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The arrangement of the pomegranates and parti-coloured leaves in panels separated by blue trellis pattern suggests that the design was influenced by Chinese blue and white dishes of the Wanli period (1573-1619), but the  fruit and leaves were probably derived from dishes imported from Italy or the Netherlands. Pomegranates was auspicious because they were symbols of fertility, and in Christian art, of the immortality of the soul. \n\nThe initials WS on the front may be those of the pot-painter, because they also appear on the back. 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Blue doted saz leaves with green central stems frame the spray, while turquoise cloud bands protrude from the upper edge.\nUnderside: undecorated but impressed to improve adhesion qualities and partly covered with wall plaster."}],"exhibitions":[{"@link":{"type":"reference"},"admin":{"id":"exhibition-1257","uid":"adlib-exhibition-1257","uuid":"23a0909d-f960-3e86-81b6-189f3d041482"},"summary_title":"Tulip Mania, Five Centuries of Mystery and Madness"}],"identifier":[{"accession_number":"C.2-1929","primary":true,"type":"accession number","value":"C.2-1929"},{"priref":"17536","type":"priref","value":"17536"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/17536","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/17536"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Bequeathed by Lady Courtney 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