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Two larger maiolica busts of younger women are respectively in the Boston Museum of Fine Arts (54.146), attributed possibly to Montelupo, and the Cleveland Museum of Art (40.344), which has more pronounced modelling, thicker white glaze, and a plain blue bodice, is attributed to Tuscany. A smaller female bust, actually a ewer, was once in the collection of Mrs Maxwell Macdonald of Pollok House, Pollokshaws, Glasgow. The Fitzwilliam's bust stands apart from these three-dimensional belle donne in its candid portrayal of gap-toothed middle age.  The male maiolica busts which have survived from this period are more sculptural in style. An impressive polychrome bust of Christ is in the Getty Museum, Malibu, busts of the young St John the Baptist are n the Ashmolean Museum, Oxford and the Museo di Capodimonte, Naples. An uncoloured bust of Christ, attributed to Sansovino, is in a collection at Arezzo, and one of Pope Paul III is in the Museo Internazionale delle Ceramiche, Faenza."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106437","uid":"adlib-term-106437","uuid":"59e72604-922d-3194-ac46-27c1c5ac76a4"},"summary_title":"15th Century, Late"},{"@link":{"type":"reference"},"admin":{"id":"term-106256","uid":"adlib-term-106256","uuid":"1bd8ad44-09c2-3c55-825a-635e463bb56b"},"summary_title":"16th Century, 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Clarke, Leckhampton House, Cambridge"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. p. 289, ill by a line engraving","page":"p. 289","type":"reference"},"admin":{"id":"publication-3326","uid":"adlib-publication-3326","uuid":"a7af1647-2372-3d4c-8ed4-e387dec9dfb8"},"summary_title":"L'art ancien \u00e0 l'exposition de 1878"},{"@link":{"notes":"Publ. lot 289, and pl. p. 112","page":"p. 112","type":"reference"},"admin":{"id":"publication-3328","uid":"adlib-publication-3328","uuid":"67ee7269-daa0-36c6-9296-ca85f56019e2"},"summary_title":"Catalogue des objets d'art et de haute curiosit\u00e9 . . . composant la collection de feu Benjamin Fillon"},{"@link":{"notes":"Publ. p. 17 (lot 120) and ill. p. 9","page":"pp. 9, 17","type":"reference"},"admin":{"id":"publication-400002383","uid":"adlib-publication-400002383","uuid":"a085b4d4-862f-312e-92bc-d13a4aa889c1"},"summary_title":"Catalogue des objets d'art et de haute curiosit\u00e9 . . . composant la collection de Mr Emile Monteaux"},{"@link":{"notes":"Publ. p. 247","page":"p. 247","type":"reference"},"admin":{"id":"publication-200001130","uid":"adlib-publication-200001130","uuid":"ab69793a-4ced-38b0-9fa4-04a281207253"},"summary_title":"Le maioliche italiane all'Esposizione di Londra"},{"@link":{"notes":"Publ. p. 75, fig. 4 & p. 78","page":"pp. 75, 78","type":"reference"},"admin":{"id":"publication-200001132","uid":"adlib-publication-200001132","uuid":"a7d575da-32c6-33a8-97bf-dd4eb1f83b23"},"summary_title":"Maiolica at the Exhibition of Italian Art"},{"@link":{"notes":"Publ. I, p. 314, no. 1034, II, CCXLVIII, no. 1034.","page":"p. 314","type":"reference"},"admin":{"id":"publication-3044","uid":"adlib-publication-3044","uuid":"79758593-6b11-35fb-b361-384d93822be9"},"summary_title":"A Commemorative Catalogue of the Exhibition of Italian Art held in the Galleries of the Royal Academy, Burlington House, London, January-March, l930"},{"@link":{"type":"reference"},"admin":{"id":"publication-3329","uid":"adlib-publication-3329","uuid":"a95e3cb9-7af1-3a9b-be93-beba6033582f"},"summary_title":"Catalogue of the highly important collection of Italian majolika and bronzes, jewels, enamels, ivories, sculpture and works of art formed by the late Henry Oppenheimer Esq., FSA of 9 Kensington Palace Gardens, W 8."},{"@link":{"type":"reference"},"admin":{"id":"publication-200001133","uid":"adlib-publication-200001133","uuid":"afafeb3b-ba6f-378c-86dc-c8270c945dbf"},"summary_title":"Il X corso di storia e di tecnica della ceramica"},{"@link":{"notes":"Publ. 