[{"admin":{"added":1592970190000,"created":1312636875000,"id":"publication-1571","indexed":1756836092949,"modified":1756819463000,"processed":1756836091178,"source":"adlib","stream":"fitz-online","uid":"adlib-publication-1571","uuid":"4e0f6f47-bf3a-3285-8417-f9bff14edde2","version":8},"lifecycle":{"publication":[{"date":[{"value":"1940"}],"place":[{"@link":{"type":"literal"},"name":[{"value":"London"}],"summary_title":"London"}]}]},"summary_title":"Victoria and Albert Museum, Catalogue of Italian Maiolica","title":[{"primary":true,"value":"Victoria and Albert Museum, Catalogue of Italian Maiolica"}],"type":{"base":"publication"}},{"current_page":1,"data":[{"_index":"ciim","_type":"data","_id":"adlib-object-79589","_score":16.321386,"_source":{"admin":{"added":1592970439000,"created":1312637261000,"flag":"Standard Record","id":"object-79589","indexed":1756836093015,"modified":1756820443000,"processed":1756836091215,"source":"adlib","stream":"fitz-online","uid":"adlib-object-79589","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/79589","uuid":"43093897-a7fc-378f-a268-3572433e298d","version":11},"agents":[{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-160374","uid":"adlib-agent-160374","uuid":"2b38ae2f-690b-3048-b9c7-0da25326ee3f"},"summary_title":"Hero"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-160373","uid":"adlib-agent-160373","uuid":"0aaecf15-ba8b-3924-a7a8-65784d378975"},"summary_title":"Leander"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-150796","uid":"adlib-agent-150796","uuid":"ec5a0c8a-e54c-3735-adea-0fd5dd14f994"},"summary_title":"Cupid"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108348","uid":"adlib-term-108348","uuid":"667e7a19-db33-3d85-bd9b-c2dafd8e02ff"},"summary_title":"tin-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"}],"component":[{"materials":[{"note":[{"value":"blue, greyish-green, yellow, orange, shades of brown, and black; the reverse is pale beige"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108364","uid":"adlib-term-108364","uuid":"115b8729-a560-35c1-b654-4b9d2fc5f68b"},"summary_title":"high-temperature colours"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}}],"name":"Decoration"}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-1111","uid":"adlib-term-1111","uuid":"46c949dd-f376-3538-878f-397baee5be09"},"summary_title":"mythology"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Earthenware, tin-glazed, painted in blue, greyish-green, yellow, orange, shades of brown, and black; the reverse is pale beige and has several pin holes. Circular with wide sloping rim and shallow curved well, convex in the centre.\nThe front is decorated overall with the Suicide of Hero. In the foreground, Leander lies drowned in the Hellespont. On the right, a man seated on a rock looks towards him, raising his right arm. On the left, Cupid stands holding a flaming torch. In the background there is an archway inscribed 'AMOR.NE. CAVSA' (Love is the cause of it), the lower part of a tower, and a doorway with a window above. Hero is shown throwing herself from a window in the tower. The edge is encircled by a very narrow black band and a wide yellow band. The back is decorated with a wreath of blue leaves on a continuous wavy stem. The base is inscribed in blue, 'Leandro in Mare &.\/Hero alla finestra\/.61.\/.S."}],"identifier":[{"accession_number":"C.21-1995","primary":true,"type":"accession number","value":"C.21-1995"},{"priref":"79589","type":"priref","value":"79589"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/79589","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/79589"}],"inscription":[{"location":"on arch","method":"painted","transcription":[{"value":"AMOR.NE.CAVSA"}],"type":"inscription"},{"location":"on base","method":"painted","transcription":[{"value":"Leandro in Mare &.\/Hero alla finestra\/.61.\/.S."}],"type":"inscription"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Purchased with the F. Leverton Harris Fund and the Leonard D. Cunliffe Fund"},"lifecycle":{"acquisition":[{"date":[{"earliest":1995,"latest":1995,"value":"1995"}],"method":{"value":"bought"},"note":[{"value":"Entry date: 1995"}]}],"creation":[{"date":[{"earliest":1561,"era":["CE"],"latest":1561,"note":[{"value":"dated '61'"}],"precision":"dated","value":"1561"}],"maker":[{"@link":{"role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-160372","uid":"adlib-agent-160372","uuid":"02812d23-6ab3-39e0-a4c3-f8e746eed805"},"summary_title":"Sforza di Marcantonio"},{"@link":{"role":[{"value":"printmaker"}],"type":"reference"},"admin":{"id":"agent-97017","uid":"adlib-agent-97017","uuid":"50d126f7-214f-3e19-b339-bffa736d939b"},"summary_title":"Veneziano, Agostino"},{"@link":{"role":[{"value":"printmaker"}],"type":"reference"},"admin":{"id":"agent-35821","uid":"adlib-agent-35821","uuid":"7864b6fe-8b62-333d-b6ff-dcc5decb8942"},"summary_title":"Dente, Marco (Marco da Ravenna)"}],"note":[{"value":"During the second and third decades of the sixteenth century the maiolica industry in Pesaro was less flourishing than in the previous century. This situation improved after Guidobaldo II della Rovere succeeded to the dukedom of Urbino in 1538, because he preferred to live at Pesaro. The presence of the court stimulated local industries, and from around 1540 Pesaro became a significant producer of istoriato maiolica, that is, painted with narrative scenes."},{"value":"Hero was a priestess of Venus at Sestos. Leander, her lover, used to swim the Hellespont to see her, guided by a torch which she held up from the window of a high tower. One night in winter, when Hero had begged him to come despite the inclement weather, he was drowned, and she committed suicide by throwing herself from the tower. The lovers were mentioned in Ovid's Heroides, 18 and 19."},{"value":"Sforza di Marcantonio da Casteldurante was recorded as a potter, and sometimes also as a painter in documents in Pesaro between in 1550 and 1552, and almost every year from 1563 until 1580, when he made his will on 17 November, and probably died shortly after. He signed himself 'SFORZA' on two panels dated 1567, respectively in the British Museum and the Museo Civico Medievale, Bologna. Dishes signed '.S.' in 1561, as this one is, and in some years up to and including 1576, are attributed to him on the basis of similarities with these panels. Sforza's choice of subjects, iconography, and inscriptions suggest that during the late 1530s he had been contact with the Urbino maiolica painter, Francesco Xanto, whose latest signed works are dated in 1542. Several of Sforza's designs closely follow those on plates by Xanto, who painted several dishes with versions of 'Hero and Leander' between 1532 and 1538. Xanto probably knew the story from a translation of Ovid's Heroides, but on the backs of the dishes he quoted from Francesco Petrarch's Trionfi, III, 21 'Leandro in mare ed Hero a la fenestra'  (or Trionfi, II in editions with commentary by Bernardo Ilicini, first published in 1475).  The first dish decorated with this subject which is attributed to Sforza was painted in 1546 (Christie's, 25 May 1962, lot 110); the latest, in the Herzog Anton Ulrich-Museum, Braunschweig, is dated 1576, and initialled '.S.'  Both, like the Fitzwilliam's dish, have an inscription from Petrarch, and the figure of Leander used by Xanto, which was taken from a Marcantonio Raimondi school print, known as the 'Battle with the Cutlass' by Marco Dente (Bartsch, XIV, p 171, no. 211), or Agostino da Veneziano. The three dishes illustrate the persistence of popular themes over a long period, the influence of an outstanding maiolica painter on another, and the repetitive nature of much maiolica painting."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106602","uid":"adlib-term-106602","uuid":"bbb4c00f-eefa-3d64-9441-7a75aa07736e"},"summary_title":"16th Century"},{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113179","uid":"adlib-term-113179","uuid":"e74d25a1-07c3-3a30-b91b-004673211ee5"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"The Marches"}],"summary_title":"The Marches","type":"region"}]],"summary_title":"Pesaro"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"30"},{"dimension":"Height","units":"cm","value":"4.2"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-52825","uid":"adlib-media-52825","uuid":"f29d9a81-9e93-3fdd-9406-554647e4635c"},"processed":{"large":{"format":"jpeg","location":"aa\/aa19\/C_21_1995.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":748}]},"modified":1742584149739,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa19\/mid_C_21_1995.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":508},{"dimension":"width","units":"pixels","value":500}]},"modified":1742584149739,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa19\/C_21_1995.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":748}]},"modified":1742584149739,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa19\/preview_C_21_1995.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":254},{"dimension":"width","units":"pixels","value":250}]},"modified":1742584149739,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}}],"note":[{"type":"history note","value":"Purchased. Given to the vendor's husband by his mother, who bought it an antique shop."