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The concave underside is glazed except for a flat area round the edge and has a round ventilation hole below the figure. The low rocky base rises up a little at the back to support the figure, and is strewn with applied yellowish-green leaves and a yellow, a blue and a pink flower at the front, and a small yellow and a pink at the back. The Sultana leans back slightly, standing on her right foot with her left behind her. With her right hand she toys with a tress of her long greyish-brown hair. Her left hand is extended a little way in front of her. On her head she has a closely wound white cloth which is looped up at the back. Over a white chemise she wears a long pale yellow robe decorated with sprays of dark mauve flowers and foliage, which is fastened above the waist with two gold buttons, and has a dark pink collar and flaps at the wrists. Over this she has a long blue short-sleeved coat with white fur edging and lining. 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Amongst the best known of these was the Comte de Ferriol\u2019s 'Receuil de cent estampes representant diff\u00e9rentes nations du Levant. . . Paris, 1714. Another edition was printed in 1715, and a smaller German edition in two volumes with some plates reversed 'Wahrest und neueste Abbildung des T\u00fcrchisches Hofes' was published by Christoph Weigel at Nuremberg in 1719, and 1721 (with Der in front of title). The plates in the 'Receuil' were engraved by several artists from drawings made in 1707 and 1708 by Jean-Baptiste Vanmour (1671-1737), who was a member of de Ferriol\u2019s entourage during the ten years from 1699 which he spent as Louis XIV\u2019s Ambassador to the Sublime Porte. They depicted the Sultan, his Court and the various people of the Ottoman Empire who frequented Istanbul. The Sultana Asseki (the title given to the Sultan\u2019s second wife who had borne a son) Meissen model no. 1287, corresponds to pl. 3 in Weigel, vol. I, 1719 which is in reverse to the original pl. 3 in the Receuil of 1714 or 1715."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106451","uid":"adlib-term-106451","uuid":"9cdfd62c-ee07-3884-ae08-c797aad08631"},"summary_title":"18th Century, Mid"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110409","uid":"adlib-term-110409","uuid":"2040047c-eefc-3538-8b3d-60185614825b"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Germany"}],"summary_title":"Germany","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Saxony"}],"summary_title":"Saxony","type":"region"}]],"summary_title":"Meissen"},{"@link":{"type":"reference"},"admin":{"id":"term-108494","uid":"adlib-term-108494","uuid":"8a0fd335-9b0e-36d1-a433-b0a7aa894636"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Germany"}],"summary_title":"Germany","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Saxony"}],"summary_title":"Saxony","type":"region"}]],"note":[{"value":"Germany was not a unified country at this date"}],"summary_title":"Dresden"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-32652","uid":"adlib-term-32652","uuid":"82d8ae3b-f165-395c-ba93-dfa1c282b7be"},"summary_title":"glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-37627","uid":"adlib-term-37627","uuid":"254febfe-0021-3e45-89a7-d57ba40044c7"},"summary_title":"hard-paste porcelain"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"22.2"},{"dimension":"Width","units":"cm","value":"11.5"}]},"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"}}],"note":[{"type":"history note","value":"Willy Lissauer, Berlin from whom purchased on 23 March, 1935 for \u00a355 by Cecil Vavasseur, 2nd Baron Fisher of Kilverstone; Lord and Lady Fisher"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"type":"reference"},"admin":{"id":"publication-5386","uid":"adlib-publication-5386","uuid":"af0551a9-5c58-30ad-8e6d-3e78613d9f6f"},"summary_title":"Catalogue of the Early Dresden Porcelain made at the Meissen Factory 1735-1747 in the Collection of Cecil, 2nd Baron Fisher of Kilverstone, and Jane, his Wife, of Kilverstone Hall in the County of Norfolk"},{"@link":{"notes":"Publ. p. 11 pl. 15","page":"11","type":"reference"},"admin":{"id":"publication-2126","uid":"adlib-publication-2126","uuid":"e68b3970-238f-3462-9f21-6f4e892c9c2c"},"summary_title":"The