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The Earlier dating was c. 1200-30"}],"range":true,"to":{"earliest":1200,"latest":1200,"value":"1200"}}],"maker":[{"@link":{"role":[{"value":"maker"}],"type":"reference"},"admin":{"id":"agent-149652","uid":"adlib-agent-149652","uuid":"0d4f90dc-b166-3d4b-b0db-25f4118b6e98"},"summary_title":"Unknown"}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-110062","uid":"adlib-term-110062","uuid":"e26bc6b6-1f3a-36cf-a285-f33465265a5d"},"summary_title":"13th Century, Early"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-129138","uid":"adlib-term-129138","uuid":"0b6085be-cf90-39f7-82c6-808dc2560bf1"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Meuse"}]}]},"measurements":{"dimensions":[{"dimension":"Depth","units":"cm","value":"5.8"},{"dimension":"Height","units":"cm","value":"5.7"},{"dimension":"Width","units":"cm","value":"11"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-206272","uid":"adlib-media-206272","uuid":"d2b5f335-532b-3c03-abf5-ab1cfd215e7b"},"processed":{"large":{"format":"jpeg","location":"aa\/aa37\/large_M_27_1904_1_200710_mfj22_dc2.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":695},{"dimension":"width","units":"pixels","value":1023}]},"modified":1666980044081,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa37\/mid_M_27_1904_1_200710_mfj22_dc2.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":340},{"dimension":"width","units":"pixels","value":500}]},"modified":1666980044081,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa37\/M_27_1904_1_200710_mfj22_dc2.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":713},{"dimension":"width","units":"pixels","value":1050}]},"modified":1666980044081,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa37\/preview_M_27_1904_1_200710_mfj22_dc2.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":170},{"dimension":"width","units":"pixels","value":250}]},"modified":1666980044081,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}},{"@link":{"type":"reference"},"admin":{"id":"media-3119018562","source":"portfolio","uid":"portfolio-media-3119018562","uuid":"542db2d5-ed02-33c8-897f-3704c270df76"},"processed":{"large":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/508\/56\/large_M_27_1904_1_200710_mfj22_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":696},{"dimension":"width","units":"pixels","value":1024}]},"modified":1529374116000,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/508\/56\/mid_M_27_1904_1_200710_mfj22_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":340},{"dimension":"width","units":"pixels","value":500}]},"modified":1529374116000,"resizable":true,"type":"image"},"original":{"location":"M.27-1904_1_200710_mfj22_mas.jpg","modified":1529374116000,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/508\/56\/preview_M_27_1904_1_200710_mfj22_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":170},{"dimension":"width","units":"pixels","value":250}]},"modified":1529374116000,"resizable":true,"type":"image"}},"sort":"1","source":{"title":[{"primary":true,"type":"main title","value":"Medieval casket with champlev\u00e9 enamel and silver plaques"}]},"type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-110132","uid":"adlib-term-110132","uuid":"e5daf5d9-0805-387a-8cf9-22f491fa130b"},"summary_title":"casket"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-123146","uid":"adlib-term-123146","uuid":"6df95f4b-c04f-39e4-8f0c-99bc1b18c8b5"},"summary_title":"champlev\u00e9 enamels"}}],"note":[{"type":"history note","value":"Holingworth Magniac, Colworth, Bedfordshire; sold Christie\u2019s, 2, 4-8 and 11-15 July 1892, Catalogue of the renowned collection of works of art chiefly formed by the late Hollingworth Magniac Esq. (known as the Colworth Collection),  5th Day, 7 July, pp. 126-7, lot 496, sold for \u00a3168.0.0 to Frank McClean, Tonbridge Wells."