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Leverton Harris, II"}],"type":{"base":"publication"}},{"current_page":1,"data":[{"_index":"ciim","_type":"data","_id":"adlib-object-47187","_score":18.5682,"_source":{"admin":{"added":1592996542000,"created":1312637261000,"flag":"Standard Record","id":"object-47187","indexed":1747246338842,"modified":1714465448000,"processed":1747245848890,"source":"adlib","stream":"fitz-online","uid":"adlib-object-47187","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/47187","uuid":"31adf929-0e60-36a9-88cd-3909d883b1f8","version":12},"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-207384","uid":"adlib-agent-207384","uuid":"9e043e19-3a80-3711-a535-46a70572a7f9"},"summary_title":"Ford, Richard (1796-1858)"},{"@link":{"type":"reference"},"admin":{"id":"agent-151483","uid":"adlib-agent-151483","uuid":"26fbb332-a159-3961-80ad-ff1bd1a618c2"},"summary_title":"Harris, Frederick Leverton"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-139324","uid":"adlib-agent-139324","uuid":"412c46d0-b7b7-3980-8ca2-6c1babc8909a"},"summary_title":"Venus"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-150796","uid":"adlib-agent-150796","uuid":"ec5a0c8a-e54c-3735-adea-0fd5dd14f994"},"summary_title":"Cupid"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-157693","uid":"adlib-agent-157693","uuid":"56b21451-6b58-392e-84e0-6a3e6e9ab639"},"summary_title":"Juno"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-153277","uid":"adlib-agent-153277","uuid":"ec3a8dd6-5f0b-3597-b38b-2feba1deeacf"},"summary_title":"Minerva"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-151595","uid":"adlib-agent-151595","uuid":"5f94f47f-66a9-365e-b475-95be7a460b85"},"summary_title":"Mercury"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-158722","uid":"adlib-agent-158722","uuid":"1cffff36-4957-3dbb-9b48-c4d5b506440a"},"summary_title":"Paris"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-159042","uid":"adlib-agent-159042","uuid":"3ceafc9b-c1f3-3909-be90-fe82b85ba14c"},"summary_title":"Oenone"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-150445","uid":"adlib-agent-150445","uuid":"cd439c8d-0fd9-39e7-9062-341b662b8069"},"summary_title":"Apollo"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108348","uid":"adlib-term-108348","uuid":"667e7a19-db33-3d85-bd9b-c2dafd8e02ff"},"summary_title":"tin-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"}],"component":[{"materials":[{"note":[{"value":"metallic oxide colours"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108364","uid":"adlib-term-108364","uuid":"115b8729-a560-35c1-b654-4b9d2fc5f68b"},"summary_title":"high-temperature colours"}}],"name":"Decoration"}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-1111","uid":"adlib-term-1111","uuid":"46c949dd-f376-3538-878f-397baee5be09"},"summary_title":"mythology"},{"@link":{"type":"reference"},"admin":{"id":"term-107486","uid":"adlib-term-107486","uuid":"234fe16e-17e4-3db8-881a-443636aac5ca"},"summary_title":"classical mythology"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Maiolica dish, painted in polychrome with The Judgement of Paris."},{"value":"Earthenware, tin-glazed overall; the reverse pale beige. Painted in blue, green, turquoise, yellow, orange, stone, brown, manganese-purple, black, grey, and white. Shape 64. Circular with narrow rim and wide shallow well. The Judgement of Paris. Paris and his dog sit on the left. He hands the apple of discord to Venus who is accompanied by Cupid; Juno with her peacock stands behind them, and to the right is Minerva, who has her back to the viewer and holds up a drape; above, a winged Victory holds a wreath over Venus' head. To the left are three nymphs, including Paris' wife Oenone, and to their right, behind Paris, is Mercury, who is leaving; to the right, three river gods sit or recline beside the River Scamander. In the sky Apollo drives the chariot of the sun through a zodiac arch and on the right, emerging from a bank of clouds, Coelius supports Jove, seated with his eagle beside him and Diana and two other gods behind him. In the landscape background to left are two bulls and a nude woman with a unicorn, and in the distance, buildings and mountain peaks. The edge is yellow.  