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Painted in blue, green, turquoise, yellow, orange, stone, brown, manganese-purple, black, grey, and white. Shape 64. Circular with narrow rim and wide shallow well. The Judgement of Paris. Paris and his dog sit on the left. He hands the apple of discord to Venus who is accompanied by Cupid; Juno with her peacock stands behind them, and to the right is Minerva, who has her back to the viewer and holds up a drape; above, a winged Victory holds a wreath over Venus' head. To the left are three nymphs, including Paris' wife Oenone, and to their right, behind Paris, is Mercury, who is leaving; to the right, three river gods sit or recline beside the River Scamander. In the sky Apollo drives the chariot of the sun through a zodiac arch and on the right, emerging from a bank of clouds, Coelius supports Jove, seated with his eagle beside him and Diana and two other gods behind him. In the landscape background to left are two bulls and a nude woman with a unicorn, and in the distance, buildings and mountain peaks. The edge is yellow.  On the reverse, in the middle, an oval shield bears the arms of Farnese impaling Crispi, or six fleurs-de-lis azure placed three, two, and one, impaling azure a unicorn argent on a terrace vert, dipping its horn in a stream, a comet above, surmounted by a cross and cardinal's hat, and flanked by three rows of tassels, with below, the inscription in blue 'SORDENT.PRAE FORM\/INGENIVM VIRTVS\/REGNA.AURV[M] (GENIUS, VALOUR, DOMINATION AND WEALTH ARE DESPISED IN COMPARISON TO BEAUTY). Yellow bands encircle the outer and inner edges of the rim."}],"exhibitions":[{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"},{"@link":{"type":"reference"},"admin":{"id":"exhibition-2080","uid":"adlib-exhibition-2080","uuid":"21fb61db-870d-399e-a0fb-035ef1c66d00"},"summary_title":"'I turned it into a palace', Sir Sydney Cockerell and The Fitzwilliam Museum"}],"identifier":[{"accession_number":"C.59-1927","primary":true,"type":"accession number","value":"C.59-1927"},{"priref":"47187","type":"priref","value":"47187"},{"source":"F. Leverton Harris Collection list","type":"old object number","value":"M 68"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/47187","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/47187"}],"inscription":[{"location":"on the back","method":"painted","transcription":[{"value":"SORDENT.PRAE FORM\/INGENIVM VIRTVS\/REGNA.AVRV"}],"type":"inscription"},{"description":[{"value":"rectangular paper label"}],"location":"on the back","method":"handwritten in black ink","transcription":[{"value":"Arms of Farnese impaling Crispi\/of Rome.\/For Tiberio Crispi a familiar of\/Paul III before his pontificate.\/created by him Cardinal in 1544\/Achp of Amalfi 1547-61 bp of Sabina\/& of Sutri when he died 1566"}],"type":"label"},{"description":[{"value":"circular paper label"}],"location":"on the back","method":"handwritten in ?","transcription":[{"value":"M 68"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"F. Leverton Harris Bequest, 1926"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-151483","uid":"adlib-agent-151483","uuid":"26fbb332-a159-3961-80ad-ff1bd1a618c2"},"summary_title":"Harris, Frederick Leverton"}],"date":[{"earliest":1927,"latest":1927,"value":"1927"}],"method":{"value":"bequeathed"}}],"creation":[{"date":[{"earliest":1545,"from":{"earliest":1545,"era":["CE"],"latest":1545,"precision":"circa","value":"1545"},"latest":1550,"range":true,"to":{"earliest":1550,"era":["CE"],"latest":1550,"value":"1550"}}],"maker":[{"@link":{"qualifier":"probably","role":[{"value":"workshop"}],"type":"reference"},"admin":{"id":"agent-39957","uid":"adlib-agent-39957","uuid":"a857a45e-ad93-3e9f-87e7-346c948ec5a4"},"summary_title":"Durantino, Guido"},{"@link":{"qualifier":"after","role":[{"value":"engraver"}],"type":"reference"},"admin":{"id":"agent-112340","uid":"adlib-agent-112340","uuid":"a9104dd3-daf9-32ba-b083-c074b588b652"},"summary_title":"Raimondi, Marcantonio"}],"note":[{"value":"The