[{"admin":{"added":1592970190000,"created":1312636875000,"id":"publication-1570","indexed":1616540221165,"modified":1460372920000,"processed":1615826492479,"source":"adlib","stream":"fitz-online","uid":"adlib-publication-1570","uuid":"587a2fe6-cae3-3832-a62b-2a2a1a3714e5","version":2},"lifecycle":{"publication":[{"date":[{"value":"1981"}],"place":[{"@link":{"type":"literal"},"name":[{"value":"London"}],"summary_title":"London"}]}]},"summary_title":"Splendours of the Gonzaga","title":[{"primary":true,"value":"Splendours of the Gonzaga"}],"type":{"base":"publication"}},{"current_page":1,"data":[{"_index":"ciim","_type":"data","_id":"adlib-object-15553","_score":19.867615,"_source":{"admin":{"added":1592995815000,"created":1312637261000,"flag":"Standard Record","id":"object-15553","indexed":1756836093428,"modified":1714464867000,"processed":1756836091182,"source":"adlib","stream":"fitz-online","uid":"adlib-object-15553","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/15553","uuid":"c8b4d32e-8124-3098-8796-c290951f55c4","version":12},"agents":[{"@link":{"note":[{"value":"not known whether the tile was from Marmirolo or the Castel San Giorgio, Mantua"}],"type":"reference"},"admin":{"id":"agent-184884","uid":"adlib-agent-184884","uuid":"0c9c53e9-9951-3dd2-978a-b6e9b5bf4c60"},"summary_title":"Francesco II Gonzaga"},{"@link":{"note":[{"value":"not known whether the tile was from Marmirolo or the Castel San Giorgio, Mantua"}],"type":"reference"},"admin":{"id":"agent-184883","uid":"adlib-agent-184883","uuid":"2fc30f28-ebb4-339f-a724-f32b1854174a"},"summary_title":"Isabella d'Este"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108348","uid":"adlib-term-108348","uuid":"667e7a19-db33-3d85-bd9b-c2dafd8e02ff"},"summary_title":"tin-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"}],"component":[{"materials":[{"note":[{"value":"blue, green, dark yellow and manganese"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108364","uid":"adlib-term-108364","uuid":"115b8729-a560-35c1-b654-4b9d2fc5f68b"},"summary_title":"high-temperature colours"}}],"name":"Decoration","techniques":[{"note":[{"value":"blue, green, dark yellow and manganese"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}]},{"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}}],"name":"Front","techniques":[{"description":[{"value":"earthenware, tin-glazed white on the upper surface and painted in blue, green, dark yellow and manganese; the back has been carved out to produce three concentric circles and triangular depressions in the corners"}],"note":[{"value":"white"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120059","uid":"adlib-term-120059","uuid":"dfa315b5-819d-37ab-ab22-bddfdbb3cbe7"},"summary_title":"tin-glazing"}}]}],"department":{"value":"Applied Arts"},"description":[{"value":"Maiolica floor or pavement tile, painted in blue, green, yellow and manganese with a hound sejant muzzled and leashed."},{"value":"Very pale buff earthenware, tin-glazed white on the upper surface and painted in blue, green, dark yellow and manganese. Square with deep sides. The back has been scooped out to produce three raised concentric rings. On the front, a white hound sejant in profile to the right with its head turned sharply to the right. The hound is outlined and shaded in blue and wears a dark yellow muzzle with a leash of the same colour coiling out behind it. The ground is green with yellow patches and tufts of blue grass. The background is manganese."