On the reverse, in the middle, an oval shield bears the arms of Farnese impaling Crispi, or six fleurs-de-lis azure placed three, two, and one, impaling azure a unicorn argent on a terrace vert, dipping its horn in a stream, a comet above, surmounted by a cross and cardinal's hat, and flanked by three rows of tassels, with below, the inscription in blue 'SORDENT.PRAE FORM\/INGENIVM VIRTVS\/REGNA.AURV[M] (GENIUS, VALOUR, DOMINATION AND WEALTH ARE DESPISED IN COMPARISON TO BEAUTY). Yellow bands encircle the outer and inner edges of the rim."}],"exhibitions":[{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"},{"@link":{"type":"reference"},"admin":{"id":"exhibition-2080","uid":"adlib-exhibition-2080","uuid":"21fb61db-870d-399e-a0fb-035ef1c66d00"},"summary_title":"'I turned it into a palace', Sir Sydney Cockerell and The Fitzwilliam Museum"}],"identifier":[{"accession_number":"C.59-1927","primary":true,"type":"accession number","value":"C.59-1927"},{"priref":"47187","type":"priref","value":"47187"},{"source":"F. Leverton Harris Collection list","type":"old object number","value":"M 68"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/47187","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/47187"}],"inscription":[{"location":"on the back","method":"painted","transcription":[{"value":"SORDENT.PRAE FORM\/INGENIVM VIRTVS\/REGNA.AVRV"}],"type":"inscription"},{"description":[{"value":"rectangular paper label"}],"location":"on the back","method":"handwritten in black ink","transcription":[{"value":"Arms of Farnese impaling Crispi\/of Rome.\/For Tiberio Crispi a familiar of\/Paul III before his pontificate.\/created by him Cardinal in 1544\/Achp of Amalfi 1547-61 bp of Sabina\/& of Sutri when he died 1566"}],"type":"label"},{"description":[{"value":"circular paper label"}],"location":"on the back","method":"handwritten in ?","transcription":[{"value":"M 68"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"F. Leverton Harris Bequest, 1926"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-151483","uid":"adlib-agent-151483","uuid":"26fbb332-a159-3961-80ad-ff1bd1a618c2"},"summary_title":"Harris, Frederick Leverton"}],"date":[{"earliest":1927,"latest":1927,"value":"1927"}],"method":{"value":"bequeathed"}}],"creation":[{"date":[{"earliest":1545,"from":{"earliest":1545,"era":["CE"],"latest":1545,"precision":"circa","value":"1545"},"latest":1550,"range":true,"to":{"earliest":1550,"era":["CE"],"latest":1550,"value":"1550"}}],"maker":[{"@link":{"qualifier":"probably","role":[{"value":"workshop"}],"type":"reference"},"admin":{"id":"agent-39957","uid":"adlib-agent-39957","uuid":"a857a45e-ad93-3e9f-87e7-346c948ec5a4"},"summary_title":"Durantino, Guido"},{"@link":{"qualifier":"after","role":[{"value":"engraver"}],"type":"reference"},"admin":{"id":"agent-112340","uid":"adlib-agent-112340","uuid":"a9104dd3-daf9-32ba-b083-c074b588b652"},"summary_title":"Raimondi, Marcantonio"}],"note":[{"value":"The Judgement of Paris, engraved by Marcantonio Raimondi after drawings by Raphael, was one of the prints most frequently used as a source by maiolica painters, but was rarely copied in its entirety as it is here. Paris is shown with the goddesses Hera, Athena and Aphrodite (Juno, Minerva, and Venus) who had been brought to him by Hermes with a message from Zeus that he was to award a golden apple to the fairest. Rejecting the bribes of power and wisdom offered by Hera and Athene, Paris awarded the apple to Aphrodite, who offered to assist him in gaining the love of Helen, wife of Menelaus, King of Sparta, whose beauty was equal to her own. The inscription on the back of the dish referring to Paris' choice was also copied from the print."