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See p. 77, no. 119, designs for twelve minstrels by Morris c. 1872-4","page":"p. 77","type":"reference"},"admin":{"id":"publication-1518","uid":"adlib-publication-1518","uuid":"315af46e-ff84-3d40-9b3d-c672c35c37ff"},"summary_title":"Morris & Company in Cambridge"},{"@link":{"notes":"Publ. (without image) Catleugh states that the smaller tiles round the two larger ones were made by De Morgan, and notes the high quality of the cobalt blue used here. He also suggests that the central tiles may have also been painted by De Morgan, as the background follows one of his known designs (Fig. 66).","page":"pp. 57-8, 71","type":"reference"},"admin":{"id":"publication-1513","uid":"adlib-publication-1513","uuid":"7388bc5a-bb83-3835-a489-5c4aa4dc9b88"},"summary_title":"William De Morgan Tiles"},{"@link":{"notes":"Publ. (without image): identifies twelve minstrel designs by Morris, used or tiles and stained glass from c.1870, including a version of this one still in situ at Findon church, Sussex. 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Lots 60,59, colour illustration: two panels decorated with minstrel figures holding, respectively, a portable organ and ? a lute. 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At top left is a flying duck; at bottom right the same design, reversed. At top right and bottom left is a heron with raised wings. In the centre is another bird (perhaps a magpie), front facing, with splayed legs and raised tail. Alternating with these are green glass quarries, each with a daisy-like plant with three flowers and four crescent-shaped buds. 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Glass of similar design remains there in the windows of the gallery leading to the back porch. The architect Philip Webb (1831-1915) designed Red House with Morris, as well as three other houses, including Standen, East Grinstead, for which Morris & Company supplied the interiors. Webb was a partner in Morris & Co., and also designed designed  furniture, embroideries, metalwork, jewellery and glass for the business. Webb contributed to window designs up to around 1875. His designs are notable for their crispness. His pattern wok and borders have been credited with \u2018a distinction unmatched elsewhere in 19th Century stained glass\u2019 (see Sewter)."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106853","uid":"adlib-term-106853","uuid":"25492eb4-1164-35eb-8dce-3601486f3415"},"summary_title":"19th Century"},{"@link":{"type":"reference"},"admin":{"id":"term-15214","uid":"adlib-term-15214","uuid":"744af2c4-a2f2-37ad-bbf4-2cd00e91ed9b"},"summary_title":"Victorian"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-133197","uid":"adlib-term-133197","uuid":"9c1c4791-dc90-3e69-a6f3-2c68cff2d78b"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Red Lion Square"}]}]},"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"55"},{"dimension":"Height","units":"in","value":"21.675"},{"dimension":"Width","units":"cm","value":"59"},{"dimension":"Width","units":"in","value":"23.25"}]},"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-109983","uid":"adlib-term-109983","uuid":"e1f98f1e-73a2-3c73-9a65-42ff7cbf1bb8"},"summary_title":"panel (stained glass)"}},{"value":"stained glass panel"}],"note":[{"type":"history note","value":"Bought from Morris & Company by previous owner, 1940. 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P.19: notes \u2018According to the previous owner, these quarries were removed from the windows of the nursery in Red House\u2019.","page":"12,19","type":"reference"},"admin":{"id":"publication-1518","uid":"adlib-publication-1518","uuid":"315af46e-ff84-3d40-9b3d-c672c35c37ff"},"summary_title":"Morris & Company in Cambridge"},{"@link":{"notes":"Cf. No.49: lists hand painted glass by Philip Webb: \u2018windows, made up of forty-four individual panes leaded together, alternating designs of birds and flowers [\u2026] reputed to come from \u2018Red House\u2019, Bexley, where glass of similar design still remains.\u2019 The Fitzwilliam panel may be a section of this.","page":"p. 33","type":"reference"},"admin":{"id":"publication-1514","uid":"adlib-publication-1514","uuid":"911f2bf7-f992-34e4-9f1c-71a295193c1b"},"summary_title":"Morris and Company"},{"@link":{"notes":"Cf. a very similar panel of six quarries, using the same three birds and the daisy-plant design, labeled \u2018reputed to come from Red House\u2019 [probably also in the exhibition above]; also brief information about Webb\u2019s life and career.","page":"28","type":"reference"},"admin":{"id":"publication-3487","uid":"adlib-publication-3487","uuid":"00ddb198-deb4-33d0-a55f-07a5a4d92b25"},"summary_title":"Architect-Designers, Pugin to Mackintosh"},{"@link":{"notes":"Cf. Figs 308, four six inch tin-glazed tiles, decorated in over-glaze blue, including the duck and heron designs, 1860s- early 1870s; two quarries painted in black and yellow, including the magpie,1861-65; all designs attributed to Philip Webb. Fig.46, stained glass quarries at Sandroyd, originally the home of the artist John Roddam Spencer Stanhope (1829-1908), including the flying duck and several similar floral tiles (though not with daisies). Plate 2d: colour ill. Of flying duck tile (and two others).","page":"10,26","type":"reference"},"admin":{"id":"publication-7539","uid":"adlib-publication-7539","uuid":"e10bc805-e77d-3ce5-8512-db3843148df0"},"summary_title":"William Morris Tiles : The tile designs of Morris and his fellow-workers"},{"@link":{"notes":"Cf. (not ill.) two small rectangular panels in windows on the stairs at Red House, each containing a figure set among rectangular quarries with birds and formalised flowering plants. 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