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X: La Scultura del Cinquecento, part 3"},{"@link":{"notes":"Publ. I, p. 100 (under no. VII)\n(rough translation by C. van H. & RAB), vii: pp. 98-101, pl. 45\nBacchus of Latanzio Cortese\n'Two small bronzes are being connected falsely with the Bacchus and are attibuted to Jean Bologne. One was formerly in the Bisschoffsheum Palace Collection (W. Gramberg 1936, pl. 11). The other is in the Fitzwilliam Museum at Cambridge (Ulrich Middledorf, 1933; A Venturi, Roman X, 3-1937, p. 718). I have not seen the first. Judging it from the photograph (reproduction) it is difficult to regard it as a work by Jean Bologne because it lacks buoyancy in the posture, the block-like base, and the apparent lack of careful finishing. The Bacchus at Cambridge is certainly not work by Jean Bologne. Composition, posture, and movement lack the firm, balanced contraposto of the master; the motifs of the movement of the arms and head converge in the same direction. The attitude is hesitant and lacks buoyancy and tension. It is impossible to recognise in it the qualities of Jean Bologne's execution. The face is sharp; the eyes are drawn in, and the head-dress is chiselled decoratively, but not modelled plastically. Details, like the nails, show uneven finish. As a whole the little bronze lacks that marvellous and natural life found in Jean Bologne's work. It could very well be ascribed to Caccini.' [The sense of the Flemish base is such that a definite attribution is being suggested, although it sounds hesitant in translation]","page":"p. 100","type":"reference"},"admin":{"id":"publication-1180","uid":"adlib-publication-1180","uuid":"2cef542b-28b8-3f14-97b0-998f4b1ce7ce"},"summary_title":"Jean Bologne-Giovanni Bologna Fiammingo"},{"@link":{"notes":"Publ.","page":"139","type":"reference"},"admin":{"id":"publication-382","uid":"adlib-publication-382","uuid":"ee5148de-e3eb-3d38-88db-9a331edf70b6"},"summary_title":"Treasures of the Fitzwilliam Museum"},{"@link":{"type":"reference"},"admin":{"id":"publication-15","uid":"adlib-publication-15","uuid":"a688918a-bb81-3998-99cc-81244715767d"},"summary_title":"The Fitzwilliam Museum, An Illustrated Survey"},{"@link":{"notes":"Publ. p. 16 (under lot 61)","page":"p. 16","type":"reference"},"admin":{"id":"publication-2264","uid":"adlib-publication-2264","uuid":"8ff1b543-9530-3fbf-9433-dd213642fdfc"},"summary_title":"Sotheby's Sale Catalogue, 12th December 1958"},{"@link":{"notes":"Publ. pp. 62-65 (entry by C. Theuerkauff)","page":"pp. 62-65","type":"reference"},"admin":{"id":"publication-3292","uid":"adlib-publication-3292","uuid":"4b2646be-bcf3-3b3b-8d69-4369c7772002"},"summary_title":"Stiftung zur F\u00f6rderung der Hamburgischen Kunstsammlungen. Erwerbungen 1963"},{"@link":{"notes":"Publ. pp. 191-204","page":"pp. 191-204","type":"reference"},"admin":{"id":"publication-200001113","uid":"adlib-publication-200001113","uuid":"d1ee1be1-b131-3e9d-b5ca-65dbcc8ac24a"},"summary_title":"\u00dcber die Florentinische Einwirkung auf die Kunst des Johann Gregor von der Schardt"},{"@link":{"notes":"Publ. p. 194 (under entry on Hamburg Bacchus)","page":"p. 194","type":"reference"},"admin":{"id":"publication-3293","uid":"adlib-publication-3293","uuid":"791b7358-efd9-3c3c-909a-ff9f74110628"},"summary_title":"Jahrbuch der Hamburger Kunstsammlungen, 10, 1965"},{"@link":{"notes":"Publ. p. 21","page":"p. 21","type":"reference"},"admin":{"id":"publication-200001114","uid":"adlib-publication-200001114","uuid":"8bc56c20-cfd1-3c6c-80b2-46cde86ed66f"},"summary_title":"Aspetti della Scultura Fiorentina al Tempo della Formazione di Francesco Mochi"},{"@link":{"notes":"Publ. pp. 99-100, 102-3, fig. 1","page":"pp. 99-100","type":"reference"},"admin":{"id":"publication-200000840","uid":"adlib-publication-200000840","uuid":"9d15d085-52a2-3a0c-98c5-8e176bb1eae4"},"summary_title":"Schardt, Tetrode and some possible sculptural sources for Goltzius"},{"@link":{"notes":"Publ. p. 276, no. 30","page":"p. 276","type":"reference"},"admin":{"id":"publication-200001115","uid":"adlib-publication-200001115","uuid":"8eeab179-00b3-3f8f-8296-a9d2a6813f02"},"summary_title":"Willem Danielsz. van Tetrode"},{"@link":{"notes":"Publ. Cat. no. 42, p. 39 (entry by R. Crighton)","page":"p. 39","type":"reference"},"admin":{"id":"publication-1119","uid":"adlib-publication-1119","uuid":"8b3701d3-a6b9-3cdf-8f20-d50dda99c46c"},"summary_title":"Treasures from the Fitzwilliam: ''The Increase of Learning and other great Objects of that Noble Foundation''"},{"@link":{"notes":"Publ. pp. 112-115","page":"pp. 112-115","type":"reference"},"admin":{"id":"publication-3294","uid":"adlib-publication-3294","uuid":"3afd6e2d-9e38-3b57-bd08-13737efe17e0"},"summary_title":"Johan