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No accompanying article.","page":"p. 48","type":"reference"},"admin":{"id":"publication-3327","uid":"adlib-publication-3327","uuid":"8cab9081-0c4a-3401-8fea-9baf47a92388"},"summary_title":"Sele Arte"},{"@link":{"type":"reference"},"admin":{"id":"publication-3031","uid":"adlib-publication-3031","uuid":"1e6af792-78aa-3c61-9b3d-4a31abe184a3"},"summary_title":"The Concise Encyclopedia of Continental Pottery and Porcelain"},{"@link":{"notes":"Publ. p. 383, fig. 18","page":"p. 383","type":"reference"},"admin":{"id":"publication-200000779","uid":"adlib-publication-200000779","uuid":"23351138-8d80-3072-8cc1-3cf4e9f33fdc"},"summary_title":"Louis Clarke as a Collector"},{"@link":{"notes":"Publ. p. 136, fig. 6","page":"p. 136","type":"reference"},"admin":{"id":"publication-200001033","uid":"adlib-publication-200001033","uuid":"9727fed6-b8e0-39cf-8000-e35d4582fd07"},"summary_title":"Italian maiolica of the fifteenth and sixteenth centuries"},{"@link":{"notes":"Publ. p. 17, B1","page":"p. 17","type":"reference"},"admin":{"id":"publication-992","uid":"adlib-publication-992","uuid":"e26b9de8-5607-3d6e-82c1-bba7d8cb57c4"},"summary_title":"Plagiarism Personified? European Pottery and Porcelain Figures"},{"@link":{"notes":"Publ. pp. 241-2, no. 323","page":"pp. 241-2","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. pp. 32-3, no. 11","page":"p. 32-3","type":"reference"},"admin":{"id":"publication-3378","uid":"adlib-publication-3378","uuid":"e4a41d6d-c98c-3959-bcb4-041c12eeb88c"},"summary_title":"Fitzwilliam Museum Handbooks, Italian Maiolica"},{"@link":{"notes":"Publ. p. 118 (no catalogue number).","page":"118","type":"reference"},"admin":{"id":"publication-5824","uid":"adlib-publication-5824","uuid":"de8f6862-8b0c-3151-8fb9-84c175e77520"},"summary_title":"La scultura al tempo di Andrea Mantegna"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"subjects":[{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-23035","uid":"adlib-term-23035","uuid":"f9693b6b-2e4a-3666-acf8-973403f65fce"},"summary_title":"bust"},{"@link":{"type":"literal"},"name":[{"value":"bust"}],"summary_title":"bust"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-23035","uid":"adlib-term-23035","uuid":"f9693b6b-2e4a-3666-acf8-973403f65fce"},"summary_title":"bust"}},"summary_title":"bust","techniques":[{"description":[{"value":"pale buff earthenware, tin-glazed on the exterior; underside unglazed. 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Lozenge-shaped with deep, sloping sides, pierced to resemble stylised leaves with an anthemion in the centre of each side. The rim is scalloped and the lower part of the outer edge of the footring is moulded to resemble basketwork. There is a suspension hole in the footring. The ground is bleu celeste decorated with garlands of gilt husks. In the centre there is an oval reserve framed by a band of chased gilding, and painted in polychrome enamels with a bouquet of flowers. The interior and exterior of the sides have a bleu celeste ground alternating with reserved white zones outlined with gold.\n\nOne of a pair with C.41A-1961."}],"identifier":[{"accession_number":"C.41B-1961","primary":true,"type":"accession number","value":"C.41B-1961"},{"priref":"93587","type":"priref","value":"93587"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93587","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93587"}],"inscription":[{"description":[{"value":"in script with S sideways"}],"location":"on base right up against the footring","method":"incised","transcription":[{"value":"cs"}],"type":"incised mark"},{"description":[{"value":"narrow rectangular white paper label"}],"location":"on base","method":"hand-written in ink","transcription":[{"value":"Collection of\/Viscount Harcourt"}],"type":"label"},{"description":[{"value":"oval white paper label"}],"location":"on base","method":"in ink and print","transcription":[{"value":"FROM THE\/CH\u00c9R\u00c9MET\u00c8FF S\u00c8VRES\/COLLECTION.\nMrs Burns\nASHER WERTHEIMER,\/158, NEW BOND STREET,\/LONDON."}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. Clarke Bequst, 1960"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149875","uid":"adlib-agent-149875","uuid":"89f52d0e-b912-3dc9-8b2c-61d6aa011b16"},"summary_title":"Clarke, Louis Colville Gray"}],"date":[{"earliest":1960,"latest":1960,"value":"1960"}],"method":{"value":"bequeathed"},"note":[{"value":"Mrs Burn was the wife of Walter Hayes Burn, of New York, who purchased 69 Brook Street, London in 1884 , and in 1890, no. 7, and was a notable collector of French art. After his death in 1897 the property was occupied by his widow, and then by his daugher, Mary Ethel, who married Viscount Harcourt in 1899. Viscount Harcourt died in 1922, and the house and its contents were sold in 1927. The house became Brooks Club."