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The lower part is narrower than the shoulder and the sides curve outwards slightly at the base. Tin-glazed earthenware painted in dark blue, green, yellow, and grey.  Across the front is a label inscribed 'PILL=IARIE' (with abbreviations over the L and AR) with below, three debased trophies, and above, on a badge, an 'S' surmounted by a patriarchal cross flanked by trophies, surrounded by a garland of leaves, fruits and flowers with ribbons on each side. 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Mariotto and his uncle were members of the Floris or De Floribus family of potters who were recorded in Gubbio between 1476 and 1642. The style of the decoration has traditionally been associated with Castel Durante, and it is possible that Mariotto moved there or elsewhere, which would account for the 'da Gubbio' after his name on a jar from the set in the V. & A. 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Square with deep sides. The back has been scooped out to produce three raised concentric rings. On the front, a white hound sejant in profile to the right with its head turned sharply to the right. The hound is outlined and shaded in blue and wears a dark yellow muzzle with a leash of the same colour coiling out behind it. The ground is green with yellow patches and tufts of blue grass. The background is manganese."}],"exhibitions":[{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"},{"@link":{"catalogue":"183","type":"reference"},"admin":{"id":"exhibition-2376","uid":"adlib-exhibition-2376","uuid":"3e2208a0-ad25-3b64-b03f-cb63aa00fd02"},"summary_title":"Treasured Possessions from the Renaissance to the Enlightenment"}],"identifier":[{"accession_number":"C.61-1927","primary":true,"type":"accession number","value":"C.61-1927"},{"priref":"15553","type":"priref","value":"15553"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/15553","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/15553"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"F. 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It was one of eight Gonzaga devices pictured on tiles commissioned from Pesaro in 1493 by Giovanni Sforza on behalf of Marquis Francesco II Gonzaga (1466-1519) for his villa at Marmirolo. However, on their arrival at the Castel San Giorgio in Mantua on 1 June 1494, some of them were laid in the studiolo of his wife, Isabella d'Este (1474-1539). The project seems to have been undertaken partly for aesthetic reasons and partly as a measure to rid the room of mice which had been nesting under the floorboards. Apart from this, maiolica pavements were not very practical in domestic situations because their colourful designs were gradually worn away by people's feet. The back of this tile, like some of the others from this pavement, was scooped out to produce three concentric circles. This may have been done to speed the drying of the tiles before firing or to prevent them warping in the kiln.\nThe potter's name was not mentioned in the surviving corres\u00acpondence of 1493-4 concerning the tiles, but he may have been Antonio dei Fedeli of Pesaro, who was active in Pesaro between 1458 and 1509. On 7 May 1496 wrote to Isabella asking to be paid for tiles for which he had been prom\u00acised payment six months earlier. Presumably these were a differ\u00acent order but it seems likely that, having been satisfied with the tiles decorated with devices, Isabella would have extended her patronage to the same potter for another commission.\nThe other seven emblems on the tiles were  the arms of Gonzaga; a dove perching on a coiled and smoking fuse inscribed `VRAI AMOVR NESE CHANGE' (true love does not change); a sunburst interwoven by two ribbons inscribed `PER VND\/IXIR' (for a desire); a white doe below a scroll inscribed `BIDER GRAFT' (righteous power); a three-tiered island surmounted by a diamond and surrounded by smoking brands, inscribed on the lowest tier of the island in Greek `AMVMOC' (blame\u00acless); a muzzle over a ribbon inscribed `CAVTIVS' (more cautiously); and a steel gauntlet attached to a ribbon inscribed `BVENA FE NONES MVDABLE' (good faith is unchangeable). \nAfter her husband's death, Isabella moved to different apart\u00acments on the ground floor of the Corte Vecchia, and recreated her studiolo there. The first studiolo no longer exists and the subsequent history of the tiles is unknown until some, whether from there or from Marmirolo is not clear, were recorded in the collec\u00actions of Attilio Portioli of Mantua and Willelmo Braghirolli in 1878. Those now in the museum collec\u00actions were acquired after that date. See the Documentation for locations."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106437","uid":"adlib-term-106437","uuid":"59e72604-922d-3194-ac46-27c1c5ac76a4"},"summary_title":"15th Century, Late"},{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113179","uid":"adlib-term-113179","uuid":"e74d25a1-07c3-3a30-b91b-004673211ee5"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"}]],"summary_title":"Pesaro"}]}]},"materials":[{"note":[{"value":"very light 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Purchased from Durlacher Bros., 142 New Bond Street, London, on 20 February 1920 by F. Leverton Harris ( 1864-1926)."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. Illustrated, p. 269","page":"p. 269","type":"reference"},"admin":{"id":"publication-200000551","uid":"adlib-publication-200000551","uuid":"3207842e-cdf8-3183-9744-0a826b8bb725"},"summary_title":"Italian maiolica in the collection of the Right Hon. F. Leverton Harris - I"},{"@link":{"notes":"Publ. Illustrated, pl. VIIIE and pl. XIV, third shelf down on the right side at the back. See also p. 6 of text.","page":"p. 6","type":"reference"},"admin":{"id":"publication-1569","uid":"adlib-publication-1569","uuid":"4825b83f-3a92-3c6d-b58b-2686ea0509e0"},"summary_title":"The Leverton Harris Collection"},{"@link":{"type":"reference"},"admin":{"id":"publication-1571","uid":"adlib-publication-1571","uuid":"4e0f6f47-bf3a-3285-8417-f9bff14edde2"},"summary_title":"Victoria and Albert Museum, Catalogue of Italian Maiolica"},{"@link":{"notes":"Publ. Mentioned. Fake for the 1911 exhibition in Paris?, p. 45, no. 89","page":"p.45","type":"reference"},"admin":{"id":"publication-1573","uid":"adlib-publication-1573","uuid":"847520ff-9058-30e2-b93b-f574486a1f1f"},"summary_title":"Decorative Arts of the Italian Renaissance 1400-1600"},{"@link":{"notes":"Publ. pp. 283-4, no. 357, where literature and locations of other examples are cited.","page":"pp. 283-4","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. pp. 28-9, no. 9, and  front cover","page":"28-9","type":"reference"},"admin":{"id":"publication-3378","uid":"adlib-publication-3378","uuid":"e4a41d6d-c98c-3959-bcb4-041c12eeb88c"},"summary_title":"Fitzwilliam Museum Handbooks, Italian Maiolica"},{"@link":{"notes":"Publ. back cover, and p. 48, fig. 31, where the problem of mice and rats is mentioned.","page":"p. 48","type":"reference"},"admin":{"id":"publication-1576","uid":"adlib-publication-1576","uuid":"34b8dbd3-6101-37d4-b573-0989a84b02c2"},"summary_title":"The Scholar in his Study"},{"@link":{"notes":"Publ. p. 12, illustrated","page":"12","type":"reference"},"admin":{"id":"publication-6374","uid":"adlib-publication-6374","uuid":"ca695373-60c6-3457-9c4c-0105050abb24"},"summary_title":"The Dog, 5000 Years of the Dog in Art"},{"@link":{"type":"reference"},"admin":{"id":"publication-7751","uid":"adlib-publication-7751","uuid":"cfa79c6e-ae29-31e3-85fa-3a838db1be3c"},"summary_title":"Treasured Possessions from the Renaissance to the Enlightenment"},{"@link":{"type":"reference"},"admin":{"id":"publication-1570","uid":"adlib-publication-1570","uuid":"587a2fe6-cae3-3832-a62b-2a2a1a3714e5"},"summary_title":"Splendours of the Gonzaga"},{"@link":{"notes":"Cf. Twelve tiles now in the Mus\u00e9e Jacquemart Andr\u00e9, Paris, one with the hound design, pp. 390-393, 'Le Puvimento de la Grotta', ill. on p. 391. Then in the collection of Edouard Andr\u00e9.","page":"pp. 390-3","type":"reference"},"admin":{"id":"publication-200000552","uid":"adlib-publication-200000552","uuid":"dbbe505c-4329-308f-b82a-02a825ea3c43"},"summary_title":"Isabelle d'Este et les artistes de son temps"},{"@link":{"type":"reference"},"admin":{"id":"publication-1572","uid":"adlib-publication-1572","uuid":"c069cd15-a980-3635-b91d-c6323a1457f4"},"summary_title":"L'Italia Splendida"},{"@link":{"notes":"Cf. Six tiles in the Louvre, one with the hound design, pp. 44-6, nos. 158-163, no. 160 on pp. 44-5, Louvre Inv. OA 6342C is the hound tile.","page":"pp. 44-6","type":"reference"},"admin":{"id":"publication-1574","uid":"adlib-publication-1574","uuid":"159ac368-4d4c-3d0c-a949-566b288054c6"},"summary_title":"Catalogue des majoliques des mus\u00e9es nationaux"},{"@link":{"notes":"Cf. Eight tiles in the Museo Castello Sforzesco, Vol. V, colour plate 52 and see p. 282, no. 52. Museo Castello Sforzesco, nos. 24-30 and 352. There are seventeen tiles in Mus\u00e9e Jacquemart-Andr\u00e9, see Institut de France, Mus\u00e9e Jacquemart-Andr\u00e9, Catalogue itineraire, 7th edn., 1933, p. 130, no. 917. Acquired from Angiolini, Bologna, 1893.","page":"p. 282","type":"reference"},"admin":{"id":"publication-1575","uid":"adlib-publication-1575","uuid":"ba63987d-d256-3a38-831a-07afe71f63c2"},"summary_title":"Masterpieces of Western Ceramics, Italian Ceramics"},{"@link":{"type":"reference"},"admin":{"id":"publication-1584","uid":"adlib-publication-1584","uuid":"b61dbd8b-dd02-33e0-92bb-88847c71de61"},"summary_title":"Isabella d'Este Furstin und Mazenatin der Renaissance"},{"@link":{"notes":"Cf. pp. 239-243, nos. 249-56. The author, Grazia Biscontini Ugolini, provides a fuller account of the tiles than the earlier references given here.","page":"239-43","type":"reference"},"admin":{"id":"publication-3413","uid":"adlib-publication-3413","uuid":"8c672f50-56ae-3905-934c-aeda20f7cede"},"summary_title":"Milan, Museo d'Arti Applicate, Le ceramiche, Tomo primo"},{"@link":{"notes":"Cf. p. 170 pl. 199, colour illustration of floor tile with VRAI AMOVR NESE CHANGE, (V. & A inv. 334:6-1903). p. 171 pl. 200 four Gonzaga floor tiles from the same set, the hound at lower left.  