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"type":"reference"},"admin":{"id":"publication-1784","uid":"adlib-publication-1784","uuid":"8a815b67-3d4c-3e66-a650-319e5ca61b5c"},"summary_title":"Notice of the Principal Works of Art in the Collection of Hollingworth Magniac"},{"@link":{"notes":"Publ. 5th Day, 7 July, pp. 126-7, lot 496","page":"126-7","type":"reference"},"admin":{"id":"publication-5925","uid":"adlib-publication-5925","uuid":"5e8330b4-b645-34d4-88b6-acecc1f61ce6"},"summary_title":"Catalogue of the Renowned Collection of Works of Art, chiefly formed by the late Hollingworth Magniac, Esq. (Known as the Colworth Collection)"},{"@link":{"notes":"Publ., p. 106, no. 58","page":"106","type":"reference"},"admin":{"id":"publication-4060","uid":"adlib-publication-4060","uuid":"0f6d91a4-87ab-338c-b868-7d56c66bc250"},"summary_title":"Fitzwilliam Museum, McClean Bequest, Catalogue of the Mediaeval Ivories, Enamels, Jewellery, Gems and Miscellaneous Objects Bequeathed to the Museum by Frank McClean, M.A., F.R.S."},{"@link":{"type":"reference"},"admin":{"id":"publication-6390","uid":"adlib-publication-6390","uuid":"3df81715-9c4a-3f32-88d3-4a980fed2704"},"summary_title":"Romanesque Art c. 1050-1200 from Collections in Great Britain and Eire"},{"@link":{"type":"reference"},"admin":{"id":"publication-6391","uid":"adlib-publication-6391","uuid":"09bbde05-b4b1-352c-90cc-b2be1b2611bf"},"summary_title":"Monuments of Romanesque Art, The Church Treasures of Northern Europe"},{"@link":{"type":"reference"},"admin":{"id":"publication-6392","uid":"adlib-publication-6392","uuid":"57b017a4-486a-352d-9e15-e5ea44156f52"},"summary_title":"The Year 1200, I, The Exhibition"},{"@link":{"notes":"Publ. p. 515, no. 4, mentioned in review of the exhibition","page":"515","type":"reference"},"admin":{"id":"publication-200002271","uid":"adlib-publication-200002271","uuid":"afff3d11-84dd-38ba-834c-e7b47a453f2f"},"summary_title":"The Year 1200"},{"@link":{"notes":"Publ. p. 271, no. 288. 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Copper, enamelled en grisaille on a black ground, and gilded; the top also enamelled in turquoise-green, and the base in turquoise, and pale mauve.  The salt pan is decorated with a bust of a man in profile to right wearing a hat with a feather in it, and is inscribed \"IE SVIS  PARIS\" (I am Paris) in gold surrounded by two gold circles. On the flat surround there are three pairs of cornucopia with foliated terminals, containing turquoise fruits. Round the outer edge is a gold line broken at regular intervals by five oblique strokes. In the depression in the base is a head of a woman in profile to left, wearing a turquoise frontlet, a snood, and a turquoise oval cabochon over her ear. The black ground is dotted with gold, and inscribed \"LABELLE ELLENE\" (Beautiful Helen) in gold within a gold circle. On the flat area there are three white roses and three pale mauve roses linked by stems bearing either two pairs of turquoise or two pairs of green leaves, and pairs of gold tendrils. Round the outer edge is a gold line broken at regular intervals by five oblique strokes. The sides are decorated with six figures flanked by rocks and small gold plants, each with a gold inscription above. From right to left:\nFortune stepping to the right, holding the staff of a billowing pennant in her right hand, and its tail in her left; inscribed \"TOVT. FORTVNE\/LE VA\"  with an orb between the LE and VA.\nA jester steps to the left raising his right hand, and holding a jester's staff over his shoulder in his left; inscribed \"IL SEMBLE AVVILART.ABVZ.QVE.LES.  IEVLX\/DAY MER SOYENT PERDVZ\" (It seems to the old mistakenly that the games of love may be over, i.e. lost for ever or It seems to the old that enjoyment of the games of love may be lost through over indulgence).\nAn old woman in sixteenth century costume holding a walking stick in her left hand and placing her right held to her bosom; inscribed, \"QVA(N)T.DVIEV.DAYMER.  