid":"0a28530e-cea8-3d08-b792-a30bf68f524f"},"summary_title":"clear glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42837","uid":"adlib-term-42837","uuid":"60792d1e-3967-38d7-8310-ee3edeb8a4ce"},"summary_title":"cream-coloured earthenware"}}],"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"10.6"},{"dimension":"Height","units":"cm","value":"10.2"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-11602","uid":"adlib-media-11602","uuid":"be0aa9fb-f751-34d8-8bd1-dd2f3dd24b7f"},"processed":{"large":{"format":"jpeg","location":"aa\/aa6\/EC_1_1945_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1616275276068,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa6\/mid_EC_1_1945_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":362},{"dimension":"width","units":"pixels","value":500}]},"modified":1616275276068,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa6\/EC_1_1945_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1616275276068,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa6\/preview_EC_1_1945_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":181},{"dimension":"width","units":"pixels","value":250}]},"modified":1616275276068,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}},{"@link":{"type":"reference"},"admin":{"id":"media-11603","uid":"adlib-media-11603","uuid":"cd5bda4d-e46d-34bb-a804-69168508ba84"},"processed":{"large":{"format":"jpeg","location":"aa\/aa6\/EC_1_1945_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1616278292206,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa6\/mid_EC_1_1945_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":362},{"dimension":"width","units":"pixels","value":500}]},"modified":1616278292206,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa6\/EC_1_1945_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1616278292206,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa6\/preview_EC_1_1945_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":181},{"dimension":"width","units":"pixels","value":250}]},"modified":1616278292206,"resizable":true,"type":"image"}},"sort":"1","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-91188","uid":"adlib-term-91188","uuid":"40f320f4-04b6-3303-8129-f9e81e2b4671"},"summary_title":"mug"}}],"note":[{"type":"history note","value":"given by R S Hart, 1945; 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Also background information, including a 1940 letter from Ravilious to Tom Wedgwood concerning colours.","page":"pp. 10, 171-2, 182-3","type":"reference"},"admin":{"id":"publication-1035","uid":"adlib-publication-1035","uuid":"15c007c0-86a5-3d45-beb8-29e69b3fbc75"},"summary_title":"Wedgwood Ceramics 1846-1959"},{"@link":{"notes":"Cf. a photograph showing four commemorative mugs, including those produced for the Coronations of George VI and Elizabeth II (p.222). Also illustrations of Ravilious\u2019 dinner service work, including \u2018Garden\u2019 and \u2018Travel\u2019designs (p.246), shown with three original watercolour drawings; a colour image of a goblet with \u2018Boat Race\u2019 design (C30); and information about Ravilious' work for Wedgwood. 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In 1930 he married Eileen Lucy \"Tirzah\" Garwood (1908-1951) also a noted artist and engraver.   From around 1936, he became one of Wedgwood\u2019s most prolific freelance designers, although many of his designs were not produced in quantity until after World War II, during which he was killed while serving as a war artist with the Royal Marines. Wedgwood had revived the use of engraved designs in the mid 1930s \u2013 a mode of decoration which allowed the artist\u2019s own work and \u2018hand-writing\u2019 to be reproduced in a factory setting, and well suited to Ravilious\u2019 style."},{"value":"Ravilious produced at least seven Wedgwood tableware pattern series, each with a number of vignettes on a single everyday theme, and sometimes also drew the tableware shapes for additions such as jam-pots. \u2018Travel\u2019 was designed c.1937 and first made in 1953. It was printed in black on a newly-introduced Windsor Grey body and hand coloured.  A \u2018Travel\u2019 dinner service for six, depicting travel through snow  and by balloon, bus, train, aeroplane, steamboat and sail, cost \u00a317 3s 6d. Ravilious also designed commemorative wares, including a Coronation Mug for Edward VIII (1936), later adapted for the coronations of both George VI and Elizabeth II; a mug celebrating the company\u2019s relocation to Barlaston (1939); and a \u2018Boat Race Day\u2019 bowl, cup and stand (1938). Earlier designs were engraved at the factory from Ravilious\u2019 drawings, but the \u2018Boat Race\u2019 images were lithographs drawn by Ravilious himself for direct application to the ware."