}]}],"creation":[{"date":[{"earliest":1769,"era":["CE"],"latest":1769,"note":[{"value":"The tray bears the date letter for 1769"}],"value":"1769"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-161360","uid":"adlib-agent-161360","uuid":"7b3ff8f7-d7ff-380d-8d45-22cbd06ada8e"},"summary_title":"S\u00e8vres Porcelain Manufactory"},{"@link":{"qualifier":"possibly","role":[{"value":"r\u00e9pareur"}],"type":"reference"},"admin":{"id":"agent-162415","uid":"adlib-agent-162415","uuid":"baae0116-646d-3d9d-b238-79fa655e11e6"},"summary_title":"Censier, Charles"}],"note":[{"value":"David Peters (Documentation 2005) has posited that the bulk of this service, mainly for dessert, was purchased on 5 November 1768 by an unnamed buyer, whom he considered may have been the Monsieur de Cotensky who on on 9 March 1769 purchased 24 plates and 2 ice buckets, pieces which were items not included in the order of 5 November 1768. Monsieur de Cotensky was possibly Nikolai Konstantinovich Chotinski, Russian charg\u00e9 d\u2019affaires to France from 24 December 1767 to January 1774. There were two corbeilles losanges at 216 livres in the November 1768 order, which as the Fitzwilliam's are dated 1769 raises a question of whether they are the same ones, particularly as there are two in the Dodge Collection (71.222, 71,223), which have similar gilding, and reserves painted with birds after Buffon. Those however, were painted by Aloncle. In the exhibition of S\u00e8vres from the Sheremeteff collection held  by Asher Wertheimer in Bond Street, two plateaux-corbeilles losanges ajour\u00e9es were nos. 10 and 11, said to be painted by Dodin, and a further two, nos. 12 and 13 by Le Bel. It seems possible that the last two were the two now in the Fitzwilliam and that the identification of the painter who signed L. as Le Bel was in error for Lev\u00e9, although the catalogue appears to indicate that all the pieces in this service in the list were painted with birds."},{"value":"The plateau -corbeille lozange was introduced in 1755"},{"value":"This plateau-corbeille losange ajour\u00e9e, and its pair (C.41A-1961) with two compotiers ronds C.37A & B-1961, are all decorated with swags of husks or wheat ear, and probably formed part of a service decorated with birds from Buffon or  flowers, which in the 19th century belonged to Count A.D. 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These plateaux have the same gilded decoration as the Fitzwilliam's examples with floral bouquets in the centre. The author, Clare Corbeiller cites Peters, as her source for the use of plateaux lozenges as stands for sauceboats in addition to their use with a cup but is not referring to the basket-like variety.","page":"194-5","type":"reference"},"admin":{"id":"publication-5305","uid":"adlib-publication-5305","uuid":"da091c04-392c-3f11-add1-632cea602e03"},"summary_title":"The Dodge Collection of Eighteenth-Century French and English Art in the Detroit Institute of Arts"},{"@link":{"notes":"Ref.Vol. II, pp. 401-02, for the bleu c\u00e9leste ground service formerly in the Ch\u00e9r\u00e9m\u00e8eff Collection, which Peters considers is likely to have been a service, mainly for dessert, sold on 5 November 1768 to an unnamed buyer, who may have been a Monsieur de Cotensky who on 9 March 1769 purchased 24 plates and 2 ice buckets, pieces missing from the earlier order. 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Lozenge-shaped with deep, sloping sides, moulded and pierced to resemble stylised leaves with an anthemion in the centre of each side. The rim is scalloped and the lower part of the outer edge of the footring is moulded to resemble basketwork. There is a suspension hole in the footring.   The ground is bleu c\u00e9leste decorated with garlands of gilt husks In the centre there is an oval reserve framed by a band of gilding tooled with scrolling leaves, and painted in polychrome enamels with a bouquet of flowers and foliage. The interior and exterior of the sides have a bleu celeste ground alternating with reserved white zones outlined with gold.\n\nOne of a pair with C.41B-1961."