Attributed to Pesaro, c. 1494. Workshop of Antonio Fedeli. 23.5 x 23.5 cm. (V. & A. inv. nos. 334:1-5-1903)","page":"170","type":"reference"},"admin":{"id":"publication-7526","uid":"adlib-publication-7526","uuid":"ceb92dd4-7854-3192-82d7-ddfa5f0f3dd4"},"summary_title":"Italian Renaissance Maiolica"},{"@link":{"notes":"Cf. pp. 56-7, no. 19 six tiles from the pavement with Gonzaga emblems in the Louvre, inv. nos. OA 6432A-F. The white hound tile similar to the Fitzwilliam's is illustrated as C on p. 56. Attributed to the workshop of Antonio dei Fedeli, Pesaro c. 1493-4.","page":"56-7","type":"reference"},"admin":{"id":"publication-8945","uid":"adlib-publication-8945","uuid":"9af956eb-b189-300f-96c4-6f5724ebad10"},"summary_title":"Majolique, La fa\u00efence italienne au temps des humanistes 1480-1530"},{"@link":{"notes":"Cf. pp. 218-21, no. 38, a tile with the impresa of a sun face and a scroll inscribed  'PER VN DIXIR., adopted by Marquess Ludovico II (1412-78) of Mantuq following his defeat at the Battle of Caravaggio in 1448. This tile was donated to the Courtauld Gallery in 2020. See Sani, 2023.","page":"218-21","type":"reference"},"admin":{"id":"publication-8439","uid":"adlib-publication-8439","uuid":"28a20a57-b6c1-390d-898a-0896650411e9"},"summary_title":"Maiolica before Raphael. Italian ceramics before 1500"},{"@link":{"notes":"Cf. pp. 383-5, no. 201, a tile painted with the arms of Gonzaga from the same group, in the Ashmolean Museum, Oxford, inv. no. WAQ 2001.38. This was formerly in the collection of Dr Otto Lanz of Amsterdam  (1865-1935).","page":"383-5","type":"reference"},"admin":{"id":"publication-8466","uid":"adlib-publication-8466","uuid":"4c005d49-2023-314f-8cdd-34a2a03f0c7e"},"summary_title":"Italian Maiolica and Europe"},{"@link":{"notes":"Cf. pp. 59-63, no. 3 a tile with the Gonzaga emblem, a sun with a human facet and the motto PER UM DIXIR for a desire) on a ribbon. The author discusses the circumstances of the commission and mentions the other emblems used on the tiles. The tile differs from the Fitzwilliam's in having only one circle cut into the reverse.","page":"59-63","type":"reference"},"admin":{"id":"publication-8943","uid":"adlib-publication-8943","uuid":"29e4cc2a-e0e8-3153-be27-f107624f1cd0"},"summary_title":"Italian Maiolica and Other Modern Ceramics in the Courtauld Gallery"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"subjects":[{"@link":{"type":"reference"},"admin":{"id":"term-129156","uid":"adlib-term-129156","uuid":"8f319524-dfb9-3ba8-8dca-711353acbfdc"},"summary_title":"Marmirolo"},{"@link":{"type":"reference"},"admin":{"id":"term-75037","uid":"adlib-term-75037","uuid":"b7278bfa-9db3-39c2-8218-6b4932875a16"},"summary_title":"Mantua"},{"@link":{"relation":"animal","type":"reference"},"admin":{"id":"term-106792","uid":"adlib-term-106792","uuid":"9dad6dce-12d1-35e5-82ba-35b95d0e469a"},"summary_title":"hound"},{"@link":{"relation":"activity","type":"reference"},"admin":{"id":"term-107877","uid":"adlib-term-107877","uuid":"d3fd41d2-8962-3d09-a893-f20ebb772237"},"summary_title":"sitting"},{"@link":{"type":"literal"},"name":[{"value":"hound"}],"summary_title":"hound"},{"@link":{"type":"literal"},"name":[{"value":"sitting"}],"summary_title":"sitting"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-30977","uid":"adlib-term-30977","uuid":"fd3a0487-abe3-340b-bcf0-614e3e3de91f"},"summary_title":"floor tile"}},"summary_title":"floor tile","type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-48529","_score":18.057049,"_source":{"admin":{"added":1592999476000,"created":1312637261000,"flag":"Standard Record","id":"object-48529","indexed":1756836093758,"modified":1714465509000,"processed":1756836091179,"source":"adlib","stream":"fitz-online","uid":"adlib-object-48529","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/48529","uuid":"7ae2037e-e8c9-31ac-ac59-d63b6a03050e","version":8},"agents":[{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-149742","uid":"adlib-agent-149742","uuid":"1d4d164f-45d5-3cec-ad71-bbc83cea9b86"},"summary_title":"woman"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108348","uid":"adlib-term-108348","uuid":"667e7a19-db33-3d85-bd9b-c2dafd8e02ff"},"summary_title":"tin-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"},{"@link":{"type":"reference"},"admin":{"id":"term-110727","uid":"adlib-term-110727","uuid":"ebeafa07-8aa4-35ee-93de-94d5a21e0274"},"summary_title":"lustreware"}],"component":[{"materials":[{"note":[{"value":"blue"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-110730","uid":"adlib-term-110730","uuid":"dae0f074-4d74-3f73-9137-7e8bbb36a2ce"},"summary_title":"high-temperature colour"}},{"note":[{"value":"silver-yellow, appearing brassy-yellow"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-113115","uid":"adlib-term-113115","uuid":"3fcebc71-6e21-3984-9065-72a5e40903e0"},"summary_title":"reduced pigment lustre"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}}],"name":"Decoration","techniques":[{"note":[{"value":"in blue"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120105","uid":"adlib-term-120105","uuid":"e33f30c5-7d7b-3ef5-8d75-ef724c7172c0"},"summary_title":"lustre-painting"}}]}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-115","uid":"adlib-term-115","uuid":"94d65983-dea2-361b-b187-a968c98ab1d8"},"summary_title":"Nature"},{"@link":{"type":"reference"},"admin":{"id":"term-110500","uid":"adlib-term-110500","uuid":"6dc34c6c-d553-36b2-b489-9797a89deeea"},"summary_title":"society\/human life"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Pale buff earthenware, tin-glazed overall. Painted in blue and with brassy-yellow lustre.\nShape 70, but deeper. Circular with narrow rim, wide shallow well with a slightly convex boss in the middle, surrounded by a circle rib, a sloping concave zone and an indented circle.\nOn the boss within a blue circle, a woman half-length in profile to left faces a plant with three flowers. The boss is surrounded by a broad lustre band decorated with blue interlace, outside which is a series of concentric circles: blue, reserved white, blue, lustre and blue. The sides are decorated with slanting pseudo-gadroons and the rim has two continuous interlacing lines. A lustre band encircles the edge. On the back are four spaced concentric lustre circles."}],"identifier":[{"accession_number":"C.84-1927","primary":true,"type":"accession number","value":"C.84-1927"},{"priref":"48529","type":"priref","value":"48529"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/48529","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/48529"}],"inscription":[{"description":[{"value":"rectangular with cut corners and blue printed border"}],"method":"hand-written in blue-black ink and pencil","transcription":[{"value":"'M24' in ink, 'Leverton\/Harris\/1926' in pencil"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"F. Leverton Harris Bequest, 1926"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-151483","uid":"adlib-agent-151483","uuid":"26fbb332-a159-3961-80ad-ff1bd1a618c2"},"summary_title":"Harris, Frederick Leverton"}],"date":[{"earliest":1927,"latest":1927,"value":"1927"}],"method":{"value":"bequeathed"}}],"creation":[{"date":[{"earliest":1500,"from":{"earliest":1500,"latest":1500,"precision":"circa","value":"1500"},"latest":1530,"range":true,"to":{"earliest":1530,"latest":1530,"value":"1530"}}],"maker":[{"@link":{"role":[{"value":"maker"}],"type":"reference"},"admin":{"id":"agent-192453","uid":"adlib-agent-192453","uuid":"df78b698-01c1-3c17-b103-3abd32583456"},"summary_title":"Unidentified Deruta pottery"}],"note":[{"value":"Shallow basins with a central boss (bacili da acquareccia) were intended to accompany ewers, although no sets appear to have survived together. They were produced throughout the first half of the sixteenth century, and lustred examples survive in great numbers. Very few can be dated, even approximately with certainty. One of the earliest, in the British Museum, is decorated on the boss with the arms of a Montefeltro Duke of Urbino and was presumably made before 1508 when Francesco della Rovere succeeded to the dukedom. another basin at the Mus\u00e9e de la Renaissance at Ecouen, bears the arms for one or other of the Medici Popes, Leo X (1513-21) or Clement VII (1523-34).\nMany of these basins are decor\u00acated in the centre with a woman demurely facing to right or left towards a flowering plant, surrounded by a selec\u00action of stock patterns on the sides and rim, such as mock gadroons, scales, pointed rays and sty\u00aclized plants, wreaths of formal flowers and geometrical motifs. On some basins the flowers in front of the girls resemble pinks, which, like carnations, were symbols of love, so it seems likely that these were betrothal or wedding gifts, although not necessarily so. In the late fourteenth century, Margherita, the wife of the merchant, Francesco Datini of Prato (d. 1410), was asked to take 'a bowl and an ewer, such as is customary to give to girls' to the birthday party of one of her friend's daughters. At that time the ewer and basin would almost certainly have been metal, but it seems probable that, if this custom persisted maiolica would have been acceptable. A maiolica basin in an Italian private collection has the girl's name GIROLEMA painted across the boss.