}],"exhibitions":[{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"},{"@link":{"catalogue":"183","type":"reference"},"admin":{"id":"exhibition-2376","uid":"adlib-exhibition-2376","uuid":"3e2208a0-ad25-3b64-b03f-cb63aa00fd02"},"summary_title":"Treasured Possessions from the Renaissance to the Enlightenment"}],"identifier":[{"accession_number":"C.61-1927","primary":true,"type":"accession number","value":"C.61-1927"},{"priref":"15553","type":"priref","value":"15553"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/15553","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/15553"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"F. Leverton Harris Bequest, 1926"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-151483","uid":"adlib-agent-151483","uuid":"26fbb332-a159-3961-80ad-ff1bd1a618c2"},"summary_title":"Harris, Frederick Leverton"}],"date":[{"earliest":1927,"latest":1912,"value":"1927-12"}],"method":{"value":"bequeathed"}}],"creation":[{"date":[{"earliest":1492,"from":{"earliest":1492,"era":["CE"],"latest":1492,"precision":"circa","value":"1492"},"latest":1494,"range":true,"to":{"earliest":1494,"era":["CE"],"latest":1494,"value":"1494"}}],"maker":[{"@link":{"qualifier":"probably","role":[{"value":"maker"}],"type":"reference"},"admin":{"id":"agent-153985","uid":"adlib-agent-153985","uuid":"6edf9e47-aa3d-3506-b4c7-210b3dee06fe"},"summary_title":"Antonio dei Fedeli"}],"note":[{"value":"A white hound sejant (seated), muzzled and leashed, symbolizing fidelity, was a device adopted by Gianfrancesco Gonzaga (1395-1444), first Marquis of Mantua. It was one of eight Gonzaga devices pictured on tiles commissioned from Pesaro in 1493 by Giovanni Sforza on behalf of Marquis Francesco II Gonzaga (1466-1519) for his villa at Marmirolo. However, on their arrival at the Castel San Giorgio in Mantua on 1 June 1494, some of them were laid in the studiolo of his wife, Isabella d'Este (1474-1539). The project seems to have been undertaken partly for aesthetic reasons and partly as a measure to rid the room of mice which had been nesting under the floorboards. Apart from this, maiolica pavements were not very practical in domestic situations because their colourful designs were gradually worn away by people's feet. The back of this tile, like some of the others from this pavement, was scooped out to produce three concentric circles. This may have been done to speed the drying of the tiles before firing or to prevent them warping in the kiln.\nThe potter's name was not mentioned in the surviving corres\u00acpondence of 1493-4 concerning the tiles, but he may have been Antonio dei Fedeli of Pesaro, who was active in Pesaro between 1458 and 1509. On 7 May 1496 wrote to Isabella asking to be paid for tiles for which he had been prom\u00acised payment six months earlier. Presumably these were a differ\u00acent order but it seems likely that, having been satisfied with the tiles decorated with devices, Isabella would have extended her patronage to the same potter for another commission.\nThe other seven emblems on the tiles were  the arms of Gonzaga; a dove perching on a coiled and smoking fuse inscribed `VRAI AMOVR NESE CHANGE' (true love does not change); a sunburst interwoven by two ribbons inscribed `PER VND\/IXIR' (for a desire); a white doe below a scroll inscribed `BIDER GRAFT' (righteous power); a three-tiered island surmounted by a diamond and surrounded by smoking brands, inscribed on the lowest tier of the island in Greek `AMVMOC' (blame\u00acless); a muzzle over a ribbon inscribed `CAVTIVS' (more cautiously); and a steel gauntlet attached to a ribbon inscribed `BVENA FE NONES MVDABLE' (good faith is unchangeable). \nAfter her husband's death, Isabella moved to different apart\u00acments on the ground floor of the Corte Vecchia, and recreated her studiolo there. The first studiolo no longer exists and the subsequent history of the tiles is unknown until some, whether from there or from Marmirolo is not clear, were recorded in the collec\u00actions of Attilio Portioli of Mantua and Willelmo Braghirolli in 1878. Those now in the museum collec\u00actions were acquired after that date. See the Documentation for locations."