ME\/SOVVIE(N)T.LA.LARME.AVXI.EVLVLX.ME VIEN.A 70 ANS\" (When I remember the game of love a tear comes to my eyes at 70 years).\nAn old man in sixteenth century costume walking to the left, holding up his right hand and holding a walking stick in his left; inscribed \"HELAS.IESVS.VR(A)I\/DIEV:DE GRACE.E.IEV.D.YMER.FAICT.N.ENCORES A.80 .ANS (Alas, Jesus true God of Grace, I still like to do it  at 80 years).\nA middle aged woman, perhaps a nun, wearing sixteenth century costume, walking to the left, holding a gold rosary in her right hand and holding up her skirt in her left hand; inscribed \"QVANT.ON.LE ME.PRE SANTE. IELE. PRENS.EN\/ PACIANCE A. 40.ANS\" . (When someone offers I take it patiently at 40 years).\nAn middle aged man in sixteenth century costume with a turquoise jewel on each sleeve opening, walking to the left leaning on a walking stick held in his right hand, and holding his left with its thumb tucked into his belt; inscribed \"ET.MOY.TEL.QVE.IE.SVYs IL LE .FAIZ QVANT.IE.PV.A.50 ANS\"  (And me, such as I am, I do it when I can at 50 years).\nOn each of the angles there is a foliated spindle (?), and on the top of the projecting base a border of overlapping wavy lines forming a cable."}],"exhibitions":[{"@link":{"catalogue":"1725","type":"reference"},"admin":{"id":"exhibition-1754","uid":"adlib-exhibition-1754","uuid":"d50e860c-2dca-313a-9970-1b01cecbbb85"},"summary_title":"Catalogue of the Special Exhibition of Works of Art of the Medieval, Renaissance, and more Recent Periods, on loan at the South Kensington Museum, June 1862"},{"@link":{"type":"reference"},"admin":{"id":"exhibition-1077","uid":"adlib-exhibition-1077","uuid":"a9790b74-5102-3534-9d71-e4f0dc4f89f3"},"summary_title":"Tempus, The Art of Time"},{"@link":{"catalogue":"188","type":"reference"},"admin":{"id":"exhibition-2376","uid":"adlib-exhibition-2376","uuid":"3e2208a0-ad25-3b64-b03f-cb63aa00fd02"},"summary_title":"Treasured Possessions from the Renaissance to the Enlightenment"}],"identifier":[{"accession_number":"M.50-1904","primary":true,"type":"accession number","value":"M.50-1904"},{"priref":"139843","type":"priref","value":"139843"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/139843","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/139843"}],"inscription":[{"location":"on salt pan","method":"painted in","transcription":[{"value":"IE SVIS  PARIS"}],"type":"inscription"},{"location":"on base","method":"painted in","transcription":[{"value":"LABELLE ELLENE"}],"type":"inscription"},{"description":[{"value":"an orb between the LE and VA"}],"location":"on side decorated with Fortune","method":"painted in","transcription":[{"value":"TOVT\u2022PAR\u2022FORTVNE\/LE VA"}],"type":"inscription"},{"location":"on side decorated with jester","method":"painted in","transcription":[{"value":"IL SEMBLE AVVILANT\/ PAR\u2022ABVZ\u2022QVE\u2022LES\u2022 IEVLX\/DAY MER SOYENT PERDVZ"}],"type":"inscription"},{"location":"on side with old woman with walking stick","method":"painted in","transcription":[{"value":"\u2018QVA(N)T\u2022DVIEV\u2022DAYMER\u2022 ME\/SOVVIE(N)T\u2022LA\u2022LARME\u2022AVXI\/\u2022EVLVLX\u2022ME VIEN\/\u2022A 70 ANS"}],"type":"inscription"},{"location":"on side with old man with walking stick","method":"painted in","transcription":[{"value":"HELAS\u2022IESVS\u2022VR(A)I\/DIEV:DE GRACE\u2022LE\u2022 IEV\u2022D\/AYMER\u2022FAICT\u2022ON\u2022ENCORES\/A\u202280\u2022ANS"}],"type":"inscription"},{"location":"on side with middle aged woman holding rosary","method":"painted in","transcription":[{"value":"QVANT\u2022ON\u2022LE ME\u2022PRE\/ SANTE\u2022IELE\u2022PRENS\u2022EN\/PACIANCE A\u202240\u2022ANS"}],"type":"inscription"},{"location":"on side with middle aged man","method":"painted in","transcription":[{"value":"ET\u2022MOY\u2022TEL\u2022QVE\u2022 IE\u2022SVYs\/IL LE\u2022FAIZ QVANT\u2022IE\u2022PV\/\u2022A\u202250 