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The flat underside is unglazed, and has three patch marks, and a circular ventilation hole to rear of centre. The roughly oval base has a tall, thick tree stump at the back, and rococo scrolls at the front, above which are three groups of applied flowers and leaves. Quinn stands facing the front, with his feet apart. His right hand holds an upright sword (missing), and an oval shield is strapped to his upper left arm, the clenched hand of which rests on his hip. He has a ruddy complexion, a grey beard and white hair, over which is a white broad-brimmed hat with a mauve underside, and white feathers. He wears a soft white ruff, a yellow sleeved doublet with gold borders, pockets, and red cuffs, a red and gold belt, a pink sleeveless coat with a gold edge, red breeches, and pale brown high boots. A bill projects from his right waistcoat pocket. The flowers on either side of his feet are mauve, and yellow, and those between his feet, are mauve, yellow, and red. The scrolls are picked out in gold. The sword blade has been replaced by a steel blade, now separate."}],"identifier":[{"accession_number":"C.50 & A-1918","primary":true,"type":"accession number","value":"C.50 & A-1918"},{"priref":"42629","type":"priref","value":"42629"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/42629","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/42629"}],"inscription":[{"method":"incised","transcription":[{"value":"No 200"}],"type":"number"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Ralph Griffin, MA, FSA"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-151196","uid":"adlib-agent-151196","uuid":"70c394ca-7483-3017-9867-b0191829b8bf"},"summary_title":"Griffin, Ralph, MA, FSA"}],"date":[{"earliest":1918,"latest":1918,"value":"1918-08-28"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1918-08-28"}]}],"creation":[{"date":[{"earliest":1765,"era":["CE"],"latest":1765,"precision":"circa","value":"1765"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-35888","uid":"adlib-agent-35888","uuid":"0244b335-51c5-3535-a626-9ed7f3d33894"},"summary_title":"Derby Porcelain Factory"},{"@link":{"type":"reference"},"admin":{"id":"agent-157812","uid":"adlib-agent-157812","uuid":"d6c503ac-f737-3861-9907-14fd8b4759bf"},"summary_title":"William Duesbury & Co."},{"@link":{"qualifier":"derived from","role":[{"value":"engraver"}],"type":"reference"},"admin":{"id":"agent-89519","uid":"adlib-agent-89519","uuid":"ea3158a3-a006-3779-8563-872e5de078ec"},"summary_title":"McArdell, James"},{"@link":{"qualifier":"after","role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-60297","uid":"adlib-agent-60297","uuid":"9217fa7d-f61d-37bb-8b8c-cbb59a1886cc"},"summary_title":"Hayman, Francis"}],"note":[{"value":"This model represents the actor, James Quinn (1693-1766), in the role of Sir John Falstaff.The first model was derived from an engraving of about 1760 by James McArdell after a portrait by Francis Hayman, 'Mr Quinn in the character of Sir John Falstaff'. 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The earliest Derby version of Falstaff is model E4 in Bradshaw's list of Derby figures, see, p. 95. It recurs as no. 231, see pp. 314-6 and, in five different sizes, as no. 291, see p. 339","page":"pp. 314-6","type":"reference"},"admin":{"id":"publication-2845","uid":"adlib-publication-2845","uuid":"aed83438-5cba-3d3d-914c-0603afed5d46"},"summary_title":"Derby Porcelain Figures 1750-1848"},{"@link":{"notes":"Ref. An unglazed fragment of Falstaff's doublet, with the list protruding from the pocket, was found in a kiln dump at the site of the China Works between Nottingham Road and Wood Street, in 1990 (now occupied by playing fields, car park and landscaping of the nearby Derby Technology College). See pp. 229-39, mentioned on pp. 231-2, illustrated p. 232, fig. 6, and a figure on p. 231, fig. 5, an example at Burghley House.","page":"pp. 229-39","type":"reference"},"admin":{"id":"publication-200000898","uid":"adlib-publication-200000898","uuid":"3db35781-cf62-3582-ac9b-54500b67e315"},"summary_title":"A 1770-1790 Kiln Dump of the Derby China Works"},{"@link":{"notes":"Cf. A model in the Victoria and Albert Museum, see p. 65, no. 305, and pl. 35, 13\" high.