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106437","uid":"adlib-term-106437","uuid":"59e72604-922d-3194-ac46-27c1c5ac76a4"},"summary_title":"15th Century, Late"},{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113179","uid":"adlib-term-113179","uuid":"e74d25a1-07c3-3a30-b91b-004673211ee5"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"}]],"summary_title":"Pesaro"}]}]},"materials":[{"note":[{"value":"very light 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title","value":"Maiolica pavement tile with a white hound"}]},"type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-30977","uid":"adlib-term-30977","uuid":"fd3a0487-abe3-340b-bcf0-614e3e3de91f"},"summary_title":"floor tile"},"type":"object name"},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"},"type":"category"},{"value":"pavement tile"}],"note":[{"type":"history note","value":"From a series of tiles commissioned for the Gonzaga for a pavement in his villa at Marmirolo, but also used in Isabella d'Este studiolo in the Castello di San Giorgio at Mantua. Purchased from Durlacher Bros., 142 New Bond Street, London, on 20 February 1920 by F. Leverton Harris ( 1864-1926)."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. Illustrated, p. 269","page":"p. 269","type":"reference"},"admin":{"id":"publication-200000551","uid":"adlib-publication-200000551","uuid":"3207842e-cdf8-3183-9744-0a826b8bb725"},"summary_title":"Italian maiolica in the collection of the Right Hon. F. Leverton Harris - I"},{"@link":{"notes":"Publ. Illustrated, pl. VIIIE and pl. XIV, third shelf down on the right side at the back. See also p. 6 of text.","page":"p. 6","type":"reference"},"admin":{"id":"publication-1569","uid":"adlib-publication-1569","uuid":"4825b83f-3a92-3c6d-b58b-2686ea0509e0"},"summary_title":"The Leverton Harris Collection"},{"@link":{"type":"reference"},"admin":{"id":"publication-1571","uid":"adlib-publication-1571","uuid":"4e0f6f47-bf3a-3285-8417-f9bff14edde2"},"summary_title":"Victoria and Albert Museum, Catalogue of Italian Maiolica"},{"@link":{"notes":"Publ. Mentioned. Fake for the 1911 exhibition in Paris?, p. 45, no. 89","page":"p.45","type":"reference"},"admin":{"id":"publication-1573","uid":"adlib-publication-1573","uuid":"847520ff-9058-30e2-b93b-f574486a1f1f"},"summary_title":"Decorative Arts of the Italian Renaissance 1400-1600"},{"@link":{"notes":"Publ. pp. 283-4, no. 357, where literature and locations of other examples are cited.","page":"pp. 283-4","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. pp. 28-9, no. 9, and  front cover","page":"28-9","type":"reference"},"admin":{"id":"publication-3378","uid":"adlib-publication-3378","uuid":"e4a41d6d-c98c-3959-bcb4-041c12eeb88c"},"summary_title":"Fitzwilliam Museum Handbooks, Italian Maiolica"},{"@link":{"notes":"Publ. back cover, and p. 48, fig. 31, where the problem of mice and rats is mentioned.","page":"p. 48","type":"reference"},"admin":{"id":"publication-1576","uid":"adlib-publication-1576","uuid":"34b8dbd3-6101-37d4-b573-0989a84b02c2"},"summary_title":"The Scholar in his Study"},{"@link":{"notes":"Publ. p. 12, illustrated","page":"12","type":"reference"},"admin":{"id":"publication-6374","uid":"adlib-publication-6374","uuid":"ca695373-60c6-3457-9c4c-0105050abb24"},"summary_title":"The Dog, 5000 Years of the Dog in Art"},{"@link":{"type":"reference"},"admin":{"id":"publication-7751","uid":"adlib-publication-7751","uuid":"cfa79c6e-ae29-31e3-85fa-3a838db1be3c"},"summary_title":"Treasured Possessions from the Renaissance to the Enlightenment"},{"@link":{"type":"reference"},"admin":{"id":"publication-1570","uid":"adlib-publication-1570","uuid":"587a2fe6-cae3-3832-a62b-2a2a1a3714e5"},"summary_title":"Splendours of the