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At top left is a flying duck; at bottom right the same design, reversed. At top right and bottom left is a heron with raised wings. In the centre is another bird (perhaps a magpie), front facing, with splayed legs and raised tail. Alternating with these are green glass quarries, each with a daisy-like plant with three flowers and four crescent-shaped buds. 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The hinged cover with a Chinese rock crystal Buddhist lion surrounded by leafy foliage (two pieces missing) and a silver palisade, surmounted by a hoop with silver bell, the underside of the cover with an agate, surrounded by silver foliage. The cast silver handle is in the form of a winged lion with a carved elephant-ivory head, and the spout is cast in the form of an antelope's head with emerald eye, with a silver stopper attached by a chain. The foot is engraved with a hedgehog, a frog, a mouse, and a wren with a worm in its beak, and the 'signature' 'I WREN' for Jenny Wren. 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His eclectic taste, love of vivid colouring, and super-abundant inventive powers brought forth a stream of idosyncratic designs for buildings and domestic objects.  He took inspiration from myriad places, cultures and sources, which resulted in an eclectic and fantastical style that he applied to all of his designs. He designed this complex decanter for use in his own home, where it complemented the brightly coloured interiors and painted furniture that he had commissioned from artists such as Rossetti and Burne-Jones. \n\nThis decanter demonstrates his flair for combining disparate elements to create an aesthetically satisfying whole. Burges had already conceived the design in 1858, when a similar vessel was shown with several pieces of metalwork in a watercolour serving as the frontispiece of his Orf\u00e8vrerie Domestique (RIBA Drawings collection). On the 10th, 11th and 12th sheets of this, there are further drawings for the decanter, the last of which is dated 1864. It was made in 1865 as were two variants: one made for Burges himself, now in the Cecil Higgins Art Gallery, Bedford; the other made for James Nicholson, and now in the Victoria and Albert Museum (see Documentation). The decoration of the mounts is reminiscent of early medieval crucifixes studded with re-used Roman cameos, intaglios, and uncut gemstones. The foliage applied to the body is also medieval in inspiration, as are the animals humorously engraved on the foot. The inscription indicates that Burges paid for the decanter from the fees which he had received for his prize-winning design of 1856 and later modifications to it, for the Crimea Memorial Church in Constantinople. 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