Judgement of Paris, engraved by Marcantonio Raimondi after drawings by Raphael, was one of the prints most frequently used as a source by maiolica painters, but was rarely copied in its entirety as it is here. Paris is shown with the goddesses Hera, Athena and Aphrodite (Juno, Minerva, and Venus) who had been brought to him by Hermes with a message from Zeus that he was to award a golden apple to the fairest. Rejecting the bribes of power and wisdom offered by Hera and Athene, Paris awarded the apple to Aphrodite, who offered to assist him in gaining the love of Helen, wife of Menelaus, King of Sparta, whose beauty was equal to her own. The inscription on the back of the dish referring to Paris' choice was also copied from the print."},{"value":"The arms on the reverse are those of Cardinal Tiberio Crispi (1497-1566), who was promoted to the cardinalate in December 1544 by the Farnese Pope, Paul III (ruled 1534-49). Like many cardinals, Crispi marked his promotion by impaling his arms with those of the Pope, so their presence on the dish indicates a date after December, 1544. Another feature which links the dish to Crispi is the nude woman with a unicorn which the painter inserted into the Judgement in the upper left background. This is believed to be an impresa adopted by Crispi, but might also refer to his links with the Farnese family who had four unicorn imprese, including a unicorn placing its front hooves in a maiden's lap."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-110475","uid":"adlib-term-110475","uuid":"223ae6a7-2f91-3314-ae3c-da3233ae47dc"},"summary_title":"16th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110708","uid":"adlib-term-110708","uuid":"ef038505-1555-3c61-b6e2-cadcedf6c42a"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"}]],"summary_title":"Urbino"}]}]},"materials":[{"note":[{"value":"beige on the back"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}},{"note":[{"value":"buff"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"45.4"},{"dimension":"Height","units":"cm","value":"5"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-17663","uid":"adlib-media-17663","uuid":"285c1325-5b16-3c38-9051-b9b67062e38f"},"processed":{"large":{"format":"jpeg","location":"aa\/aa19\/C_59_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":760}]},"modified":1742581281084,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa19\/mid_C_59_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":500},{"dimension":"width","units":"pixels","value":500}]},"modified":1742581281084,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa19\/C_59_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":760}]},"modified":1742581281084,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa19\/preview_C_59_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":250},{"dimension":"width","units":"pixels","value":250}]},"modified":1742581281084,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}},{"@link":{"type":"reference"},"admin":{"id":"media-2187790741","source":"portfolio","uid":"portfolio-media-2187790741","uuid":"1b39445b-e2a3-3687-a753-bc66104813e6"},"processed":{"large":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/504\/680\/large_C_59_1927_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":1171},{"dimension":"width","units":"pixels","value":1024}]},"modified":1529369920000,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/504\/680\/mid_C_59_1927_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":572},{"dimension":"width","units":"pixels","value":500}]},"modified":1529369920000,"resizable":true,"type":"image"},"original":{"location":"C.59-1927_mas.tif","modified":1529369920000,"processed":true,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/504\/680\/preview_C_59_1927_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":286},{"dimension":"width","units":"pixels","value":250}]},"modified":1529369920000,"resizable":true,"type":"image"},"zoom":{"format":"pyramid