\nIt is difficult to date these basins other than by matching the borders with datable pieces of other types, or by the costume of the girls in the central medallion, which, because of the conservatism of Deruta decorators, is probably not very accurate. Nevertheless, it seems significant that the Louvre's relief moulded basin dated 1546, and another undated in the Lehman collection at the Metropolitan Museum of Art, feature girls wearing a different style of dress and turban-like caps. This fashion can be seen in portraits of the 1520s, and on bella donna dishes of the 1530s and early 1540s. It therefore seems likely that basins like this example and C.84-1961, which feature a Peruginesque girl, were likely to have been made before about 1530.\nThere are examples in the City Museum and Art Gallery, Stoke-on-Trent (27 P 53); the Mus\u00e9e des Antiquit\u00e9s de la Seine-Maritime, Rouen, the V. & A., the Walters Art Museum, Baltimore, the Louvre, the Mus\u00e9e National de la Renaissance, \u00c9couen, the Indianapolis Museum of Arts, the Nationalmuseum, Stockholm, the Metropolitan Museum of Art, New York, the Galeazzi collection, Terni, the Museum f\u00fcr Kunst und Gewerbe, Hamburg, the British Museum, and the Los Angeles County Museum, i(50.9.14.7)."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106256","uid":"adlib-term-106256","uuid":"1bd8ad44-09c2-3c55-825a-635e463bb56b"},"summary_title":"16th Century, Early"},{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110784","uid":"adlib-term-110784","uuid":"306cbe64-9c29-347d-bae9-6fa7b2d98848"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"}]],"summary_title":"Deruta"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"31.5"},{"dimension":"Height","units":"cm","value":"3.5"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-18172","uid":"adlib-media-18172","uuid":"e888c589-736a-3129-83cc-9f185b6c2bac"},"processed":{"large":{"format":"jpeg","location":"aa\/aa1\/C_84_1927_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1702926369018,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa1\/mid_C_84_1927_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":362},{"dimension":"width","units":"pixels","value":500}]},"modified":1702926369018,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa1\/C_84_1927_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1702926369018,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa1\/preview_C_84_1927_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":181},{"dimension":"width","units":"pixels","value":250}]},"modified":1702926369018,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}},{"@link":{"type":"reference"},"admin":{"id":"media-18173","uid":"adlib-media-18173","uuid":"6e7b7ab4-0499-3a6d-bb1c-808b66e9e33c"},"processed":{"large":{"format":"jpeg","location":"aa\/aa1\/C_84_1927_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1702926614753,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa1\/mid_C_84_1927_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":362},{"dimension":"width","units":"pixels","value":500}]},"modified":1702926614753,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa1\/C_84_1927_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1702926614753,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa1\/preview_C_84_1927_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":181},{"dimension":"width","units":"pixels","value":250}]},"modified":1702926614753,"resizable":true,"type":"image"}},"sort":"1","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-89303","uid":"adlib-term-89303","uuid":"7012fd66-769f-33c8-bb38-d805db27c8c9"},"summary_title":"basin"}},{"value":"shallow basin for ewer"},{"value":"dish for a ewer"}],"note":[{"type":"history note","value":"A. Wylie; Frederick Leverton Harris (1864-1926)"}],"objects":[{"@link":{"cascade":true,"role":[{"value":"same form"}],"type":"reference"},"admin":{"id":"object-48565","uid":"adlib-object-48565","uuid":"3d224491-34cc-3f44-9968-cfabb17898f5"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-89303","uid":"adlib-term-89303","uuid":"7012fd66-769f-33c8-bb38-d805db27c8c9"},"summary_title":"basin"}},"summary_title":"basin"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"type":"reference"},"admin":{"id":"publication-1569","uid":"adlib-publication-1569","uuid":"4825b83f-3a92-3c6d-b58b-2686ea0509e0"},"summary_title":"The Leverton Harris Collection"},{"@link":{"notes":"Publ. pp. 168-9, no. 238, where bibliography for other examples is cited","page":"168-9","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Cf. p. 44, n. 32 and pl. XV, fig. 32","page":"44","type":"reference"},"admin":{"id":"publication-8819","uid":"adlib-publication-8819","uuid":"370f3f17-3378-32d8-ab82-49639225558d"},"summary_title":"Catalogue des fa\u00efences anciennes, Mus\u00e9e des Antiquit\u00e9s de la Seine-Inf\u00e9rieure"},{"@link":{"notes":"Cf. p. 10, no. 15, and pl. 10","page":"10","type":"reference"},"admin":{"id":"publication-8275","uid":"adlib-publication-8275","uuid":"541ba1f4-8f5f-3ddc-a49b-24ca89955104"},"summary_title":"Catalogue of the Italian Majolica in the Walters Art Gallery"},{"@link":{"notes":"Cf. Basins for ewers in the Louvre, pp. 170-1, nos. 561-3, p. 189, no. 609; and an example at the Mus\u00e9e de la Renaissance, \u00c9couen, pp.189-90, no. 610","page":"170-1","type":"reference"},"admin":{"id":"publication-1574","uid":"adlib-publication-1574","uuid":"159ac368-4d4c-3d0c-a949-566b288054c6"},"summary_title":"Catalogue des majoliques des mus\u00e9es nationaux"},{"@link":{"notes":"Cf. Vol. I, p. 155, no. 463, vol. 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Cf. also p. 111, no. 42, a basin of similar form with the name GIROLEMA across the boss.","page":"110","type":"reference"},"admin":{"id":"publication-8571","uid":"adlib-publication-8571","uuid":"1c526257-c1d6-33b1-a279-b3248fce0bcc"},"summary_title":"The Golden Age of Maiolica-Painting. Catalogue of a Private Collection"},{"@link":{"notes":"Ref. pp. 90-3, nos 11-12, two Deruta lustred ewers of the type which would have accompanied basins. In fig. 11.2, the author illustrates an assembled ewer and basin in the British Museum to show how the ewer's foot fitted over the central boss (BM 1885,0508.37 and 1878,1230.361). Fig. 11.1 shows a lustred jug with a differently shaped foot at the head of the Masci family's tax return in 1498, in the Archivio di Stato di Perugia.","page":"90-3","type":"reference"},"admin":{"id":"publication-8943","uid":"adlib-publication-8943","uuid":"29e4cc2a-e0e8-3153-be27-f107624f1cd0"},"summary_title":"Italian Maiolica and Other Modern Ceramics in the Courtauld Gallery"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"subjects":[{"@link":{"type":"reference"},"admin":{"id":"term-147436","uid":"adlib-term-147436","uuid":"a50fa4bb-9fa8-33d2-a65e-9e865e759e04"},"summary_title":"hand washing"},{"@link":{"relation":"plant","type":"reference"},"admin":{"id":"term-107622","uid":"adlib-term-107622","uuid":"523e46be-6c51-3455-8391-3ea334aab2f0"},"summary_title":"flowers"},{"@link":{"type":"literal"},"name":[{"value":"flowers"}],"summary_title":"flowers"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-89303","uid":"adlib-term-89303","uuid":"7012fd66-769f-33c8-bb38-d805db27c8c9"},"summary_title":"basin"}},"summary_title":"basin","techniques":[{"description":[{"value":"Pale buff earthenware, moulded, and tin-glazed overall. 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Painted in blue and pale green, and with red and yellowish-gold lustre. Shape approximately 58. Circular with a broad, gently sloping rim and deep well; flat base.\nThe central medallion, edged with red lustre and blue circles, contains a shield of broad testa di cavallo form charged with the arms azure a tower argent debruised by a bend gules. The side of the well is gold overall, and the symmetrically arranged grotesques on the rim are reserved in a gold ground. At the top is a mask with a vase of fruit above it and, at the bottom, a winged putto's head above fruit in a bowl decorated alla porcellana, linked by fruit-filled cornucopiae to two monsters who crouch on the right and left. Two narrow blue bands encircle the outer edge. On the back, the base and shoulder are encircled by a wide and a narrow band of gold lustre, repeated in reverse order on the outer edge."}],"exhibitions":[{"@link":{"catalogue":"none","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"}],"identifier":[{"accession_number":"C.104-1927","primary":true,"type":"accession number","value":"C.104-1927"},{"priref":"79244","type":"priref","value":"79244"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/79244","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/79244"}],"inscription":[{"description":[{"value":"rectangular with scarlet edge"}],"method":"inscribed in scarlet","transcription":[{"value":"40"}],"type":"label"},{"description":[{"value":"square"}],"method":"printed in black","transcription":[{"value":"195"}],"type":"label"},{"description":[{"value":"rectangular with printed blue cut-cornered frame"}],"method":"inscribed in pencil","transcription":[{"value":"Leverton Harris\/\u00a3@\/M.98"}],"type":"label"},{"description":[{"value":"circular"}],"method":"inscribed in blue-black ink","transcription":[{"value":"M\/98"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"F. Leverton Harris Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-157197","uid":"adlib-agent-157197","uuid":"ab234587-3b80-398a-9715-ce74f88dbb64"},"summary_title":"Harris, F. Leverton, The Right Hon."