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Bewer notes that there are fifteen known pairs of Truth and Falsehood and Valour and Cowardice, with three documented signed and numbered sets (nos 1, 4 and 5 - no. 1 being the set in the Fitzwilliam Museum).","page":"427-30 (entry by Francesca Bewer)","type":"reference"},"admin":{"id":"publication-4674","uid":"adlib-publication-4674","uuid":"ea485ea3-0787-38b1-9711-ab9123d3b87f"},"summary_title":"A Private Passion. 19th-Century Paintings and Drawings from the Grenville L. 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Rectangular. A scene from the Aeneid, book IV. Dido, distraught at Aeneas' departure to follow his destiny to found Rome, confides in her sister Anna as his fleet departs."}],"exhibitions":[{"@link":{"catalogue":"2","type":"reference"},"admin":{"id":"exhibition-1079","uid":"adlib-exhibition-1079","uuid":"77168883-f4fb-3154-ae54-bf4e499315b8"},"summary_title":"British Sculpture 1850-1914"},{"@link":{"catalogue":"F.2","type":"reference"},"admin":{"id":"exhibition-1072","uid":"adlib-exhibition-1072","uuid":"5f0c5c3b-ca10-352c-8c84-8027304959ff"},"summary_title":"Victorian and Edwardian Decorative Art - The Handley-Read Collection"},{"@link":{"catalogue":"p. 27","type":"reference"},"admin":{"id":"exhibition-1084","uid":"adlib-exhibition-1084","uuid":"b952706d-a590-3209-9dea-cfd464aef9f1"},"summary_title":"Reverie Myth, Sensuality: Sculpture in Britain 1880-1910"}],"identifier":[{"accession_number":"M.17-1972","primary":true,"type":"accession number","value":"M.17-1972"},{"priref":"13385","type":"priref","value":"13385"},{"source":"Art UK","type":"external ID","value":"CAM_CCF_M_17_1972"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/13385","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/13385"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Bought with the Perceval Fund, and a contribution from the Victoria and Albert Museum Grant-in-Aid-Fund."},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-160896","uid":"adlib-agent-160896","uuid":"aa4bcbab-38fb-3dab-91d8-364175df2ec3"},"summary_title":"Handley-Read Estate"}],"date":[{"earliest":1972,"latest":1972,"value":"1972"}],"method":{"value":"bought"},"note":[{"value":"Entry date: 1972-10-19"}]}],"creation":[{"date":[{"earliest":1885,"era":["CE"],"latest":1885,"precision":"circa","value":"1885"}],"maker":[{"@link":{"role":[{"value":"sculptor"}],"type":"reference"},"admin":{"id":"agent-8373","uid":"adlib-agent-8373","uuid":"13f5476f-bb6e-30cd-9a7c-200a9ae0d6f4"},"summary_title":"Bates, Harry"}],"note":[{"value":"'Whither doth he fly' is the left-hand panel of a triptych depicting scenes from 'The Aeneid'. The central panel is entitled 'Then Aeneas Wept' and the right-hand 'The Form of the Gods'. 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