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. Front cover, text p. 17","page":"p. 17","type":"reference"},"admin":{"id":"publication-656","uid":"adlib-publication-656","uuid":"e34cd340-f467-31dd-b9f5-160b9af3268b"},"summary_title":"The Fitzwilliam Museum Annual Report, 1995"},{"@link":{"notes":"Publ. pp. 76-7, no. 33","page":"76-7","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. pl. IX","page":"507","type":"reference"},"admin":{"id":"publication-200001861","uid":"adlib-publication-200001861","uuid":"1cca6257-ddc6-3bb1-ab40-c8f8ed41b9f2"},"summary_title":"Recent acquisitions (1995-2004) at the Fitzwilliam Museum, Cambridge"},{"@link":{"notes":"Cf. p. 28, lot 110, ill. pl. X, an unsigned dish decorated with the Suicide of Hero, dated 1546","page":"28","type":"reference"},"admin":{"id":"publication-3411","uid":"adlib-publication-3411","uuid":"fc56d3e1-2db5-3c4b-a36a-60b0a9ce09af"},"summary_title":"Catalogue of Fine Early Continental Glass, Important Italian Majolica"},{"@link":{"notes":"Ref. for Sforza di Marcantonio in Pesaro","page":"7-10","type":"reference"},"admin":{"id":"publication-200001162","uid":"adlib-publication-200001162","uuid":"94b3c1d5-3830-38b6-b5fa-fbb69fa437ba"},"summary_title":"Sforza di Marcantonio: figulo pesarese cinquecentesco"},{"@link":{"notes":"Cf. Dishes attributed to Sforza di Marcantonio, The dish dated 1576 is on p. 351, no. 496.","page":"345-51","type":"reference"},"admin":{"id":"publication-3402","uid":"adlib-publication-3402","uuid":"c8af0496-64ae-35b9-ad9f-d5671244769a"},"summary_title":"Italienische Majolika, Katalog der Sammlung"},{"@link":{"type":"reference"},"admin":{"id":"publication-3409","uid":"adlib-publication-3409","uuid":"24781af6-8b3f-3e49-b0e1-b76724c9bf6f"},"summary_title":"Ceramisti pesaresi nei documenti notarili dell'Archivio di Stato di Pesaro sec. XV-XVIII"},{"@link":{"notes":"Ref. See p. 94, n. 54 for reference to a document recording Sforza di Marcantonio's presence in Pesaro on 17 May 1548","page":"94","type":"reference"},"admin":{"id":"publication-9105","uid":"adlib-publication-9105","uuid":"5cfdd45c-0379-3268-b5ba-70bf8826921a"},"summary_title":"Girolamo e Giacomo Lanfranco dalle Gabicce maiolicari a Pesaro nel secolo XVI,"},{"@link":{"notes":"Ref. For the inscription from Petrarch","page":"228, 230-1","type":"reference"},"admin":{"id":"publication-200001099","uid":"adlib-publication-200001099","uuid":"221e4db2-30b4-37cc-8eac-7bed66fa4d24"},"summary_title":"Francesco Xanto Avelli and Petrarch"},{"@link":{"notes":"Ref. pp. 176-7, no. 129, a panel of the Dead Christ between the Virgin and St John, signed 'SFORZA' and dated 1567.","page":"176-7","type":"reference"},"admin":{"id":"publication-3388","uid":"adlib-publication-3388","uuid":"de185508-79d7-3c40-b470-36c015e8e566"},"summary_title":"Ceramiche occidentale del Museo Civico Medievale di Bologna"},{"@link":{"notes":"Cf. Alessandro Bettini, 'La ceramica a Pesaro tra il XIV e il XVII secolo', pp. 31-95, on p. 79, no. 52 a shallow footed bowl decorated with the Holy family and Shepherds, dated 1543, attributed to the workshop of Girolamo Lanfrance. It had been suggested earlier by a different writer that this bowl might be by Sforza and therefore indicate that he had been in Pesaro at that date.","page":"79","type":"reference"},"admin":{"id":"publication-6388","uid":"adlib-publication-6388","uuid":"1f1298ea-c28b-3905-ad2b-fa59db7d742c"},"summary_title":"Fati di Ceramica nelle Marche dal Trecento al Novecento"},{"@link":{"notes":"Ref. p. 68, no. 98, ill. p. 67, a panel of the Annunciation, signed SFORZA and  dated 1567.","page":"67-8","type":"reference"},"admin":{"id":"publication-3227","uid":"adlib-publication-3227","uuid":"93afae36-69d1-3a32-bcca-d2487b5e0af7"},"summary_title":"Ceramic Art of the Italian Renaissance"},{"@link":{"notes":"Cf. pp. 251-2, no. 265, a plaque decorated with the Crucifixion with the Virgin, Magdalene and St John, attributed to Sforza di Marcantonio, and dated c. 1567 on the grounds of its similarity to the dated Annunciation plaque in the British Museum. The writer of this catalogue entry, Grazia Biscontini Ugolini, provides a survey of the known biography of Sforza and his work. She cites a notarial document of 1564 which states that he had a little workshop in the San Giacomo quarter of Pesaro. (ASP, notaio  Paolo Ubaldi, 26.5;n. 154 B 443 V.10 [1564])","page":"251-2","type":"reference"},"admin":{"id":"publication-3413","uid":"adlib-publication-3413","uuid":"8c672f50-56ae-3905-934c-aeda20f7cede"},"summary_title":"Milan, Museo d'Arti Applicate, Le ceramiche, Tomo primo"},{"@link":{"notes":"Ref. pp. 357-8, no. 211 a devotional panel of the Annunciation, signed 'SFORZA.D.P.' and dated 1567.","page":"357-8","type":"reference"},"admin":{"id":"publication-6434","uid":"adlib-publication-6434","uuid":"4524f0a3-0484-3e51-8720-80332f8ac8a2"},"summary_title":"Italian Renaissance Ceramics: A Catalogue of the British Museum Collection, Volume I and Volume II"},{"@link":{"notes":"Cf. Vol. I, pp. 240-1, n. 728, vol. II, pl. 115. Inv. no. C.756-1925. A dish decorated with Hero and Leander and dated 1535 by Xanto Avelli da Rovigo.","page":"Vol. I, 240-1","type":"reference"},"admin":{"id":"publication-1571","uid":"adlib-publication-1571","uuid":"4e0f6f47-bf3a-3285-8417-f9bff14edde2"},"summary_title":"Victoria and Albert Museum, Catalogue of Italian Maiolica"},{"@link":{"type":"reference"},"admin":{"id":"publication-3721","uid":"adlib-publication-3721","uuid":"3aa50429-7c36-35f8-899a-6ca6df495d5b"},"summary_title":"The Collections of the National Gallery of Art, Systematic Catalogue, Western Decorative Arts, Part I, Medieval, Renaissance and Historicizing Styles including Metalwork, Enamels, and Ceramics"},{"@link":{"notes":"Cf. p. 80, no. 40, a plate decorated with Hero and Leander and signed 'historia y' attributed to Francesco Xanto Avelli,  in Urbino c. 1527-31.","page":"80","type":"reference"},"admin":{"id":"publication-8915","uid":"adlib-publication-8915","uuid":"53de1acc-24ac-39fd-8418-d4ffc3f13e3b"},"summary_title":"Tin-glaze and Image Culture: the MAK Maiolica Collection in its Wider Context"},{"@link":{"type":"reference"},"admin":{"id":"publication-3175","uid":"adlib-publication-3175","uuid":"ab8fd5be-66f6-3413-aa8c-217219863fd3"},"summary_title":"Catalogue of a Collection of Italian Maiolica belonging to Henry Harris"},{"@link":{"notes":"Ref. pp. 141-55, the author examines the influence of Xanto on Sforza di Marcantonio, and illustrates several dishes decorated with the same subject by both painters to demonstrate this.","page":"141-55","type":"reference"},"admin":{"id":"publication-200003334","uid":"adlib-publication-200003334","uuid":"bda9612a-3804-36e3-8893-2bd2c0dd8ef4"},"summary_title":"Xanto e Sforza di Marcantonio"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"subjects":[{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-107506","uid":"adlib-term-107506","uuid":"b8480578-e5b1-3a8d-af71-509dcdbb2223"},"summary_title":"torch"},{"@link":{"relation":"event","type":"reference"},"admin":{"id":"term-113271","uid":"adlib-term-113271","uuid":"f26dffff-4dd0-3376-aa38-fa1718178346"},"summary_title":"Suicide of Hero"},{"@link":{"type":"literal"},"name":[{"value":"torch"}],"summary_title":"torch"},{"@link":{"type":"literal"},"name":[{"value":"Suicide of Hero"}],"summary_title":"Suicide of Hero"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}},"summary_title":"dish","techniques":[{"description":[{"value":"Earthenware, tin-glazed, painted in blue, greyish-green, yellow, orange, shades of brown, and black; the reverse is pale beige and has several pin holes."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120059","uid":"adlib-term-120059","uuid":"dfa315b5-819d-37ab-ab22-bddfdbb3cbe7"},"summary_title":"tin-glazing"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-167279","_score":16.321386,"_source":{"admin":{"added":1592970696000,"created":1312637261000,"flag":"Standard Record","id":"object-167279","indexed":1756836093213,"modified":1584183805000,"processed":1756836091178,"source":"adlib","stream":"fitz-online","uid":"adlib-object-167279","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/167279","uuid":"06e21661-667d-3e62-b7a9-a1895d3383c9","version":4},"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108348","uid":"adlib-term-108348","uuid":"667e7a19-db33-3d85-bd9b-c2dafd8e02ff"},"summary_title":"tin-glazed earthenware"}],"component":[{"materials":[{"note":[{"value":"dark blue, green, yellow, and grey"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108364","uid":"adlib-term-108364","uuid":"115b8729-a560-35c1-b654-4b9d2fc5f68b"},"summary_title":"high-temperature colours"}}],"name":"Decoration","techniques":[{"note":[{"value":"in dark blue, green, yellow, and grey high temperature colours"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}]},{"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}}],"name":"Visible Surface","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120059","uid":"adlib-term-120059","uuid":"dfa315b5-819d-37ab-ab22-bddfdbb3cbe7"},"summary_title":"tin-glazing"}}]},{"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"7.6"}]},"name":"Base"},{"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"8.5"}]},"name":"Rim"}],"department":{"value":"Applied Arts"},"description":[{"value":"maiolica pharmacy jar, painted in blue, green, yellow, and grey, with a label on the front inscribed `PILL=IARIE' (with abbreviations over L and AR) , the date '1541' and the badge of the Celestine Order or of the monastery of Santo Spirito da Sulmona."},{"value":"Squat albarello with waisted sides, short neck, and everted rim. The lower part is narrower than the shoulder and the sides curve outwards slightly at the base. Tin-glazed earthenware painted in dark blue, green, yellow, and grey.  Across the front is a label inscribed 'PILL=IARIE' (with abbreviations over the L and AR) with below, three debased trophies, and above, on a badge, an 'S' surmounted by a patriarchal cross flanked by trophies, surrounded by a garland of leaves, fruits and flowers with ribbons on each side. The back of the neck is dated '1541'."