ANS\u2019"}],"type":"inscription"},{"description":[{"value":"part of a circular paper label with a black border"}],"location":"on rim below the depression containing Helen","method":"hand-written in pencil","transcription":[{"value":"390\u2019"}],"type":"label"},{"description":[{"value":"a very small rectangular paper label"}],"location":"stuck on top of the circular label","method":"printed in black","transcription":[{"value":"512"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Frank McClean Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-172414","uid":"adlib-agent-172414","uuid":"73d94f64-8c0d-30c1-9764-25b005f3ce1d"},"summary_title":"McClean, Frank"}],"date":[{"earliest":1904,"latest":1904,"value":"1904"}],"method":{"value":"bequeathed"}}],"creation":[{"date":[{"earliest":1540,"from":{"earliest":1540,"era":["CE"],"latest":1540,"precision":"circa","value":"1540"},"latest":1545,"note":[{"value":"The dating is suggested by a salt dated 1542 in the Wallace Collection"}],"range":true,"to":{"earliest":1545,"era":["CE"],"latest":1545,"value":"1545"}}],"maker":[{"@link":{"qualifier":"probably","role":[{"value":"maker"}],"type":"reference"},"admin":{"id":"agent-99908","uid":"adlib-agent-99908","uuid":"376e1128-04f6-3812-88a6-e4928cb7732d"},"summary_title":"Nouailher, Colin"}],"note":[{"value":"The amorous message of this salt is related to the theme of the Ages of Man, which during the Middle Ages and Renaissance might be identified as three, four, seven, or twelve stages. The Ages of Man in decades was a late medieval development and was more common in the Low Countries and Germany.  Normally the ages of life after forty would be shown as a gradual decline towards death, but the decoration here presents a more optimistic view because the middle aged and old people express views which indicate that their interest in love-making continues. The goddess Fortuna\u2019s ability to make or marr lovers\u2019 happiness by her fickle behaviour is mentioned frequently in French literature from the late 12th century onwards, and a jester or fool was often used in 15th and 16th century art as an indication of lust or folly. The jester's statement on the salt is ambiguous, according to the interpretation of the word 'abus'. It could be read as meaning that the old are mistaken in thinking that their ability to enjoy love-making is lost, or that the ability to love is lost through excessive indulgence in love-making, a view expressed in a well known late 12th century treatise 'De Amore' by Andreas Cappellanus. Possibly the head of Helen, the beautiful wife of Menelaus, King of Sparta, and that of Paris, who precipitated the Trojan War by abducting her, represent the prime of life, but their presence could also be a reminder that unbridled passion may  lead to disaster.\n\nThere is an analogous polychrome salt in the Wallace Collection, which has similar figures and inscriptions with variant spellings but without the ages on the sides, and, on the top and bottom depressions respectively, profile busts of Pallas surrounded by cornupias, and Jupiter surrounded by stylized roses (III M 260). (1) It is inscribed, with the letter \u2018N\u2019 in gold suspended from a swag on the side of the old woman. A companion salt in the Wallace (III M.261), dated 1542, is decorated in a similar manner, but with different heads and figures. The top and base are decorated respectively with Paris and Athena with cornucopia borders. One side is decorated with Cupid blindfold, one with Venus in her chariot, and the other four with a young lady or a gentleman accompanied by an inscription. (See Documentation, Higgott, 2011) These salts suggest that the Fitzwilliam's may originally have had a pair which represented the earlier Ages of Man or Love. The figures of the middle-aged man and woman are reminiscent of two lovers on a small plaque attributed to Colin Nouailher in the Mus\u00e9e des Arts D\u00e9coratifs in Paris, (See Documentation Biron, 2011).