},{"value":"The Fitzwilliam Museum also holds a war-time watercolour by Ravilious, two books with his engravings  and a number of his prints, and a book of Tirzah Ravilious\u2019 engravings."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-109795","uid":"adlib-term-109795","uuid":"8a394dfa-6091-3a16-97c3-fb85612c23b6"},"summary_title":"20th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-107700","uid":"adlib-term-107700","uuid":"8f5360fb-b262-3ae9-8942-b81cc0e3e848"},"summary_title":"Elizabeth 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Other Wedgwood commemorative ware by Ravilious includes a mug celebrating the company\u2019s relocation to Barlaston  in1939 and a \u2018Boat Race Day\u2019 bowl, cup and stand (1938).  He also designed at least seven Wedgwood tableware services, each with a number of vignettes on a single everyday theme.  His \u2018Travel\u2019 dinner service for six, produced in the 1950s and depicting travel through snow  and by balloon, bus, train, aeroplane, steamboat and sail, cost \u00a317 3s 6d. Earlier designs were engraved at the factory from Ravilious\u2019 drawings; others, including the \u2018Boat Race\u2019 images, were lithographs drawn by Ravilious himself for direct application to the ware."},{"value":"The Fitzwilliam Museum also holds a war-time watercolour by Ravilious, two books with his engravings  a number of his prints, a book of Tirzah Ravilious\u2019 engravings, and Wedgwood Coronation mugs designed by Richard Guyatt."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-109795","uid":"adlib-term-109795","uuid":"8a394dfa-6091-3a16-97c3-fb85612c23b6"},"summary_title":"20th Century, 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Large, circular bowl with deep curved sides. The underside is flat and glazed, surrounded by a low foot-ring which is moulded to suggest two rings on the outside. In the middle, an oval view of Piccadilly Circus on Boat Race Night covers the base. The area is full of people, some swarming up the stairs of a bus, others on the roof of a car and atop a building. Signs advertise Guinness; Bovril; Schweppes; Bass; Dunlop and The Palladium theatre; a clock shows 11.30. The sky is dark; yellow light shines from the buildings; pale blue highlights the thronging crowd. There are four further oval vignettes on the outside of the bowl. One shows the race in progress: the light blue boat pulling ahead of the dark blue, boats on the riverbank, cheering spectators highlighted in pink. Two show spectators in a flag-bedecked boat beside a bridge, and in a steamship, with swans and reeds on the bank. 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From around 1936, he became one of Wedgwood\u2019s most prolific freelance designers, although many of his designs were not produced in quantity until after World War II, during which he was killed while serving as a war artist with the Royal Marines.  Wedgwood had revived the use of engraved designs in the mid 1930s \u2013 a mode of decoration which allowed the artist\u2019s own work and \u2018hand-writing\u2019 to be reproduced in a factory setting, and well suited to Ravilious\u2019 style."},{"value":"The Fitzwilliam Museum also holds a war-time watercolour by Ravilious, two books with his engravings  and a number of his prints, and a book of Tirzah Ravilious\u2019 engravings."},{"value":"\u2018Boat Race Day\u2019 was designed in 1938, and appeared on a bowl, cup and stand until around 1940. Earlier designs were engraved at the factory from Ravilious\u2019 drawings, but the \u2018Boat Race\u2019 images were lithographs drawn by Ravilious himself for direct application to the ware. The design was not among Ravilious designs produced again in the early 1950s, but a limited edition of 200 \u2018Boat Race Day\u2019 bowls was re-issued in 1975, with a special backstamp. Other Wedgwood commemorative ware by Ravilious includes an Edward VIII Coronation mug, later adapted for both George VI and Elizabeth II, and a mug celebrating the company\u2019s relocation to Barlaston  in1939.  He also designed at least seven Wedgwood tableware services, each with a number of vignettes on a single everyday theme.  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Plate.445: illustration of similar bowl and cup using some of the same vignettes; notes a stand with similar design has also been recorded.  