Gonzaga"},{"@link":{"notes":"Cf. Twelve tiles now in the Mus\u00e9e Jacquemart Andr\u00e9, Paris, one with the hound design, pp. 390-393, 'Le Puvimento de la Grotta', ill. on p. 391. Then in the collection of Edouard Andr\u00e9.","page":"pp. 390-3","type":"reference"},"admin":{"id":"publication-200000552","uid":"adlib-publication-200000552","uuid":"dbbe505c-4329-308f-b82a-02a825ea3c43"},"summary_title":"Isabelle d'Este et les artistes de son temps"},{"@link":{"type":"reference"},"admin":{"id":"publication-1572","uid":"adlib-publication-1572","uuid":"c069cd15-a980-3635-b91d-c6323a1457f4"},"summary_title":"L'Italia Splendida"},{"@link":{"notes":"Cf. Six tiles in the Louvre, one with the hound design, pp. 44-6, nos. 158-163, no. 160 on pp. 44-5, Louvre Inv. OA 6342C is the hound tile.","page":"pp. 44-6","type":"reference"},"admin":{"id":"publication-1574","uid":"adlib-publication-1574","uuid":"159ac368-4d4c-3d0c-a949-566b288054c6"},"summary_title":"Catalogue des majoliques des mus\u00e9es nationaux"},{"@link":{"notes":"Cf. Eight tiles in the Museo Castello Sforzesco, Vol. V, colour plate 52 and see p. 282, no. 52. Museo Castello Sforzesco, nos. 24-30 and 352. There are seventeen tiles in Mus\u00e9e Jacquemart-Andr\u00e9, see Institut de France, Mus\u00e9e Jacquemart-Andr\u00e9, Catalogue itineraire, 7th edn., 1933, p. 130, no. 917. Acquired from Angiolini, Bologna, 1893.","page":"p. 282","type":"reference"},"admin":{"id":"publication-1575","uid":"adlib-publication-1575","uuid":"ba63987d-d256-3a38-831a-07afe71f63c2"},"summary_title":"Masterpieces of Western Ceramics, Italian Ceramics"},{"@link":{"type":"reference"},"admin":{"id":"publication-1584","uid":"adlib-publication-1584","uuid":"b61dbd8b-dd02-33e0-92bb-88847c71de61"},"summary_title":"Isabella d'Este Furstin und Mazenatin der Renaissance"},{"@link":{"notes":"Cf. pp. 239-243, nos. 249-56. The author, Grazia Biscontini Ugolini, provides a fuller account of the tiles than the earlier references given here.","page":"239-43","type":"reference"},"admin":{"id":"publication-3413","uid":"adlib-publication-3413","uuid":"8c672f50-56ae-3905-934c-aeda20f7cede"},"summary_title":"Milan, Museo d'Arti Applicate, Le ceramiche, Tomo primo"},{"@link":{"notes":"Cf. p. 170 pl. 199, colour illustration of floor tile with VRAI AMOVR NESE CHANGE, (V. & A inv. 334:6-1903). p. 171 pl. 200 four Gonzaga floor tiles from the same set, the hound at lower left.  Attributed to Pesaro, c. 1494. Workshop of Antonio Fedeli. 23.5 x 23.5 cm. (V. & A. inv. nos. 334:1-5-1903)","page":"170","type":"reference"},"admin":{"id":"publication-7526","uid":"adlib-publication-7526","uuid":"ceb92dd4-7854-3192-82d7-ddfa5f0f3dd4"},"summary_title":"Italian Renaissance Maiolica"},{"@link":{"notes":"Cf. pp. 56-7, no. 19 six tiles from the pavement with Gonzaga emblems in the Louvre, inv. nos. OA 6432A-F. The white hound tile similar to the Fitzwilliam's is illustrated as C on p. 56. Attributed to the workshop of Antonio dei Fedeli, Pesaro c. 1493-4.","page":"56-7","type":"reference"},"admin":{"id":"publication-8945","uid":"adlib-publication-8945","uuid":"9af956eb-b189-300f-96c4-6f5724ebad10"},"summary_title":"Majolique, La fa\u00efence italienne au temps des humanistes 1480-1530"},{"@link":{"notes":"Cf. pp. 218-21, no. 38, a tile with the impresa of a sun face and a scroll inscribed  'PER VN DIXIR., adopted by Marquess Ludovico II (1412-78) of Mantuq following his defeat at the Battle of Caravaggio in 1448. This tile was donated to the Courtauld Gallery in 2020. See Sani, 2023.","page":"218-21","type":"reference"},"admin":{"id":"publication-8439","uid":"adlib-publication-8439","uuid":"28a20a57-b6c1-390d-898a-0896650411e9"},"summary_title":"Maiolica before Raphael. Italian ceramics before 1500"},{"@link":{"notes":"Cf. pp. 383-5, no. 201, a tile painted with