}],"exhibitions":[{"@link":{"catalogue":"42","type":"reference"},"admin":{"id":"exhibition-2112","uid":"adlib-exhibition-2112","uuid":"1b44a817-c808-374a-b58e-0d3cc66768e4"},"summary_title":"A Loan Exhibition of Pottery and Porcelain held in the Fitzwilliam Museum, Cambridge"}],"identifier":[{"accession_number":"C.2184-1928","primary":true,"type":"accession number","value":"C.2184-1928"},{"priref":"167279","type":"priref","value":"167279"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/167279","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/167279"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L. Glaisher Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152564","uid":"adlib-agent-152564","uuid":"c20df94d-f096-3e0b-a9b5-6ddd12161fb7"},"summary_title":"Glaisher, J. W. L., Dr"}],"date":[{"earliest":1928,"latest":1928,"value":"1928"}],"method":{"value":"bequeathed"},"note":[{"value":"Entry date: 1928-12-07"}]}],"creation":[{"date":[{"earliest":1541,"era":["CE"],"latest":1541,"note":[{"value":"dated"}],"value":"1541"}],"maker":[{"@link":{"role":[{"value":"potter"}],"type":"reference"},"admin":{"id":"agent-160666","uid":"adlib-agent-160666","uuid":"8abd57fc-0a2c-3098-b554-189d1d5a4ebe"},"summary_title":"Maestro Mariotto da Gubbio"}],"note":[{"value":"Made either in Gubbio or Castel Durante by Maestro Mariotto da Gubbio. A notarial record of 1523 mentions that Mariotto, nephew of the potter Filippo Sabatini, was taken into the employment of Maestro Giorgio of Gubbio for one year. Mariotto and his uncle were members of the Floris or De Floribus family of potters who were recorded in Gubbio between 1476 and 1642. The style of the decoration has traditionally been associated with Castel Durante, and it is possible that Mariotto moved there or elsewhere, which would account for the 'da Gubbio' after his name on a jar from the set in the V. & A. 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the back has been carved out to produce three concentric circles and triangular depressions in the corners"}],"note":[{"value":"white"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120059","uid":"adlib-term-120059","uuid":"dfa315b5-819d-37ab-ab22-bddfdbb3cbe7"},"summary_title":"tin-glazing"}}]}],"department":{"value":"Applied Arts"},"description":[{"value":"Maiolica floor or pavement tile, painted in blue, green, yellow and manganese with a hound sejant muzzled and leashed."},{"value":"Very pale buff earthenware, tin-glazed white on the upper surface and painted in blue, green, dark yellow and manganese. Square with deep sides. The back has been scooped out to produce three raised concentric rings. On the front, a white hound sejant in profile to the right with its head turned sharply to the right. The hound is outlined and shaded in blue and wears a dark yellow muzzle with a leash of the same colour coiling out behind it. The ground is green with yellow patches and tufts of blue grass. The background is manganese."}],"exhibitions":[{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"},{"@link":{"catalogue":"183","type":"reference"},"admin":{"id":"exhibition-2376","uid":"adlib-exhibition-2376","uuid":"3e2208a0-ad25-3b64-b03f-cb63aa00fd02"},"summary_title":"Treasured Possessions from the Renaissance to the Enlightenment"}],"identifier":[{"accession_number":"C.61-1927","primary":true,"type":"accession number","value":"C.61-1927"},{"priref":"15553","type":"priref","value":"15553"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/15553","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/15553"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"F. 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It was one of eight Gonzaga devices pictured on tiles commissioned from Pesaro in 1493 by Giovanni Sforza on behalf of Marquis Francesco II Gonzaga (1466-1519) for his villa at Marmirolo. However, on their arrival at the Castel San Giorgio in Mantua on 1 June 1494, some of them were laid in the studiolo of his wife, Isabella d'Este (1474-1539). The project seems to have been undertaken partly for aesthetic reasons and partly as a measure to rid the room of mice which had been nesting under the floorboards. Apart from this, maiolica pavements were not very practical in domestic situations because their colourful designs were gradually worn away by people's feet. The back of this tile, like some of the others from this pavement, was scooped out to produce three concentric circles. This may have been done to speed the drying of the tiles before firing or to prevent them warping in the kiln.\nThe potter's name was not mentioned in the surviving corres\u00acpondence of 1493-4 concerning the tiles, but he may have been Antonio dei Fedeli of Pesaro, who was active in Pesaro between 1458 and 1509. On 7 May 1496 wrote to Isabella asking to be paid for tiles for which he had been prom\u00acised payment six months earlier. Presumably these were a differ\u00acent order but it seems likely that, having been satisfied with the tiles decorated with devices, Isabella would have extended her patronage to the same potter for another commission.\nThe other seven emblems on the tiles were  the arms of Gonzaga; a dove perching on a coiled and smoking fuse inscribed `VRAI AMOVR NESE CHANGE' (true love does not change); a sunburst interwoven by two ribbons inscribed `PER VND\/IXIR' (for a desire); a white doe below a scroll inscribed `BIDER GRAFT' (righteous power); a three-tiered island surmounted by a diamond and surrounded by smoking brands, inscribed on the lowest tier of the island in Greek `AMVMOC' (blame\u00acless); a muzzle over a ribbon inscribed `CAVTIVS' (more cautiously); and a steel gauntlet attached to a ribbon inscribed `BVENA FE NONES MVDABLE' (good faith is unchangeable). \nAfter her husband's death, Isabella moved to different apart\u00acments on the ground floor of the Corte Vecchia, and recreated her studiolo there. The first studiolo no longer exists and the subsequent history of the tiles is unknown until some, whether from there or from Marmirolo is not clear, were recorded in the collec\u00actions of Attilio Portioli of Mantua and Willelmo Braghirolli in 1878. Those now in the museum collec\u00actions were acquired after that date. See the Documentation for locations."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106437","uid":"adlib-term-106437","uuid":"59e72604-922d-3194-ac46-27c1c5ac76a4"},"summary_title":"15th Century, Late"},{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113179","uid":"adlib-term-113179","uuid":"e74d25a1-07c3-3a30-b91b-004673211ee5"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"}]],"summary_title":"Pesaro"}]}]},"materials":[{"note":[{"value":"very light 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Purchased from Durlacher Bros., 142 New Bond Street, London, on 20 February 1920 by F. Leverton Harris ( 1864-1926)."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. Illustrated, p. 269","page":"p. 269","type":"reference"},"admin":{"id":"publication-200000551","uid":"adlib-publication-200000551","uuid":"3207842e-cdf8-3183-9744-0a826b8bb725"},"summary_title":"Italian maiolica in the collection of the Right Hon. F. Leverton Harris - I"},{"@link":{"notes":"Publ. Illustrated, pl. VIIIE and pl. XIV, third shelf down on the right side at the back. 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Twelve tiles now in the Mus\u00e9e Jacquemart Andr\u00e9, Paris, one with the hound design, pp. 390-393, 'Le Puvimento de la Grotta', ill. on p. 391. Then in the collection of Edouard Andr\u00e9.","page":"pp. 390-3","type":"reference"},"admin":{"id":"publication-200000552","uid":"adlib-publication-200000552","uuid":"dbbe505c-4329-308f-b82a-02a825ea3c43"},"summary_title":"Isabelle d'Este et les artistes de son temps"},{"@link":{"type":"reference"},"admin":{"id":"publication-1572","uid":"adlib-publication-1572","uuid":"c069cd15-a980-3635-b91d-c6323a1457f4"},"summary_title":"L'Italia Splendida"},{"@link":{"notes":"Cf. Six tiles in the Louvre, one with the hound design, pp. 44-6, nos. 158-163, no. 160 on pp. 44-5, Louvre Inv. 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The pavement comprises pentagonal tiles of two sizes, square tiles, and rectangular border tiles. Some of the square tiles are decorated with the quartered arms of Piccolomini and Petrucci, with trophies, or with figures in landscapes reminiscent of those by Pinturricchio, Signorell, and Genga. The majority are decorated with grotesques, and the pavement is one of the most outstanding illustrations of this genre on early sixteenth-century maiolica. Over 300 tiles from the pavement are in the Victoria & Albert Museum, and there are seventeen in the Museum f\u00fcr Kunst und Gewerbe, Hamburg. 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Painted in blue and with brassy-yellow lustre.\nShape 70, but deeper. Circular with narrow rim, wide shallow well with a slightly convex boss in the middle, surrounded by a circle rib, a sloping concave zone and an indented circle.\nOn the boss within a blue circle, a woman half-length in profile to left faces a plant with three flowers. The boss is surrounded by a broad lustre band decorated with blue interlace, outside which is a series of concentric circles: blue, reserved white, blue, lustre and blue. The sides are decorated with slanting pseudo-gadroons and the rim has two continuous interlacing lines. A lustre band encircles the edge. On the back are four spaced concentric lustre circles."}],"identifier":[{"accession_number":"C.84-1927","primary":true,"type":"accession number","value":"C.84-1927"},{"priref":"48529","type":"priref","value":"48529"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/48529","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/48529"}],"inscription":[{"description":[{"value":"rectangular with cut corners and blue printed border"}],"method":"hand-written in blue-black ink and pencil","transcription":[{"value":"'M24' in ink, 'Leverton\/Harris\/1926' in pencil"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"F. 