tiff","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/504\/680\/C_59_1927_mas.ptif","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":6677},{"dimension":"width","units":"pixels","value":5837}]},"modified":1529369920000,"resizable":true,"type":"image"}},"sort":"1","source":{"title":[{"primary":true,"type":"main title","value":"Maiolica dish with the Judgement of Paris, after Marcantonio Raimondi"}]},"type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}}],"note":[{"type":"history note","value":"Possibly Charles Jarvis (?1675-1739); his sale, London, 11-20 March 1739 (OS),A catalogue of the most valuable collection of pictures . . . late of . . . Esq., deceased,  lot 555. Probably Princess Amelia;  possibly Thomas 2nd Vicount Hampden; Viscountess Hampden (d. 1833); sold Christie, Manson, and Christie, 16 and 18 April 1834, A catalogue of the valuable assemblage of Italian Bronzes, magnificent French Furniture, of boule and marqueterie; and rare Oriental and other porcelain . . . , p. 12, lot 68; Lord Eldon, Scotland ?; Richard Ford (1706-1858), Heavitree, near Exeter, before 1850; Captain Ford; Christie's, 31 July 1919, Catalogue of porcelain, objects of art and tapestry from various sources, lot 43; purchased for \u00a3399 by Durlacher  Bros. on behalf of F. Leverton Harris (1864-1926)"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. probably, p. 12, lot 68, one of four pieces of maiolica said to have been purchased at the 'Sale of the Effects of the Princess Amelia, Sister to George III, and described as 'A DITTO WITH THE JUDGMENT OF PARIS, very richly coloured, with the arms of a cardinal on the back, 18 inches in diameter'. However, the Princess Amelia sale held by Chrisite's on 15-18 February 1787 did not mention maiolica.","page":"12","type":"reference"},"admin":{"id":"publication-7219","uid":"adlib-publication-7219","uuid":"78a1122c-ce1a-37d8-9a0e-3d6513945490"},"summary_title":"A catalogue of the valuable assemblage of Italian bronzes, mangificent French furniture, of boule and marqueterie; and rare Oriental and other porcelain; the property of the Viscountess Hampden, deceased"},{"@link":{"notes":"Publ. Mentioned as being in the collection of Richard Ford (1796-1858), at Heavitree, near Exeter.","page":"24","type":"reference"},"admin":{"id":"publication-3023","uid":"adlib-publication-3023","uuid":"35a96726-6a45-3b31-8fd4-28a7aec22e5a"},"summary_title":"Collections towards a History of Pottery and Porcelain in the 15th, 16th, 17th and 18th Centuries"},{"@link":{"notes":"Publ. Mentioned","page":"83","type":"reference"},"admin":{"id":"publication-3024","uid":"adlib-publication-3024","uuid":"824e1975-893e-3573-8d2b-d1f5a24a3a06"},"summary_title":"A History of Pottery and Porcelain Medieval and Modern"},{"@link":{"notes":"Publ. See text p. 323 where attributed to Orazio Fontana, and pl. on p. 322.","page":"322-3","type":"reference"},"admin":{"id":"publication-200000978","uid":"adlib-publication-200000978","uuid":"81c5d92f-f206-326e-8ca3-2a3610a2d94d"},"summary_title":"Italian Maiolica in the Collection of the Right Hon. F. Leverton Harris, II"},{"@link":{"notes":"Publ. Mentioned on p. 9 and illustrated pls. XIIID and XVI, top shelf on extreme left.","page":"9","type":"reference"},"admin":{"id":"publication-1569","uid":"adlib-publication-1569","uuid":"4825b83f-3a92-3c6d-b58b-2686ea0509e0"},"summary_title":"The Leverton Harris Collection"},{"@link":{"notes":"Publ. Illustrated in colour, p. 72, fig. 