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Decorated with incisions and relief modelling, with three figures added. The plaque is covered in beige slip and painted with cream, brown and blue\/black slips. The back is roughly hollowed-out into 8x3 honeycomb boxes. There are deep incisions in the clay of the back and underside and two round holes in the top."},{"value":"Three figures are shown working at the Martin Brothers' Southall Pottery. On the left, a boy turns the potters wheel, to the right of centre another (the 'bench boy') is wedging the clay and making clay balls ready for use by the thrower. On the right the potter is shaping the pot, as it rises from the wheel,The workers are shown against a background of vases on a rack of shelves and a window. The words 'Thrower', 'Bench Boy' and 'Wheel Boy' are inscribed in black on the front of the base, below each figure, and 'R.W Martin Sc. 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The three figures were also produced separately, modelled in the round. It has been suggested that they represent three of the brothers, but a more likely identification seems to be Walter or Edwin Martin (thrower), Elvin Kellord (bench boy) and Tommy Cox (wheel boy)."},{"value":"The Martin Brothers were amongst the first \u2018artist-potters\u2019 of the late nineteenth century. Robert Wallace Martin (1843-24), Walter (1857-1912) and Edwin (1860-1915) designed, made and decorated their own ornamental salt-glazed stoneware, originally using facilities at C.J.C.Bailey\u2019s Fulham Pottery and, briefly, at Shepherd\u2019s Bush. In 1877, they opened their own pottery at  Southall, Middlesex, and by 1882 were producing  some 5,000 pieces a year. Wallace had originally trained as a sculptor, exhibiting his work at the Royal Academy and elsewhere from c.1863. His younger brothers had learned their skills at Doulton\u2019s, Walter as a thrower and chemist, Edwin as a decorator. Modelled work is generally attributed to Wallace, but otherwise it is thought that the three learned from each other, exchanging skills and sharing roles. A fourth brother, Charles (1846-1910), sold the products \u2013 known as \u2018Martin-ware\u2019 \u2013 from a shop at Brownlow Street, London."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-108070","uid":"adlib-term-108070","uuid":"7e278258-23e3-3d5b-a4ff-ab5ecacb4bf3"},"summary_title":"19th Century, Late"},{"@link":{"type":"reference"},"admin":{"id":"term-15214","uid":"adlib-term-15214","uuid":"744af2c4-a2f2-37ad-bbf4-2cd00e91ed9b"},"summary_title":"Victorian"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113588","uid":"adlib-term-113588","uuid":"0692b7b4-b464-3e1d-9c27-b254afe273b1"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Middlesex"}],"summary_title":"Middlesex","type":"region"}]],"summary_title":"Southall"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-37110","uid":"adlib-term-37110","uuid":"ef92f1a8-1400-3fa3-863f-e099781ea442"},"summary_title":"salt-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42825","uid":"adlib-term-42825","uuid":"858e5d17-b554-33d6-936f-25b16f72f39d"},"summary_title":"stoneware"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"17.5"},{"dimension":"Height","units":"in","value":"6.875"},{"dimension":"Width","units":"cm","value":"41.0"},{"dimension":"Width","units":"in","value":"16.1"}]},"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107484","uid":"adlib-term-107484","uuid":"935e21d3-0b7f-3ca6-9987-b79c82e054fd"},"summary_title":"plaque"}}],"note":[{"type":"history note","value":"Collection of G.C. Monkhouse, Esq.; sold Sotheby's, 10th April, 1969, Nineteenth Century English Pottery and Porcelain, p. 39, lot 180."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. Illustrated, p. 39, lot 180.","page":"39","type":"reference"},"admin":{"id":"publication-3502","uid":"adlib-publication-3502","uuid":"3e6e3d66-743e-3339-9023-fc072dc4d519"},"summary_title":"Nineteenth Century English Pottery and Porcelain, 10th April 1969"},{"@link":{"type":"reference"},"admin":{"id":"publication-174","uid":"adlib-publication-174","uuid":"cd65fc89-3fbd-33b4-a71d-da039f05866f"},"summary_title":"Fitzwilliam. The Annual Reports of the Fitzwilliam Museum Syndicate and the Friends of the Fitzwilliam Cambridge for the Year ending 31 December 1969"},{"@link":{"notes":"Cf. p. 23; refers to another, similar plaque.","page":"23","type":"reference"},"admin":{"id":"publication-3495","uid":"adlib-publication-3495","uuid":"39579586-2410-312b-8a76-9245eed12060"},"summary_title":"A Catalogue of Martinware formed by Mr F.J. Nettleford, together with a short history of the firm of R. W. Martin and Brothers of Southall"},{"@link":{"notes":"Cf: pp.48-55: article  on the Martin Brothers Pottery by Cosmo Monkhouse, \u2018Some Original Ceramicists\u2019, The Magazine of Art, V, 1882, p.443,  illustrates and describes a very similar plaque","page":"pp. 48-55","type":"reference"},"admin":{"id":"publication-3498","uid":"adlib-publication-3498","uuid":"d5c03273-2573-365e-9668-869fccc4b9d0"},"summary_title":"English Art Pottery 1865-1915"},{"@link":{"notes":"Cf. p.79, figs. 97, 98: a very similar plaque, and the three figures separately modelled in the round; p.105, identifies the bench boy as Elvin Kellord and the wheel boy as Tommy Cox","page":"pp. 79, 105","type":"reference"},"admin":{"id":"publication-3496","uid":"adlib-publication-3496","uuid":"a63082e7-deb8-30a6-b744-534fd7a77e40"},"summary_title":"The