\n\nThe Fitzwilliam\u2019s salt was attributed tentatively to Colin Nouailher by Dalton, 1912, a reasonable suggestion in view of the inscriptions, a feature of Colin Nouailher\u2019s work, and the expressions of the figures, which are similar in character to those on his few initialled works. This attribution is supported by the letter 'N' on one of the salts in the Wallace Collection. The rose border on one end of this salt was also used in Pierre Reymond's workshop and there are several hexagonal salts of this form initialled PR, but they are enamelled in a very different style. See Fitzwilliam M.4-1966, where these are mentioned. \n\nThe salts were constructed in an interesting way. X-radiography of a hexagonal salt in the  British Museum revealed that it was made in three parts. The sides were made of one piece of copper which was bent into shape and had a flap folded over on one angle. 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The salts in the Fitzwilliam Museum and the Wallace Collection are mentioned.","page":"142-3","type":"reference"},"admin":{"id":"publication-7297","uid":"adlib-publication-7297","uuid":"63470d8f-cfbe-3825-9919-c40c11c83e45"},"summary_title":"\u00c9maux peints de Limoges XVe-XVIIIe si\u00e8cles, la collection du Mus\u00e9e des Arts D\u00e9coratifs"},{"@link":{"notes":"Cf.  p. 136, fig. 12,  a mid16th century German broadside \u2018Wer Weis obs wahr ist? 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Clear counter-enamel with dark brown spots and mottled brown areas.   On the left a saddled white horse stands in profile to the right. A youth wearing a turquoise phrygian cap, a blue tunic, and yellow boots stands behind the horse, and has his right arm over the saddle. Two men stand by the horse\u2019s head holding its bridle. One, perhaps Hercules? wears a brown lion\u2019s mask, a brown tunic, and turquoise skirt . The other who has his back to the viewer, points with his right arm towards the right. He wears a turquoise helmet al antica with feather, a brown tunic with a triangular turquoise collar over a garment with blue, green and yellow sleeves, and blue and yellow tights. He has a sword, and three brown bags are suspended from beneath his tunic. An angry small boy wearing a yellow tunic runs from the right towards the horses, shaking his fist. An old woman wearing a blue dress and white cap stands behind him gesticulating. In front of her in the foreground, another man, perhaps a peasant, has his back to the viewer, and holds out both his arms out towards the left. He wears a yellow hat, a pink tunic, and ragged calf-length breeches, and has a knife in a brown sheath suspended from his waist. In the left foreground, a white dog runs towards the figures. The ground is painted with areas of pale purple and green, and there are two yellow plants in the foreground. Gold is used sparingly on the edge of the woman\u2019s cap, for the pattern on the sheath of the knife of the man standing in front of her, on the helmet and its feather on the other man, and on the edges of the horse\u2019s equipment. The plaque is mounted in a D-shaped wooden frame. covered in red velvet, with a gilt-metal inner edge on the front. The frame covers the edges of the plaque at the back."}],"exhibitions":[{"@link":{"type":"reference"},"admin":{"id":"exhibition-2107","uid":"adlib-exhibition-2107","uuid":"07086265-735b-3fd0-90c6-7b1c4f93cb94"},"summary_title":"Fitzwilliam Museum, McClean Bequest, Catalogue of the Mediaeval Ivories, Enamels, Jewellery, Gems and Miscellaneous Objects Bequeathed to the Museum By Frank McClean, M.A., F.R.S."