},{"value":"The arms on the reverse are those of Cardinal Tiberio Crispi (1497-1566), who was promoted to the cardinalate in December 1544 by the Farnese Pope, Paul III (ruled 1534-49). Like many cardinals, Crispi marked his promotion by impaling his arms with those of the Pope, so their presence on the dish indicates a date after December, 1544. Another feature which links the dish to Crispi is the nude woman with a unicorn which the painter inserted into the Judgement in the upper left background. This is believed to be an impresa adopted by Crispi, but might also refer to his links with the Farnese family who had four unicorn imprese, including a unicorn placing its front hooves in a maiden's lap."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-110475","uid":"adlib-term-110475","uuid":"223ae6a7-2f91-3314-ae3c-da3233ae47dc"},"summary_title":"16th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110708","uid":"adlib-term-110708","uuid":"ef038505-1555-3c61-b6e2-cadcedf6c42a"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"}]],"summary_title":"Urbino"}]}]},"materials":[{"note":[{"value":"beige on the back"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}},{"note":[{"value":"buff"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"45.4"},{"dimension":"Height","units":"cm","value":"5"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-17663","uid":"adlib-media-17663","uuid":"285c1325-5b16-3c38-9051-b9b67062e38f"},"processed":{"large":{"format":"jpeg","location":"aa\/aa19\/C_59_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":760}]},"modified":1742581281084,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa19\/mid_C_59_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":500},{"dimension":"width","units":"pixels","value":500}]},"modified":1742581281084,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa19\/C_59_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":760}]},"modified":1742581281084,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa19\/preview_C_59_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":250},{"dimension":"width","units":"pixels","value":250}]},"modified":1742581281084,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}},{"@link":{"type":"reference"},"admin":{"id":"media-2187790741","source":"portfolio","uid":"portfolio-media-2187790741","uuid":"1b39445b-e2a3-3687-a753-bc66104813e6"},"processed":{"large":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/504\/680\/large_C_59_1927_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":1171},{"dimension":"width","units":"pixels","value":1024}]},"modified":1529369920000,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/504\/680\/mid_C_59_1927_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":572},{"dimension":"width","units":"pixels","value":500}]},"modified":1529369920000,"resizable":true,"type":"image"},"original":{"location":"C.59-1927_mas.tif","modified":1529369920000,"processed":true,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/504\/680\/preview_C_59_1927_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":286},{"dimension":"width","units":"pixels","value":250}]},"modified":1529369920000,"resizable":true,"type":"image"},"zoom":{"format":"pyramid tiff","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/504\/680\/C_59_1927_mas.ptif","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":6677},{"dimension":"width","units":"pixels","value":5837}]},"modified":1529369920000,"resizable":true,"type":"image"}},"sort":"1","source":{"title":[{"primary":true,"type":"main title","value":"Maiolica dish with the Judgement of Paris, after Marcantonio