}],"identifier":[{"accession_number":"C.41A-1961","primary":true,"type":"accession number","value":"C.41A-1961"},{"priref":"93586","type":"priref","value":"93586"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93586","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93586"}],"inscription":[{"description":[{"value":"interlaced L's enclosing q"}],"location":"on base","method":"painted in blue enamel","type":"factory mark"},{"description":[{"value":"L in script"}],"location":"on base, below factory mark","method":"painted in blue enamel","transcription":[{"value":"L"}],"type":"painter's mark"},{"location":"on base","method":"hand-written in ink","transcription":[{"value":"Collection of\/Viscount Harcourt"}],"type":"label"},{"location":"on base","method":"in ink and print","transcription":[{"value":"FROM THE\/CH\u00c9R\u00c9MET\u00c8FF S\u00c8VRES\/COLLECTION\nMrs. Burns\nASHER WERTHEIMER,\/158, NEW BOND STREET,\/LONDON"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G.Clarke Bequest, 1960"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149875","uid":"adlib-agent-149875","uuid":"89f52d0e-b912-3dc9-8b2c-61d6aa011b16"},"summary_title":"Clarke, Louis Colville Gray"}],"date":[{"earliest":1961,"latest":1961,"value":"1961-04-27"}],"method":{"value":"bequeathed"}}],"creation":[{"date":[{"earliest":1769,"era":["CE"],"latest":1769,"note":[{"value":"The tray bears the date letter q for 1769"}],"precision":"dated","value":"1769"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-161360","uid":"adlib-agent-161360","uuid":"7b3ff8f7-d7ff-380d-8d45-22cbd06ada8e"},"summary_title":"S\u00e8vres Porcelain Manufactory"},{"@link":{"qualifier":"possibly","role":[{"value":"production"}],"type":"reference"},"admin":{"id":"agent-79183","uid":"adlib-agent-79183","uuid":"bb0bf7ee-5fbd-3c02-9c61-8d6072844779"},"summary_title":"Lev\u00e9, Denis"}],"note":[{"value":"The painter, Denis Lev\u00e9 is recorded as using a Roman L as his mark, but Riocreux also gives a script L which on this piece is followed by a dot. 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Painted in blue, green, yellow, and orange; red and shades of yellow-gold lustre. Shape 50. Circular with slightly sloping rim and shallow depression in the middle, standing on a footring.\nMercury, Herse and Aglauros. Mercury stands holding his rod in his left hand, his right extended towards Aglauros who stands in the doorway of the palace. On the left, Herse sits indoors beside a window, resting her head on her right hand. The arch of the window springs from a column decorated with scrolling foliage. On the wall above is a shield charged with the arms party per pale undy azure and or (shown orange) a mullet and a crescent counterchanged. In the foreground there are four pebbles on the path, and in the background to right, rocks and a large expanse of sky.\nThe back is marked in the middle in thick orange-yellow lustre, `1522\/.M o .o G' (both o  raised). The base is encircled by a wide blue band and a narrow lustre band repeated in reverse order next to the rim. Between these are four crossed lozenges alternating with two spirals between curved strokes and two groups of spots between curved strokes."}],"exhibitions":[{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"}],"identifier":[{"accession_number":"C.79-1961","primary":true,"type":"accession number","value":"C.79-1961"},{"priref":"79248","type":"priref","value":"79248"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/79248","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/79248"}],"inscription":[{"description":[{"value":"rectangular, a ducal crown over a gothic N and to the right 'CLUMBER\/2603'"}],"location":"on back","method":"printed in black","transcription":[{"value":"CLUMBER\/2603"}],"type":"label"},{"description":[{"value":"both o  raised"}],"location":"on the back","method":"in thick orange-yellow lustre","transcription":[{"value":"1522\/.M o .o G"}],"type":"inscription"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. Clarke Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149875","uid":"adlib-agent-149875","uuid":"89f52d0e-b912-3dc9-8b2c-61d6aa011b16"},"summary_title":"Clarke, Louis Colville Gray"}],"date":[{"earliest":1961,"latest":1961,"value":"1961-04-27"}],"method":{"value":"bequeathed"}}],"creation":[{"date":[{"earliest":1522,"era":["CE"],"latest":1522,"precision":"dated","value":"1522"}],"maker":[{"@link":{"role":[{"value":"workshop"}],"type":"reference"},"admin":{"id":"agent-160294","uid":"adlib-agent-160294","uuid":"e7481a09-8063-3b03-b6b2-04e7e9154df5"},"summary_title":"Maestro Giorgio Andreoli"}],"note":[{"value":"The arms occur on two more plates painted by the same hand, and also dated 1522. A plate painted with the Fall of Phaeton in the Hermitage, St Petersburg, and another painted with a woman holding a dagger and taunting a young man, in the Metropolitan Museum of Art, New York. They were probably decorated by the painter of a dish decorated with the Judgement of Paris, in Maestro Giorgio's workshop in Gubbio on 2 October 1520, which is in the Petit Palais, Paris."},{"value":"The subject was taken from the Roman poet Ovid's Metamorphoses, II, 708-832.  