}],"identifier":[{"accession_number":"M.44-1904","primary":true,"type":"accession number","value":"M.44-1904"},{"priref":"156430","type":"priref","value":"156430"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/156430","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/156430"}],"inscription":[{"description":[{"value":"circular paper label printed in black with \u2018.MAGNIAC\u2022 COLLECTION\u2019 between concentric circles, and inscribed \u2018247\u2019 in black ink in the middle."}],"location":"on the reverse","method":"printed in black and hand-written in black ink","transcription":[{"value":"'.MAGNIAC\u2022 COLLECTION' printed in black, '247' hand-written in black ink"}],"type":"label"},{"description":[{"value":"square paper label printed in black"}],"location":"on back","method":"printed in black","transcription":[{"value":"BEQUEATHED BY\/FRANK McCLEAN\/M.A. F.R.S.: F.R.A.S:\/of Trinity College\/November MDCCCCIV"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Frank McClean Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-172414","uid":"adlib-agent-172414","uuid":"73d94f64-8c0d-30c1-9764-25b005f3ce1d"},"summary_title":"McClean, Frank"}],"date":[{"earliest":1904,"latest":1904,"value":"1904"}],"method":{"value":"bequeathed"}}],"creation":[{"date":[{"earliest":1565,"from":{"earliest":1565,"latest":1565,"precision":"circa","value":"1565"},"latest":1573,"note":[{"value":"1573 is the latest date on an enamel attributed to L\u00e9onard Limosin"}],"range":true,"to":{"earliest":1573,"latest":1573,"value":"1573"}}],"maker":[{"@link":{"qualifier":"probably","role":[{"value":"maker"}],"type":"reference"},"admin":{"id":"agent-79998","uid":"adlib-agent-79998","uuid":"8b231843-3ad1-36a8-8be1-daf567af41ae"},"summary_title":"Limosin, L\u00e9onard"}],"note":[{"value":"This plaque was attributed to Leonard Limosin and dated about 1570 by J.C. Robinson in 1862, and in the Magniac sale catalogue of 1892, where the composition was described as \u2018animated even dramatic, and the execution, though verging on coarseness is bold and spiritied; it is painted in colours on a white ground, peculiar to Leonard in his later time.\u2019 Dalton, 1912, was more cautious, remarking that it \u2018appears to be by someone influenced by his style\u2019. However, Philippe Verdier when he visited the Fitzwilliam, supported the earlier attribution to L\u00e9onard Limousin. The subject has not been identified. The lack of stirrups on the horse and the Phrygian cap worn by the man standing behind the horse, suggest that it depicts a classical rather than a contemporary subject, perhaps the departure of Hector for the Trojan War.\n\nThe thin application of translucent enamels over a white ground is a characteristic of some enamels by Limosin made in the 1560s and early 1570s  The similarities between these enamels and the Fitzwilliam's plaque support its attribution to L\u00e9onard Limosin. Horses with similarly fierce eyes, and figures with elongated tapering legs appear in a plaque of 'Theseus and the Queen of the Amazons' dated 1563 in the Mus\u00e9e national de la Renaissance at \u00c9couen. The dog, horse, and streaky colouring of the ground with small yellow plants are strongly reminiscent of those on an oval  plaque in the Louvre representing Spring, on which a man and woman on horseback ride through a landscape accompanied by a white hound. This probably formed part of a set of Seasons, of which Winter also in the Louvre, is dated 1572. A large undated plaque in the Taft Museum, Cincinnati, titled 'The Children of Mars', depicts a contemporary scene of soldiers pillaging a village, and includes a horse with a saddle and stirrups being led away by a soldier and gesticulating figures reminiscent of those on the Fitzwilliam's plaque, particularly a man shown from the back with both arms raised to the right"}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-125332","uid":"adlib-term-125332","uuid":"76f10b5d-9bf4-36d4-b4e3-f4df05af8260"},"summary_title":"16th Century, third 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Bedfordshire; his son, Charles Magniac; sold Christie\u2019s, 2,4-8 and 11-15 July 1892, Catalogue of the renowned collection of works of art chiefly formed by the late Hollingworth Magniac Esq. (known as the Colworth Collection, 3rd Day, 5 July, lot 247; sold for \u00a331.10.0 to Frank McClean, MA, FRS (1837-1904), Tunbridge Wells."