Martin Brothers, Potters"},{"@link":{"notes":"Cf. figure group of similar scene with two figures and wheel, c.1880,","page":"136","type":"reference"},"admin":{"id":"publication-8448","uid":"adlib-publication-8448","uuid":"4ef2e26f-cb4d-3b92-9c93-840dff116ed8"},"summary_title":"A Potted History: Henry Willett's Ceramic Chronicle of Britain"},{"@link":{"notes":"Cf. p.29, lot 100 (\u00a3260). Dated 1876.","page":"p. 29","type":"reference"},"admin":{"id":"publication-3503","uid":"adlib-publication-3503","uuid":"79098324-2e6c-3d9b-9981-c1424ee02a8d"},"summary_title":"English Pottery and Porcelain, 24th April 1968"},{"@link":{"notes":"Cf. p. 20, lot 121 (\u00a3300)","page":"p. 20","type":"reference"},"admin":{"id":"publication-3504","uid":"adlib-publication-3504","uuid":"223ddd11-2977-3f02-9436-2e9942996675"},"summary_title":"Nineteenth and Twentieth Century Glass and English, Continental and Oriental Ceramics and Works of Art, 11th November 1971"},{"@link":{"notes":"Cf. p. 180, fig. 17","page":"p. 180","type":"reference"},"admin":{"id":"publication-1515","uid":"adlib-publication-1515","uuid":"89e61f2d-216d-30bf-a828-c27689dc5658"},"summary_title":"Victorian Art Pottery"},{"@link":{"notes":"Cf. p. 53, lot 239 (valuation \u00a3600-800).","page":"p. 53","type":"reference"},"admin":{"id":"publication-3505","uid":"adlib-publication-3505","uuid":"c56fca3f-0b10-36f1-b63c-750a3317517c"},"summary_title":"Art Pottery and Studio Ceramics, 10th December 1980"},{"@link":{"notes":"Cf. p. 9, lot 10, an example on which the characters are identified, the Wheel Boy as John Cox (?), the Bench Boy as Elvin Kellord, and the Thrower as Edwin Bruce. 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Earthenware, slip-coated, trace-transfered in 'Persian' colours, and clear-glazed. The central panel, painted in blue, turquoise-blue, green, yellow,pale orange, and brown on a white ground, shows two facing peacocks amid foliage, bordered above and below by fish swimming in a deep blue sea. The borders consist of Islamic, Persian style arches with fleur-de-lis and swirls, in light blue, dark blue and manganese red."}],"exhibitions":[{"@link":{"type":"reference"},"admin":{"id":"exhibition-2732","uid":"adlib-exhibition-2732","uuid":"d4dde49f-0411-39cb-9202-dca911bef287"},"summary_title":"The Wonder of Birds"}],"identifier":[{"accession_number":"C.1-1976","primary":true,"type":"accession number","value":"C.1-1976"},{"priref":"15381","type":"priref","value":"15381"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/15381","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/15381"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by the Friends of the Fitzwilliam Museum"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149645","uid":"adlib-agent-149645","uuid":"10925b71-6838-30f7-a8dd-b68a2afaa14d"},"summary_title":"The Friends of the Fitzwilliam Museum"}],"date":[{"earliest":1976,"latest":1976,"value":"1976-01-29"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1976-01-29"}]}],"creation":[{"date":[{"earliest":1888,"from":{"earliest":1888,"era":["CE"],"latest":1888,"precision":"circa","value":"1888"},"latest":1898,"range":true,"to":{"earliest":1898,"era":["CE"],"latest":1898,"value":"1898"}}],"maker":[{"@link":{"role":[{"value":"maker"}],"type":"reference"},"admin":{"id":"agent-153880","uid":"adlib-agent-153880","uuid":"44b43624-6544-3415-890a-4a89c4a1a170"},"summary_title":"William De Morgan & Co."},{"@link":{"role":[{"value":"designer"}],"type":"reference"},"admin":{"id":"agent-34602","uid":"adlib-agent-34602","uuid":"7d602658-e69d-374c-bb70-7a06b575ac7b"},"summary_title":"De Morgan, William Frend"}],"note":[{"value":"De Morgan produced tiles and lustre-ware in Chelsea from 1872, and at Merton Abbey (next door to Morris\u2019s factory) from 1882-8. From 1888-98 he set up at Sands End, Fulham, in partnership with the architect Halsey Ricardo (1854-1928), continuing from 1898-1907 with his kiln-master Frank Iles and decorators Charles and Fred Passenger as his partners. De Morgan made many, many designs for tiles and tile panels \u2013 some 820 are in the V&A collection. There exists a near-identical, though differently coloured, peacock panel, made at Sands End (see Greenwood). The same fish design and a different peacock scene were used, c.1904-1907, for the winter garden at 8 Addison Road, West London, a house designed by Halsey Ricardo for the retailer Sir Ernest Debenham."},{"value":"William Frend De Morgan (1839-1917), now widely regarded as the most important ceramicist of the Arts & Crafts movement, also worked in stained glass and became a successful novelist. The son of a non-conformist mathematics professor, he became a close friend of William Morris and Edward Burne-Jones and married the Pre-Raphaelite painter Evelyn Pickering (1855-1919), in 1887. As a ceramicist, De Morgan was primarily a designer\/decorator and chemist, working on bought-in blanks or pots thrown to his design. He experimented widely with techniques and glazes, re-discovering methods for making and applying lustres and the colours of  Iznik and Persian pottery and using them for a range of complex fantasy designs featuring ships, birds, flora and animals."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-108070","uid":"adlib-term-108070","uuid":"7e278258-23e3-3d5b-a4ff-ab5ecacb4bf3"},"summary_title":"19th Century, 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