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They were produced throughout the first half of the sixteenth century, and lustred examples survive in great numbers. Very few can be dated, even approximately with certainty. One of the earliest, in the British Museum, is decorated on the boss with the arms of a Montefeltro Duke of Urbino and was presumably made before 1508 when Francesco della Rovere succeeded to the dukedom. another basin at the Mus\u00e9e de la Renaissance at Ecouen, bears the arms for one or other of the Medici Popes, Leo X (1513-21) or Clement VII (1523-34).\nMany of these basins are decor\u00acated in the centre with a woman demurely facing to right or left towards a flowering plant, surrounded by a selec\u00action of stock patterns on the sides and rim, such as mock gadroons, scales, pointed rays and sty\u00aclized plants, wreaths of formal flowers and geometrical motifs. On some basins the flowers in front of the girls resemble pinks, which, like carnations, were symbols of love, so it seems likely that these were betrothal or wedding gifts, although not necessarily so. In the late fourteenth century, Margherita, the wife of the merchant, Francesco Datini of Prato (d. 1410), was asked to take 'a bowl and an ewer, such as is customary to give to girls' to the birthday party of one of her friend's daughters. At that time the ewer and basin would almost certainly have been metal, but it seems probable that, if this custom persisted maiolica would have been acceptable. A maiolica basin in an Italian private collection has the girl's name GIROLEMA painted across the boss.\nIt is difficult to date these basins other than by matching the borders with datable pieces of other types, or by the costume of the girls in the central medallion, which, because of the conservatism of Deruta decorators, is probably not very accurate. Nevertheless, it seems significant that the Louvre's relief moulded basin dated 1546, and another undated in the Lehman collection at the Metropolitan Museum of Art, feature girls wearing a different style of dress and turban-like caps. This fashion can be seen in portraits of the 1520s, and on bella donna dishes of the 1530s and early 1540s. It therefore seems likely that basins like this example and C.84-1961, which feature a Peruginesque girl, were likely to have been made before about 1530.\nThere are examples in the City Museum and Art Gallery, Stoke-on-Trent (27 P 53); the Mus\u00e9e des Antiquit\u00e9s de la Seine-Maritime, Rouen, the V. & A., the Walters Art Museum, Baltimore, the Louvre, the Mus\u00e9e National de la Renaissance, \u00c9couen, the Indianapolis Museum of Arts, the Nationalmuseum, Stockholm, the Metropolitan Museum of Art, New York, the Galeazzi collection, Terni, the Museum f\u00fcr Kunst und Gewerbe, Hamburg, the British Museum, and the Los Angeles County Museum, i(50.9.14.7)."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106256","uid":"adlib-term-106256","uuid":"1bd8ad44-09c2-3c55-825a-635e463bb56b"},"summary_title":"16th Century, Early"},{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110784","uid":"adlib-term-110784","uuid":"306cbe64-9c29-347d-bae9-6fa7b2d98848"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"}]],"summary_title":"Deruta"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"31.5"},{"dimension":"Height","units":"cm","value":"3.5"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-18172","uid":"adlib-media-18172","uuid":"e888c589-736a-3129-83cc-9f185b6c2bac"},"processed":{"large":{"format":"jpeg","location":"aa\/aa1\/C_84_1927_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1702926369018,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa1\/mid_C_84_1927_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":362},{"dimension":"width","units":"pixels","value":500}]},"modified":1702926369018,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa1\/C_84_1927_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1702926369018,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa1\/preview_C_84_1927_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":181},{"dimension":"width","units":"pixels","value":250}]},"modified":1702926369018,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}},{"@link":{"type":"reference"},"admin":{"id":"media-18173","uid":"adlib-media-18173","uuid":"6e7b7ab4-0499-3a6d-bb1c-808b66e9e33c"},"processed":{"large":{"format":"jpeg","location":"aa\/aa1\/C_84_1927_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1702926614753,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa1\/mid_C_84_1927_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":362},{"dimension":"width","units":"pixels","value":500}]},"modified":1702926614753,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa1\/C_84_1927_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1702926614753,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa1\/preview_C_84_1927_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":181},{"dimension":"width","units":"pixels","value":250}]},"modified":1702926614753,"resizable":true,"type":"image"}},"sort":"1","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-89303","uid":"adlib-term-89303","uuid":"7012fd66-769f-33c8-bb38-d805db27c8c9"},"summary_title":"basin"}},{"value":"shallow basin for ewer"},{"value":"dish for a ewer"}],"note":[{"type":"history note","value":"A. 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Reitlinger (d.1950); the Reitlinger Trust, Maidenhead, from which transferred in 1991."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"type":"reference"},"admin":{"id":"publication-3314","uid":"adlib-publication-3314","uuid":"e0dfebb1-7209-3c66-a0e2-02dba0531837"},"summary_title":"Catalogue of porcelain, pictures, miniatures, silver, furniture, etc. removed from a West-End mansion"},{"@link":{"notes":"Publ. p. 405, no. 435","page":"p. 405","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"type":"reference"},"admin":{"id":"publication-7751","uid":"adlib-publication-7751","uuid":"cfa79c6e-ae29-31e3-85fa-3a838db1be3c"},"summary_title":"Treasured Possessions from the Renaissance to the Enlightenment"},{"@link":{"notes":"Cf. vol. I, p. 282, no. 848, vol. II, pl. 136, an inkwell with a figure of Neptune","page":"vol. 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The decoration was almost certainly executed off the works."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106853","uid":"adlib-term-106853","uuid":"25492eb4-1164-35eb-8dce-3601486f3415"},"summary_title":"19th Century"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110455","uid":"adlib-term-110455","uuid":"5e7df88f-a1c2-39c8-a341-807aa544c9d0"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Stoke-on-Trent"}]}]},"materials":[{"note":[{"value":"presumed lead-glaze"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107733","uid":"adlib-term-107733","uuid":"00160189-e3ce-3796-a88b-5aa8d6c808c4"},"summary_title":"lead-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"33.8"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-42720","uid":"adlib-media-42720","uuid":"a605f705-5383-3002-a2f1-618afcafe740"},"processed":{"large":{"format":"jpeg","location":"aa\/aa3\/C_3_1982.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1742583126287,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa3\/mid_C_3_1982.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":649},{"dimension":"width","units":"pixels","value":500}]},"modified":1742583126287,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa3\/C_3_1982.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1742583126287,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa3\/preview_C_3_1982.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":325},{"dimension":"width","units":"pixels","value":250}]},"modified":1742583126287,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}}],"note":[{"type":"history note","value":"Purchased from Jess Applin, Antiques, 8 Lensfield Road, Cambridge"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Cf. A Castelli dish (now attributed to Sienna, see Pelizzoni and Zanchi (1982)) of c. 1735, painted with the same subject after Domenichino is in the Victoria and Albert Museum, (4062-1901). See vol. I, p. 390, no. 1179 and vol. II, pl. 189. The dish was transferred from the Museum of Practical Geology, Jermyn Street in 1901.","page":"p. 390","type":"reference"},"admin":{"id":"publication-1571","uid":"adlib-publication-1571","uuid":"4e0f6f47-bf3a-3285-8417-f9bff14edde2"},"summary_title":"Victoria and Albert Museum, Catalogue of Italian Maiolica"},{"@link":{"type":"reference"},"admin":{"id":"publication-3415","uid":"adlib-publication-3415","uuid":"bcbe33de-1a8f-38c4-814b-4b9b63aed759"},"summary_title":"La maioica dei Terchi"}],"subjects":[{"@link":{"relation":"place type","type":"reference"},"admin":{"id":"term-106275","uid":"adlib-term-106275","uuid":"a1bd9046-a422-36ac-a493-60fa7c7f7e91"},"summary_title":"landscape"},{"@link":{"relation":"named event","type":"reference"},"admin":{"id":"term-109988","uid":"adlib-term-109988","uuid":"254298f6-2892-3c4a-a300-3bd5aab9d167"},"summary_title":"Lot and his Daughters"},{"@link":{"type":"literal"},"name":[{"value":"landscape"}],"summary_title":"landscape"},{"@link":{"type":"literal"},"name":[{"value":"Lot and his Daughters"}],"summary_title":"Lot and his Daughters"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}},"summary_title":"dish","techniques":[{"description":[{"value":"White earthenware covered with a clear glaze, and painted in blue, green, yellow and light brown enamels"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-111179","uid":"adlib-term-111179","uuid":"be5c887b-c0ed-3d89-82b2-c3a870e72a68"},"summary_title":"moulding"}},{"note":[{"value":"presumed lead-glaze"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120062","uid":"adlib-term-120062","uuid":"d05176fb-17b8-3888-bba1-6c5e6c77d206"},"summary_title":"lead-glazing"}}],"title":[{"value":"Lot and his