The scene could illustrate Mercury's first or second visit to Cecrops' palace to see Herse with whom he had fallen in love. On the first occasion he was met by her sister Aglaurus who declined to lead him to Herse, and demanded gold for her compliance before sending him away. On his return, Aglaurus, who had become extremely envious of Herse's good fortune in attracting a lover, barred the way to her room. Thereupon Mercury exercised his supernatural power to open the door and transformed Aglaurus into stone.The figures of Mercury and Aglauros were derived from a woodcut in 'Ovidio metamorphoseos vulgare', Venice, 1497, p. XVIIIv, or in one of the Latin or Italian editions published in 1505, 1508, 1509, 1513, and 1517."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-124749","uid":"adlib-term-124749","uuid":"3cb14eef-9414-324c-8abb-f4e5e0d52ff1"},"summary_title":"16th Century, Early"},{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113220","uid":"adlib-term-113220","uuid":"e8b02414-1477-3046-8f2a-947e5c159b21"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Umbria"}],"summary_title":"Umbria","type":"region"}]],"summary_title":"Gubbio"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"26.0"},{"dimension":"Height","units":"cm","value":"2.7"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-52749","uid":"adlib-media-52749","uuid":"0c2fbb50-d667-3a36-9a33-9ed30afddf85"},"processed":{"large":{"format":"jpeg","location":"aa\/aa19\/C_79_1961.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":732}]},"modified":1742584121408,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa19\/mid_C_79_1961.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":519},{"dimension":"width","units":"pixels","value":500}]},"modified":1742584121408,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa19\/C_79_1961.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":732}]},"modified":1742584121408,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa19\/preview_C_79_1961.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":260},{"dimension":"width","units":"pixels","value":250}]},"modified":1742584121408,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-34935","uid":"adlib-term-34935","uuid":"b6750733-fe79-33fc-b39a-c296fcd223b4"},"summary_title":"plate"}}],"note":[{"type":"history note","value":"Henry T. Hope, Deepdene, Surrey; his daughter, Henrietta Adela Hope, who married in 1861 the Earl of Lincoln, later 6th Duke of Newcastle-under-Lyme (1834-1979); by descent to the 7th Duke of Newcastle-under-Lyme (1864-1928); sold by Christie's, 7 July 1921, Catalogue of fine old English silver-gilt plate, Limoges enamels, old Italian majolica and porcelain, the property of his grace the Duke of Newcastle, and removed from Clumber, Worksop, lot 120; George A. Lockett; Christie's, 11 June 1942, The choice collection of objects of art and furniture formed by the late George A. Lockett Esq., lot 217; Alfred Spero (\u00a3556); from 1943, L.C.G. Clarke, Leckhampton, MA, LL.D., Cambridge (1881-1960) by whom bequeathed"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. lot 120","page":"25","type":"reference"},"admin":{"id":"publication-3407","uid":"adlib-publication-3407","uuid":"19cc80c0-e6e7-3fd0-9660-ce60875a0f41"},"summary_title":"Catalogue of fine old English silver-gilt plate, Limoges enamels, old Italian majolica and porcelain, the property of His Grace the Duke of Newcastle, and removed from Clumber, Worksop"},{"@link":{"notes":"Publ. lot 217","page":"24","type":"reference"},"admin":{"id":"publication-3221","uid":"adlib-publication-3221","uuid":"d6ca23eb-f1e5-32c4-b618-396e4ae4ca33"},"summary_title":"The choice collection of objects of art and furniture formed by the late George A. Lockett Esq."},{"@link":{"notes":"Publ. pp. 127-8 & pls. A & D","page":"pp. 127-8","type":"reference"},"admin":{"id":"publication-200001089","uid":"adlib-publication-200001089","uuid":"59d00b06-8fed-351e-850b-ea6d0c9abbdc"},"summary_title":"A Maestro Giorgio maiolica dish"},{"@link":{"notes":"Publ. II, p. 96, fig. 767","page":"p. 96","type":"reference"},"admin":{"id":"publication-3029","uid":"adlib-publication-3029","uuid":"80945d1b-c823-332c-b5d2-29f0090b906e"},"summary_title":"R\u00e9pertoire de la majolique italienne"},{"@link":{"notes":"Publ. p. 5 & pl. XII","page":"p. 5","type":"reference"},"admin":{"id":"publication-1970","uid":"adlib-publication-1970","uuid":"2b9703ad-8c20-31c6-894a-c7fea3ad953e"},"summary_title":"Fitzwilliam Museum, Cambridge. 