}],"date":[{"earliest":1926,"latest":1926,"value":"1926"}],"method":{"value":"bequeathed"},"note":[{"value":"Entry date: 1927"}]}],"creation":[{"date":[{"earliest":1521,"era":["CE"],"latest":1521,"note":[{"value":"this date appears on a piece from the same armorial service in the Lehman Collection in the Metropolitan Museum of Art, New York"}],"precision":"circa","value":"1521"}],"maker":[{"@link":{"role":[{"value":"workshop"}],"type":"reference"},"admin":{"id":"agent-160294","uid":"adlib-agent-160294","uuid":"e7481a09-8063-3b03-b6b2-04e7e9154df5"},"summary_title":"Maestro Giorgio Andreoli"}],"note":[{"value":"This bowl with a broad rim  belonged to an unmarked armorial service bearing the arms of the Di Bate family of Florence. It was made in the workshop of Maestro Giorgio Andreoli, the leading potter in Gubbio, who was famed for his lustred maiolica. Most maiolica had two firings, but lustre ware required a third, was therefore a highly-prized luxury product.  Many examples have their owner's arms in the well, or elsewhere on differently-shaped dishes. The grotesque decoration on the rim was derived from Roman architectural ornament, probably through the medium of prints.  At least ten other examples of broad-rimmed bowls (often described as tondini)  are recorded, all but one decorated with grotesques on the rim: one dated 1521 in the Lehman Collection in the Metropolitan Museum of Art, New York; another in that museum, formerly in the Blumenthal Collection, inv. 41.100.227; one in the Dutuit Collection at the Petit Palais, Paris; one in the Louvre; two in the Museo Civico, Bologna; one decorated with trophies instead of grotesques, in the Mus\u00e9e des Antiquit\u00e9s, Rouen, one sold at Sotheby's, London, on 21 November 1978, lot 43; and two sold by Christie's, New York, on 12 October 2023, lots 189 and 200. See the Documentation for bibliography. A nineteenth century dish, which differs from the sixteenth century products in having a pinkish-red lustre instead of deep ruby red lustre, is in the City Museum and Art Gallery, Stoke-on-Trent (The Potteries Museum), inv. 98.P 33."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-129192","uid":"adlib-term-129192","uuid":"2dba38f0-9a5e-3bba-9551-1573d7540a59"},"summary_title":"16th Century, Early"},{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113220","uid":"adlib-term-113220","uuid":"e8b02414-1477-3046-8f2a-947e5c159b21"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Umbria"}],"summary_title":"Umbria","type":"region"}]],"note":[{"value":"The bowl was earlier attributed to Castel Durante, with lustre applied at Gubbio, but it is now considered more likely to have been both made and lustred at Gubbio."}],"summary_title":"Gubbio"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"24.5"},{"dimension":"Height","units":"cm","value":"4.9"}]},"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-125345","uid":"adlib-term-125345","uuid":"044a81eb-350e-3229-9e5e-72ab4fb784aa"},"summary_title":"bowl with broad rim"}},{"value":"dish"},{"value":"tondino"}],"note":[{"type":"history note","value":"Alexander Barker; Sir Francis Cook, Bt; Wyndham Francis Cook; Humphrey Wyndham Cook; Christie's, 7 July 1925, Catalogue of an important collection of objects of art of the Middle Ages and Renaissance, the property of Humphrey W. Cook, Esq., and removed from 8 Cadogan Square, S.W., being a portion of the celebrated collection formed by the late Sir Francis Cook, Bart, lot 25; F. Leverton Harris."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. p. 12, no. 40","page":"p. 12","type":"reference"},"admin":{"id":"publication-3043","uid":"adlib-publication-3043","uuid":"a5c54200-d7aa-3b40-8860-dddffa64c6cd"},"summary_title":"Catalogue of Italian Majolica and other Pottery at 8 Cadogan Square"},{"@link":{"notes":"Publ. p. 15, fig. IV","page":"p. 15","type":"reference"},"admin":{"id":"publication-200000991","uid":"adlib-publication-200000991","uuid":"8abfbba2-051f-3c8e-8476-30efa10336a6"},"summary_title":"Italian maiolica in the collection of the Right Hon. F. Leverton Harris - III"},{"@link":{"type":"reference"},"admin":{"id":"publication-1569","uid":"adlib-publication-1569","uuid":"4825b83f-3a92-3c6d-b58b-2686ea0509e0"},"summary_title":"The Leverton Harris Collection"},{"@link":{"notes":"Publ. pp. 218-220, no. 295, where further examples with the same arms are cited","page":"pp. 218-220","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Cf. Another dish from the service, p. 231, no. 754, where the arms are identified as Di Bate of Florence, citing as evidence a manuscript in the Biblioth\u00e8que nationale de France, Paris, MS Ital. 1389, fol. 15.","page":"231","type":"reference"},"admin":{"id":"publication-1574","uid":"adlib-publication-1574","uuid":"159ac368-4d4c-3d0c-a949-566b288054c6"},"summary_title":"Catalogue des majoliques des mus\u00e9es nationaux"},{"@link":{"notes":"Cf. pp. 188-90, no. 115, a dish from the same service, dated 1521","page":"188-90","type":"reference"},"admin":{"id":"publication-3377","uid":"adlib-publication-3377","uuid":"e960b292-06f9-36c2-82f2-4a2c334f1804"},"summary_title":"The Robert Lehman Collection X Italian Majolica"},{"@link":{"notes":"Cf. pp. 150-1, no. 46 a dish with the same arms surrounded by different grotesques","page":"150-1","type":"reference"},"admin":{"id":"publication-8820","uid":"adlib-publication-8820","uuid":"eedf731a-950d-3c70-a196-dd3b9f6bbb9a"},"summary_title":"Mus\u00e9e du Petit Palais, Catalogue de C\u00e9ramiques I, Hispano-Mauresques, majoliques italiennes, Iznik, des collections Dutuit, Ocampo et Pierre Marie"},{"@link":{"notes":"Cf. p. 181, nos 132-3, two slightly smaller bowls with broad rims with the same coat of arms in the well and different grotesques on the rim. Diametres respectively 19.6 cm and 19.5 cm","page":"181","type":"reference"},"admin":{"id":"publication-3388","uid":"adlib-publication-3388","uuid":"de185508-79d7-3c40-b470-36c015e8e566"},"summary_title":"Ceramiche occidentale del Museo Civico Medievale di Bologna"},{"@link":{"notes":"Cf. p. 52, no. 45 and pl. xx, fig. 45. This example is decorated on the rim with trophies instead of grotesques","page":"52","type":"reference"},"admin":{"id":"publication-8819","uid":"adlib-publication-8819","uuid":"370f3f17-3378-32d8-ab82-49639225558d"},"summary_title":"Catalogue des fa\u00efences anciennes, Mus\u00e9e des Antiquit\u00e9s de la Seine-Inf\u00e9rieure"},{"@link":{"type":"reference"},"admin":{"id":"publication-8933","uid":"adlib-publication-8933","uuid":"b7952e0f-8a5a-3a64-b03c-f695662ae869"},"summary_title":"Rothschild Masterpieces: The Kunstkammer"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"subjects":[{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-110720","uid":"adlib-term-110720","uuid":"a3c10876-e889-3e8d-a458-73e817c04520"},"summary_title":"coat-of-arms"},{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-107516","uid":"adlib-term-107516","uuid":"146a0bfc-a677-3f01-8f8a-18d01ec5f2f2"},"summary_title":"shield"},{"@link":{"type":"literal"},"name":[{"value":"coat-of-arms"}],"summary_title":"coat-of-arms"},{"@link":{"type":"literal"},"name":[{"value":"shield"}],"summary_title":"shield"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-125345","uid":"adlib-term-125345","uuid":"044a81eb-350e-3229-9e5e-72ab4fb784aa"},"summary_title":"bowl with broad rim"}},"summary_title":"bowl with broad rim","techniques":[{"description":[{"value":"pale yellowish-buff earthenware, tin-glazed overall; the reverse, pale beige. Painted in blue and pale green, and with red and yellowish-gold lustre."}],"note":[{"value":"over mould"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120082","uid":"adlib-term-120082","uuid":"ea83ed85-6b07-3e7e-83fc-440cfda22f7e"},"summary_title":"throwing"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120059","uid":"adlib-term-120059","uuid":"dfa315b5-819d-37ab-ab22-bddfdbb3cbe7"},"summary_title":"tin-glazing"}}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-48567","_score":16.446205,"_source":{"admin":{"added":1592999475000,"created":1312637261000,"flag":"Standard Record","id":"object-48567","indexed":1747246339513,"modified":1731510480000,"processed":1747245850151,"source":"adlib","stream":"fitz-online","uid":"adlib-object-48567","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/48567","uuid":"c2d4f955-23c3-31d4-af23-08475888b916","version":7},"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108348","uid":"adlib-term-108348","uuid":"667e7a19-db33-3d85-bd9b-c2dafd8e02ff"},"summary_title":"tin-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"},{"@link":{"type":"reference"},"admin":{"id":"term-110727","uid":"adlib-term-110727","uuid":"ebeafa07-8aa4-35ee-93de-94d5a21e0274"},"summary_title":"lustreware"}],"collection":[{"@link":{"type":"reference"},"admin":{"id":"term-113302","uid":"adlib-term-113302","uuid":"2747e058-f9ff-3d49-9bc9-c69e97b18c26"},"summary_title":"H.S. Reitlinger"}],"component":[{"materials":[{"note":[{"value":"blue"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-110730","uid":"adlib-term-110730","uuid":"dae0f074-4d74-3f73-9137-7e8bbb36a2ce"},"summary_title":"high-temperature colour"}},{"note":[{"value":"silver-yellow"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-113115","uid":"adlib-term-113115","uuid":"3fcebc71-6e21-3984-9065-72a5e40903e0"},"summary_title":"reduced pigment lustre"}}],"name":"Decoration","techniques":[{"note":[{"value":"in blue"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120105","uid":"adlib-term-120105","uuid":"e33f30c5-7d7b-3ef5-8d75-ef724c7172c0"},"summary_title":"lustre-painting"}}]}],"department":{"value":"Applied Arts"},"description":[{"value":"Renaissance maiolica dish, painted in blue and with dull silver-yellow lustre with a repeating design of arabesques, scrolls and flowers."