Raimondi"}]},"type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}}],"note":[{"type":"history note","value":"Possibly Charles Jarvis (?1675-1739); his sale, London, 11-20 March 1739 (OS),A catalogue of the most valuable collection of pictures . . . late of . . . Esq., deceased,  lot 555. Probably Princess Amelia;  possibly Thomas 2nd Vicount Hampden; Viscountess Hampden (d. 1833); sold Christie, Manson, and Christie, 16 and 18 April 1834, A catalogue of the valuable assemblage of Italian Bronzes, magnificent French Furniture, of boule and marqueterie; and rare Oriental and other porcelain . . . , p. 12, lot 68; Lord Eldon, Scotland ?; Richard Ford (1706-1858), Heavitree, near Exeter, before 1850; Captain Ford; Christie's, 31 July 1919, Catalogue of porcelain, objects of art and tapestry from various sources, lot 43; purchased for \u00a3399 by Durlacher  Bros. on behalf of F. Leverton Harris (1864-1926)"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. probably, p. 12, lot 68, one of four pieces of maiolica said to have been purchased at the 'Sale of the Effects of the Princess Amelia, Sister to George III, and described as 'A DITTO WITH THE JUDGMENT OF PARIS, very richly coloured, with the arms of a cardinal on the back, 18 inches in diameter'. However, the Princess Amelia sale held by Chrisite's on 15-18 February 1787 did not mention maiolica.","page":"12","type":"reference"},"admin":{"id":"publication-7219","uid":"adlib-publication-7219","uuid":"78a1122c-ce1a-37d8-9a0e-3d6513945490"},"summary_title":"A catalogue of the valuable assemblage of Italian bronzes, mangificent French furniture, of boule and marqueterie; and rare Oriental and other porcelain; the property of the Viscountess Hampden, deceased"},{"@link":{"notes":"Publ. Mentioned as being in the collection of Richard Ford (1796-1858), at Heavitree, near Exeter.","page":"24","type":"reference"},"admin":{"id":"publication-3023","uid":"adlib-publication-3023","uuid":"35a96726-6a45-3b31-8fd4-28a7aec22e5a"},"summary_title":"Collections towards a History of Pottery and Porcelain in the 15th, 16th, 17th and 18th Centuries"},{"@link":{"notes":"Publ. Mentioned","page":"83","type":"reference"},"admin":{"id":"publication-3024","uid":"adlib-publication-3024","uuid":"824e1975-893e-3573-8d2b-d1f5a24a3a06"},"summary_title":"A History of Pottery and Porcelain Medieval and Modern"},{"@link":{"notes":"Publ. See text p. 323 where attributed to Orazio Fontana, and pl. on p. 322.","page":"322-3","type":"reference"},"admin":{"id":"publication-200000978","uid":"adlib-publication-200000978","uuid":"81c5d92f-f206-326e-8ca3-2a3610a2d94d"},"summary_title":"Italian Maiolica in the Collection of the Right Hon. F. Leverton Harris, II"},{"@link":{"notes":"Publ. Mentioned on p. 9 and illustrated pls. XIIID and XVI, top shelf on extreme left.","page":"9","type":"reference"},"admin":{"id":"publication-1569","uid":"adlib-publication-1569","uuid":"4825b83f-3a92-3c6d-b58b-2686ea0509e0"},"summary_title":"The Leverton Harris Collection"},{"@link":{"notes":"Publ. Illustrated in colour, p. 72, fig. 1.","page":"72","type":"reference"},"admin":{"id":"publication-200000979","uid":"adlib-publication-200000979","uuid":"91511d08-b85d-306a-9662-81a0f76fa57b"},"summary_title":"Art on the Table"},{"@link":{"notes":"Publ. pp. 360-4, no. 403. Colour plate 44. For a full description of the dish, the sources of its design, its ownership, and comparable dishes.","page":"360-4","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. Illustrated","page":"24-5","type":"reference"},"admin":{"id":"publication-3399","uid":"adlib-publication-3399","uuid":"6251bbed-f1b7-3ff5-8c49-f4d51b763bda"},"summary_title":"The Lady"},{"@link":{"notes":"Publ. Reproduced p. 16, no. 1","page":"16","type":"reference"},"admin":{"id":"publication-200000980","uid":"adlib-publication-200000980","uuid":"03f217c5-da72-3f6f-851d-6efd1d546724"},"summary_title":"Un