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Circular with a wide rim, and deep well, standing on a fooring with a suspension hole.  The dish is heavy for its size. The well has a turquoise (bleu c\u00e9leste) ground with a central circular reserve framed by a chased gold band. Within it is a wreath made up of branches of laurel and myrtle,  tied with a gold bow at the bottom.  At the top the branches meet on either side of a gold Imperial crown. Within the wreath is a large script E made up of pink and blue flowers in monogram with 'II' in gold, for Ekaterina II. The rim has white inner and outer borders decorated with small floral sprays separated by husks. Beween them is a broad turquoise band decorated with finely tooled gold foliated scrolls, interupted by three small oval reserves and three larger horizontal oval reserves, each painted en grisaille on a reddish-brown ground to imitate cameos. The small reserves enclose profile heads, respectively of a young woman, a young man, and Pan. The larger reserves enclose mythological scenes from Ovid's Metamorphoses: Apollo and Daphne from Book 1; The competition between Apollo and Marsyas, and the Flaying of Marsyas from Book 6. There is a gold band round the edge, dentilated on the reverse, and a wide gold band round the outer edge of the footring."}],"identifier":[{"accession_number":"C.51-1961","primary":true,"type":"accession number","value":"C.51-1961"},{"priref":"93541","type":"priref","value":"93541"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93541","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93541"}],"inscription":[{"location":"on base","method":"incised","transcription":[{"value":"33"}],"type":"incised mark"},{"location":"on base","method":"painted in bluish-violet enamel","transcription":[{"value":"interlaced Ls enclosing aa"}],"type":"mark"},{"location":"on base above the factory mark","method":"painted in violet enamel","transcription":[{"value":"K"}],"type":"painter's mark"},{"location":"on base below factory mark","method":"painted in violet enamel","transcription":[{"value":"nq"}],"type":"painter's mark"},{"description":[{"value":"with a curved upright stroke"}],"location":"on base below the other marks","method":"painted in brighter blue","transcription":[{"value":"script B"}],"type":"gilder's mark"},{"location":"on base","method":"painted in red enamel which has partly worn away","transcription":[{"value":"H P"}],"type":"mark"},{"location":"on base","method":"hand-written probably in black ink","transcription":[{"value":"illegible"}],"type":"inscription"},{"description":[{"value":"narrow rectangular label"}],"location":"on base","method":"printed in black","transcription":[{"value":"'From Lord Dudley's Collection'"}],"type":"label"},{"description":[{"value":"circular label printed round the edge with a narrow blue band and a wider blue band"}],"location":"on base","method":"hand-written in black crayon","transcription":[{"value":"55 underlined"}],"type":"label"},{"description":[{"value":"rectangular with the left end torn off"}],"location":"on the base","method":"printed in black and hand-written in faded black ink","transcription":[{"value":"(S) EVRES printed 'Niquet & Dodin\/Date\/1778' hand-written"}],"type":"label"},{"description":[{"value":"rectangular with part of the right side torn off"}],"location":"on the base","method":"hand-written in black ink","transcription":[{"value":"Part of the service\/made for the\/Empress Cath.....\/of Russia"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. 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The service was remarkable for its immense size, and the speed with which it was made. It was the first wholly neoclassical service to be made at S\u00e8vres, and the forms were specially designed for it, the plates for example having smooth instead of lobed rims. The use of illusionistic cameos in the decoration reflected the Empress's interest in this aspect of antique art, and innovatory techniques were used to produce them. The outlines of those on the plates were transfer-printed before painting, a technique not normally employed on S\u00e8vres porcelain. For descriptions of the service, see Savill (1988), Dawson (1994), and Peters ( 2005,  III). The Fitzwilliam Museum also owns a jug from the service, C.47-1961."