},{"value":"Earthenware, tin-glazed overall, the reverse greyish, speckled and flawed. Painted in blue, and with dull silver-yellow lustre.\nShape approximately 63. Circular with narrow sloping rim, shallow sides and wide, flat centre, standing on the reverse greyish, speckled and flawed.\nA repeating design of arabesques, scrolls, four-petalled and daisy flowers radiates from a central lustred disk. The rim is encircled by a blue band and a lustre band."}],"exhibitions":[{"@link":{"catalogue":"none","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"}],"identifier":[{"accession_number":"C.200-1991","primary":true,"type":"accession number","value":"C.200-1991"},{"priref":"48567","type":"priref","value":"48567"},{"date":[{"earliest":1989,"latest":1989,"value":"1989"}],"source":"Allocated by Wendy Rose when object left Maidenhead","type":"packing number","value":"ISCER 967"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/48567","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/48567"}],"inscription":[{"description":[{"value":"oval with gold border"}],"method":"inscribed in pencil","transcription":[{"value":"42"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"H.S. 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The form of this dish and its rather dull lustre probably indicate that was made nearer to 1550 than to 1515. \nComparable lustre designs appear on Deruta display dishes, large shallow dishes with narrow rims, and ewer basins. They also appear on closed forms, such as two-handled vases of two shapes, small jugs and ewers, and a standing bowl. All these forms are similar to those with other kinds of decoration attributed to Deruta, which strengthens the argument that this design, like others in blue and silver-yellow lustre, was executed there rther than at Pesaro."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-110475","uid":"adlib-term-110475","uuid":"223ae6a7-2f91-3314-ae3c-da3233ae47dc"},"summary_title":"16th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110784","uid":"adlib-term-110784","uuid":"306cbe64-9c29-347d-bae9-6fa7b2d98848"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"}]],"summary_title":"Deruta"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"38.2"},{"dimension":"Height","units":"cm","value":"5.8"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-18180","uid":"adlib-media-18180","uuid":"a6336883-b2fc-3b4e-bc5f-0759e49b51f0"},"processed":{"large":{"format":"jpeg","location":"aa\/aa9\/C_200_1991_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1742581280770,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa9\/mid_C_200_1991_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":649},{"dimension":"width","units":"pixels","value":500}]},"modified":1742581280770,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa9\/C_200_1991_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1742581280770,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa9\/preview_C_200_1991_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":325},{"dimension":"width","units":"pixels","value":250}]},"modified":1742581280770,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}},{"@link":{"type":"reference"},"admin":{"id":"media-18181","uid":"adlib-media-18181","uuid":"40a8733d-c6c1-3320-bec6-43fd96bc91ec"},"processed":{"large":{"format":"jpeg","location":"aa\/aa9\/C_200_1991_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1742581293260,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa9\/mid_C_200_1991_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":649},{"dimension":"width","units":"pixels","value":500}]},"modified":1742581293260,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa9\/C_200_1991_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1742581293260,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa9\/preview_C_200_1991_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":325},{"dimension":"width","units":"pixels","value":250}]},"modified":1742581293260,"resizable":true,"type":"image"}},"sort":"1","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}}],"note":[{"type":"history note","value":"Probably the `Deruta lustre plate c. 1550, conventional design' purchased from Battersby Art Co. on 14 June 1934 by H.S. 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See also pp. 198-9, nos. 643, 645","page":"197-9","type":"reference"},"admin":{"id":"publication-1574","uid":"adlib-publication-1574","uuid":"159ac368-4d4c-3d0c-a949-566b288054c6"},"summary_title":"Catalogue des majoliques des mus\u00e9es nationaux"},{"@link":{"type":"reference"},"admin":{"id":"publication-200003228","uid":"adlib-publication-200003228","uuid":"0d43073d-ed24-3cc1-b71a-cb71a8dc4918"},"summary_title":"Prime considerazioni su alcuni frammenti da scavo in Deruta"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}},"summary_title":"dish","techniques":[{"description":[{"value":"earthenware, tin-glazed overall, the reverse greyish, speckled and flawed. 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A band of yellow lustre encircles the outer edge."}],"exhibitions":[{"@link":{"catalogue":"none","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"}],"identifier":[{"accession_number":"MAR.C.56-1912","primary":true,"type":"accession number","value":"MAR.C.56-1912"},{"priref":"48491","type":"priref","value":"48491"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/48491","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/48491"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"C.B. 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The figure drawing is similar to that on maiolica attributed to the Mancini workshop in Deruta, such as a panel of the 'Virgin and Child with Saints' in the Cora collection at the Museo Internazionale delle Ceramiche, Faenza. Lustred dishes decorated in similar style with standing figures of St Barbara, Prudence and Fortitude are in the French national collections. \nThis dish, however, is a little smaller than most Deruta display dishes (piatti da pompa), and its greyish tin-glazed back and pallid lustre gave rise to doubts about its authenticity. These were shown to be unfounded when thermoluminescence analysis by the Oxford Research Laboratory of Archaeology and the History of Art in 1994 estimated that the sample was fired between 300 and 460 years ago. This result may support the hypothesis that some display dishes with tin-glazed backs were made at the end of the date range assessed for this type, and need not be regarded with suspicion unless there are discrepancies between the style of painting and the estimated date."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-110475","uid":"adlib-term-110475","uuid":"223ae6a7-2f91-3314-ae3c-da3233ae47dc"},"summary_title":"16th Century, 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Painted in blue, green, yellow, orange, and manganese.  Circular with shallow curved sides, standing on a narrow ring foot.(Poole 1995, Shape 77) A bust of a female warrior faces in profile to left, wearing a fantastic parade helmet in the shape of a crouching lion-like beast. Her name, `MA\/RTA B'(Bella) is inscribed on a scroll arched over her head. The background and rim are blue."}],"exhibitions":[{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"}],"identifier":[{"accession_number":"C.63-1927","primary":true,"type":"accession number","value":"C.63-1927"},{"priref":"79249","type":"priref","value":"79249"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/79249","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/79249"}],"inscription":[{"description":[{"value":"MA separated by the helmet from RTA B on scroll over woman's head"}],"location":"on scroll on front","method":"painted in blue","transcription":[{"value":"MARTA B"}],"type":"inscription"},{"description":[{"value":"or 602"}],"location":"on the base","method":"in blue, after firing","transcription":[{"value":"662"}],"type":"number"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"F. Leverton Harris Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-151483","uid":"adlib-agent-151483","uuid":"26fbb332-a159-3961-80ad-ff1bd1a618c2"},"summary_title":"Harris, Frederick Leverton"}],"date":[{"earliest":1927,"latest":1927,"value":"1927"}],"method":{"value":"bequeathed"}}],"creation":[{"date":[{"earliest":1520,"from":{"earliest":1520,"era":["CE"],"latest":1520,"precision":"circa","value":"1520"},"latest":1530,"range":true,"to":{"earliest":1530,"era":["CE"],"latest":1530,"value":"1530"}}],"maker":[{"@link":{"qualifier":"possibly","role":[{"value":"potter"}],"type":"reference"},"admin":{"id":"agent-188372","uid":"adlib-agent-188372","uuid":"4dfc899a-4c0b-3632-ba5e-a63bbbfaef42"},"summary_title":"Unidentified Castel Durante potter"},{"@link":{"qualifier":"possibly","role":[{"value":"potter"}],"type":"reference"},"admin":{"id":"agent-188373","uid":"adlib-agent-188373","uuid":"a417bfc7-7595-3146-8bab-43ca46b53f2a"},"summary_title":"Unidentified Urbino potter"}],"note":[{"value":"Dishes decorated with heads of women  or men, have traditionally been attributed to Castel Durante, but may equally well have been made in Urbino.  