1.","page":"72","type":"reference"},"admin":{"id":"publication-200000979","uid":"adlib-publication-200000979","uuid":"91511d08-b85d-306a-9662-81a0f76fa57b"},"summary_title":"Art on the Table"},{"@link":{"notes":"Publ. pp. 360-4, no. 403. Colour plate 44. For a full description of the dish, the sources of its design, its ownership, and comparable dishes.","page":"360-4","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. Illustrated","page":"24-5","type":"reference"},"admin":{"id":"publication-3399","uid":"adlib-publication-3399","uuid":"6251bbed-f1b7-3ff5-8c49-f4d51b763bda"},"summary_title":"The Lady"},{"@link":{"notes":"Publ. Reproduced p. 16, no. 1","page":"16","type":"reference"},"admin":{"id":"publication-200000980","uid":"adlib-publication-200000980","uuid":"03f217c5-da72-3f6f-851d-6efd1d546724"},"summary_title":"Un secolo di recerche e donazioni\/One century of Bequests and Acquisitions"},{"@link":{"notes":"Publ. p. 42, partially illustrated in article advertising the Fitzwilliam's maiolica exhibition of 1995","page":"42","type":"reference"},"admin":{"id":"publication-200002224","uid":"adlib-publication-200002224","uuid":"ad924f7e-133c-3af2-8d5d-3c5d891d1d38"},"summary_title":"Potted History"},{"@link":{"notes":"Publ. pp. 72-3, no. 31","page":"72-3","type":"reference"},"admin":{"id":"publication-3378","uid":"adlib-publication-3378","uuid":"e4a41d6d-c98c-3959-bcb4-041c12eeb88c"},"summary_title":"Fitzwilliam Museum Handbooks, Italian Maiolica"},{"@link":{"notes":"Publ. p. 21, illustrated, no. 24","page":"p. 21","type":"reference"},"admin":{"id":"publication-2065","uid":"adlib-publication-2065","uuid":"4a4b1b7c-93ad-3461-88c3-bdab831e3a14"},"summary_title":"The Fitzwilliam Museum, Annual Report 1997"},{"@link":{"notes":"Publ. p. 21, no. 24","page":"71","type":"reference"},"admin":{"id":"publication-1225","uid":"adlib-publication-1225","uuid":"c17787bc-ef30-308b-acbc-741e14c18062"},"summary_title":"The Fitzwilliam Museum 1848-1998, One Hundred and Fifty Years of Collecting"},{"@link":{"notes":"Publ. p. 23, with the printed source","page":"23","type":"reference"},"admin":{"id":"publication-3398","uid":"adlib-publication-3398","uuid":"ee298b4c-70ed-3cee-bbfc-d32855560ce8"},"summary_title":"Painted Clay, Graphic Arts and the Ceramic Surface"},{"@link":{"notes":"Publ. p. 101, fig. 2.44, in colour","page":"101","type":"reference"},"admin":{"id":"publication-6368","uid":"adlib-publication-6368","uuid":"9c344200-cd9c-3b07-ac5e-06c969ee810c"},"summary_title":"I Turned It Into a Palace, Sydney Cockerell and the Fitzwilliam Museum"},{"@link":{"notes":"Ref. The print by Marcantonio Raimondi which was the source of the design, no. 245-I, or no. 246, a copy by Marco Dente","page":"242-3","type":"reference"},"admin":{"id":"publication-3026","uid":"adlib-publication-3026","uuid":"c72f1337-312c-3770-8d7d-6b27ff0e0915"},"summary_title":"The Illustrated Bartsch: The Works of Marcantonio Raimondi and of his School, vols 26-27"},{"@link":{"notes":"Ref. The most readily accessible source for the life of Tiberio Crispi (1497-1566)","page":"801-3","type":"reference"},"admin":{"id":"publication-7016","uid":"adlib-publication-7016","uuid":"71e04e2e-09e1-303e-be93-66693f3f6942"},"summary_title":"Dizionario biografico degli Italiani"},{"@link":{"notes":"Ref. For biography and arms of Cardinal Tiberio Crispi, see p. 407, no. 60, p. 409 (wrongly numbered 449), fig. 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vase"}}],"note":[{"type":"history note","value":"Dr Alfred Pringsheim; Sotheby's, 7 June 1939, Catalogue of the renowned collection of Italian majolica, the property of Dr Alfred Pringsheim of Munich (1850-1941), lot 22."