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106779","uid":"adlib-term-106779","uuid":"f0706fcd-d94c-3987-bcb5-f7f794332b6a"},"summary_title":"18th Century, Late"},{"@link":{"type":"reference"},"admin":{"id":"term-14265","uid":"adlib-term-14265","uuid":"b9f6d73e-26ce-3588-a519-976c2cc93f7f"},"summary_title":"Louis XVI"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113750","uid":"adlib-term-113750","uuid":"9c94e435-9cde-38f2-b190-3a9ff2a77005"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"France"}],"summary_title":"France","type":"country"}]],"summary_title":"S\u00e8vres"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste 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Vol. II, pp. 762-82, two wine-bottle coolers, and four ice-cream coolers from the Empress Catherine Service, nos. 474-5 and 476-9. The author describes the history, design, and composition of the service,  and the techniques employed, including the method of transfer printing the painted cameos. A sheet of heads in reverse, including Pan, is illustrated on p. 765. The Fitzwilliam's plate is mentioned on pp. 767 and 781","page":"762-82","type":"reference"},"admin":{"id":"publication-2709","uid":"adlib-publication-2709","uuid":"e4899c4a-b889-3004-9341-697b98920a9f"},"summary_title":"The Wallace Collection, Catalogue of S\u00e8vres Porcelain"},{"@link":{"notes":"Cf. A similar plate, with text on the commissioning, design, and history of the service, with particular reference to the plates.","page":"141-4","type":"reference"},"admin":{"id":"publication-3616","uid":"adlib-publication-3616","uuid":"7ae45eaf-b5a1-314c-856f-7e3419f1a94e"},"summary_title":"French Porcelain, A Catalogue of the British Museum Collection"},{"@link":{"type":"reference"},"admin":{"id":"publication-200002992","uid":"adlib-publication-200002992","uuid":"4f8caf6e-00d1-3283-8a36-0392e6257e5d"},"summary_title":"Catherine the Great & Classical Imagery: An Analysis of her S\u00e8vres Porcelain Service of 1779"},{"@link":{"notes":"Cf. pp. 24-5, lot 25. a plate, estimate FF 75,000-120,000 . Provenance, Robert Napier of Shandon, Christie's, London, 11 April 1877, lot 160 or 161; L. Thomson, probably for the Earl of Dudley; Earl of Dudley, sold Christie's, London, 21 May 1886, lot 96 or 97; sold to Grindely.","page":"24-5","type":"reference"},"admin":{"id":"publication-4838","uid":"adlib-publication-4838","uuid":"a6f6fa46-1bdb-30fe-b7f7-d3226b96004a"},"summary_title":"Porcelain et Fa\u00efence Fran\u00e7aises, Mobilier et Objets d'Art, 8 December 1990"},{"@link":{"notes":"Cf. p. 87, lot 289, a plate from the collection of the late Robert Clarke, dated AA for 1778 with painter's mark of Dodin and FB for Fran\u00e7ois-Marie Barrat. D. 16.5 cm. Estimate \u00a310,000-15,000; fetched \u00a3","page":"87","type":"reference"},"admin":{"id":"publication-4653","uid":"adlib-publication-4653","uuid":"25e7f7aa-fbc2-385e-9976-1240f2a3c855"},"summary_title":"Continental and British Ceramics: including Meissen porcelain from Korthaus Collection: properties of the St. Germans 1962 Settlement, the late Robert Clarke"},{"@link":{"notes":"Ref.","page":"48-54","type":"reference"},"admin":{"id":"publication-200001798","uid":"adlib-publication-200001798","uuid":"ae666f1f-7c30-31c2-a3ca-921a644de069"},"summary_title":"The S\u00e8vres Porcelain Service of Catherine II of Russia: The Truth Concerning Payment"},{"@link":{"notes":"Cf. p. 66, no. 18, illustrated in colour on p. 67, a bronze-mounted ice cup. No year mark. Painter's mark HP for Henri Martin Pr\u00e9vost (active 1757-97). Inv. no. FAS PE 188.","page":"66","type":"reference"},"admin":{"id":"publication-4655","uid":"adlib-publication-4655","uuid":"4c795466-ef5c-3139-af87-252991660c24"},"summary_title":"K\u00f6nigliches Porzellan aus Frankreich, Sammlerst\u00fccke und Service der Manufaktur Vincennes\/S\u00e8vres"},{"@link":{"type":"reference"},"admin":{"id":"publication-7524","uid":"adlib-publication-7524","uuid":"9aae2908-1105-3fa5-8365-0c981a52dccf"},"summary_title":"Treasures of France from the Sun King to the Belle Epoque"},{"@link":{"notes":"Cf. pp. 281-3, no. 144, a S\u00e8vres factory replica with date letter for 1785 (1917.1095), which differs in having a shaped rim and being slightly smaller, 23.8 cm instead of about 26.5 cm.","page":"281-3","type":"reference"},"admin":{"id":"publication-2724","uid":"adlib-publication-2724","uuid":"e1cfd19f-1a09-348b-8813-f71b68d85f84"},"summary_title":"French Eighteenth-Century Porcelain at the Wadsworth Atheneum, The J. Pierpont Morgan Collection"},{"@link":{"notes":"Cf. p. 182-3, lot 265, a plate described as 'une replique' of the 18th century, 23.5 diameter with date letters ee for 1783,  painter's mark of