Daughters"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-76197","_score":16.321386,"_source":{"admin":{"added":1592996633000,"created":1312637261000,"flag":"Standard Record","id":"object-76197","indexed":1756836094098,"modified":1714469833000,"processed":1756836091178,"source":"adlib","stream":"fitz-online","uid":"adlib-object-76197","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76197","uuid":"1eab65aa-2c98-3f0d-ac6a-10e3c285b93f","version":7},"agents":[{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-160444","uid":"adlib-agent-160444","uuid":"112034df-d64b-3b04-8a99-34770cc3d240"},"summary_title":"Scylla"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-150796","uid":"adlib-agent-150796","uuid":"ec5a0c8a-e54c-3735-adea-0fd5dd14f994"},"summary_title":"Cupid"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-152260","uid":"adlib-agent-152260","uuid":"a3eac278-a406-3714-bad0-46b148bbe2bf"},"summary_title":"nymph"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108348","uid":"adlib-term-108348","uuid":"667e7a19-db33-3d85-bd9b-c2dafd8e02ff"},"summary_title":"tin-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"}],"collection":[{"@link":{"type":"reference"},"admin":{"id":"term-117089","uid":"adlib-term-117089","uuid":"70d59fbc-64f7-304e-a336-bf6d65a433a8"},"summary_title":"Louis C. G. Clarke"}],"component":[{"materials":[{"note":[{"value":"blue, green, yellow, orange, brown, manganese-purple, black, and white"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108364","uid":"adlib-term-108364","uuid":"115b8729-a560-35c1-b654-4b9d2fc5f68b"},"summary_title":"high-temperature colours"}}],"name":"Decoration","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}]}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-1111","uid":"adlib-term-1111","uuid":"46c949dd-f376-3538-878f-397baee5be09"},"summary_title":"mythology"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Maiolica bowl with broad rim, painted in polychrome with Scylla, Cupid and four Nymphs bathing."},{"value":"Pale buff earthenware, tin-glazed overall; the reverse pale beige. Painted in blue, green, yellow, orange, brown, manganese-purple, black, and white. Circular with a broad, almost flat rim and small, deep well. The underside of the rim is moulded with three shallow concentric grooves. (Poole 1995, Shape 57), Scylla, Cupid and four Nymphs bathing. On the right, Scylla reclines on a bank beside a massive rock formation. She holds a wand in her right hand. On the left, four nymphs holding long horns stand in a pool. Above, Cupid, holding a flaming torch, flies towards Scylla. In the foreground there is grass; in the background, landscape with a town and mountains. The outer edge is yellow. The back is inscribed in the middle in dark blue: `Di Car   'de et Scilla\/Il parlameto.\/fabula y' (Of Car    de and Scilla The conversation [?]. fable y)."}],"exhibitions":[{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"}],"identifier":[{"accession_number":"C.83-1961","primary":true,"type":"accession number","value":"C.83-1961"},{"priref":"76197","type":"priref","value":"76197"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76197","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76197"}],"inscription":[{"location":"on the back","method":"inscribed in dark blue","transcription":[{"value":"Di Car   . 'de et Scilla\/Il parlameto.\/fabula y"}]}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. Clarke Bequest, 1960"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149875","uid":"adlib-agent-149875","uuid":"89f52d0e-b912-3dc9-8b2c-61d6aa011b16"},"summary_title":"Clarke, Louis Colville Gray"}],"date":[{"earliest":1960,"latest":1960,"value":"1960-04-27"}],"method":{"value":"bequeathed"}}],"creation":[{"date":[{"earliest":1528,"from":{"earliest":1528,"era":["CE"],"latest":1528,"precision":"circa","value":"1528"},"latest":1531,"note":[{"value":"Xanto used inscription endings, favola and historia between 1528 and 1531"}],"range":true,"to":{"earliest":1531,"era":["CE"],"latest":1531,"value":"1531"}}],"maker":[{"@link":{"role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-5335","uid":"adlib-agent-5335","uuid":"abbd62ad-dff5-32f6-8881-6cc828e21322"},"summary_title":"Avelli, Francesco Xanto"}],"note":[{"value":"The scene probably represents Scylla taking refuge with the sea nymphs, to whom she told tales of her rejected suitors, mentioned in Ovid's 'Metamorphoses', XIII, 730-7. After Galatea had told Scylla and the nymphs about her love for Acis and the jealousy of the Cyclops, they returned to the sea, but Scylla remained alone on the shore (lines 898-900).  Although unsigned, this dish can be attributed to Xanto Avelli da Rovigo on the basis of style, the literary and printed sources used, and handwriting on the reverse. One of the most characteristic features of his istoriato designs was that he frequently created scenes by copying figures from different printed sources. On this dish they were taken from two prints. Scylla was copied from the Muse Euterpe in the engraving of Parnassus by Marcantonio Raimondi after Raphael.The ultimate source for this figure was the famous antique marble Ariadne in the Vatican.This figure appears in several of Xanto's composi\u00actions, for example, as Circe on the Fitzwilliam's dish decorated with 'Ulysses commanding Circe to restore his Companions to their Rightful Forms' (C.1-1953). The Cupid is either a reversed and upside-down version of the lower of two putti on the right of the same print or the middle putto of three on the other side. The four nymphs were drawn from Muses on the left of the' Contest between the Muses and the Pierides' engraved by G.G. Caraglio after Rosso Fiorentino. \nXanto used the word favola or fabula (fable) at the end of inscriptions on his work between 1528-31, after which he signed with several versions of his name or shortened forms of it.  \nThe same figure of Scylla and and the nymphs appear together on at least three further dishes of the same wide-rimmed bowl form. One in the Victoria and Albert Museum (C.2233-1910), decorated with the same figure of Scylla and a group of five nymphs from the same printed sources, but with a different background and a central coat-of-arms, is inscribed 'Exorta Galatha silla ad amare fabula y' (Galatea exhorts Scylla to love fable y). The second from the Pucci Service, dated 1532, is decorated with Galatea, Scylla and the Cyclops, and inscribed 'A' Scylla parla Galath\/ea d'amore' (Galatea speaks to Scylla of love), The third in the Hatton Gallery, Newcastle upon Tyne (Tyne and Wear Archive and Museums inv. NEWHG;S0004)is  decorated with Scylla, and two groups of nymphs and a central shield charged with a man astride a lion wrenching its jaws open (perhaps Hercules), and inscribed .1531.\/Di Silla & di Carib\/di parlamenti. favola.\/\/fra:Xato.A.Rov\/igiese i Urbino\/pi:'(Discussions of Scylla and Charybdis. Fable. Francesco Xanto Avelli of Rovigo painted it in Urbino).\nTimothy Wilson has suggested, probably rightly, that the partly missing word at the beginning of the inscription on the Fitzwilliam's dish was probably Caribde rather than Cupide, although the painter seems to have made a mistake in associating Carybdis with the story about Scylla and Galatea on the front."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-147443","uid":"adlib-term-147443","uuid":"afab8093-e38a-3b82-a24a-a30e3e76091d"},"summary_title":"second quarter of 16th century"},{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110708","uid":"adlib-term-110708","uuid":"ef038505-1555-3c61-b6e2-cadcedf6c42a"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"}]],"summary_title":"Urbino"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"26.2"},{"dimension":"Height","units":"cm","value":"3.5"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-47111","uid":"adlib-media-47111","uuid":"ffc7af9b-a3b6-3133-89e3-e988a16a8954"},"processed":{"large":{"format":"jpeg","location":"aa\/aa9\/C_83_1961_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1742583574875,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa9\/mid_C_83_1961_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":649},{"dimension":"width","units":"pixels","value":500}]},"modified":1742583574875,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa9\/C_83_1961_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1742583574875,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa9\/preview_C_83_1961_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":325},{"dimension":"width","units":"pixels","value":250}]},"modified":1742583574875,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}},{"@link":{"type":"reference"},"admin":{"id":"media-47112","uid":"adlib-media-47112","uuid":"49be5a3f-f65c-318e-ad10-648f40ef2d24"},"processed":{"large":{"format":"jpeg","location":"aa\/aa9\/C_83_1961_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1742583548075,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa9\/mid_C_83_1961_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":649},{"dimension":"width","units":"pixels","value":500}]},"modified":1742583548075,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa9\/C_83_1961_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1742583548075,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa9\/preview_C_83_1961_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":325},{"dimension":"width","units":"pixels","value":250}]},"modified":1742583548075,"resizable":true,"type":"image"}},"sort":"1","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-125345","uid":"adlib-term-125345","uuid":"044a81eb-350e-3229-9e5e-72ab4fb784aa"},"summary_title":"bowl with broad rim"}},{"value":"dish"}],"note":[{"type":"history note","value":"Unknown before Louis C.G. 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Gl. Add.28-1931."