secolo di recerche e donazioni\/One century of Bequests and Acquisitions"},{"@link":{"notes":"Publ. p. 42, partially illustrated in article advertising the Fitzwilliam's maiolica exhibition of 1995","page":"42","type":"reference"},"admin":{"id":"publication-200002224","uid":"adlib-publication-200002224","uuid":"ad924f7e-133c-3af2-8d5d-3c5d891d1d38"},"summary_title":"Potted History"},{"@link":{"notes":"Publ. pp. 72-3, no. 31","page":"72-3","type":"reference"},"admin":{"id":"publication-3378","uid":"adlib-publication-3378","uuid":"e4a41d6d-c98c-3959-bcb4-041c12eeb88c"},"summary_title":"Fitzwilliam Museum Handbooks, Italian Maiolica"},{"@link":{"notes":"Publ. p. 21, illustrated, no. 24","page":"p. 21","type":"reference"},"admin":{"id":"publication-2065","uid":"adlib-publication-2065","uuid":"4a4b1b7c-93ad-3461-88c3-bdab831e3a14"},"summary_title":"The Fitzwilliam Museum, Annual Report 1997"},{"@link":{"notes":"Publ. p. 21, no. 24","page":"71","type":"reference"},"admin":{"id":"publication-1225","uid":"adlib-publication-1225","uuid":"c17787bc-ef30-308b-acbc-741e14c18062"},"summary_title":"The Fitzwilliam Museum 1848-1998, One Hundred and Fifty Years of Collecting"},{"@link":{"notes":"Publ. p. 23, with the printed source","page":"23","type":"reference"},"admin":{"id":"publication-3398","uid":"adlib-publication-3398","uuid":"ee298b4c-70ed-3cee-bbfc-d32855560ce8"},"summary_title":"Painted Clay, Graphic Arts and the Ceramic Surface"},{"@link":{"notes":"Publ. p. 101, fig. 2.44, in colour","page":"101","type":"reference"},"admin":{"id":"publication-6368","uid":"adlib-publication-6368","uuid":"9c344200-cd9c-3b07-ac5e-06c969ee810c"},"summary_title":"I Turned It Into a Palace, Sydney Cockerell and the Fitzwilliam Museum"},{"@link":{"notes":"Ref. The print by Marcantonio Raimondi which was the source of the design, no. 245-I, or no. 246, a copy by Marco Dente","page":"242-3","type":"reference"},"admin":{"id":"publication-3026","uid":"adlib-publication-3026","uuid":"c72f1337-312c-3770-8d7d-6b27ff0e0915"},"summary_title":"The Illustrated Bartsch: The Works of Marcantonio Raimondi and of his School, vols 26-27"},{"@link":{"notes":"Ref. The most readily accessible source for the life of Tiberio Crispi (1497-1566)","page":"801-3","type":"reference"},"admin":{"id":"publication-7016","uid":"adlib-publication-7016","uuid":"71e04e2e-09e1-303e-be93-66693f3f6942"},"summary_title":"Dizionario biografico degli Italiani"},{"@link":{"notes":"Ref. For biography and arms of Cardinal Tiberio Crispi, see p. 407, no. 60, p. 409 (wrongly numbered 449), fig. 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Painted in blue, green, yellow, orange, stone, brown, manganese-purple, black, grey, and white.\nShape 64, with three faint concentric grooves under the edge. Circular with a narrow rim and wide flat centre; the base uneven.\nHoratius Cocles holding the Bridge against the Etruscans. On the right, three men are breaking down the bridge with picks. In the middle, Horatius, mounted on a rearing charger, brandishes his sword at a group of ten attackers. Below the bridge, there is another mounted Roman, whose horse's rump has been pierced by an arrow fired by a bowman on the left. Both he and Horatius bear shields charged with the arms per fess argent and azure the base of a column proper. In the foreground there are rocks, a broken-down fence and the river Tiber; in the background to left, the tents of the Etruscan camp, and to right, Rome and distant mountains. The rim is yellow. The back is inscribed in the middle, in dark blue: '.M.D.XXXVIII.\/Vedi su'l pontei trepido, e, feroce\/Oratio sol cotra Thoscana tutta\/Che ne ferro, e, ne fuoco a vertu nuoce.\/.Xato.' (Behold on the bridge the intrepid, and, fierce Horatius alone against all the Etruscans Who neither with iron nor fire harm his valour. .Xanto.)  