\nCf. A white Bow example in the Victoria and Albert Museum, see p. 10, no. 2, and pl. 8","page":"pp. 10, 65","type":"reference"},"admin":{"id":"publication-1013","uid":"adlib-publication-1013","uuid":"e6774d16-9d42-373b-a20c-90a966447f48"},"summary_title":"Victoria and Albert Museum Department of Ceramics, Catalogue of English Porcelain, Earthenware, Enamels and Glass collected by Charles Schreiber Esq., M.P.,  and the Lady Charlotte Elizabeth Schreiber, and presented to the Museum in 1884, Volume I, Porcelain"},{"@link":{"notes":"Cf. An earthenware Quinn by Wood & Caldwell in the Glaisher Collection, see vol. I, p. 119, no. 906.","page":"p. 119","type":"reference"},"admin":{"id":"publication-1031","uid":"adlib-publication-1031","uuid":"a5cc6cb3-2b6f-390a-af51-7e9d123e55ed"},"summary_title":"Catalogue of the Glaisher Collection of Pottery and Porcelain in the Fitzwilliam Museum Cambridge"},{"@link":{"type":"reference"},"admin":{"id":"publication-2847","uid":"adlib-publication-2847","uuid":"632612a3-b59c-3d9f-934c-2ab43b83b78b"},"summary_title":"Derby Porcelain 1750-1848"},{"@link":{"notes":"Cf. For a similar example see p. 168, lot 508 (estimate \u00a3400-600)","page":"p. 168","type":"reference"},"admin":{"id":"publication-2095","uid":"adlib-publication-2095","uuid":"d766cbec-dde9-31ae-be1a-456c5a4a4c9b"},"summary_title":"Early English and Continental Ceramics and Glass"},{"@link":{"notes":"Cf. An example at Burghley House, Stamford, see p. 50, no. 95. This is 36.3 cm high. It lacks its sword but has the bill sticking out of its pocket. Other examples are cited and the reference given to Henry IV, Part I, Act II, Scene IV, in which Prince Hal and Peto investigate the contents of the sleeping Falstaff's pockets and find the itemised bill for food.","page":"p. 50","type":"reference"},"admin":{"id":"publication-984","uid":"adlib-publication-984","uuid":"b49b3bba-0038-3f3d-a4c1-70885283ce9f"},"summary_title":"European Ceramics at Burghley House"},{"@link":{"notes":"Cf. p. 55, of interest but not strictly comparable, B76, probably by Samson of Paris, B77, French or German, 19th century, and B78, Staffordshire pottery, 20th century. Illustrated on p. 54","page":"pp. 54-5","type":"reference"},"admin":{"id":"publication-4683","uid":"adlib-publication-4683","uuid":"c44183d2-20e3-3f22-b143-bf60e169519c"},"summary_title":"The Richard Bebb Collection in the Garrick Club, A Catalogue of Figures, Sculpture and Paintings"},{"@link":{"notes":"Ref. pp. 122-6 prints by James McArdell used for porcelain figures. See p. 122, fig. 55, a mezzotint by Richard Earlom of a self portrait of James McArdell, and pp. 122-6 for his career and the use of his prints as sources for English porcelain figures. Cf. p. 124, fig. 58, the prin of Falstaff, Victoria & Albert Museum S.24-2009, and fig. 59 a Bow, white porcelain Falstaff, dated to c. 1752. Victoria &Albert Museum, 414:136-1885.","page":"122-6","type":"reference"},"admin":{"id":"publication-200003303","uid":"adlib-publication-200003303","uuid":"be044a32-e81a-3295-a9c7-86235aefc75d"},"summary_title":"'The Dublin Group' of mezzotint engravers and their imprint on early English porcelain and enamels"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-9010","uid":"adlib-term-9010","uuid":"ecd03def-5d2a-3b43-bb92-76be16fbabf6"},"summary_title":"Rococo"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"}},"summary_title":"figure","techniques":[{"description":[{"value":"soft-paste porcelain, slip-cast, and painted over lead-glaze in pale turquoise, green, yellow, pink, mauve, orange, red, pale reddish-brown, grey, and black enamels, and gilt"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120096","uid":"adlib-term-120096","uuid":"7cc05306-f07e-3189-849f-52addb9e2ca7"},"summary_title":"slip-casting"}},{"note":[{"value":"except for base"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120062","uid":"adlib-term-120062","uuid":"d05176fb-17b8-3888-bba1-6c5e6c77d206"},"summary_title":"lead-glazing"}}],"title":[{"value":"James Quinn (1693-1766) as Falstaff"}],"type":{"base":"object","type":"OBJECT"}}}],"first_page_url":"?page=1","from":1,"last_page":1,"last_page_url":"?page=1","links":[{"url":null,"label":"« Previous","active":false},{"url":"?page=1","label":"1","active":true},{"url":null,"label":"Next »","active":false}],"next_page_url":null,"path":"","per_page":24,"prev_page_url":null,"to":1,"total":1}]