National Art Collections Fund at the Fitzwilliam Museum, An Exhibition to celebrate The Fund's 85th Anniversary"},{"@link":{"notes":"Publ. p. 108, no. 108.","page":"108","type":"reference"},"admin":{"id":"publication-4595","uid":"adlib-publication-4595","uuid":"98c68e8e-e4f4-3e0e-9dac-ad92f0666445"},"summary_title":"Treasures from the Fitzwilliam Museum"},{"@link":{"notes":"Publ. p.31 no. 39","page":"31","type":"reference"},"admin":{"id":"publication-1225","uid":"adlib-publication-1225","uuid":"c17787bc-ef30-308b-acbc-741e14c18062"},"summary_title":"The Fitzwilliam Museum 1848-1998, One Hundred and Fifty Years of Collecting"},{"@link":{"type":"reference"},"admin":{"id":"publication-4923","uid":"adlib-publication-4923","uuid":"fcb5d0be-d679-3533-95c9-dd81c13170b3"},"summary_title":"Recueil de cent estampes repr\u00e9sentant diff\u00e9rentes nations du Levant, tir\u00e9es sur les tableaux peints d'apr\u00e8s nature en 1707 et 1708 par les ordres de M. de Ferriol, Ambassadeur du Roi \u00e0 la Porte. Et grav\u00e9es en 1712 et 1713 par les soins de Mr Le Hay"},{"@link":{"type":"reference"},"admin":{"id":"publication-6817","uid":"adlib-publication-6817","uuid":"9c36a0e2-5539-3a34-96de-f4076bded509"},"summary_title":"Wahrest und neueste Abbildung des T\u00fcrchisches Hofes"},{"@link":{"notes":"Cf. p. 28, fig. 37, a differently coloured example","page":"28","type":"reference"},"admin":{"id":"publication-4921","uid":"adlib-publication-4921","uuid":"e5683ff8-7ba5-39b5-a137-e248897a3742"},"summary_title":"Festive Publication to Commemorate the 200th Jubilee of the Oldest European China Factory, Meissen"},{"@link":{"type":"reference"},"admin":{"id":"publication-2685","uid":"adlib-publication-2685","uuid":"78931290-a594-3d1e-a3e9-fe40247e4e87"},"summary_title":"Meissener Porzellan 1710-1810, Ausstellung im Bayerischen Nationalmuseum M\u00fcnchen"},{"@link":{"notes":"Cf. pp. 48-56, esp. p. 50, fig. 3, the plate in Weigel, 1719, fig. 4, a white example in Schloss Favorite, near Rastatt, and fig. 11, pl. 3 in the comte de Ferriol's Receuil.","page":"48-56","type":"reference"},"admin":{"id":"publication-200002360","uid":"adlib-publication-200002360","uuid":"88b688d0-2677-34ec-949b-02fed6e4a385"},"summary_title":"Les Sultans de Porcelaine du XVIIIe si\u00e8cle"},{"@link":{"type":"reference"},"admin":{"id":"publication-200002434","uid":"adlib-publication-200002434","uuid":"a163db74-23f9-3315-aba3-13e445bda883"},"summary_title":"\"Abbildunge des T\u00fcrkischen Hofes\" - 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Painted in blue, green, turquoise, yellow, orange, stone, brown, manganese-purple, black, grey, and white. Shape 64. Circular with narrow rim and wide shallow well. The Judgement of Paris. Paris and his dog sit on the left. He hands the apple of discord to Venus who is accompanied by Cupid; Juno with her peacock stands behind them, and to the right is Minerva, who has her back to the viewer and holds up a drape; above, a winged Victory holds a wreath over Venus' head. To the left are three nymphs, including Paris' wife Oenone, and to their right, behind Paris, is Mercury, who is leaving; to the right, three river gods sit or recline beside the River Scamander. In the sky Apollo drives the chariot of the sun through a zodiac arch and on the right, emerging from a bank of clouds, Coelius supports Jove, seated with his eagle beside him and Diana and two other gods behind him. In the landscape background to left are two bulls and a nude woman with a unicorn, and in the distance, buildings and mountain peaks. The edge is yellow.  On the reverse, in the middle, an oval shield bears the arms of Farnese impaling Crispi, or six fleurs-de-lis azure placed three, two, and one, impaling azure a unicorn argent on a terrace vert, dipping its horn in a stream, a comet above, surmounted by a cross and cardinal's hat, and flanked by three rows of tassels, with below, the inscription in blue 'SORDENT.PRAE FORM\/INGENIVM VIRTVS\/REGNA.AURV[M] (GENIUS, VALOUR, DOMINATION AND WEALTH ARE DESPISED IN COMPARISON TO BEAUTY). Yellow bands encircle the outer and inner edges of the rim."