Also vignettes used for \u2018Travel\u2019 series, on various tableware shapes and original drawings for \u2018Garden\u2019 series and other Ravilious designs. Background information includes a 1940 letter from Ravilious to Tom Wedgwood concerning colours","page":"171-2, 182-183","type":"reference"},"admin":{"id":"publication-1035","uid":"adlib-publication-1035","uuid":"15c007c0-86a5-3d45-beb8-29e69b3fbc75"},"summary_title":"Wedgwood Ceramics 1846-1959"},{"@link":{"type":"reference"},"admin":{"id":"publication-1047","uid":"adlib-publication-1047","uuid":"112a24b6-3168-3940-8a1d-79f4f835e30d"},"summary_title":"Eric Ravilious Memoir of an Artist"},{"@link":{"notes":"Cf. A colour image of a goblet with \u2018Boat Race\u2019 design (C30), a photograph showing four commemorative mugs, including that produced for the Coronation of Elizabeth II (p.222),  illustrations of Ravilious\u2019 dinner service work, including \u2018Garden\u2019 and \u2018Travel\u2019 designs and information about Ravilious' work for Wedgwood. See pp. 651- 656 for pattern number and other marks.","page":"Vol. II, 218-24, 246","type":"reference"},"admin":{"id":"publication-998","uid":"adlib-publication-998","uuid":"b78305dd-313b-343d-b005-05a294d9dc50"},"summary_title":"Wedgwood"},{"@link":{"notes":"Cf. various items designed by Ravilious, including \u2018Garden\u2019 and \u2018Boat Race\u2019, exhibited at Wedgwood House, Wigmore St, LondonMay-August 1984.","page":"60, viii","type":"reference"},"admin":{"id":"publication-988","uid":"adlib-publication-988","uuid":"4906b591-b7ec-3791-bc5f-13d64bed4581"},"summary_title":"Wedgwood in London, 225th Anniversary Exhibition 1759-1984"},{"@link":{"notes":"Cf. descriptions of various items designed by Ravilious, and their marks, including a plate from the \u2018Travel\u2019 series with sailing design.","page":"124-5","type":"reference"},"admin":{"id":"publication-1008","uid":"adlib-publication-1008","uuid":"3bf225e8-9d69-3810-848d-b9aa1e259d91"},"summary_title":"Wedgwood of Etruria and Barlaston"},{"@link":{"notes":"Publ. Illustrated on back page under 'Friends' Gifts 2001-3'","page":"back","type":"reference"},"admin":{"id":"publication-4630","uid":"adlib-publication-4630","uuid":"33736a88-3538-368c-a05f-4a8a0bacd5c8"},"summary_title":"Fitzwilliam Museum News, Number 21"},{"@link":{"notes":"Cf. p. 17, lot 25, another example, d. 30.8 cm. Dated to c. 1938. . Estimate $1000-1500. The entry notes that the bowls were not produced during the Second World War but were produced after it as late as the 1980s.","page":"17","type":"reference"},"admin":{"id":"publication-4694","uid":"adlib-publication-4694","uuid":"f929abe4-1a0c-3fe1-a740-903c99d10e52"},"summary_title":"English Furniture,Ceramics and Decorations including property from the Collections of the Dowager Duchess of Bedford and Mrs Douglas Auchincloss"},{"@link":{"notes":"Cf. a 12in (30cm) diameter, 1938, Wedgwood Queen\u2019s Ware \u2018Boat Race\u2019 bowl, sold to a private buyer at Robertson\u2019s of Kinbuck, near Dunblane, for \u00a32500. 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The cup, a flattened hemisphere, sits on a narrow recessed foot; it has two loop handles on opposite sides. The saucer (A) has shallow, curved sides with a central depression. The interior of the cup is decorated with `Ballooning' from `Travel' pattern: a turquoise-topped hot air balloon with a tiny figure in its basket, set between grey clouds; the outside is decorated round the top with black weather cones (?) alternating with turquoise semi-circles under curved black lines. The saucer is decorated en suite."}],"identifier":[{"accession_number":"C.16 & A-1997","primary":true,"type":"accession number","value":"C.16 & A-1997"},{"priref":"12105","type":"priref","value":"12105"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/12105","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/12105"}],"inscription":[{"location":"on the base of  cup and saucer","method":"printed in black","transcription":[{"value":"'TRAVEL\/DESIGNED BY RAVILIOUS'"}],"type":"factory mark"},{"description":[{"value":"circular mark, 'WEDGWOOD \/ MADE IN ENGLAND' in the centre"}],"location":"on base of cup and saucer","method":"printed in black","transcription":[{"value":"'WEDGWOOD\/OF ETRURIA\/& BARLASTON\/MADE IN ENGLAND'"}],"type":"factory mark"},{"location":"on the base of the  saucer","method":"impressed","transcription":[{"value":"WEDGWOOD\/1 F 