This is one of a small group decorated with young women wearing elaborate parade helmets. The only dated example, of 1522, is in the Museo Civico, Pesaro. Inscribed `FAVSTINA', it differs from the rest of the group in having a border of bound leaves and fruits. The others are `DEIDAMIA' in the Kunstgewerbe\u00acmuseum, Berlin.`BRADAMANTE BEL' at the Ceramic Museum at S\u00e8vres, and later, and painted in a different style, `MARFISA' in the Museo Internationale delle Ceramiche at Faenza.                                                                       \nClosely related to Deidamia is a small group of dishes with girls wearing visor-like headdresses and a cloth snood enclosing their hair at the back of their head: `CARENDINA' in the Lehman collection at the Metropolitan Museum of Art, New York, `TARSIA B [Bella]' in the Gambier\u00ac-Parry collec\u00action at the Courtauld Institute Galleries, London, and `PHILOMENA' in the Metropolitan Museum. The Fitzwilliam Museum's MARTA B' differs from all these in having an extremely long and slender neck, a zoomorphic helmet as opposed to one decorated with grotesque masks, wings or shell-like coils, and an arched name scroll instead of a coiling ribbon passing behind her shoulders. In this respect it resembles two dishes decorated with heads of men wearing Saracen-style helmets and having an arched scroll over their head bearing their name, 'CATELINA' and 'SANSONE'. There are several further dishes decorated with men wearing parade helmets with their names on scrolls below, including SCANDERBECH in the Mus\u00e9e des Arts d\u00e9coratifs Lyon, and CORNELIO in the Louvre."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-147682","uid":"adlib-term-147682","uuid":"27e95109-62eb-305b-b01d-b71655ff7d15"},"summary_title":"16th Century, third decade"},{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113124","uid":"adlib-term-113124","uuid":"9cb3d1b6-4d7f-31d1-9896-a75256a6780a"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"The Marches"}],"summary_title":"The Marches","type":"region"}]],"summary_title":"Castel Durante"},{"@link":{"type":"reference"},"admin":{"id":"term-110708","uid":"adlib-term-110708","uuid":"ef038505-1555-3c61-b6e2-cadcedf6c42a"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"The Marches"}],"summary_title":"The Marches","type":"region"}]],"summary_title":"Urbino"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"24"},{"dimension":"Height","units":"cm","value":"4.8"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-52750","uid":"adlib-media-52750","uuid":"a979799f-3d43-3d1b-a400-8b8c36e947f6"},"processed":{"large":{"format":"jpeg","location":"aa\/aa19\/C_63_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":733}]},"modified":1742584162642,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa19\/mid_C_63_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":518},{"dimension":"width","units":"pixels","value":500}]},"modified":1742584162642,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa19\/C_63_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":733}]},"modified":1742584162642,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa19\/preview_C_63_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":259},{"dimension":"width","units":"pixels","value":250}]},"modified":1742584162642,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}},{"value":"dish standing on low foot"}],"note":[{"type":"history note","value":"M. & R. Stora, ( Maurice (1879-1950) and Rapha\u00ebl (1887-1963), 32 bis, Boulevard Hausmann, Paris, from whom purchased in 1920 by F. Leverton Harris (1864-1926)"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"type":"reference"},"admin":{"id":"publication-1569","uid":"adlib-publication-1569","uuid":"4825b83f-3a92-3c6d-b58b-2686ea0509e0"},"summary_title":"The Leverton Harris Collection"},{"@link":{"notes":"Publ. pp. 296-7, no. 366, where other dishes decorated with male or female heads wearing helmets are listed. Colour Plate 38","page":"pp. 296-7","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. pp. 60-1, no. 25","page":"60-1","type":"reference"},"admin":{"id":"publication-3378","uid":"adlib-publication-3378","uuid":"e4a41d6d-c98c-3959-bcb4-041c12eeb88c"},"summary_title":"Fitzwilliam Museum Handbooks, Italian Maiolica"},{"@link":{"notes":"Cf. pp. 239-43, no. 175, a shallow bowl or dish, with a profile head of a female warrior wearing a parade helmet, with the name DEIDAMIA on a scroll below. The author lists further examples on p. 239.","page":"239-43","type":"reference"},"admin":{"id":"publication-1626","uid":"adlib-publication-1626","uuid":"5b3b0632-26d4-3992-8fdd-82f5ec43e259"},"summary_title":"Majolika. Spanische und Italienische Keramik vom 14. bis zum 18. Jahrhundert, Kataloge des Kunstgewerbemuseums Berlin, Band VI"},{"@link":{"notes":"Cf. p. 244-5, no. 800, a bust of female warrior wearing a parade helmet in profile to left named BRADAMANTE BEL on a scroll below, in the Mus\u00e9e de la C\u00e9ramique, S\u00e8vres; p. 244-5, no. 799, a male warrior in profile to right wearing a parade helmet, named CORNELIO on a scroll below in the Louvre. Both attributed to Casteldurante.","page":"244-5","type":"reference"},"admin":{"id":"publication-1574","uid":"adlib-publication-1574","uuid":"159ac368-4d4c-3d0c-a949-566b288054c6"},"summary_title":"Catalogue des majoliques des mus\u00e9es nationaux"},{"@link":{"notes":"Cf. pp. 104-106, no. 63 a dish with a bust of a woman wearing a visa-like headdress in profile to right with the name CARENDINA on a scroll below. See Appendix I, pp. 244-5, figs. 63.1-12, illustrations of dishes with male and female heads wearing parade helmets, or visor-like headdresses.  On p. 245, fig. 63.10 is CATELINA, who wears a saracen style helmet and has his name on a scroll over his head like the Fitzwilliam's MARTA B.","page":"104-106","type":"reference"},"admin":{"id":"publication-3377","uid":"adlib-publication-3377","uuid":"e960b292-06f9-36c2-82f2-4a2c334f1804"},"summary_title":"The Robert Lehman Collection X Italian Majolica"},{"@link":{"notes":"Cf. p. 80, no. 34, CORNELIO in the Louvre (inv. OA 1745); p. 81 no. 35, TARSIA B in the Courtauld Gallery, London (inv. O 1966 GP 88); no. 36 SCANDERBECH in the Mus\u00e9e des Arts d\u00e9coratifs, Lyon (inv. no. 1718)","page":"81","type":"reference"},"admin":{"id":"publication-8945","uid":"adlib-publication-8945","uuid":"9af956eb-b189-300f-96c4-6f5724ebad10"},"summary_title":"Majolique, La fa\u00efence italienne au temps des humanistes 1480-1530"},{"@link":{"notes":"Cf. pp. 161-4, no. 31, shallow bowl decorated with the head and shoulders of a girl in profile wearing a visor-like headdress with TARSIA B on a scroll below, probably referring to the King's daughter in the classical Story of Apollonius, King of Tyre. In note 15 the author cites two examples of 16th century women named Tarsia, one in Castel Durante and the other in Ferrara.","page":"161-4","type":"reference"},"admin":{"id":"publication-8943","uid":"adlib-publication-8943","uuid":"29e4cc2a-e0e8-3153-be27-f107624f1cd0"},"summary_title":"Italian Maiolica and Other Modern Ceramics in the Courtauld Gallery"},{"@link":{"notes":"Cf. pp. 164-5, no. 50 a shallow bowl decorated with the head of a man in profile wearing a helmet, title RVGGIERO. Inv. no. 1965.65.67","page":"pp. 164-5","type":"reference"},"admin":{"id":"publication-8274","uid":"adlib-publication-8274","uuid":"7be4693f-9344-330a-8733-2ca7558ee846"},"summary_title":"Maiolica: Italian Renaissance Ceramics in the Metropolitan Museum of Art"},{"@link":{"notes":"Cf. p. 203, no. 260 a footed dish with a male helmetted head with the name ASTOLFO on a scroll behind him, attributed to Casteldurante or Urbino. c. 1520-30.","page":"203","type":"reference"},"admin":{"id":"publication-8977","uid":"adlib-publication-8977","uuid":"9396b466-54b6-378f-93a2-987508bde686"},"summary_title":"Maiolica and Ceramics in the National Museum of the Bargello"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"subjects":[{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-75231","uid":"adlib-term-75231","uuid":"29e4fe09-c40b-3c6e-b4b6-72cde48a1ff8"},"summary_title":"helmet"},{"@link":{"type":"literal"},"name":[{"value":"helmet"}],"summary_title":"helmet"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}},"summary_title":"dish","techniques":[{"description":[{"value":"buff earthenware, tin-glazed overall; the reverse severely crazed. 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There is a fault in the glaze on the left of the rim and on the reverse it is pale beige and thinly applied. Painted in blue, green, yellow, orange, brown, black, grey, and white.\nShape 55. Circular with broad, sloping rim, shallow well and convex centre.\nParnassus. In the middle, Apollo sits playing a lyre in front of three trees. On the left, the Muse Euterpe sits holding a trumpet, and on the right, the Muse Erato, holding pipes. On each side a poet stands beside a tree; the one on the left looks away from the central group, the other towards it, holding his right index finger to his lips. Behind the figures there is a landscape and below, a window frame. On the upper right side there is a shield of Tuscan form, charged with the arms azure, an eagle displayed argent. 