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Christ teaching the disciples how to pray, inscribed below, 'IHESVS\u2022 DICT\u2022A\u2022SES\u2022DISEIPSIES QVANT\/VOVS PRIEREZ HE PARSEZ: PAS\u2022BEAV:\/COP MAIS PRIEZ AMSY (sprig)  MAT  V'1. One of a set with M.49B-F-1904"},{"value":"Rectangular copper convex plaque with a small hole in each corner, enamelled in grisaille with a little flesh pink on a black round, and gilded.  Clear, unevenly applied clear counter-enamel. Christ stands on a flat rock on the right addressing his disciples who stand slightly below him in a group on the left. He is barefooted, and has a gold aureole, long hair, and a beard, and wears a long gown with a cloak over it. The first disciple on the left, probably St Peter, is old and bearded, and wears a long gown with a cloak which he holds up in his right hand and clutches to his chest with his left hand. The disciple behind him, probably St John, is younger and clean-shaven  with golden hair, and wears a long gown and cloak fastened together over his chest with a brooch. The head of another disciple is shown behind him, but only the tops of the heads of the rest of the group behind them are shown. A large tree stands in the background between Christ and the disciples. Gold lines run round the edges of their clothing, and there are small gold plants on the rock and beyond the tree, which is entwined by a delicate gold vine. \nA white panel running across the bottom of the plaque is inscribed in black with gilding over it \u2018IHESVS\u2022 DICT\u2022A\u2022SES\u2022DISEIPSIES QVANT\/VOVS PRIEREZ HE PARSEZ: PAS\u2022BEAV:\/COP MAIS PRIEZ AMSY (sprig)  MAT  V1\u2019  (Jesus said to his disciples \u2018When you pray do not speak too much but pray thus\u2019 Matthew V1) . A gold line runs round the edge of the scene and inscription. The reverse is painted in black with the number \u20181\u2019.\nThe plaque is set in an ill-fitting, rectangular, gilt-metal frame with repeating formal leaf border. The plaque is held into the frame by four bent over pins attached to the cardinal points on the reverse."}],"exhibitions":[{"@link":{"type":"reference"},"admin":{"id":"exhibition-2107","uid":"adlib-exhibition-2107","uuid":"07086265-735b-3fd0-90c6-7b1c4f93cb94"},"summary_title":"Fitzwilliam Museum, McClean Bequest, Catalogue of the Mediaeval Ivories, Enamels, Jewellery, Gems and Miscellaneous Objects Bequeathed to the Museum By Frank McClean, M.A., F.R.S."}],"identifier":[{"accession_number":"M.49A-1904","primary":true,"type":"accession number","value":"M.49A-1904"},{"priref":"156435","type":"priref","value":"156435"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/156435","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/156435"}],"inscription":[{"description":[{"value":"sprig between AMSY and MAT VI"}],"location":"on front","method":"painted in black and gold","transcription":[{"value":"IHESVS\u2022 DICT\u2022A\u2022SES\u2022DISEIPSIES QVANT\/VOVS PRIEREZ HE PARSEZ: PAS\u2022BEAV:\/COP MAIS PRIEZ AMSY         MAT  V1"}],"type":"inscription"},{"location":"reverse","method":"painted in black","transcription":[{"value":"1"}],"type":"inscription"},{"description":[{"value":"almost square paper label with serrated edge on three sides, and blue printed beaded border"}],"location":"on back","method":"hand-written in black ink","transcription":[{"value":"1) 4899\/Sei\/T000\/N000\/A10 di un\/venduta\/separato . . ."