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The front has a blue-black ground decorated on the front in gold with a repeating pattern of formal flowerheads and foliage."}],"identifier":[{"accession_number":"M.117-1961","primary":true,"type":"accession number","value":"M.117-1961"},{"priref":"156463","type":"priref","value":"156463"},{"source":"Beit Collection","type":"old object number","value":"451"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/156463","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/156463"}],"inscription":[{"location":"on back","method":"painted in red","transcription":[{"value":"451"}],"type":"number"},{"description":[{"value":"circular tie on tag inscribed on one side with name of collection and on the other with sale catalogue reference"}],"location":"attached","method":"hand-written","transcription":[{"value":"Beit Coll.\u2019, and, Christies\/7oct.1948\/lot\/24.2\u2019."}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Louis.C.G. 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There are several different accounts of how this was achieved, and of the later fate of the Palladium. In classical literature the Palladium was described as in the form of a warrior with feet together, holding a spear, a shield, and in the other hand a spindle and distaff. But here the enameller has represented it as an elegant winged figure reminiscent of a Victory.\n\nThe scene was constructed from two unrelated images, both probably taken from Renaissance bronze plaquettes. Godsell (see Documentation) identified the two sources of the design. The group on the right is after a rare bronze plaquette, of a Sacrifice of a Bull by Valerio Belli (e.g. Staatliche Museen, Berlin, A.N.1161, Inv. 1293), and the seated Diomedes is probably after an anonymous  plaquette, after an Antique gem of Ulysses standing before Diomedes with a Palladium (e.g. NG Washington A 315.38B), but it might also have been derived from one of several gems, plaquettes, and medals which display only the figure of Diomedes holding the Palladium. The figure was not copied exactly, the enameller altered the position of the legs.\n\nHe was named the Master of the  Mars and Venus Plaque after a plaque in the Victoria and Albert Museum which illustrates the characteristics of his style. All his enamels are small plaques, and those which have been identified are in the monochrome palette described as grisaille. 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4, second part of lot 24; Copper & Adams, London; Louis C.G. Clarke MA, LL.D. (1881-1960), Leckhampton, Cambridge."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. pl. 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The body of the dead Christ is lowered into the tomb by St John and two bearded men. To the right is the Virgin attended by three women; to the left is a seated mourner and an old woman holding an ewer. In the background are mourners who raise their arms in lamentation."}],"exhibitions":[{"@link":{"type":"reference"},"admin":{"id":"exhibition-2806","uid":"adlib-exhibition-2806","uuid":"6e1b65bf-b6bc-3f65-8be7-5ea2aab18496"},"summary_title":"Madonnas and Miracles. 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