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Horatio is also shown on horseback on a dish inscribed with the same line from Petrarch, and dated 1541, in the Palazzo di Venezia, Rome. As was his usual habit, Xanto created the scene partly by drawing the figures from several different printed sources: the 'Abduction of Helen',  engraved by Marcantonio Raimondi after Raphael; 'I Modi' engraved by Marcantonio Raimondi; the' Battle of the Romans and Carthaginians' by Marco Dente (?) after Raphael or Giulio Romano; the 'Battle with a Cutlass' by Marco Dente (?) 'and, possibly, the 'Slaying of Cerberus' by G.G. Caraglio after Rosso Fiorentino, and 'St George and the Dragon' by Master I.B. with Bird. The city in the background features anachronistically two obelisks, which Xanto incorporated into other scenes to indicate a location in Rome or elsewhere in the Ancient World. 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Painted in dark blue, green, yellow, and orange.\nShape 61. Circular with sloping rim, upturned at the edge and wide deep well, standing on a footring in which there are two holes for suspension at the top.\nIn the well, a mounted Turkish lancer gallops to the left. He wears a high-crowned turban and a long gown with a wide falling collar. A scarf or pennant streams out behind him. The landscape background has a low horizon, and the right half of the sky is dark blue and the left half is white. The rim is divided by radial stripes into six panels containing alternately scale pattern and a foliate scroll with formal flowers and fruits. A yellow band encircles the edge. On the back, inside the footring, there is a blue zigzag resembling an M or W with an extra stroke, crossed by a diagonal line, and outside the footring, two blue spirals."}],"exhibitions":[{"@link":{"catalogue":"no. 4\/126","type":"reference"},"admin":{"id":"exhibition-1660","uid":"adlib-exhibition-1660","uuid":"e34e04b5-edf9-32d5-af18-e68d5ffcaf54"},"summary_title":"Europa und der Orient: 800-1900"},{"@link":{"catalogue":"none","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"}],"identifier":[{"accession_number":"C.100-1927","primary":true,"type":"accession number","value":"C.100-1927"},{"priref":"78668","type":"priref","value":"78668"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/78668","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/78668"}],"inscription":[{"description":[{"value":"circular"}],"method":"inscribed in faded ink","transcription":[{"value":"Leverton\/Harris\/Bequest 1926\/M25"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"F. Leverton Harris Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-151483","uid":"adlib-agent-151483","uuid":"26fbb332-a159-3961-80ad-ff1bd1a618c2"},"summary_title":"Harris, Frederick Leverton"}],"date":[{"earliest":1926,"latest":1926,"value":"1926"}],"method":{"value":"bequeathed"},"note":[{"value":"Entry date: 1927"}]}],"creation":[{"date":[{"earliest":1525,"from":{"earliest":1525,"latest":1525,"precision":"circa","value":"1525"},"latest":1555,"range":true,"to":{"earliest":1555,"latest":1555,"value":"1555"}}],"maker":[{"@link":{"qualifier":"possibly","role":[{"value":"pottery"}],"type":"reference"},"admin":{"id":"agent-159315","uid":"adlib-agent-159315","uuid":"62644784-211c-3942-aad3-ced3e6981e77"},"summary_title":"Mancini Workshop"}],"note":[{"value":"Polychrome display dishes with borders of rays dividing panels of scales and formal plants were in production in Deruta by the early 1520s, and continued until at least the beginning of the 1560s. The earliest known example, datable by the arms of Pope Hadrian VI (1522-3) is in the British Museum, and the latest, bearing those of Pius IV (1559-65) is in the Mus\u00e9e Ariana, Geneva. A border of floriated scrolls occurs on a dish with the arms of Clement VII (1523-34), dated 1531, and floriated scrolls with rays and scale panels on a dish with the arms of Cosimo I de'Medici and Eleonora of Toledo (married 1539), at the Mus\u00e9e national de la Renaissance, \u00c9couen.          \nDishes decorated in the well with equestrian Turks may have been introduced at Deruta about the time of the repulse of the Turks from Vienna in 1529. They were also executed with different border patterns. The borders of rays dividing panels of scales and formal plants also occur with different central subjects, a few of which are dated, such as a man shaving an ass, dated 1556, in the Victoria & Albert Museum.\nAlmost identical polychrome dishes with similar marks on the reverse are in the British Museum, and MAK (Museum f\u00fcr Angewandte Kunst), Vienna. Another, with two spirals on the back, is in the Mus\u00e9e Civico, Pesaro. Further equestrian Turk dishes were cited in Poole, 1995, p. 200 (see Documention). Equestrian Turks also appear, but less frequently, on Deruta lustred dishes, for example, in the Wallace Collection, London (III A 44), the Petit Palais, Paris (S.2439), and the Mus\u00e9e des Beaux-Arts, Lyon (D.45, acq. 1880).\nIn 1935 Bernard Rackham, attributed this dish to Giacomo Mancini. More recent scholars have considered that a less cramped crossed M mark on the reverse of some Deruta dishes might refer to the Mancini workshop, but no concrete evidence is known to prove this."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-110475","uid":"adlib-term-110475","uuid":"223ae6a7-2f91-3314-ae3c-da3233ae47dc"},"summary_title":"16th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110784","uid":"adlib-term-110784","uuid":"306cbe64-9c29-347d-bae9-6fa7b2d98848"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Umbria"}],"summary_title":"Umbria","type":"region"}]],"summary_title":"Deruta"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"40"},{"dimension":"Height","units":"cm","value":"9.5"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-52701","uid":"adlib-media-52701","uuid":"7ea80561-1e35-39fe-9dd5-da0f48aa0d67"},"processed":{"large":{"format":"jpeg","location":"aa\/aa19\/C_100_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":748}]},"modified":1616262877512,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa19\/mid_C_100_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":508},{"dimension":"width","units":"pixels","value":500}]},"modified":1616262877512,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa19\/C_100_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":748}]},"modified":1616262877512,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa19\/preview_C_100_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":254},{"dimension":"width","units":"pixels","value":250}]},"modified":1616262877512,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}},{"value":"piatto di pompa"}],"note":[{"type":"history note","value":"unknown"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. colour pl. facing p. 321 & pl.p. 323","page":"p. 321","type":"reference"},"admin":{"id":"publication-200000978","uid":"adlib-publication-200000978","uuid":"81c5d92f-f206-326e-8ca3-2a3610a2d94d"},"summary_title":"Italian Maiolica in the Collection of the Right Hon. F. Leverton Harris, II"},{"@link":{"type":"reference"},"admin":{"id":"publication-1569","uid":"adlib-publication-1569","uuid":"4825b83f-3a92-3c6d-b58b-2686ea0509e0"},"summary_title":"The Leverton Harris Collection"},{"@link":{"notes":"Publ. p. 58 & pl. 14","page":"p. 58","type":"reference"},"admin":{"id":"publication-3038","uid":"adlib-publication-3038","uuid":"2e589e20-ae79-381a-b203-3ac54f40b6a7"},"summary_title":"Guide to the European Pottery and Porcelain in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. pp. 199-201, no. 273, where other comparable dishes are listed with bibliographical references","page":"pp. 