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Illustrates both dated tiles, p. 42, no. 54, ill. 50, and p. 45, no. 129, ill. 51","page":"pp. 42, 45","type":"reference"},"admin":{"id":"publication-1571","uid":"adlib-publication-1571","uuid":"4e0f6f47-bf3a-3285-8417-f9bff14edde2"},"summary_title":"Victoria and Albert Museum, Catalogue of Italian Maiolica"},{"@link":{"type":"reference"},"admin":{"id":"publication-7526","uid":"adlib-publication-7526","uuid":"ceb92dd4-7854-3192-82d7-ddfa5f0f3dd4"},"summary_title":"Italian Renaissance Maiolica"},{"@link":{"notes":"Cf. The majority of the pavement from the chapel are in the Victoria and Albert Museum, see Vol. I, pp. 90-94, no. 279 (30-1866), ill. Vol. II, pl. 47, a section of pavement including tiles of the same design as this fragment, three other tiles, and pl. 48 octagonal tiles.","page":"pp. 90-4","type":"reference"},"admin":{"id":"publication-1574","uid":"adlib-publication-1574","uuid":"159ac368-4d4c-3d0c-a949-566b288054c6"},"summary_title":"Catalogue des majoliques des mus\u00e9es nationaux"},{"@link":{"type":"reference"},"admin":{"id":"publication-1577","uid":"adlib-publication-1577","uuid":"8aa4763a-dda1-3c0c-881c-c5a42b26ba51"},"summary_title":"La Ceramica Forlivese"},{"@link":{"notes":"Cf. There is a group of the tiles in the Pinacoteca Comunale,exhibited there, 16th April-5th May, 1977, p. 49, no. 223, 224, 225 and 226. Attributed to Forl\u00ec.","page":"p. 49","type":"reference"},"admin":{"id":"publication-1578","uid":"adlib-publication-1578","uuid":"1d1dcd00-335c-3821-8a6a-c44e874395c7"},"summary_title":"Le ceramiche nelle raccolte Piancastelli"},{"@link":{"notes":"Cf. p. 275 no. 350","page":"p. 275","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"subjects":[{"@link":{"type":"reference"},"admin":{"id":"term-125725","uid":"adlib-term-125725","uuid":"8ab4348a-09e2-3960-ab21-a415e72b622c"},"summary_title":"San Francesco Grande, Forl\u00ec."},{"@link":{"relation":"concept","type":"reference"},"admin":{"id":"term-131398","uid":"adlib-term-131398","uuid":"f9f3964d-1223-3d1c-932d-b4792b50c525"},"summary_title":"Della Rovere family"},{"@link":{"relation":"plant","type":"reference"},"admin":{"id":"term-108461","uid":"adlib-term-108461","uuid":"50e23588-a40a-3f89-bdb7-41d1181fcc5c"},"summary_title":"oak tree"},{"@link":{"type":"literal"},"name":[{"value":"Della Rovere family"}],"summary_title":"Della Rovere family"},{"@link":{"type":"literal"},"name":[{"value":"oak tree"}],"summary_title":"oak tree"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-30977","uid":"adlib-term-30977","uuid":"fd3a0487-abe3-340b-bcf0-614e3e3de91f"},"summary_title":"floor tile"}},"summary_title":"floor tile","title":[{"value":"Floor Tile from the Lombardini Chapel"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-48107","_score":16.446205,"_source":{"admin":{"added":1592970273000,"created":1312637261000,"flag":"Standard Record","id":"object-48107","indexed":1756836093671,"modified":1724157540000,"processed":1756836091179,"source":"adlib","stream":"fitz-online","uid":"adlib-object-48107","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/48107","uuid":"af3ae69a-63a7-3e90-afed-62a32a588a3a","version":8},"agents":[{"@link":{"note":[{"value":"Pandolfo Petrucci commissioned a tile pavement for the Palazzo Petrucci, Sienna"}],"type":"reference"},"admin":{"id":"agent-174723","uid":"adlib-agent-174723","uuid":"f5006ccd-3053-3b74-8a64-2ba3ee5b976d"},"summary_title":"Petrucci, Pandolfo"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108348","uid":"adlib-term-108348","uuid":"667e7a19-db33-3d85-bd9b-c2dafd8e02ff"},"summary_title":"tin-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"}],"component":[{"materials":[{"note":[{"value":"dark blue, green, yellow, orange, brownish-red, and black"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108364","uid":"adlib-term-108364","uuid":"115b8729-a560-35c1-b654-4b9d2fc5f68b"},"summary_title":"high-temperature colours"}}],"name":"Decoration","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}]},{"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}}],"name":"Upper Surface","techniques":[{"description":[{"value":"cream earthenware, tin-glazed on the upper surface.  Painted in dark blue, green, yellow, orange, brownish-red, and, on the border tile, black."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120059","uid":"adlib-term-120059","uuid":"dfa315b5-819d-37ab-ab22-bddfdbb3cbe7"},"summary_title":"tin-glazing"}}]}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-1111","uid":"adlib-term-1111","uuid":"46c949dd-f376-3538-878f-397baee5be09"},"summary_title":"mythology"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Cream earthenware, tin-glazed on the upper surface.  Painted in dark blue, green, yellow, orange, brownish-red, and, on the border tile, black. Pentagonal with part of the right and left sides chipped off.\nThe main field has a yellow ground decorated with grotesques: a vase and a mask on a pole between addorsed griffins seated on a bowl, flanked by foliated scrolls. The border comprises a narrow row of oval and circular beads, and a wider row of egg and dart ornament."}],"identifier":[{"accession_number":"C.127-1927","primary":true,"type":"accession number","value":"C.127-1927"},{"priref":"48107","type":"priref","value":"48107"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/48107","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/48107"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"F. Leverton Harris Bequest, 1926"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-157197","uid":"adlib-agent-157197","uuid":"ab234587-3b80-398a-9715-ce74f88dbb64"},"summary_title":"Harris, F. Leverton, The Right Hon."}],"date":[{"earliest":1927,"latest":1927,"value":"1927"}],"method":{"value":"bequeathed"}}],"creation":[{"date":[{"earliest":1509,"era":["CE"],"latest":1509,"precision":"circa","value":"1509"}],"maker":[{"@link":{"role":[{"value":"maker"}],"type":"reference"},"admin":{"id":"agent-189453","uid":"adlib-agent-189453","uuid":"73c60f26-7cd8-3336-9e7e-efe2008e3a3c"},"summary_title":"Unidentified Siena pottery"}],"note":[{"value":"The use of ornamental grotesques gained impetus in Italy after the discovery in about 1480 of the painted decoration of Nero's Domus Aurea in Rome.  By then its rooms were below ground and became known as grotte, from which the term grot\u00actesche was derived. Taken up by artists such as Pinturicchio and Signor\u00acelli, and dissemi\u00acnated by prints, grotesques rapidly became one of the most popular forms of Renaissance decoration. Maiolica potters working in Siena  had local examples in the splendid pendentives of the vault in the Piccolom\u00acini Library in the Cathe\u00acdral, which was commissioned by Cardinal Francesco Piccolomini from Pintur\u00acicchio and was completed about 1507.                                                                                                                                                                            \nThis tile fragment (and C.128-1927, C.129-1927, and C.130-1927) and another border tile fragment which has lost most of its glaze (C.131-1927) formed part of a tile pavement commissioned by Pandolfo Petrucci (1452-1512) for the Camera Bella, one of a suite of rooms in the Palazzo Petrucci which were to be occupied by his heir Borghesi Petrucci on his marriage to Vittoria Piccolomini which took place on 22 September 1509. The room is thought to have been decorated between 1508 and Petrucci's death, and three of the tiles are dated 1509. The pavement comprises pentagonal tiles of two sizes, square tiles and rectangular border tiles. Some of the square tiles are decorated with the quartered arms of Piccolomini and Petrucci, celebrating the 1509 marriage, or with trophies, or with figures in landscapes reminiscent of those by Pinturicchio, Signorelli and Genga. The majority are decorated with grotesques, and the pavement as a whole is one of the most outstanding illustrations of this genre on early sixteenth-century maiolica. Miller and Graves (see Documentation) have shown that the tiles were originally arranged in a way which produced an eight-pointed star and cross pattern comparable to Islamic star and cross tile patterns. The cross being formed by a square tile with four pentagonal tiles around it and the star by a small square with four small pentagonal tiles to form a cross, and four contrasting square tiles in the spaces between them. \nThe earliest recorded date for the dispersal of the pavement is November 1854 when the British Museum purchased one from the estate of a London dealer, William Forrest, who died in that year. (inv. 1854,11-2,2). The largest group surviving together is in the Victoria and Albert Museum, which acquired 475 tiles from the pavement in the 1857, but now has about 433, and there are over 90 in other collections. Further examples in Britain , are six in the Potteries Museum and Art Gallery, Stoke-on-Trent, two in the National Museums of Scotland, Edinburgh, two in the Courtauld Gallery, London, and two fragments probably from the pavement in the Brtiish Museum. When cataloguing the seventeen  tiles in the Museum f\u00fcr Kunst und Gewerbe, Ham\u00acburg in 1984, Rasmussen listed the locations of other tiles from the pavement, and his list was updated and added to by Thornton and Wilson in 2009. The largest group is held by the Mus\u00e9e du Louvre. (See Documention)."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-129192","uid":"adlib-term-129192","uuid":"2dba38f0-9a5e-3bba-9551-1573d7540a59"},"summary_title":"16th Century, Early"},{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-11364","uid":"adlib-term-11364","uuid":"7245b126-74ce-3569-8149-2aeb1daafa35"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"}]],"summary_title":"Siena"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Depth","units":"cm","value":"3.2"},{"dimension":"Height","units":"cm","value":"19.4"},{"dimension":"Width","units":"cm","value":"15.5"}]},"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-110002","uid":"adlib-term-110002","uuid":"ebb4a3e3-f205-389c-9cd1-ccd3a2bff3f8"},"summary_title":"tile fragment"}},{"value":"fragment of a tile"}],"note":[{"type":"history note","value":"Purportedly purchased in Siena by F. Leverton Harris."