}],"exhibitions":[{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"},{"@link":{"type":"reference"},"admin":{"id":"exhibition-2080","uid":"adlib-exhibition-2080","uuid":"21fb61db-870d-399e-a0fb-035ef1c66d00"},"summary_title":"'I turned it into a palace', Sir Sydney Cockerell and The Fitzwilliam Museum"}],"identifier":[{"accession_number":"C.59-1927","primary":true,"type":"accession number","value":"C.59-1927"},{"priref":"47187","type":"priref","value":"47187"},{"source":"F. Leverton Harris Collection list","type":"old object number","value":"M 68"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/47187","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/47187"}],"inscription":[{"location":"on the back","method":"painted","transcription":[{"value":"SORDENT.PRAE FORM\/INGENIVM VIRTVS\/REGNA.AVRV"}],"type":"inscription"},{"description":[{"value":"rectangular paper label"}],"location":"on the back","method":"handwritten in black ink","transcription":[{"value":"Arms of Farnese impaling Crispi\/of Rome.\/For Tiberio Crispi a familiar of\/Paul III before his pontificate.\/created by him Cardinal in 1544\/Achp of Amalfi 1547-61 bp of Sabina\/& of Sutri when he died 1566"}],"type":"label"},{"description":[{"value":"circular paper label"}],"location":"on the back","method":"handwritten in ?","transcription":[{"value":"M 68"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"F. Leverton Harris Bequest, 1926"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-151483","uid":"adlib-agent-151483","uuid":"26fbb332-a159-3961-80ad-ff1bd1a618c2"},"summary_title":"Harris, Frederick Leverton"}],"date":[{"earliest":1927,"latest":1927,"value":"1927"}],"method":{"value":"bequeathed"}}],"creation":[{"date":[{"earliest":1545,"from":{"earliest":1545,"era":["CE"],"latest":1545,"precision":"circa","value":"1545"},"latest":1550,"range":true,"to":{"earliest":1550,"era":["CE"],"latest":1550,"value":"1550"}}],"maker":[{"@link":{"qualifier":"probably","role":[{"value":"workshop"}],"type":"reference"},"admin":{"id":"agent-39957","uid":"adlib-agent-39957","uuid":"a857a45e-ad93-3e9f-87e7-346c948ec5a4"},"summary_title":"Durantino, Guido"},{"@link":{"qualifier":"after","role":[{"value":"engraver"}],"type":"reference"},"admin":{"id":"agent-112340","uid":"adlib-agent-112340","uuid":"a9104dd3-daf9-32ba-b083-c074b588b652"},"summary_title":"Raimondi, Marcantonio"}],"note":[{"value":"The Judgement of Paris, engraved by Marcantonio Raimondi after drawings by Raphael, was one of the prints most frequently used as a source by maiolica painters, but was rarely copied in its entirety as it is here. Paris is shown with the goddesses Hera, Athena and Aphrodite (Juno, Minerva, and Venus) who had been brought to him by Hermes with a message from Zeus that he was to award a golden apple to the fairest. Rejecting the bribes of power and wisdom offered by Hera and Athene, Paris awarded the apple to Aphrodite, who offered to assist him in gaining the love of Helen, wife of Menelaus, King of Sparta, whose beauty was equal to her own. The inscription on the back of the dish referring to Paris' choice was also copied from the print."},{"value":"The arms on the reverse are those of Cardinal Tiberio Crispi (1497-1566), who was promoted to the cardinalate in December 1544 by the Farnese Pope, Paul III (ruled 1534-49). Like many cardinals, Crispi marked his promotion by impaling his arms with those of the Pope, so their presence on the dish indicates a date after December, 1544. Another feature which links the dish to Crispi is the nude woman with a unicorn which the painter inserted into the Judgement in the upper left background. This is believed to be an impresa adopted by Crispi, but might also refer to his links with the Farnese family who had four unicorn imprese, including a unicorn placing its front hooves in a maiden's lap."