}]}],"creation":[{"date":[{"earliest":1500,"from":{"earliest":1500,"latest":1500,"precision":"circa","value":"1500"},"latest":1550,"range":true,"to":{"earliest":1550,"latest":1550,"value":"1550"}}],"maker":[{"@link":{"role":[{"value":"maker"}],"type":"reference"},"admin":{"id":"agent-192453","uid":"adlib-agent-192453","uuid":"df78b698-01c1-3c17-b103-3abd32583456"},"summary_title":"Unidentified Deruta pottery"}],"note":[{"value":"Lustred dishes decorated with peacock feather eye pattern are attributed to Deruta on the basis of sherds found there in the vicinity of kiln sites. The  design also occurs on the large display dishes, often described today as piatti da pompa, which are one of the most characteristic products of Deruta potteries in the sixteenth century. There are numerous examples of the design on dishes and bowls of different shapes and sizes. See the Documention. Less commonly the pattern occurs in polychrome, for example on a dish in the Bargello in Florence. \nThe deep narrow well and broad rim of this bowl probably indicates that it was made during the first third of the century. During the 1530s broad-rimmed bowls generally had a wider, shallower well, and they began to go out of fashion after about 1540, possibly because of the fashion for all-over istoriato decoration. The persistence of the pattern into the 1540s is shown by its occurrence on the reverse of a basin in the Hermitage, St Petersburg, which is moulded with the same design as one dated 1546 in the Mus\u00e9e du Louvre in Paris."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-113222","uid":"adlib-term-113222","uuid":"f48e32b1-88de-389d-beac-3989a8b2b34b"},"summary_title":"16th Century, first half"},{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110784","uid":"adlib-term-110784","uuid":"306cbe64-9c29-347d-bae9-6fa7b2d98848"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"}]],"summary_title":"Deruta"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"21.5"},{"dimension":"Height","units":"cm","value":"4.5"}]},"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107667","uid":"adlib-term-107667","uuid":"1b81c806-cfb7-3291-9803-525db5f75e09"},"summary_title":"bowl"}},{"value":"broad-rimmed bowl"},{"value":"tondino"}],"note":[{"type":"history note","value":"William Morris (d. 1896); Miss May Morris."}],"objects":[{"@link":{"cascade":true,"role":[{"value":"same provenance"}],"type":"reference"},"admin":{"id":"object-48556","uid":"adlib-object-48556","uuid":"6b192f09-f40f-31be-9710-644b23d2af77"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-107667","uid":"adlib-term-107667","uuid":"1b81c806-cfb7-3291-9803-525db5f75e09"},"summary_title":"bowl"}},"summary_title":"bowl"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. 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Dated to the first quarter of the 16th century","page":"39-40","type":"reference"},"admin":{"id":"publication-400002307","uid":"adlib-publication-400002307","uuid":"39210736-77f8-3d6b-b462-59cc768bc763"},"summary_title":"Museo della Ceramica Duca di Martina, La Maiolica Italiana"},{"@link":{"notes":"Cf. Vol. II, pp. 90-3, no. 93 a comparable dish with radiating peacock-feather eye pattern, dated c. 1520. Fragments of kiln wasters and a completed piece found at Deruta are illustrated on p. 92, fig. 2. The authors list further dishes of tondino form on p. 93, note 5, and of piatti da pompa form in note 6.","page":"vol. II, pp. 90-3","type":"reference"},"admin":{"id":"publication-6084","uid":"adlib-publication-6084","uuid":"ab8a6000-a2e7-3618-866e-06fc761bdb49"},"summary_title":"Le maioliche rinascimentali nelle collezioni della Fondazione Cassa di Risparmio di Perugia"},{"@link":{"notes":"Cf. pp. 116-17, no., 47, a comparable dish decorated with peacock feather eyes overall. Attribution: Probably Deruta, c. 1510-50.  The author mentions other examples, including the Fitzwilliam's.","page":"116-17","type":"reference"},"admin":{"id":"publication-8571","uid":"adlib-publication-8571","uuid":"1c526257-c1d6-33b1-a279-b3248fce0bcc"},"summary_title":"The Golden Age of Maiolica-Painting. 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The dish has been attributed to Jacopo on the grounds of similarities to a dish decorated with an equestrian Judith with the Head of Holofernes, signed 'Japo in chaffagguolo' which is in the Victoria and Albert Museum. Jacopo di Stefano di Filippo died in 1576, and questions have been raised as to whether he and the painter of the dishes was the same man. It is also possible that the dish was made in Montelupo."},{"value":"The source for this scene was one of a set of twelve large woodcuts forming a Triumph of Caesar by Jacob Argentoratensis (Jacob of Strasbourg) to designs by Benedetto Bordon, published in Venice in 1504. The Triumph follows Appian's account of Scipio's entry into Rome at the end of the Second Punic War but details relating to Caesar were incorporated. His horse, for example, was based on Suetonius' description of it as having 'feet that were almost human; for its hoofs were cloven in such a way as to look like toes'. The maiolica painter followed the woodcut closely, including this feature, but omitted the small nude boy behind the horse. Each section of the Triumph is labelled with a letter from A to L, hence the 'H' below the scene. The next section, labelled 'I', occurs on a dish in the Victoria and Albert Museum, also dated 1514, but in Roman numerals. Prints of scenes from the 'Passion of Christ' by Jacob of Strasbourg were also used as sources of designs by maiolica painters, for example. a large dish decorated with the Flagellation  within a border of grotesques in the Hermitage, St Petersburg."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106256","uid":"adlib-term-106256","uuid":"1bd8ad44-09c2-3c55-825a-635e463bb56b"},"summary_title":"16th Century, Early"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110780","uid":"adlib-term-110780","uuid":"17d4199b-8038-380b-b5df-ce198a1dc5db"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"}]],"summary_title":"Cafaggiolo"},{"@link":{"type":"reference"},"admin":{"id":"term-113219","uid":"adlib-term-113219","uuid":"166f4ea1-bd03-3f2e-bc7c-ce2145959ec5"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"}]],"summary_title":"Montelupo"}]}]},"materials":[{"note":[{"value":"buff"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"5.2"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-17667","uid":"adlib-media-17667","uuid":"45bcb9d2-eb25-3571-9bc7-7537bb58abd2"},"processed":{"large":{"format":"jpeg","location":"aa\/aa19\/C_86_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":757},{"dimension":"width","units":"pixels","value":760}]},"modified":1742581231393,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa19\/mid_C_86_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":498},{"dimension":"width","units":"pixels","value":500}]},"modified":1742581231393,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa19\/C_86_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":757},{"dimension":"width","units":"pixels","value":760}]},"modified":1742581231393,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa19\/preview_C_86_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":249},{"dimension":"width","units":"pixels","value":250}]},"modified":1742581231393,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"},"type":"object name"},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"},"type":"category"}],"note":[{"type":"history note","value":"Auguste Ricard de Montferrande; sold Christie's, 14-16 November 1859, Catalogue of the very extensive and valuable collection of majolica ware, the property of that well-known amateur, Monsieur Auguste Ricard de Montferrand of St Petersburgh . . .; p. 18, lot 283 (\u00a393.9); Alexander Barker; Sir Francis Cook, Bt.;Wyndham F. Cook; Humphrey Wyndham Cook; sold Christie's, 7 July 1925, Catalogue of an important collection of objects of art of the Middle Ages and Renaissance, the property of Humphrey W. Cook, Esq., and removed from 8 Cadogan Square, S.W., being a portion of the celebrated collection formed by the late Sir Francis Cook, Bart., p. 9, lot 21; The Right  Hon. F. Leverton Harris."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. 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Perhaps Joseph Marryat; Christie's, 16 February 1866, Catalogue of works of art formed during a long series of years by Joseph Marryat Esq., author of the well-known work on `Pottery and Porcelain', p. 52, lot 850. Charles Ricketts, RA (1866-1931) and Charles H. Shannon, RA (1863-1937) ; Charles H. Shannon RA by whom bequeathed"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. Probably the dish listed as no. 120","page":"19","type":"reference"},"admin":{"id":"publication-3035","uid":"adlib-publication-3035","uuid":"3064cc6f-227c-3011-80f7-1d2bb0eef991"},"summary_title":"Del Museo Pasolini in Faenza, Descrizione"},{"@link":{"notes":"Publ. pp. 357-60, no. 402, for a description of the dish, the sources of its design, and a discussion of possible workshops in which it was made. See fig. 37 for an illustration of the facade of the Palazzo Milesi, Rome, published by Enrico Maccari in 1876, and fig. 38, an anonymous drawing in the Albertina, Vienna, after the appropriate part of the facade.","page":"357-60","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Ref. pp. 302-07, Book VI, 215-66, for the deaths of the sons of Niobe","page":"302-07","type":"reference"},"admin":{"id":"publication-3022","uid":"adlib-publication-3022","uuid":"010d272f-1847-3d31-afc3-5c277e9854c1"},"summary_title":"Ovid in Six Volumes III Metamorphoses with an English Translation by Frank Justus Miller"},{"@link":{"type":"reference"},"admin":{"id":"publication-3261","uid":"adlib-publication-3261","uuid":"64fe329e-22b4-3dc2-8028-b37e9dad9c24"},"summary_title":"Le Vite de' Pi\u00f9 Eccellenti Pittori, Scultori ed Architettori"},{"@link":{"notes":"Ref. For the facade of the Palazzo Milesi, Rome, see vol. I, text, pp. 126-9, and Catalogo delle Facciate, pp. 366-9, no. 15. Vol. II, pl. CXLVI the facade as it is now; and pl. CXLVII, the engraving of it by Enrico Maccari, from his Griffiti e chiaroscuri esistenti nell'esterno delle case di Roma riprodutti in rame per cura di Enrico Maccari, no date, but 1876.  