199-201","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. pp. 78-9, no. 34","page":"78-9","type":"reference"},"admin":{"id":"publication-3378","uid":"adlib-publication-3378","uuid":"e4a41d6d-c98c-3959-bcb4-041c12eeb88c"},"summary_title":"Fitzwilliam Museum Handbooks, Italian Maiolica"},{"@link":{"notes":"Cf. pp. 80-4, nos. 36-38, three dishes each decorated with a different mounted Turk, of which no. 38 has a comparable border to C.100-1927. See p. 84 note 1 for a brief mention of the Fitzwilliam's dish in a list of comparable dishes","page":"80-84","type":"reference"},"admin":{"id":"publication-5679","uid":"adlib-publication-5679","uuid":"2b220458-5727-3c6a-9df2-0ae5333e653b"},"summary_title":"Italian Maiolica of the Renaissance"},{"@link":{"notes":"Cf. pp. 442-4, no. 259, which appears to be painted by the same hand, has two blue spirals on the back and in the middle a crossed zig-zag.The authors leave open the possibility that it was made in the Mancini workshop, and date it c. 1520-60.","page":"442-4","type":"reference"},"admin":{"id":"publication-6434","uid":"adlib-publication-6434","uuid":"4524f0a3-0484-3e51-8720-80332f8ac8a2"},"summary_title":"Italian Renaissance Ceramics: A Catalogue of the British Museum Collection, Volume I and Volume II"},{"@link":{"notes":"Cf. p. 76, no. 26, a dish with a Turkish horseman riding to the left, with a different border design, dated to c. 1525-60.","page":"76","type":"reference"},"admin":{"id":"publication-8571","uid":"adlib-publication-8571","uuid":"1c526257-c1d6-33b1-a279-b3248fce0bcc"},"summary_title":"The Golden Age of Maiolica-Painting. Catalogue of a Private Collection"},{"@link":{"notes":"Cf. pp. 53-4, no. 17, a similar dish, also with two spirals and crossed zig-zag on the reverse (MAK, KE 7981), dated c. 1520-60. The Fitzwilliam's dish is mentioned. Cf. also these marks on the reverse of a dish decorated with a three-quarter-length warrior, p. 55, no. 18. MAK KHM 49 (old no. KHM 2481).","page":"53-4","type":"reference"},"admin":{"id":"publication-8915","uid":"adlib-publication-8915","uuid":"53de1acc-24ac-39fd-8418-d4ffc3f13e3b"},"summary_title":"Tin-glaze and Image Culture: the MAK Maiolica Collection in its Wider Context"},{"@link":{"type":"reference"},"admin":{"id":"publication-3401","uid":"adlib-publication-3401","uuid":"c22c2cc5-0565-37b2-8110-badd7e4cac9d"},"summary_title":"Maioliche del Museo Civico di Pesaro"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"subjects":[{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-87299","uid":"adlib-term-87299","uuid":"e56fc02e-8688-3ed4-9117-3de816ad1a78"},"summary_title":"lance"},{"@link":{"relation":"animal","type":"reference"},"admin":{"id":"term-78765","uid":"adlib-term-78765","uuid":"46e462e7-1543-3aaa-90c1-2562102b738f"},"summary_title":"horse (animal)"},{"@link":{"type":"literal"},"name":[{"value":"lance"}],"summary_title":"lance"},{"@link":{"type":"literal"},"name":[{"value":"horse (animal)"}],"summary_title":"horse (animal)"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}},"summary_title":"dish","techniques":[{"description":[{"value":"dark buff earthenware, the front tin-glazed; the reverse probably slip-coated or tin-glazed before application of honey-yellow lead glaze. Painted in dark blue, green, yellow, and orange."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120082","uid":"adlib-term-120082","uuid":"ea83ed85-6b07-3e7e-83fc-440cfda22f7e"},"summary_title":"throwing"}}],"title":[{"value":"Dish: a Turkish Lancer"}],"type":{"base":"object","type":"OBJECT"}}}],"first_page_url":"?page=1","from":1,"last_page":1,"last_page_url":"?page=1","links":[{"url":null,"label":"« Previous","active":false},{"url":"?page=1","label":"1","active":true},{"url":null,"label":"Next »","active":false}],"next_page_url":null,"path":"","per_page":24,"prev_page_url":null,"to":8,"total":8}]