the arms of Gonzaga from the same group, in the Ashmolean Museum, Oxford, inv. no. WAQ 2001.38. This was formerly in the collection of Dr Otto Lanz of Amsterdam  (1865-1935).","page":"383-5","type":"reference"},"admin":{"id":"publication-8466","uid":"adlib-publication-8466","uuid":"4c005d49-2023-314f-8cdd-34a2a03f0c7e"},"summary_title":"Italian Maiolica and Europe"},{"@link":{"notes":"Cf. pp. 59-63, no. 3 a tile with the Gonzaga emblem, a sun with a human facet and the motto PER UM DIXIR for a desire) on a ribbon. The author discusses the circumstances of the commission and mentions the other emblems used on the tiles. The tile differs from the Fitzwilliam's in having only one circle cut into the reverse.","page":"59-63","type":"reference"},"admin":{"id":"publication-8943","uid":"adlib-publication-8943","uuid":"29e4cc2a-e0e8-3153-be27-f107624f1cd0"},"summary_title":"Italian Maiolica and Other Modern Ceramics in the Courtauld Gallery"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"subjects":[{"@link":{"type":"reference"},"admin":{"id":"term-129156","uid":"adlib-term-129156","uuid":"8f319524-dfb9-3ba8-8dca-711353acbfdc"},"summary_title":"Marmirolo"},{"@link":{"type":"reference"},"admin":{"id":"term-75037","uid":"adlib-term-75037","uuid":"b7278bfa-9db3-39c2-8218-6b4932875a16"},"summary_title":"Mantua"},{"@link":{"relation":"animal","type":"reference"},"admin":{"id":"term-106792","uid":"adlib-term-106792","uuid":"9dad6dce-12d1-35e5-82ba-35b95d0e469a"},"summary_title":"hound"},{"@link":{"relation":"activity","type":"reference"},"admin":{"id":"term-107877","uid":"adlib-term-107877","uuid":"d3fd41d2-8962-3d09-a893-f20ebb772237"},"summary_title":"sitting"},{"@link":{"type":"literal"},"name":[{"value":"hound"}],"summary_title":"hound"},{"@link":{"type":"literal"},"name":[{"value":"sitting"}],"summary_title":"sitting"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-30977","uid":"adlib-term-30977","uuid":"fd3a0487-abe3-340b-bcf0-614e3e3de91f"},"summary_title":"floor tile"}},"summary_title":"floor tile","type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-47188","_score":19.10273,"_source":{"admin":{"added":1592996542000,"created":1312637261000,"flag":"Standard Record","id":"object-47188","indexed":1747332253516,"modified":1747334399000,"processed":1747332251818,"source":"adlib","stream":"fitz-online","uid":"adlib-object-47188","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/47188","uuid":"f49f9386-a01a-3cd8-b876-aecf6f8c7c3e","version":19},"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-181542","uid":"adlib-agent-181542","uuid":"da006a67-b6de-3204-8166-b772b46fcd1c"},"summary_title":"Este, Isabella d'"},{"@link":{"type":"reference"},"admin":{"id":"agent-181541","uid":"adlib-agent-181541","uuid":"cd2d2c81-dd28-3634-b243-32957ae97b81"},"summary_title":"Damiron, Charles"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-152828","uid":"adlib-agent-152828","uuid":"bf1eaa77-6bb1-32f5-84b3-31c915eaad0d"},"summary_title":"Peleus"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-152819","uid":"adlib-agent-152819","uuid":"4ae7c947-95ea-3b89-9fdf-73e88151f96b"},"summary_title":"Thetis"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108348","uid":"adlib-term-108348","uuid":"667e7a19-db33-3d85-bd9b-c2dafd8e02ff"},"summary_title":"tin-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"}],"component":[{"materials":[{"note":[{"value":"metallic oxide colours"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108364","uid":"adlib-term-108364","uuid":"115b8729-a560-35c1-b654-4b9d2fc5f68b"},"summary_title":"high-temperature colours"}}],"name":"Decoration","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}]},{"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"30.2"}]},"name":"Rim"}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-107486","uid":"adlib-term-107486","uuid":"234fe16e-17e4-3db8-881a-443636aac5ca"},"summary_title":"classical mythology"},{"@link":{"type":"reference"},"admin":{"id":"term-23550","uid":"adlib-term-23550","uuid":"bce302cf-3608-34aa-abf7-dcb9acdd4024"},"summary_title":"heraldry"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Maiolica dish, painted in polychrome with, in the well, the arms of Gonzaga impaling Este, and, on the rim, Peleus and Thetis."