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Glaisher Bequest, 1928"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152564","uid":"adlib-agent-152564","uuid":"c20df94d-f096-3e0b-a9b5-6ddd12161fb7"},"summary_title":"Glaisher, J. W. L., Dr"}],"date":[{"earliest":1928,"latest":1928,"value":"1928"}],"method":{"value":"bequeathed"},"note":[{"value":"Entry date: 1928-12-07"}]}],"creation":[{"date":[{"earliest":1855,"era":["CE"],"latest":1855,"precision":"circa","value":"1855"}],"maker":[{"@link":{"qualifier":"type made by Sampson Smith","role":[{"value":"production"}],"type":"reference"},"admin":{"id":"agent-187914","uid":"adlib-agent-187914","uuid":"3ff8e302-3ac3-3560-9a60-800ee4445118"},"summary_title":"Unidentified factory"}],"note":[{"value":"The Crimean War (1854-56), in which France, England and Turkey formed an alliance against the Russian Empire, was a popular source for Staffordshire figures. In this group, Sultan Abd-ul-Medjid (Turkey), Queen Victoria (England) and Emperor Napoleon III (France) stand shoulder to shoulder, clasping hands."},{"value":"The source for this group is an engraving in the Illustrated London News of 9 September, 1854, which shows a medal commemorating the alliance, by A  Caqu\u00e9. The obverse shows an illustration of the three figures, in similar pose, with the words \u2018TURKEY-ENGLAND-FRANCE-CIVILIZATION GOD DEFENDS THE RIGHT\u2019. The reverse reads: \u2018IN THE YEAR 1854 DURING THE REIGN OF QUEEN VICTORIA AND THAT OF NAPOLEON III GREAT BRITAIN AND FRANCE JOINED TOGETHER IN ORDER TO INSURE THE PEACE OF THE WORLD\u2019."},{"value":"This was one of the first Victorian Staffordshire figures bought by Dr Glaisher. In 1905, he recorded it in his notebook thus: \u2018Bought as a historical relic of the Crimean War. This also fixes the date as about 1854 and shows the sort of manufacture and colouring in vogue at that time \u2013 this being a good specimen, i.e., better than usual, of the cottage ornaments of that time\u2019."},{"value":"Woolliscroft (1976) attributes the group to Sampson Smith, at Longton, a factory listed in contemporary directories as a \u2018manufacturer of figures in great variety\u2019, which began around 1851 and continued to make figures in quantity into the early part of the twentieth century. Sampson Smith figures are typically a simple three-part moulding, like this, and often have the title in raised capitals, though they usually have a plain oval base. So this figure group may have been made there, though there does not seem to be sufficient evidence to confirm the attribution. This concurs with Rackham\u2019s listing (1935) of the group as of a type made chiefly by Sampson Smith."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-109672","uid":"adlib-term-109672","uuid":"a788e98b-c8a4-313c-9617-1a812228e864"},"summary_title":"19th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-15214","uid":"adlib-term-15214","uuid":"744af2c4-a2f2-37ad-bbf4-2cd00e91ed9b"},"summary_title":"Victorian"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-107658","uid":"adlib-term-107658","uuid":"824d3ecf-92c1-33aa-8d45-2f0239317270"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Staffordshire"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107611","uid":"adlib-term-107611","uuid":"790e5a19-a186-34d5-a16e-2d8dff9f6247"},"summary_title":"white 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Vol. I, p.130, no. 1008","page":"130","type":"reference"},"admin":{"id":"publication-1031","uid":"adlib-publication-1031","uuid":"a5cc6cb3-2b6f-390a-af51-7e9d123e55ed"},"summary_title":"Catalogue of the Glaisher Collection of Pottery and Porcelain in the Fitzwilliam Museum Cambridge"},{"@link":{"type":"reference"},"admin":{"id":"publication-1424","uid":"adlib-publication-1424","uuid":"a4e8d43c-b790-39df-a2f0-4c3e22f31c5f"},"summary_title":"Turkey and Europe in a Cultural Context"},{"@link":{"notes":"Cf. Plate C32, Fig.75: a near identical 10 \u00bc inch figure group, shown alongside an engraving of the obverse and reverse of a medal by A A Caque, 1854. Also, p.267, the same figure group shown alongside a similar, but differently modelled group \u2018France, England, Turkey\u2019, which appears to come from a different factory.","page":"31,56","type":"reference"},"admin":{"id":"publication-3585","uid":"adlib-publication-3585","uuid":"784308ef-9535-3132-970c-45af8a273a64"},"summary_title":"Staffordshire Portrait Figures and Allied Subjects of the Victorian Era"},{"@link":{"type":"reference"},"admin":{"id":"publication-7239","uid":"adlib-publication-7239","uuid":"857e9745-a48f-3c6e-9927-ed50a101ae74"},"summary_title":"Staffordshire Portrait Figures of the Victorian Age"},{"@link":{"notes":"Fig.783: a very similar figure, shown alongside an engraving of the source. Also, the three heads of state as similarly moulded, separate figures, without the underglaze blue and with Queen Victoria holding a red orb; these are titled \u2018Sultan\u2019, \u2018Victoria\u2019 and \u2018Napoleon\u2019, in raised gilt capitals. 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