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. pp. 50-1, no. 91","page":"50-1","type":"reference"},"admin":{"id":"publication-1784","uid":"adlib-publication-1784","uuid":"8a815b67-3d4c-3e66-a650-319e5ca61b5c"},"summary_title":"Notice of the Principal Works of Art in the Collection of Hollingworth Magniac"},{"@link":{"notes":"Publ. day 3, 5 July, p. 74, lot 247","page":"74","type":"reference"},"admin":{"id":"publication-5925","uid":"adlib-publication-5925","uuid":"5e8330b4-b645-34d4-88b6-acecc1f61ce6"},"summary_title":"Catalogue of the Renowned Collection of Works of Art, chiefly formed by the late Hollingworth Magniac, Esq. (Known as the Colworth Collection)"},{"@link":{"notes":"Publ., p. 113, no. 68","page":"113","type":"reference"},"admin":{"id":"publication-4060","uid":"adlib-publication-4060","uuid":"0f6d91a4-87ab-338c-b868-7d56c66bc250"},"summary_title":"Fitzwilliam Museum, McClean Bequest, Catalogue of the Mediaeval Ivories, Enamels, Jewellery, Gems and Miscellaneous Objects Bequeathed to the Museum by Frank McClean, M.A., F.R.S."},{"@link":{"notes":"Cf. p. 87, no. 22, the Month of May, for a comparable horse, see also p.86, no. 20 Henry II on horseback in style of the Roman statue of Marcus Aurelius. See also p. 72, pl. 32, Theseus meeting the Queen of the Amazons, which is a superb example of Leonard Limosin's Mannerist figures, horses, and pale colouring.","page":"87","type":"reference"},"admin":{"id":"publication-6114","uid":"adlib-publication-6114","uuid":"874a5d9f-525d-322e-acd2-702e45c4fcf0"},"summary_title":"L\u00e9onard Limosin au Mus\u00e9e du Louvre"},{"@link":{"type":"reference"},"admin":{"id":"publication-6073","uid":"adlib-publication-6073","uuid":"273632b3-da99-366e-9c3b-efd466467b8e"},"summary_title":"Les \u00e9maux peints de Limoges. Mus\u00e9e du Louvre, D\u00e9partement des objets d'art"},{"@link":{"notes":"Cf. p. 365-6,  inv. no. 1931.317,  a large plaque in the Taft Museum, Cincinnati, which is decorated with a busy scene representing the \u2018Children of Mars\u2019, which features rural activities, a horse, and several gesticulating figures reminiscent of those on the Fitzwilliam\u2019s plaque","page":"365-6","type":"reference"},"admin":{"id":"publication-200002173","uid":"adlib-publication-200002173","uuid":"015e9a2c-0df7-319b-bea0-58099aae6226"},"summary_title":"Limoges Enamels"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10600","uid":"adlib-term-10600","uuid":"02211e31-dcc2-3d71-afd8-d51e21c5dc5f"},"summary_title":"Mannerism"}],"subjects":[{"@link":{"relation":"animal","type":"reference"},"admin":{"id":"term-118890","uid":"adlib-term-118890","uuid":"ea7c42bb-5706-36b1-b276-500b1ad2f9ed"},"summary_title":"horse"},{"@link":{"relation":"animal","type":"reference"},"admin":{"id":"term-81073","uid":"adlib-term-81073","uuid":"afcd0aec-cc0b-385e-8b79-3c42b02cf3e8"},"summary_title":"dog"},{"@link":{"type":"literal"},"name":[{"value":"horse"}],"summary_title":"horse"},{"@link":{"type":"literal"},"name":[{"value":"dog"}],"summary_title":"dog"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107484","uid":"adlib-term-107484","uuid":"935e21d3-0b7f-3ca6-9987-b79c82e054fd"},"summary_title":"plaque"}},"summary_title":"plaque","title":[{"value":"A Scene from Classical Mythology or History"}],"type":{"base":"object","type":"OBJECT"}}}],"first_page_url":"?page=1","from":1,"last_page":1,"last_page_url":"?page=1","links":[{"url":null,"label":"« Previous","active":false},{"url":"?page=1","label":"1","active":true},{"url":null,"label":"Next »","active":false}],"next_page_url":null,"path":"","per_page":24,"prev_page_url":null,"to":4,"total":4}]