},{"value":"Earthenware, tin-glazed overall; the reverse pale beige and speckled. Painted in blue, green, yellow, orange, stone, brown, manganese-purple, black, and white. Shape 56 (Poole 1995). circular with broad, almost flat rim, and deep well; the underside of the rim moulded with three bands of reeding.In the well, within narrow blue and yellow concentric circles, two putti support a shield charged with the arms of Gonzaga impaling Este: argent, a cross patty gules cantoned by four eagles displayed sable (Gonzaga modern granted 1433), an escutcheon overall, quarterly, 1, 4, gules a lion rampant argent (Bohemia), 2, 3, barry of six or and sable (Gonzaga ancient) impaling Este, quarterly, 1, 4, azure three fleurs-de-lis or a bordure indented gules, 2, 3, azure an eagle displayed argent (gules shown orange throughout). Below on a scroll is the impresa `XXVII'. The sides are decorated in bianco sopra bianco with palmettes and scrolls, and a blue line encircles the shoulder. The rim is decorated with Peleus and Thetis. Peleus stands beneath a tree, gazing at Thetis, who sleeps nude on the ground in front of him. Further to the right she is transformed into a swan-like bird as he embraces her, and then into a dragon from which he turns away in horror. Higher up on the right, a goddess appears to Peleus who kneels before an altar. In the distance there is a mountainous landscape and sky. Suspended from the tree there is a shield of testa di cavallo form charged with the impresa of gold rods in a crucible surrounded by flames in a blue ground. The edge is yellow. On the back there is a narrow yellow band round the base and a wider band on the edge."}],"exhibitions":[{"@link":{"catalogue":"No. 136","type":"reference"},"admin":{"id":"exhibition-1607","uid":"adlib-exhibition-1607","uuid":"067f0641-1c25-3855-871f-ee848d69bdc9"},"summary_title":"Splendours of the Gonzaga"},{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"},{"@link":{"catalogue":"211","type":"reference"},"admin":{"id":"exhibition-2376","uid":"adlib-exhibition-2376","uuid":"3e2208a0-ad25-3b64-b03f-cb63aa00fd02"},"summary_title":"Treasured Possessions from the Renaissance to the Enlightenment"},{"@link":{"type":"reference"},"admin":{"id":"exhibition-3944","uid":"adlib-exhibition-3944","uuid":"efb64902-4239-3ac6-accf-83ab547bb095"},"summary_title":"National Treasures: Botticelli in Cambridge"}],"identifier":[{"accession_number":"EC.30-1938","primary":true,"type":"accession number","value":"EC.30-1938"},{"priref":"47188","type":"priref","value":"47188"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/47188","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/47188"}],"inscription":[{"description":[{"value":"Rectangular with cut corners, printed in black `UNION\/CENTRALE' and inscribed in faded black ink with `155\/3657' between the two words"}],"location":"on the back","method":"printed in black and inscribed in faded black ink","transcription":[{"value":"'UNION\/1555\/3657\/CENTRALE'"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Purchased with the Glaisher fund"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-150858","uid":"adlib-agent-150858","uuid":"d36d1847-4d6a-33eb-974b-f4b061db49f9"},"summary_title":"Sotheby's"}],"date":[{"earliest":1938,"latest":1938,"value":"1938-06-16"}],"method":{"value":"bought"},"note":[{"value":"accession