54"}],"type":"factory mark"},{"description":[{"value":"(\u2018IE\u2019  may be \u20184\u2019)"}],"location":"on the saucer","method":"painted in pale red","transcription":[{"value":"TK 472\/IE"}],"type":"mark"},{"location":"on the base of the cup","method":"painted in red enamel","transcription":[{"value":"4"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by the Friends of the Fitzwilliam Museum"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149645","uid":"adlib-agent-149645","uuid":"10925b71-6838-30f7-a8dd-b68a2afaa14d"},"summary_title":"The Friends of the Fitzwilliam Museum"}],"date":[{"earliest":1997,"latest":1997,"value":"1997-03-03"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1997-03-03"}]}],"creation":[{"date":[{"earliest":1954,"era":["CE"],"latest":1954,"value":"1954"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-143576","uid":"adlib-agent-143576","uuid":"535626bd-0b17-316b-bbbf-3551cefd8265"},"summary_title":"Wedgwood"},{"@link":{"role":[{"value":"designer"}],"type":"reference"},"admin":{"id":"agent-112964","uid":"adlib-agent-112964","uuid":"04d09abd-10b5-3f7e-ba51-fb544857f335"},"summary_title":"Ravilious, Eric William"}],"note":[{"value":"Eric Ravilious (1903-42) studied engraving, illustration  and colour printing at the Royal College of Art and by  1926-28 was exhibiting watercolours, producing book illustrations and commissioned to paint murals. In 1930 he married Eileen Lucy \"Tirzah\" Garwood (1908-1951) also a noted artist and engraver.   From around 1936, he became one of Wedgwood\u2019s most prolific freelance designers, although many of his designs were not produced in quantity until after World War II, during which he was killed while serving as a war artist with the Royal Marines.  Wedgwood had revived the use of engraved designs in the mid 1930s \u2013 a mode of decoration which allowed the artist\u2019s own work and \u2018hand-writing\u2019 to be reproduced in a factory setting, and well suited to Ravilious\u2019 style."},{"value":"Ravilious produced at least seven Wedgwood tableware pattern series, each with a number of vignettes on a single everyday theme, and sometimes also drew the tableware shapes for additions such as jam-pots. \u2018Travel\u2019 was designed c.1937 and first made in 1953. It was printed in black on a newly-introduced Windsor Grey body and hand coloured.  A \u2018Travel\u2019 dinner service for six, depicting travel through snow  and by balloon, bus, train, aeroplane, steamboat and sail, cost \u00a317 3s 6d. Ravilious also designed commemorative wares, including a Coronation Mug for Edward VIII (1936), later adapted for the coronations of both George VI and Elizabeth II; a mug celebrating the company\u2019s relocation to Barlaston (1939); and a \u2018Boat Race Day\u2019 bowl, cup and stand (1938). Earlier designs were engraved at the factory from Ravilious\u2019 drawings, but the \u2018Boat Race\u2019 images were lithographs drawn by Ravilious himself for direct application to the ware."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-109795","uid":"adlib-term-109795","uuid":"8a394dfa-6091-3a16-97c3-fb85612c23b6"},"summary_title":"20th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-107700","uid":"adlib-term-107700","uuid":"8f5360fb-b262-3ae9-8942-b81cc0e3e848"},"summary_title":"Elizabeth II"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113623","uid":"adlib-term-113623","uuid":"87ef9eaf-54a8-3838-8337-94dbf03aad62"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Etruria"}]}]},"materials":[{"note":[{"value":"'Windsor Grey' coloured 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Also background information, including a 1940 letter from Ravilious to Tom Wedgwood concerning colours.","page":"pp. 171-2, 182-183","type":"reference"},"admin":{"id":"publication-1035","uid":"adlib-publication-1035","uuid":"15c007c0-86a5-3d45-beb8-29e69b3fbc75"},"summary_title":"Wedgwood Ceramics 1846-1959"},{"@link":{"type":"reference"},"admin":{"id":"publication-1047","uid":"adlib-publication-1047","uuid":"112a24b6-3168-3940-8a1d-79f4f835e30d"},"summary_title":"Eric Ravilious Memoir of an Artist"},{"@link":{"notes":"Cf. illustrations of Ravilious\u2019 dinner service work, including \u2018Garden\u2019 and \u2018Travel\u2019designs (p.246), the latter including \u2018train\u2019 and \u2018bus\u2019 images on jugs and tea-pot, and shown with three original watercolour drawings for the series, including \u2018aeroplane\u2019 and \u2018train\u2019. 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