}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Frank McClean Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-172414","uid":"adlib-agent-172414","uuid":"73d94f64-8c0d-30c1-9764-25b005f3ce1d"},"summary_title":"McClean, Frank"}],"date":[{"earliest":1904,"latest":1904,"value":"1904"}],"method":{"value":"bequeathed"},"note":[{"value":"Frank McClean died on 8 November 1904 in Brussels"}]}],"creation":[{"date":[{"earliest":1540,"from":{"earliest":1540,"era":["CE"],"latest":1540,"precision":"circa","value":"1540"},"latest":1550,"range":true,"to":{"earliest":1550,"era":["CE"],"latest":1550,"value":"1550"}}],"maker":[{"@link":{"role":[{"value":"maker"}],"type":"reference"},"admin":{"id":"agent-99908","uid":"adlib-agent-99908","uuid":"376e1128-04f6-3812-88a6-e4928cb7732d"},"summary_title":"Nouailher, Colin"},{"@link":{"qualifier":"after","type":"reference"},"admin":{"id":"agent-63808","uid":"adlib-agent-63808","uuid":"2ed7b47b-c05b-3fcc-879c-c3f517ea1682"},"summary_title":"Holbein, Hans, the younger"},{"@link":{"qualifier":"after","role":[{"value":"printmaker"}],"type":"reference"},"admin":{"id":"agent-93853","uid":"adlib-agent-93853","uuid":"f6c72949-df13-3991-afdb-164610d10ab4"},"summary_title":"Monogrammist C. V."}],"note":[{"value":"This plaque was originally the first of a set of eight illustrating the Lord's Prayer of which six are in the Fitzwilliam (M.49A-F-1904). The second and fourth plaques are missing. The first plaque shows Christ instructing his disciples how to pray (Matthew, VI, 6-7), and the others have scenes associated with the lines of the Lord's Prayer which follows (Matthew, VI, 8-13). The words are written in French at the bottom of each plaque. The subject of the first plaque is shown out-of-doors, because this passage in the Gospel forms part of the Sermon on the Mount. \n\nSo far no documentary evidence for the use of the plaques has been found. However, it seems likely that framed sets could have been used as teaching aids. Their production needs to be viewed in the context of efforts by evangelical Protestant and Gallican Catholic reformers to improve the religious education of the clergy and laity. Learning to repeat and understand the Lord's Prayer was a fundamental aspect of Christian education. The publication of Luther\u2019s commentaries on the Creed and Lord\u2019s Prayer in 1518 and 1519 inspired a spate of comparable works, ranging from learned works for scholars to simple pamphlets with the Lord's Prayer, Creed, and Hail Mary printed in Latin and French for the laity. \n\nThe scenes on the enamelled Lord's Prayer plaques were derived from a set of metalcuts by the Basel monogrammist C.V. after Holbein which appeared in Desiderio Erasmus's 'Precatio dominica in septem portiones', published by both Johann Froben and Johannes Bebel successively in Basle in 1524. The work was first published without illustrations in 1523, and was rapidly translated into modern languages. The illustrations in the Froben and Bebel editions have the inscriptions in Latin, but a set of eight prints issued separately a little later with inscriptions in French, signed CV, is in the British Museum (1904,0206. 64.1-8;) and seven of the set (no. 4 is missing) are in the Cabinet des Estampes, Biblioth\u00e8que nationale, Paris (EA 25c in fol., p. 57). A French translation of 'Precation dominica' was not published, and the rarity of the prints with French text, makes it seem more likely that Colin Nouailher, had access to an illustrated Latin edition. The inscriptions on the plaques attributed to him do not match all lines of the cuts with French text. While the iconography of all the plaques was derived from these prints, the details differ considerably, in some scenes more than others, and the sets by by Jean P\u00e9nicaud II or III and the enameller who signed 'KIP'  include scenes which are completely different. \n\nOnly five sets of grisaille Lord's Prayer plaques surviving together are known, of which two are attributed to Colin Nouailher, and about thirty-five in smaller groups or single plaques are in his style, which differs greatly from the other sets attributed to Jean P\u00e9nicaud II or III and 'KIP'. Two plaques in the Louvre were attributed to Colin Nouailher by Alfred Darcel (1867) and his attribution was upheld by J.J. Marquet de Vasselot (1919-20) and Sophie Baratte (2000). This attribution was confirmed by the presence of the initials CN below the title on a plaque decorated with the 'Deliver us from Evil' scene, acquired by the Mus\u00e9e de l\u2019\u00c9v\u00each\u00e9, (now Mus\u00e9e des Beaux-Arts) Limoges, in 2007 (2007.5.2) with another plaque of the 'Give us our daily bread' scene (2007.5.1)."