Gregor van der Schardt. Bildhauer bei Kaiser Maximilian II, am d\u00e4nischen Hofe und bei Tycho Brahe"},{"@link":{"notes":"Publ. Cat. no. 99, pp. 328-29, repr. (entry by U. Berger)","page":"pp. 328-9","type":"reference"},"admin":{"id":"publication-1232","uid":"adlib-publication-1232","uuid":"b82e6277-72ed-383a-a717-375529b3c494"},"summary_title":"Von Allen Seiten Sch\u00f6n, Bronzen der Renaissance und des Barock"},{"@link":{"notes":"Publ. p. 531","page":"p. 531","type":"reference"},"admin":{"id":"publication-200001116","uid":"adlib-publication-200001116","uuid":"ddfee090-056d-36f3-94a8-6d3d4d27af15"},"summary_title":"Tetrode, Willem Danielsz. van"},{"@link":{"notes":"Publ. p. 5","page":"p. 5","type":"reference"},"admin":{"id":"publication-200001117","uid":"adlib-publication-200001117","uuid":"52872929-a1e0-3fe9-93f9-3a6f57512128"},"summary_title":"Review of Berlin 1995"},{"@link":{"notes":"Publ. pp. 212-217, 295, no. 34. Attributed to Delft, c. 1570s","page":"pp. 212-217","type":"reference"},"admin":{"id":"publication-3259","uid":"adlib-publication-3259","uuid":"a66336df-0598-3f93-8c6d-4d1fa070ea38"},"summary_title":"Renaissance and Baroque Bronzes from the Fitzwilliam Museum, Cambridge"},{"@link":{"notes":"Publ. Illustrated, p. 30, no. 26, p. 29 and 32 discussion, - Catalogue by, Bieke van der Mark & Frits Scholten, p. 119, no. 13. The authors attribute the model to Rome or Florence","page":"pp. 29-30","type":"reference"},"admin":{"id":"publication-200001300","uid":"adlib-publication-200001300","uuid":"5d9acc5d-c414-3453-86db-b399f73b9646"},"summary_title":"Willem van Tetrode, alter Praxiteles"},{"@link":{"notes":"Publ. Illustrated, radiograph, p. 100, no. 109, with discussion on p. 101, and also mentioned on p. 104","page":"pp. 100-1","type":"reference"},"admin":{"id":"publication-200001301","uid":"adlib-publication-200001301","uuid":"674d5258-72dc-3638-a6c4-5dfc8be1ac8c"},"summary_title":"Towards a History of Tetrode's Casting Technique"},{"@link":{"notes":"Publ. p. 17, fig. 9, as an example of a bronze influenced by Sansovino's marble Bacchus, now in the Museo Nazionale del Bargello, Florence. The article is otherwise about stoneware and porcelain figures of Bacchus.","page":"13-25","type":"reference"},"admin":{"id":"publication-200002964","uid":"adlib-publication-200002964","uuid":"1c3998ab-95e0-3f64-9bcc-fbaca5536bae"},"summary_title":"Bacchus in Cambridge: Models and Copies"},{"@link":{"notes":"Cf. See a bronze attributed to Adrien de Vries, cat. no. 181, p. 150: pl. 181, p. 151.This was pointed out by Ian Robertson of the Ashmoleon, Oxford (H. 51.8 cm)","page":"pp. 150-1","type":"reference"},"admin":{"id":"publication-1265","uid":"adlib-publication-1265","uuid":"dc55db52-9b6c-3bf1-93ba-46b7a5274a1c"},"summary_title":"Die Bildwerke in Bronze und in Anderen Metallen"},{"@link":{"notes":"Cf. pp. 410-12, lot 639 another paired with a Faun (attributed to Adriaen de Vries), described as probably German, 17th century. The Fitzwilliam's example is mentioned as 'beautifully cast' and another example in Hamburg.","page":"410-12","type":"reference"},"admin":{"id":"publication-6431","uid":"adlib-publication-6431","uuid":"33b5e1a9-43d8-3747-bc67-a541758ebd9e"},"summary_title":"Collection Yves Saint Laurent et Pierre Berg\u00e9, Sculptures, Objets d'Art, Art d'Asie, Arch\u00e9ologie et Mobilier"},{"@link":{"notes":"Publ. p. 99 in colour","page":"99","type":"reference"},"admin":{"id":"publication-6368","uid":"adlib-publication-6368","uuid":"9c344200-cd9c-3b07-ac5e-06c969ee810c"},"summary_title":"I Turned It Into a Palace, Sydney Cockerell and the Fitzwilliam Museum"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"}},"summary_title":"figure","techniques":[{"description":[{"value":"copper alloy, probably bronze, cast, and polished"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-26699","uid":"adlib-term-26699","uuid":"a385eebb-7834-3204-a17f-d9c3cd15d9b8"},"summary_title":"casting (process)"}},{"note":[{"value":"light brown"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120073","uid":"adlib-term-120073","uuid":"8f03d319-c397-37c8-a0e8-e23ef3cfdbbc"},"summary_title":"patinating"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-27662","uid":"adlib-term-27662","uuid":"ef599247-8a54-3c72-b177-5ea918ef18dc"},"summary_title":"polishing"}}],"title":[{"value":"Bacchus"}],"type":{"base":"object","type":"OBJECT"}}}],"first_page_url":"?page=1","from":1,"last_page":1,"last_page_url":"?page=1","links":[{"url":null,"label":"« Previous","active":false},{"url":"?page=1","label":"1","active":true},{"url":null,"label":"Next »","active":false}],"next_page_url":null,"path":"","per_page":24,"prev_page_url":null,"to":2,"total":2}]