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-110475","uid":"adlib-term-110475","uuid":"223ae6a7-2f91-3314-ae3c-da3233ae47dc"},"summary_title":"16th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110708","uid":"adlib-term-110708","uuid":"ef038505-1555-3c61-b6e2-cadcedf6c42a"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"}]],"summary_title":"Urbino"}]}]},"materials":[{"note":[{"value":"beige on the back"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}},{"note":[{"value":"buff"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"45.4"},{"dimension":"Height","units":"cm","value":"5"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-17663","uid":"adlib-media-17663","uuid":"285c1325-5b16-3c38-9051-b9b67062e38f"},"processed":{"large":{"format":"jpeg","location":"aa\/aa19\/C_59_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":760}]},"modified":1742581281084,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa19\/mid_C_59_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":500},{"dimension":"width","units":"pixels","value":500}]},"modified":1742581281084,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa19\/C_59_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":760}]},"modified":1742581281084,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa19\/preview_C_59_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":250},{"dimension":"width","units":"pixels","value":250}]},"modified":1742581281084,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}},{"@link":{"type":"reference"},"admin":{"id":"media-2187790741","source":"portfolio","uid":"portfolio-media-2187790741","uuid":"1b39445b-e2a3-3687-a753-bc66104813e6"},"processed":{"large":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/504\/680\/large_C_59_1927_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":1171},{"dimension":"width","units":"pixels","value":1024}]},"modified":1529369920000,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/504\/680\/mid_C_59_1927_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":572},{"dimension":"width","units":"pixels","value":500}]},"modified":1529369920000,"resizable":true,"type":"image"},"original":{"location":"C.59-1927_mas.tif","modified":1529369920000,"processed":true,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/504\/680\/preview_C_59_1927_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":286},{"dimension":"width","units":"pixels","value":250}]},"modified":1529369920000,"resizable":true,"type":"image"},"zoom":{"format":"pyramid tiff","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/504\/680\/C_59_1927_mas.ptif","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":6677},{"dimension":"width","units":"pixels","value":5837}]},"modified":1529369920000,"resizable":true,"type":"image"}},"sort":"1","source":{"title":[{"primary":true,"type":"main title","value":"Maiolica dish with the Judgement of Paris, after Marcantonio Raimondi"}]},"type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}}],"note":[{"type":"history note","value":"Possibly Charles Jarvis (?1675-1739); his sale, London, 11-20 March 1739 (OS),A catalogue of the most valuable collection of pictures . . . late of . . . Esq., deceased,  lot 555. Probably Princess Amelia;  possibly Thomas 2nd Vicount Hampden; Viscountess Hampden (d. 1833); sold Christie, Manson, and Christie, 16 and 18 April 1834, A catalogue of the valuable assemblage of Italian Bronzes, magnificent French Furniture, of boule and marqueterie; and rare Oriental and other porcelain . . . , p. 12, lot 68; Lord Eldon, Scotland ?; Richard Ford (1706-1858), Heavitree, near Exeter, before 1850; Captain Ford; Christie's, 31 July 1919, Catalogue of porcelain, objects of art and tapestry from various sources, lot 43; purchased for \u00a3399 by Durlacher  Bros. on behalf of F. Leverton Harris (1864-1926)"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. probably, p. 12, lot 68, one of four pieces of maiolica said to have been purchased at the 'Sale of the Effects of the Princess Amelia, Sister to George III, and described as 'A DITTO WITH THE JUDGMENT OF PARIS, very richly coloured, with the arms of a cardinal on the back, 18 inches in diameter'. However, the Princess Amelia sale held by Chrisite's on 15-18 February 1787 did not mention maiolica.","page":"12","type":"reference"},"admin":{"id":"publication-7219","uid":"adlib-publication-7219","uuid":"78a1122c-ce1a-37d8-9a0e-3d6513945490"},"summary_title":"A catalogue of the valuable assemblage of Italian bronzes, mangificent French furniture, of boule and marqueterie; and rare Oriental and other porcelain; the property of the Viscountess