Tandart, and gilder's mark of Chauvaux. Estimate E 15,245-18,295; fetched E","page":"182-3","type":"reference"},"admin":{"id":"publication-4654","uid":"adlib-publication-4654","uuid":"d85cfd87-80cb-3509-b001-361acbb42605"},"summary_title":"Collection Charles-Otto Zieseniss"},{"@link":{"notes":"Cf. Lot 99, a reproduction plate probably made by the Imperial Porcelain Manufactory in the late 19th century. D. 26 cm. Estimate \u00a32-3,000.","page":"73","type":"reference"},"admin":{"id":"publication-4699","uid":"adlib-publication-4699","uuid":"6cacf516-5595-300d-b383-656e14e2a766"},"summary_title":"Russian Works of Art, Faberg\u00e9 and Icons"},{"@link":{"notes":"Cf. p. 24, lot 38, a plate from the Empress Catherine Service with the date letter for 1778 and painter's mark for Dodin. Estimate \u00a323-31,000; E25-35,000. Cf also p. 23, lot 37 a tassa \u00e0 glaze from the service with marks of the painter Buteux cadet and gilder Pr\u00e9vost. Estimate \u00a327-45,000; E 30-50,000","page":"23-4","type":"reference"},"admin":{"id":"publication-8611","uid":"adlib-publication-8611","uuid":"19cabd61-c687-331c-99fc-fedcd318d801"},"summary_title":"500 Ans, Arts D\u00e9coratifs Europ\u00e9ans"},{"@link":{"notes":"Ref. for the career and work of Dodin. Cf. pp. 151-3, no. 63, twelve pieces from the Empress Catherine Service, from the Hermitage Museum. An assiette plat unie is shown on p. 152 and an assiette \u00e0 potage on p. 153","page":"151-3","type":"reference"},"admin":{"id":"publication-8896","uid":"adlib-publication-8896","uuid":"dab82d54-022d-3cc0-b9d7-b6d3139c29d4"},"summary_title":"Splendeur de la peinture sur porcelaine au XVIIIe si\u00e8cle, Charles Nicolas Dodin et la Manufacture de Vincennes-S\u00e8vres"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-9044","uid":"adlib-term-9044","uuid":"99dcb503-1a64-3792-8a40-48eda95dd763"},"summary_title":"Neoclassical"}],"subjects":[{"@link":{"type":"reference"},"admin":{"id":"term-125761","uid":"adlib-term-125761","uuid":"bce2de03-432e-3676-bb62-4a5042d2c1d3"},"summary_title":"dining"},{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-109779","uid":"adlib-term-109779","uuid":"97366b6e-3308-3da7-bfe7-195c4dc9e54b"},"summary_title":"wreath"},{"@link":{"relation":"plant","type":"reference"},"admin":{"id":"term-110367","uid":"adlib-term-110367","uuid":"09dcd231-d9d1-3ef5-9ba1-2fe42701eadb"},"summary_title":"olive"},{"@link":{"relation":"plant","type":"reference"},"admin":{"id":"term-107523","uid":"adlib-term-107523","uuid":"083efb08-b78e-3ba4-b2b7-98b7667f2e9d"},"summary_title":"laurel"},{"@link":{"relation":"activity","type":"reference"},"admin":{"id":"term-125932","uid":"adlib-term-125932","uuid":"5d6f0ca0-2f7b-3b86-b7ed-582d8d950779"},"summary_title":"flaying"},{"@link":{"relation":"activity","type":"reference"},"admin":{"id":"term-125931","uid":"adlib-term-125931","uuid":"ac6db4e6-507a-3394-ab87-bf6239ce1188"},"summary_title":"fleeing"},{"@link":{"type":"literal"},"name":[{"value":"wreath"}],"summary_title":"wreath"},{"@link":{"type":"literal"},"name":[{"value":"olive"}],"summary_title":"olive"},{"@link":{"type":"literal"},"name":[{"value":"laurel"}],"summary_title":"laurel"},{"@link":{"type":"literal"},"name":[{"value":"flaying"}],"summary_title":"flaying"},{"@link":{"type":"literal"},"name":[{"value":"fleeing"}],"summary_title":"fleeing"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-34935","uid":"adlib-term-34935","uuid":"b6750733-fe79-33fc-b39a-c296fcd223b4"},"summary_title":"plate"}},"summary_title":"plate","techniques":[{"description":[{"value":"soft-paste porcelain decorated with a turquoise (bleu c\u00e9leste) ground, painted in blue, green, pink, red, and reddish-brown enamels, transfer-printed cameo heads painted in reddish-brown enamel, and chased gilding."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-111179","uid":"adlib-term-111179","uuid":"be5c887b-c0ed-3d89-82b2-c3a870e72a68"},"summary_title":"moulding"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120062","uid":"adlib-term-120062","uuid":"d05176fb-17b8-3888-bba1-6c5e6c77d206"},"summary_title":"lead-glazing"}}],"title":[{"value":"Plate from the Empress Catherine Service"}],"type":{"base":"object","type":"OBJECT"}}}],"first_page_url":"?page=1","from":1,"last_page":1,"last_page_url":"?page=1","links":[{"url":null,"label":"« Previous","active":false},{"url":"?page=1","label":"1","active":true},{"url":null,"label":"Next »","active":false}],"next_page_url":null,"path":"","per_page":24,"prev_page_url":null,"to":9,"total":9}]