Pl. CXLVIII is a drawing of part of the facade with Apollo on the left, in the Albertina, Vienna, inv. 389,, and see vol. I, p. 368 where others are cited.","page":"126-9 and 366-9","type":"reference"},"admin":{"id":"publication-3037","uid":"adlib-publication-3037","uuid":"6702bd21-062e-3a0f-90be-0788c4a607dc"},"summary_title":"Polidoro da Caravaggio"},{"@link":{"notes":"Ref. Band IV, p. 2124, for a drawing showing the appropriate part of the facade of the Palazzo Milesi, attributed to Polidoro da Caravaggio, Albertina, inv. no. 17273,","page":"2124","type":"reference"},"admin":{"id":"publication-3036","uid":"adlib-publication-3036","uuid":"e1e089f3-8d7f-3885-886f-d23b0cdf8fc8"},"summary_title":"Die Italienischen Zeichnungen der Albertina, Generalwerzeichnis"},{"@link":{"notes":"Cf. Vol. I, p. 308, no. 922, II, pl. 148, (inv. 8924-1855), a dish from the H\u00f6vvart-Schelinberger service decorated with Joshua leading the Israelites against the Amorites, which has on the extreme right a figure which is similar to the male figure on the Fitzwilliam's dish which was substituted for a fully clad female figure on the facade. Its presence suggests that the Fitzwilliam's dish was also made in the workshop of Guido di Merlino.","page":"308","type":"reference"},"admin":{"id":"publication-1571","uid":"adlib-publication-1571","uuid":"4e0f6f47-bf3a-3285-8417-f9bff14edde2"},"summary_title":"Victoria and Albert Museum, Catalogue of Italian Maiolica"},{"@link":{"notes":"Cf. Dishes with comparable features attributed to Guido di Merlino's workshop: pp. 177-8, no. 153, a dish decorated with the Death of Adonis; p. 179, no. 155, a dish decorated with the Death of Virginia. Cf. a dish decoreated with the deaths of Niobe's daughters, but with an inscription in a different hand, p. 269, no. 318.","page":"177-9, 269","type":"reference"},"admin":{"id":"publication-3402","uid":"adlib-publication-3402","uuid":"c8af0496-64ae-35b9-ad9f-d5671244769a"},"summary_title":"Italienische Majolika, Katalog der Sammlung"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"subjects":[{"@link":{"relation":"concept","type":"reference"},"admin":{"id":"term-131478","uid":"adlib-term-131478","uuid":"7c62e032-b719-3681-8166-d0c35acc9b9d"},"summary_title":"revenge"},{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-107508","uid":"adlib-term-107508","uuid":"2f8cf720-e85e-3238-95ca-b91b1faee8ce"},"summary_title":"bow"},{"@link":{"relation":"animal","type":"reference"},"admin":{"id":"term-78765","uid":"adlib-term-78765","uuid":"46e462e7-1543-3aaa-90c1-2562102b738f"},"summary_title":"horse (animal)"},{"@link":{"relation":"activity","type":"reference"},"admin":{"id":"term-109936","uid":"adlib-term-109936","uuid":"e2495acb-7f65-3363-b720-fdbe4b0260e0"},"summary_title":"shooting"},{"@link":{"relation":"place name","type":"reference"},"admin":{"id":"term-106275","uid":"adlib-term-106275","uuid":"a1bd9046-a422-36ac-a493-60fa7c7f7e91"},"summary_title":"landscape"},{"@link":{"relation":"named event","type":"reference"},"admin":{"id":"term-110726","uid":"adlib-term-110726","uuid":"199b894d-8d90-3c1b-8f9f-ff6c1b18c18e"},"summary_title":"Apollo shooting the Sons of Niobe"},{"@link":{"type":"literal"},"name":[{"value":"revenge"}],"summary_title":"revenge"},{"@link":{"type":"literal"},"name":[{"value":"bow"}],"summary_title":"bow"},{"@link":{"type":"literal"},"name":[{"value":"horse (animal)"}],"summary_title":"horse (animal)"},{"@link":{"type":"literal"},"name":[{"value":"shooting"}],"summary_title":"shooting"},{"@link":{"type":"literal"},"name":[{"value":"landscape"}],"summary_title":"landscape"},{"@link":{"type":"literal"},"name":[{"value":"Apollo shooting the Sons of Niobe"}],"summary_title":"Apollo shooting the Sons of Niobe"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}},"summary_title":"dish","techniques":[{"description":[{"value":"earthenware, tin-glazed overall; the reverse pale beige. 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Painted in dark blue, green, yellow, orange, brownish-red, and, on the border tile, black."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120059","uid":"adlib-term-120059","uuid":"dfa315b5-819d-37ab-ab22-bddfdbb3cbe7"},"summary_title":"tin-glazing"}}]}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-1111","uid":"adlib-term-1111","uuid":"46c949dd-f376-3538-878f-397baee5be09"},"summary_title":"mythology"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Cream earthenware, tin-glazed on the upper surface.  Painted in dark blue, green, yellow, orange, brownish-red, and, on the border tile, black. Pentagonal with part of the right and left sides chipped off.\nThe main field has a yellow ground decorated with grotesques: a vase and a mask on a pole between addorsed griffins seated on a bowl, flanked by foliated scrolls. The border comprises a narrow row of oval and circular beads, and a wider row of egg and dart ornament."}],"identifier":[{"accession_number":"C.127-1927","primary":true,"type":"accession number","value":"C.127-1927"},{"priref":"48107","type":"priref","value":"48107"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/48107","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/48107"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"F. Leverton Harris Bequest, 1926"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-157197","uid":"adlib-agent-157197","uuid":"ab234587-3b80-398a-9715-ce74f88dbb64"},"summary_title":"Harris, F. Leverton, The Right Hon."}],"date":[{"earliest":1927,"latest":1927,"value":"1927"}],"method":{"value":"bequeathed"}}],"creation":[{"date":[{"earliest":1509,"era":["CE"],"latest":1509,"precision":"circa","value":"1509"}],"maker":[{"@link":{"role":[{"value":"maker"}],"type":"reference"},"admin":{"id":"agent-189453","uid":"adlib-agent-189453","uuid":"73c60f26-7cd8-3336-9e7e-efe2008e3a3c"},"summary_title":"Unidentified Siena pottery"}],"note":[{"value":"The use of ornamental grotesques gained impetus in Italy after the discovery in about 1480 of the painted decoration of Nero's Domus Aurea in Rome.  By then its rooms were below ground and became known as grotte, from which the term grot\u00actesche was derived. Taken up by artists such as Pinturicchio and Signor\u00acelli, and dissemi\u00acnated by prints, grotesques rapidly became one of the most popular forms of Renaissance decoration. Maiolica potters working in Siena  had local examples in the splendid pendentives of the vault in the Piccolom\u00acini Library in the Cathe\u00acdral, which was commissioned by Cardinal Francesco Piccolomini from Pintur\u00acicchio and was completed about 1507.                                                                                                                                                                            \nThis tile fragment (and C.128-1927, C.129-1927, and C.130-1927) and another border tile fragment which has lost most of its glaze (C.131-1927) formed part of a tile pavement commissioned by Pandolfo Petrucci (1452-1512) for the Camera Bella, one of a suite of rooms in the Palazzo Petrucci which were to be occupied by his heir Borghesi Petrucci on his marriage to Vittoria Piccolomini which took place on 22 September 1509. The room is thought to have been decorated between 1508 and Petrucci's death, and three of the tiles are dated 1509. The pavement comprises pentagonal tiles of two sizes, square tiles and rectangular border tiles. Some of the square tiles are decorated with the quartered arms of Piccolomini and Petrucci, celebrating the 1509 marriage, or with trophies, or with figures in landscapes reminiscent of those by Pinturicchio, Signorelli and Genga. The majority are decorated with grotesques, and the pavement as a whole is one of the most outstanding illustrations of this genre on early sixteenth-century maiolica. Miller and Graves (see Documentation) have shown that the tiles were originally arranged in a way which produced an eight-pointed star and cross pattern comparable to Islamic star and cross tile patterns. The cross being formed by a square tile with four pentagonal tiles around it and the star by a small square with four small pentagonal tiles to form a cross, and four contrasting square tiles in the spaces between them. \nThe earliest recorded date for the dispersal of the pavement is November 1854 when the British Museum purchased one from the estate of a London dealer, William Forrest, who died in that year. (inv. 1854,11-2,2). The largest group surviving together is in the Victoria and Albert Museum, which acquired 475 tiles from the pavement in the 1857, but now has about 433, and there are over 90 in other collections. Further examples in Britain , are six in the Potteries Museum and Art Gallery, Stoke-on-Trent, two in the National Museums of Scotland, Edinburgh, two in the Courtauld Gallery, London, and two fragments probably from the pavement in the Brtiish Museum. When cataloguing the seventeen  tiles in the Museum f\u00fcr Kunst und Gewerbe, Ham\u00acburg in 1984, Rasmussen listed the locations of other tiles from the pavement, and his list was updated and added to by Thornton and Wilson in 2009. The largest group is held by the Mus\u00e9e du Louvre. 