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Game (2016) \u2018Contemporary British Crafts: The Goodison Gift to the Fitzwilliam Museum\u2019. London: Philip Wilson Publishers: Duncan Ross studied at West Surrey College of Art and Design between 1961 and 1965 under Gwyn Hanssen Pigott (1935\u20132013), and acknowledges the continuing influence of the simplicity and directness of form that his tutor achieved. He spent many years teaching and developing a career as a painter before returning to the ceramics studio full-time in 1989. He was drawn to the ancient Roman technique of terra sigillata which is a way of developing an integral glazing surface with depth and richness of colour, by building up layers of liquid clay, or slip, on the ceramic form. He has a particular interest in the role of pattern in art, finding inspiration in examples of Greek and Roman ceramic art and twentieth-century painters such as Paul Klee (1879\u20131940) and Joan Mir\u00f3 (1893\u20131983). 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He became a full-time potter in 1981, following a decade as an art teacher, and now lives and works at Holmfirth, West Yorkshire. His large vessels are coil built, generally using a clay mix of 'T' material and porcelain. He abandoned glazing in the in the early 1990s and creates his surface effects through smoke generated by the raku firing process, aided by slips and resists."},{"value":"Text from object entry in A. Game (2016) \u2018Contemporary British Crafts: The Goodison Gift to the Fitzwilliam Museum\u2019. London: Philip Wilson Publishers: David Roberts is a distinguished English potter, with an international reputation as a leading practitioner in the ceramic art of raku. He studied Ceramics as part of his degree in education at Bretton Hall in Yorkshire, and following a decade of art teaching he became a full-time potter specialising in the raku process in 1981. Roberts is acknowledged as responsible for the introduction and promotion of modern, large-scale raku in Europe. The technique involves removing the pot from the kiln whilst still red hot and placing it into a container filled with combustible materials creating a reduction atmosphere that generates particular surface qualities. In his personal mastery of the technique and exploration of this ceramic tradition, Roberts has transformed raku into a vibrant form of contemporary expression. He sees this particular tall vessel \u2018as of great importance as it was one of the first resolved pieces achieved by this process.\u2019"},{"value":"This is one of a series of tall vessels in which Roberts explores the ability of form to activate space. A sense of movement is created by the lean of the body, the shape of which suggests human form, and the surface decoration. When placed in a group the vessels lean towards and away from each other, as if in dialogue. The surface is ground after firing, to lighten the colour depth. 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