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-110475","uid":"adlib-term-110475","uuid":"223ae6a7-2f91-3314-ae3c-da3233ae47dc"},"summary_title":"16th Century, Mid"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-15498","uid":"adlib-term-15498","uuid":"61725bf5-360f-3837-8aab-3c90b956a537"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"France"}],"summary_title":"France","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Haute Vienne"}],"summary_title":"Haute 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An unidentified French sale in which the six plaques formed lot 289. An unidentified Italian owner or dealer before or after the sale. Frank McClean MA, FRS (1837\u20131904), Rusthall House, near Tunbridge Wells"}],"objects":[{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-156436","uid":"adlib-object-156436","uuid":"be846ed0-3d5d-35a7-9e1d-9caa50238288"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-107484","uid":"adlib-term-107484","uuid":"935e21d3-0b7f-3ca6-9987-b79c82e054fd"},"summary_title":"plaque"}},"summary_title":"plaque"},{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-156437","uid":"adlib-object-156437","uuid":"b54901a7-9a74-3ae3-a38c-9a43b179d5b2"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-107484","uid":"adlib-term-107484","uuid":"935e21d3-0b7f-3ca6-9987-b79c82e054fd"},"summary_title":"plaque"}},"summary_title":"plaque"},{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-156438","uid":"adlib-object-156438","uuid":"6f5d2df2-fd58-3c26-a778-f4bf0695323a"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-107484","uid":"adlib-term-107484","uuid":"935e21d3-0b7f-3ca6-9987-b79c82e054fd"},"summary_title":"plaque"}},"summary_title":"plaque"},{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-156439","uid":"adlib-object-156439","uuid":"75f8f71d-2c8f-30d8-a48f-f5510e03f42f"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-107484","uid":"adlib-term-107484","uuid":"935e21d3-0b7f-3ca6-9987-b79c82e054fd"},"summary_title":"plaque"}},"summary_title":"plaque"},{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-156440","uid":"adlib-object-156440","uuid":"8783ea79-cad6-352d-b68c-4b9086c04d3e"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-107484","uid":"adlib-term-107484","uuid":"935e21d3-0b7f-3ca6-9987-b79c82e054fd"},"summary_title":"plaque"}},"summary_title":"plaque"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ., p. 112, no. 67","page":"112-13","type":"reference"},"admin":{"id":"publication-4060","uid":"adlib-publication-4060","uuid":"0f6d91a4-87ab-338c-b868-7d56c66bc250"},"summary_title":"Fitzwilliam Museum, McClean Bequest, Catalogue of the Mediaeval Ivories, Enamels, Jewellery, Gems and Miscellaneous Objects Bequeathed to the Museum by Frank McClean, M.A., F.R.S."},{"@link":{"notes":"Publ. pp. 230-1, and see other examples of plaques of the Lord's Prayer listed pp. 229-33. The author mentions two plaques of this subject:  p. 229, no. 3, from the Chabri\u00e8res-Arl\u00e8s Collection, Paris illustrated framed with the other plaques in a set; and p. 233, no. 3, from the collections of W. Bemrose, Derby, and the Rev. E.A. Coghill, Southwell.","page":"230-1","type":"reference"},"admin":{"id":"publication-200002170","uid":"adlib-publication-200002170","uuid":"06575876-e5c8-362b-93fd-a20f0679b18f"},"summary_title":"Quelques \u00e9maux de Colin Noailher et leurs mod\u00e8les grav\u00e9s"},{"@link":{"notes":"Ref. pp. 64-8 for Erasmus' interpretation of this petition of the Prayer","page":"pp. 64-8","type":"reference"},"admin":{"id":"publication-8964","uid":"adlib-publication-8964","uuid":"6f011cc1-7b4a-3d50-b591-c1c95407c1da"},"summary_title":"Collected Works of Erasmus, vol. 69, Spiritualia and Pastoralia . . . . Precatio domenica . . ."},{"@link":{"notes":"Ref. p. 244, for the sources of the designs of the Lord's Prayer series. 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