}],"objects":[{"@link":{"cascade":true,"role":[{"value":"same provenance"}],"type":"reference"},"admin":{"id":"object-48109","uid":"adlib-object-48109","uuid":"53e3a998-96e0-3cd3-9283-6226a9b85f92"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-110002","uid":"adlib-term-110002","uuid":"ebb4a3e3-f205-389c-9cd1-ccd3a2bff3f8"},"summary_title":"tile fragment"}},"summary_title":"tile fragment"},{"@link":{"cascade":true,"role":[{"value":"same provenance"}],"type":"reference"},"admin":{"id":"object-48119","uid":"adlib-object-48119","uuid":"0ec94ce2-19bb-372c-9b05-fc924e6c187e"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-110002","uid":"adlib-term-110002","uuid":"ebb4a3e3-f205-389c-9cd1-ccd3a2bff3f8"},"summary_title":"tile fragment"}},"summary_title":"tile fragment"},{"@link":{"cascade":true,"role":[{"value":"same provenance"}],"type":"reference"},"admin":{"id":"object-71760","uid":"adlib-object-71760","uuid":"ea784965-aaac-3588-9861-897396227bca"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-89400","uid":"adlib-term-89400","uuid":"194f8c99-93e1-30de-9465-9209222dafaa"},"summary_title":"jug"}},"summary_title":"jug"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. pp. 138-139, no. 197A","page":"pp. 138-9","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Cf. vol. I, pp. 132-3, no. 386, vol. II, pl. 62, tiles from the Palazzo Petrucci","page":"132-3","type":"reference"},"admin":{"id":"publication-1571","uid":"adlib-publication-1571","uuid":"4e0f6f47-bf3a-3285-8417-f9bff14edde2"},"summary_title":"Victoria and Albert Museum, Catalogue of Italian Maiolica"},{"@link":{"notes":"Cf. pp. 176-7 pl. 205, colour illustration of an area of laid floor tiles from the Camera Bella, Palazzo Petrucci, Siena, c. 1509 (Victoria & Albert Museum inv. no. 4915-1857)","page":"176-7","type":"reference"},"admin":{"id":"publication-7526","uid":"adlib-publication-7526","uuid":"ceb92dd4-7854-3192-82d7-ddfa5f0f3dd4"},"summary_title":"Italian Renaissance Maiolica"},{"@link":{"notes":"Cf. pp. 116-27, nos. 79-95, tiles from the Palazzo Petrucci, Siena, where references are given for examples elsewhere.","page":"116-27","type":"reference"},"admin":{"id":"publication-6052","uid":"adlib-publication-6052","uuid":"48f217d2-c44b-3144-be9a-3c7741e5f67e"},"summary_title":"Museum f\u00fcr Kunst und Gewerbe Hamburg, Italienische Majolika"},{"@link":{"notes":"Cf. p. 105-06, no. 374, dated 1509. See also no. 371 and 373 now at \u00c9couen, and nos. 375-99. For a further acquisition see Mus\u00e9e du Louvre, 2003 berlow.","page":"105-106","type":"reference"},"admin":{"id":"publication-1574","uid":"adlib-publication-1574","uuid":"159ac368-4d4c-3d0c-a949-566b288054c6"},"summary_title":"Catalogue des majoliques des mus\u00e9es nationaux"},{"@link":{"notes":"Cf. Vol. II, pp. 608-11, no. 378, a pentagonal tile. The authors discuss the pavement in relation to architectural and mural decoration of the period, and the approximate date of its dispersal judging by the dates when tiles were purchased by museums and private collectors. On p. 610 they update and add to the list of tiles made by Rasmussen, 1984. See also pp. 611-2, no. 379 two fragments  of tiles.","page":"Vol. II, pp. 608-12","type":"reference"},"admin":{"id":"publication-6434","uid":"adlib-publication-6434","uuid":"4524f0a3-0484-3e51-8720-80332f8ac8a2"},"summary_title":"Italian Renaissance Ceramics: A Catalogue of the British Museum Collection, Volume I and Volume II"},{"@link":{"type":"reference"},"admin":{"id":"publication-200002882","uid":"adlib-publication-200002882","uuid":"8de3daaa-89bb-3a56-bb72-edbc68a7e104"},"summary_title":"Ancora due righe su Siena"},{"@link":{"type":"reference"},"admin":{"id":"publication-8947","uid":"adlib-publication-8947","uuid":"52ba0d6b-52e3-3851-9b56-2681ab3df986"},"summary_title":"Early English and Continental Pottery from the John Philip Kassebaum Collection"},{"@link":{"notes":"Cf. p. 33, nos. 21-2.","page":"33","type":"reference"},"admin":{"id":"publication-7529","uid":"adlib-publication-7529","uuid":"9257f380-1802-32af-bc3b-9d0b0abd8e70"},"summary_title":"Italian Maiolica in the National Museums of Scotland"},{"@link":{"notes":"Cf. p. 58, no. 20, (inv. ECl. 2377) and pp. 58-9, no. 21 (inv. ECl. 2469), examples in the Mus\u00e9e national de la Renaissance, at \u00c9couen, formerly in the Mus\u00e9e de Cluny, Paris, when cited by Rasmussen, 1984.","page":"58-9","type":"reference"},"admin":{"id":"publication-8945","uid":"adlib-publication-8945","uuid":"9af956eb-b189-300f-96c4-6f5724ebad10"},"summary_title":"Majolique, La fa\u00efence italienne au temps des humanistes 1480-1530"},{"@link":{"notes":"Cf. pp. 140-4, no. 25, dated 1509, and no. 26. (inv. nos. O 1966.GP72.1 and O 1966 GP72.2) Tiles formerly in the Gambier Parry collection.","page":"140-4","type":"reference"},"admin":{"id":"publication-8944","uid":"adlib-publication-8944","uuid":"8ae54e96-a8df-31e0-8da3-ff6694ce355b"},"summary_title":"Italian and Other Early Modern Ceramics in the Courtauld Gallery"},{"@link":{"notes":"pp. 58-60 contribution by Marie-Laure de Rochebrune on thirty-three tiles from the Palazzo Petrucci pavement set into a table top attributed to the \u00e9beniste, Alexandre-Georges Fourdinois (1799-1871) made about 1860.","page":"58-60","type":"reference"},"admin":{"id":"publication-8946","uid":"adlib-publication-8946","uuid":"591dbe82-dd4a-34d0-a851-fa24bbfd366c"},"summary_title":"Mus\u00e9e du Louvre. Catalogue. Nouvelles acquisitions du d\u00e9partement des Objets d'art 1995-2002"},{"@link":{"notes":"Cf. p. 384, nos. 507a-b two pentagonal tiles with grotesques on a dark brown ground with an egg and dart border from the pavement in the Camera Bella of the Palazzo Petrucci in Siena.","page":"384","type":"reference"},"admin":{"id":"publication-8977","uid":"adlib-publication-8977","uuid":"9396b466-54b6-378f-93a2-987508bde686"},"summary_title":"Maiolica and Ceramics in the National Museum of the Bargello"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"subjects":[{"@link":{"relation":"animal","type":"reference"},"admin":{"id":"term-108315","uid":"adlib-term-108315","uuid":"ea06694f-bb83-3a27-b0af-df81ae797f21"},"summary_title":"griffin"},{"@link":{"type":"literal"},"name":[{"value":"griffin"}],"summary_title":"griffin"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-110002","uid":"adlib-term-110002","uuid":"ebb4a3e3-f205-389c-9cd1-ccd3a2bff3f8"},"summary_title":"tile fragment"}},"summary_title":"tile fragment","title":[{"value":"Fragment of a pentagonal tile from the Palazzo Petrucci, Siena"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-48037","_score":16.446205,"_source":{"admin":{"added":1592999476000,"created":1312637261000,"flag":"Standard Record","id":"object-48037","indexed":1756836093704,"modified":1714465478000,"processed":1756836091178,"source":"adlib","stream":"fitz-online","uid":"adlib-object-48037","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/48037","uuid":"a886f681-5d09-3463-8dda-ec6f3cd04ff0","version":9},"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108348","uid":"adlib-term-108348","uuid":"667e7a19-db33-3d85-bd9b-c2dafd8e02ff"},"summary_title":"tin-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"}],"component":[{"materials":[{"note":[{"value":"manganese and bluish-green"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108364","uid":"adlib-term-108364","uuid":"115b8729-a560-35c1-b654-4b9d2fc5f68b"},"summary_title":"high-temperature colours"}}],"name":"Decoration","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}]},{"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107733","uid":"adlib-term-107733","uuid":"00160189-e3ce-3796-a88b-5aa8d6c808c4"},"summary_title":"lead-glaze"}}],"name":"Interior","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120062","uid":"adlib-term-120062","uuid":"d05176fb-17b8-3888-bba1-6c5e6c77d206"},"summary_title":"lead-glazing"}}]},{"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}}],"name":"Exterior","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120059","uid":"adlib-term-120059","uuid":"dfa315b5-819d-37ab-ab22-bddfdbb3cbe7"},"summary_title":"tin-glazing"}}]},{"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"12"}]},"name":"Rim"},{"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"17.3"}]},"name":"Base"},{"measurements":{"dimensions":[{"dimension":"Width","units":"cm","value":"30"}]},"name":"Across Handles"},{"name":"Body","techniques":[{"description":[{"value":"Buff earthenware. Lead-glazed brownish-yellow inside, and tin-glazed off-white on the exterior; base unglazed. The glaze has crazed. Painted in manganese and bluish-green."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120082","uid":"adlib-term-120082","uuid":"ea83ed85-6b07-3e7e-83fc-440cfda22f7e"},"summary_title":"throwing"}}]}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-115","uid":"adlib-term-115","uuid":"94d65983-dea2-361b-b187-a968c98ab1d8"},"summary_title":"Nature"}]},"department":{"value":"Applied Arts"},"description":[{"value":"two-handled jar, tin-glazed earthenware painted in manganese and green with, on each side, a bishop and pine-cones on stems, surrounded by cross-hatching."},{"value":"Buff earthenware. Lead-glazed brownish-yellow inside, and  tin-glazed off-white on the exterior; base unglazed. The glaze has crazed. 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