Hampden, deceased"},{"@link":{"notes":"Publ. Mentioned as being in the collection of Richard Ford (1796-1858), at Heavitree, near Exeter.","page":"24","type":"reference"},"admin":{"id":"publication-3023","uid":"adlib-publication-3023","uuid":"35a96726-6a45-3b31-8fd4-28a7aec22e5a"},"summary_title":"Collections towards a History of Pottery and Porcelain in the 15th, 16th, 17th and 18th Centuries"},{"@link":{"notes":"Publ. Mentioned","page":"83","type":"reference"},"admin":{"id":"publication-3024","uid":"adlib-publication-3024","uuid":"824e1975-893e-3573-8d2b-d1f5a24a3a06"},"summary_title":"A History of Pottery and Porcelain Medieval and Modern"},{"@link":{"notes":"Publ. See text p. 323 where attributed to Orazio Fontana, and pl. on p. 322.","page":"322-3","type":"reference"},"admin":{"id":"publication-200000978","uid":"adlib-publication-200000978","uuid":"81c5d92f-f206-326e-8ca3-2a3610a2d94d"},"summary_title":"Italian Maiolica in the Collection of the Right Hon. F. Leverton Harris, II"},{"@link":{"notes":"Publ. Mentioned on p. 9 and illustrated pls. XIIID and XVI, top shelf on extreme left.","page":"9","type":"reference"},"admin":{"id":"publication-1569","uid":"adlib-publication-1569","uuid":"4825b83f-3a92-3c6d-b58b-2686ea0509e0"},"summary_title":"The Leverton Harris Collection"},{"@link":{"notes":"Publ. Illustrated in colour, p. 72, fig. 1.","page":"72","type":"reference"},"admin":{"id":"publication-200000979","uid":"adlib-publication-200000979","uuid":"91511d08-b85d-306a-9662-81a0f76fa57b"},"summary_title":"Art on the Table"},{"@link":{"notes":"Publ. pp. 360-4, no. 403. Colour plate 44. For a full description of the dish, the sources of its design, its ownership, and comparable dishes.","page":"360-4","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. Illustrated","page":"24-5","type":"reference"},"admin":{"id":"publication-3399","uid":"adlib-publication-3399","uuid":"6251bbed-f1b7-3ff5-8c49-f4d51b763bda"},"summary_title":"The Lady"},{"@link":{"notes":"Publ. 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The print by Marcantonio Raimondi which was the source of the design, no. 245-I, or no. 246, a copy by Marco Dente","page":"242-3","type":"reference"},"admin":{"id":"publication-3026","uid":"adlib-publication-3026","uuid":"c72f1337-312c-3770-8d7d-6b27ff0e0915"},"summary_title":"The Illustrated Bartsch: The Works of Marcantonio Raimondi and of his School, vols 26-27"},{"@link":{"notes":"Ref. The most readily accessible source for the life of Tiberio Crispi (1497-1566)","page":"801-3","type":"reference"},"admin":{"id":"publication-7016","uid":"adlib-publication-7016","uuid":"71e04e2e-09e1-303e-be93-66693f3f6942"},"summary_title":"Dizionario biografico degli Italiani"},{"@link":{"notes":"Ref. For biography and arms of Cardinal Tiberio Crispi, see p. 407, no. 60, p. 409 (wrongly numbered 449), fig. 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This dish was previously sold Sotheby's, London, 7 December 1971, lot 8, as from Pesaro, and Christie's, New York, 29 September, 1999, lot 11.","page":"16-17","type":"reference"},"admin":{"id":"publication-5693","uid":"adlib-publication-5693","uuid":"f3d0617a-db27-3276-8cad-4b2208f01b8c"},"summary_title":"Fine French and C ontinental Furniture and Decorations, European Works of Art and Tapestries, Ceramics and Carpets"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"subjects":[{"@link":{"relation":"concept","type":"reference"},"admin":{"id":"term-107824","uid":"adlib-term-107824","uuid":"f68a8065-f671-37f5-a508-72acaf65dc6f"},"summary_title":"judgement"},{"@link":{"relation":"animal","type":"reference"},"admin":{"id":"term-81073","uid":"adlib-term-81073","uuid":"afcd0aec-cc0b-385e-8b79-3c42b02cf3e8"},"summary_title":"dog"},{"@link":{"relation":"animal","type":"reference"},"admin":{"id":"term-78765","uid":"adlib-term-78765","uuid":"46e462e7-1543-3aaa-90c1-2562102b738f"},"summary_title":"horse (animal)"},{"@link":{"relation":"animal","type":"reference"},"admin":{"id":"term-101359","uid":"adlib-term-101359","uuid":"2c95d36f-1100-3545-b900-fef1421f35cf"},"summary_title":"eagle"},{"@link":{"relation":"plant","type":"reference"},"admin":{"id":"term-35269","uid":"adlib-term-35269","uuid":"b4b554bd-f785-34d4-9202-d8a3d4164fdb"},"summary_title":"apple"},{"@link":{"relation":"place