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See also no. 371 and 373 now at \u00c9couen, and nos. 375-99. For a further acquisition see Mus\u00e9e du Louvre, 2003 berlow.","page":"105-106","type":"reference"},"admin":{"id":"publication-1574","uid":"adlib-publication-1574","uuid":"159ac368-4d4c-3d0c-a949-566b288054c6"},"summary_title":"Catalogue des majoliques des mus\u00e9es nationaux"},{"@link":{"notes":"Cf. Vol. II, pp. 608-11, no. 378, a pentagonal tile. The authors discuss the pavement in relation to architectural and mural decoration of the period, and the approximate date of its dispersal judging by the dates when tiles were purchased by museums and private collectors. On p. 610 they update and add to the list of tiles made by Rasmussen, 1984. See also pp. 611-2, no. 379 two fragments  of tiles.","page":"Vol. II, pp. 608-12","type":"reference"},"admin":{"id":"publication-6434","uid":"adlib-publication-6434","uuid":"4524f0a3-0484-3e51-8720-80332f8ac8a2"},"summary_title":"Italian Renaissance Ceramics: A Catalogue of the British Museum Collection, Volume I and Volume II"},{"@link":{"type":"reference"},"admin":{"id":"publication-200002882","uid":"adlib-publication-200002882","uuid":"8de3daaa-89bb-3a56-bb72-edbc68a7e104"},"summary_title":"Ancora due righe su Siena"},{"@link":{"type":"reference"},"admin":{"id":"publication-8947","uid":"adlib-publication-8947","uuid":"52ba0d6b-52e3-3851-9b56-2681ab3df986"},"summary_title":"Early English and Continental Pottery from the John Philip Kassebaum Collection"},{"@link":{"notes":"Cf. p. 33, nos. 21-2.","page":"33","type":"reference"},"admin":{"id":"publication-7529","uid":"adlib-publication-7529","uuid":"9257f380-1802-32af-bc3b-9d0b0abd8e70"},"summary_title":"Italian Maiolica in the National Museums of Scotland"},{"@link":{"notes":"Cf. p. 58, no. 20, (inv. 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Painted in blue, green, and yellow.\nAlbarello with straight sides, sloping shoulders, a short neck with a groove below the projecting rim and two handles, each composed of three rolls of clay pressed together, with upturned terminals.\nThe front is decorated with a circular medallion containing a woman standing in a landscape with trees and buildings. She rests her right hand on a shield, and holds a spear in her left. The medallion is surrounded by symmetrical grotesques, including dolphins, flaming torches and foliated scrolls, reserved in a rectangular blue panel. A wide label with pairs of blue horizontal bands above and below, encircles the lower part of the jar. The front is inscribed in blue. Below, and on the shoulder at the front, there are foliated scrolls painted in blue alla porcellana. 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Similar young women appear in paintings by Pinturicchio (1454-1513) such as in the' Visitation' in the Borgia apartments of the Vatican, but Deruta maiolica painters were more likely to have seen or had access to drawings after local works in nearby Perugia. It was a popular prototype for the decoration of large dishes decorated with busts or half-length figures of women, known today as bella donna dishes. These are thought to have been presented to women by their betrothed or husband, and a few examples show a couple together. At least thirty-five examples based on the same prototype are known, the majority showing the girl facing to the left, and a few to the right, as here, and in the Cleveland Museum of Art, Ohio (1951.327), the Metropolitan Museum of Art, New York (1953.225.87), and the Chigi-Saraceni collection, Siena (FAC.Inv. no. 61). There are no dated examples decorated with similar designs, but it seems probable that this slender, chaste ideal of womanhood con\u00actinued to be represented by Deruta painters until at least the 1520s. \n\nMany of these dishes have a scrolling ribbon or label behind the girl, bearing a name followed by Bella or another adjective, or have a proverb, saying, or quotation from the bible or literature. The inscription on this dish was taken from Petrarch's, Le Rime, XXIII, 31, `La vita el fin e 'l di loda la sera' ' (Life by its end, day by the evening, is praised). Variants of this line occur on dishes with the same girl in the the Metropolitan Museum of Art, New York  (94.4.320), and the Mus\u00e9e National de la Renais\u00acsance, \u00c9couen (E.C1.2430), and on a dish decora\u00acted with a different girl, in the Museo Nazionale di Ravenna.\n\nThe dishes had a wide variety of border patterns. 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The authors note 'This is the only case in which the source of the legend on belle has been identified.' The book was edited by Mann, Nicholas and Syson, Luke.","page":"145, 152","type":"reference"},"admin":{"id":"publication-200000989","uid":"adlib-publication-200000989","uuid":"51da1066-fdce-3067-a0d4-7a0aaa2f135e"},"summary_title":"When is a portrait not a portrait,? Belle Donne on Maiolica and the Renaissance Praise of Local Beauties"},{"@link":{"notes":"Ref. For the inscription on the scroll","page":"26","type":"reference"},"admin":{"id":"publication-3039","uid":"adlib-publication-3039","uuid":"ebecdd55-fb60-378f-af2b-fb84d4f45892"},"summary_title":"Le Rime"},{"@link":{"notes":"Ref. For a translation of the inscription on the scroll.","page":"60","type":"reference"},"admin":{"id":"publication-3040","uid":"adlib-publication-3040","uuid":"a1f32e33-9c74-3112-aec9-2939ba1855b9"},"summary_title":"Petrarch's Lyric Poems, The Rime sparse and other Lyrics"},{"@link":{"notes":"Ref. For sources of designs on Deruta maiolica. See especially, p. 30, fig. 11, The Visitation by Pinturicchio in the Borgia apartments of the Vatican.","page":"25-57","type":"reference"},"admin":{"id":"publication-200000990","uid":"adlib-publication-200000990","uuid":"83e461c6-3315-3ef8-aa39-d54f88469112"},"summary_title":"Fonti iconografiche e stilistiche della decorazione nella maiolica rinascimentale"},{"@link":{"notes":"Cf. pp. 164-66, no. 29, a dish with a similar girl facing to the right with a scroll in front of her inscribed 'DIAMANTE BELLA'. The unusual border comprises almond-shaped motifs alternating witha slanting bulbous floral motif resembling a spinning top.","page":"164-66","type":"reference"},"admin":{"id":"publication-3381","uid":"adlib-publication-3381","uuid":"36d2d285-968d-3211-9f4b-18c2552c65d1"},"summary_title":"Monte dei Paschi di Siena, Collezione Chigi Saracini, 5, Maioliche Italiane"},{"@link":{"notes":"Publ. p. 110, no. 23. Cf. p. 108, no. 21, dish with similar girl facing to left, in the National Gallery of Art, Washington, inv. 1942.9.322; p. 109, no. 22, another with girl facing to left in the Mus\u00e9e de la Renaissance, Ecouen, inv. Cluny, 2430; p. 111, no. 24 another with girl facing to left, without a scroll, in the V. & A., inv. C.2172-1910. . See p. 106, Perugino's Eritrean Sybil in the sala dell'Udienza, Collegio del Cambio, Perugia. Ref. for Deruta maiolica.","page":"110","type":"reference"},"admin":{"id":"publication-4837","uid":"adlib-publication-4837","uuid":"8a5d258d-09cf-35d0-a64a-b1bca54fa905"},"summary_title":"La ceramica umbra al tempo di Perugino"},{"@link":{"notes":"Publ. p. 32, no. 5,  and cf. p. 33, a copy by contemporary Deruta potter, Fernando Calzolari.","page":"32","type":"reference"},"admin":{"id":"publication-6388","uid":"adlib-publication-6388","uuid":"1f1298ea-c28b-3905-ad2b-fa59db7d742c"},"summary_title":"Fati di Ceramica nelle Marche dal Trecento al Novecento"},{"@link":{"notes":"Publ. p. 182, Figure 4.13. See pp. 179-82, 4.2.5. Prototype Five: Women Who Bear God in Their Minds: The Sibyls and Allegorical Figures from the Collegio del Cambio.  See pp. 180-2, note 65 for 36 known examples of Deruta dishes with images of women based on the Eritrean Sibyl.","page":"179-82","type":"reference"},"admin":{"id":"publication-9107","uid":"adlib-publication-9107","uuid":"f6eb9f5b-29cf-3b09-b6ca-bae2334d6e73"},"summary_title":"Ideal Brides: Deruta Bella Donna Plates 1500-1550. Courtship, Marriage and Decorative Art in Renaissance Italy"},{"@link":{"notes":"Cf. Vol. I, pp. 158, nos. 475-8, vol. II, pl.75, nos. 475-8. On all the dishes, the girl faces to the left, and, with the exception of no. 477, has an inscription on a scroll in front of her.","page":"158","type":"reference"},"admin":{"id":"publication-1571","uid":"adlib-publication-1571","uuid":"4e0f6f47-bf3a-3285-8417-f9bff14edde2"},"summary_title":"Victoria and Albert Museum, Catalogue of Italian Maiolica"},{"@link":{"notes":"Cf. p. 83, no. 59, a dish with the same inscription ending with ISCHU [RA], accompanying a different young woman. Inv. no. 1855. 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E 2110.","page":"162","type":"reference"},"admin":{"id":"publication-400002306","uid":"adlib-publication-400002306","uuid":"fd430150-18ab-30e6-9438-eb2a24c2f1c0"},"summary_title":"Kataloge des Kunstgewerbemuseums der Stadt K\u00f6ln, II, Majolika"},{"@link":{"notes":"Cf. pp. 242-3, no. 83, a dish painted with a similar girl facing to left, and the same quotation without the final X. inv. no. 94.4.320","page":"242-3","type":"reference"},"admin":{"id":"publication-8274","uid":"adlib-publication-8274","uuid":"7be4693f-9344-330a-8733-2ca7558ee846"},"summary_title":"Maiolica: Italian Renaissance Ceramics in the Metropolitan Museum of Art"},{"@link":{"notes":"Cf. pp. 106-07, no, 40, a dish with the same girl facing to the left; fig. 17 shows the head of a Sibyl from the fresco in the Sala dell'Udienza, Collegio del Cambio, Perugia. Inscription on ribbon OFACIES.OCUVLIS. INSIDIOSA.MEIS (O face that is an ambush for my eyes) from Ovid's Heroides, XV.","page":"106-07","type":"reference"},"admin":{"id":"publication-8571","uid":"adlib-publication-8571","uuid":"1c526257-c1d6-33b1-a279-b3248fce0bcc"},"summary_title":"The Golden Age of Maiolica-Painting. Catalogue of a Private Collection"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}},"summary_title":"dish","techniques":[{"description":[{"value":"earthenware, the front is tin-glazed; the reverse has thick, opaque, dark yellow lead-glaze. 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