date was given as the date of the sale, not of the Syndicate"}]}],"creation":[{"date":[{"earliest":1524,"from":{"earliest":1524,"era":["CE"],"latest":1524,"precision":"circa","value":"1524"},"latest":1525,"range":true,"to":{"earliest":1525,"era":["CE"],"latest":1525,"value":"1525"}}],"maker":[{"@link":{"role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-99016","uid":"adlib-agent-99016","uuid":"d1d63237-ac23-350a-897d-50f3369e87e8"},"summary_title":"Nicola di Gabriele Sbraghe da Urbino"}],"note":[{"value":"The potter, Nicola di Gabriele Sbraghe, known as Nicola da Urbino, was a workshop owner in Urbino from at least 1520 until his death at the end of 1537 or in January 1538. He was also a brilliant maiolica painter, whose work has been identified by comparison with five pieces of istoriato maiolica monogrammed or signed by him. Nicola painted in an exquisitely delicate manner, and was unusually imaginative in his adaptation of printed sources and in the creation of architectural and landscape backgrounds. His output of the 1520s, which includes several armorial services, is regarded as the acme of maiolica decoration."},{"value":"This exquisite dish formed part of a service which belonged to Isabella d'Este (1474-1539), widow of Francesco Gonzaga, fourth Marchese of Mantua (1466-1519).  It was made between 1522 and 1525, and may have been the service given to Isabella probably in November 1524 by her daughter, Eleanora, Duchess of Urbino, who thought that she might like to use it in her villa at Porto near Mantua. Twenty-two dishes and one fragmentary dish are known, two decorated with biblical scenes and the rest with subjects from classical mythology or history. Each dish also bears the arms of Gonzaga impaling Este, and one or more of Isabella's imprese (a device or emblem) or her initials YS intertwined. On this dish the arms are surrounded by bianco sopra bianco decoration, and the rim is decorated with the story of Peleus and Thetis from Ovid's Metamorphoses, Book XI. Having found the sea goddess Thetis asleep on the shore, Peleus entreated her to make love, but she refused and escaped by transforming herself into different forms. After praying to the sea god Proteus for advice, Peleus successfully overcame the goddess's scruples and she conceived the ill-fated hero, Achilles. Nicola based the figures on a woodcut illustration in Giovanni dei Bonsignori's Ovidio methamorphoseos vulgare, Venice (Giovanni Rosso da Vercelli for Lucantonio Giunta), 1497 or a later edition. Two imprese are shown: `XXVII' sounding like vinti s\u00e8te, (you are defeated), and gold bars in a crucible, which Isabella's husband adopted in 1495 to signify his integrity after successfully withstanding an accusation of 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Mentioned and illustrated p. 256, fig. VIII","page":"256","type":"reference"},"admin":{"id":"publication-200000981","uid":"adlib-publication-200000981","uuid":"d52556bc-fa74-31cc-b6dd-a883bfdb7474"},"summary_title":"The Damiron Collection of Italian Maiolica II"},{"@link":{"notes":"Publ. Mentioned on p. 92, and illustrated pl. XXII. Other dishes from the services are listed.","page":"92","type":"reference"},"admin":{"id":"publication-200000982","uid":"adlib-publication-200000982","uuid":"7a02b5b1-63e9-39d9-af7c-eb3225aa4293"},"summary_title":"Ancora nuovi piatti del servizio d'Isabella d'Este-Gonzaga"},{"@link":{"notes":"Publ. Vol. II, p. 16, fig. 120, and see vol. I, p. 30","page":"16","type":"reference"},"admin":{"id":"publication-3029","uid":"adlib-publication-3029","uuid":"80945d1b-c823-332c-b5d2-29f0090b906e"},"summary_title":"R\u00e9pertoire de la majolique italienne"},{"@link":{"notes":"Publ. 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