type","type":"reference"},"admin":{"id":"term-106275","uid":"adlib-term-106275","uuid":"a1bd9046-a422-36ac-a493-60fa7c7f7e91"},"summary_title":"landscape"},{"@link":{"relation":"named event","type":"reference"},"admin":{"id":"term-110719","uid":"adlib-term-110719","uuid":"8b43b318-b29f-3dac-9027-7cae3f0ad3cc"},"summary_title":"The Judgement of Paris"},{"@link":{"type":"literal"},"name":[{"value":"judgement"}],"summary_title":"judgement"},{"@link":{"type":"literal"},"name":[{"value":"dog"}],"summary_title":"dog"},{"@link":{"type":"literal"},"name":[{"value":"horse (animal)"}],"summary_title":"horse (animal)"},{"@link":{"type":"literal"},"name":[{"value":"eagle"}],"summary_title":"eagle"},{"@link":{"type":"literal"},"name":[{"value":"apple"}],"summary_title":"apple"},{"@link":{"type":"literal"},"name":[{"value":"landscape"}],"summary_title":"landscape"},{"@link":{"type":"literal"},"name":[{"value":"The Judgement of Paris"}],"summary_title":"The Judgement of Paris"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}},"summary_title":"dish","techniques":[{"description":[{"value":"Earthenware, tin-glazed overall; the reverse pale beige. 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Mercury stands balanced on his right leg on a green and red breccia marble ball. His left leg is thrust out stiffly behind him. His left hand rests on his hip, and his right arm is raised, the hand shaped to grasp a slim rod held roughly horizontally. His head is thrust sharply back, the face turned upwards. His lips are pursed, and his mouth shaped as a nozzle pierced in the centre with a round hole (diam 6mm). In the centre of the figure's back is a large irregular oval aperture (7.8 x 3.7 cm) cast with a rebate designed to receive a closely fitted cover."}],"exhibitions":[{"@link":{"catalogue":"no. 934","type":"reference"},"admin":{"id":"exhibition-7","uid":"adlib-exhibition-7","uuid":"402373ec-9de7-3594-a5c1-e9a53ff076ce"},"summary_title":"Exhibition of Italian Art 1200-1900"},{"@link":{"type":"reference"},"admin":{"id":"exhibition-1676","uid":"adlib-exhibition-1676","uuid":"2ef29d2c-cf1e-362e-a197-789bc2ea41ca"},"summary_title":"Mostra Medicea"},{"@link":{"catalogue":"no. 21","type":"reference"},"admin":{"id":"exhibition-1677","uid":"adlib-exhibition-1677","uuid":"6c62c9ed-50cf-391f-be78-b2a952bd8777"},"summary_title":"Italian Bronze Statuettes"},{"@link":{"type":"reference"},"admin":{"id":"exhibition-1075","uid":"adlib-exhibition-1075","uuid":"910725f4-7cc7-3f2d-9d4a-bbb857f688be"},"summary_title":"The Boscawen Collection: Renaissance Bronzes"},{"@link":{"catalogue":"no. 281","type":"reference"},"admin":{"id":"exhibition-1092","uid":"adlib-exhibition-1092","uuid":"79d8c935-7b89-3210-a201-47a83f2b4163"},"summary_title":"Art Treasures of England, The Regional Collections"},{"@link":{"catalogue":"no. 2","type":"reference"},"admin":{"id":"exhibition-1675","uid":"adlib-exhibition-1675","uuid":"10c2903c-a764-3da2-b2d5-7d3ba2352474"},"summary_title":"Renaissance and Baroque Bronzes from the Fitzwilliam Museum, Cambridge"},{"@link":{"catalogue":"no. 2","type":"reference"},"admin":{"id":"exhibition-1887","uid":"adlib-exhibition-1887","uuid":"ad7b6b61-9df3-34cb-9675-b711ea766ba9"},"summary_title":"Renaissance and Baroque Bronzes from the Fitzwilliam Museum, Cambridge (2005)"},{"@link":{"catalogue":"no. 6","type":"reference"},"admin":{"id":"exhibition-1914","uid":"adlib-exhibition-1914","uuid":"ed13a4fd-1d39-3c89-996e-9d61b14de545"},"summary_title":"Leonardo Da Vinci, Michelangelo and the Renaissance in Florence"},{"@link":{"type":"reference"},"admin":{"id":"exhibition-2618","uid":"adlib-exhibition-2618","uuid":"35648edc-a303-3deb-849e-09e0f7677983"},"summary_title":"I Grandi del Battistero. 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Lord Hastings; Christie, Manson & Woods, 20 March 1888, Catalogue of majolica, Palissy ware, German stoneware, Limoges enamels, the property of The Right Hon. Lord Hastings of Melton Con\u00acstable, Norfolk, ADD;                          Frank McClean, Tunbridge Wells"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. p. 581,  no. 681. 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