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"type":"reference"},"admin":{"id":"publication-3212","uid":"adlib-publication-3212","uuid":"2bf1a591-0772-386f-801d-cca8104b5d43"},"summary_title":"Die Majolikasammlung Alfred Pringsheim in M\u00fcnchen, I"},{"@link":{"type":"reference"},"admin":{"id":"publication-3210","uid":"adlib-publication-3210","uuid":"eaaf753e-ee13-36ac-9da2-fe5a45660bbb"},"summary_title":"Catalogue of the renowned collection of Italian majolica, the property of Dr Alfred Pringsheim of Munich"},{"@link":{"notes":"Publ. 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Painted in blue, green, yellow, orange, stone, brown, manganese-purple, black, and white. Shape 56 (Poole 1995). circular with broad, almost flat rim, and deep well; the underside of the rim moulded with three bands of reeding.In the well, within narrow blue and yellow concentric circles, two putti support a shield charged with the arms of Gonzaga impaling Este: argent, a cross patty gules cantoned by four eagles displayed sable (Gonzaga modern granted 1433), an escutcheon overall, quarterly, 1, 4, gules a lion rampant argent (Bohemia), 2, 3, barry of six or and sable (Gonzaga ancient) impaling Este, quarterly, 1, 4, azure three fleurs-de-lis or a bordure indented gules, 2, 3, azure an eagle displayed argent (gules shown orange throughout). Below on a scroll is the impresa `XXVII'. The sides are decorated in bianco sopra bianco with palmettes and scrolls, and a blue line encircles the shoulder. The rim is decorated with Peleus and Thetis. Peleus stands beneath a tree, gazing at Thetis, who sleeps nude on the ground in front of him. Further to the right she is transformed into a swan-like bird as he embraces her, and then into a dragon from which he turns away in horror. Higher up on the right, a goddess appears to Peleus who kneels before an altar. In the distance there is a mountainous landscape and sky. Suspended from the tree there is a shield of testa di cavallo form charged with the impresa of gold rods in a crucible surrounded by flames in a blue ground. The edge is yellow. On the back there is a narrow yellow band round the base and a wider band on the edge."}],"exhibitions":[{"@link":{"catalogue":"No. 136","type":"reference"},"admin":{"id":"exhibition-1607","uid":"adlib-exhibition-1607","uuid":"067f0641-1c25-3855-871f-ee848d69bdc9"},"summary_title":"Splendours of the Gonzaga"},{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"},{"@link":{"catalogue":"211","type":"reference"},"admin":{"id":"exhibition-2376","uid":"adlib-exhibition-2376","uuid":"3e2208a0-ad25-3b64-b03f-cb63aa00fd02"},"summary_title":"Treasured Possessions from the Renaissance to the Enlightenment"},{"@link":{"type":"reference"},"admin":{"id":"exhibition-3944","uid":"adlib-exhibition-3944","uuid":"efb64902-4239-3ac6-accf-83ab547bb095"},"summary_title":"National Treasures: Botticelli in Cambridge"}],"identifier":[{"accession_number":"EC.30-1938","primary":true,"type":"accession number","value":"EC.30-1938"},{"priref":"47188","type":"priref","value":"47188"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/47188","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/47188"}],"inscription":[{"description":[{"value":"Rectangular with cut corners, printed in black `UNION\/CENTRALE' and inscribed in faded black ink with `155\/3657' between the two words"}],"location":"on the back","method":"printed in black and inscribed in faded black ink","transcription":[{"value":"'UNION\/1555\/3657\/CENTRALE'"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Purchased with the Glaisher fund"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-150858","uid":"adlib-agent-150858","uuid":"d36d1847-4d6a-33eb-974b-f4b061db49f9"},"summary_title":"Sotheby's"}],"date":[{"earliest":1938,"latest":1938,"value":"1938-06-16"}],"method":{"value":"bought"},"note":[{"value":"accession date was given as the date of the sale, not of the Syndicate"}]}],"creation":[{"date":[{"earliest":1524,"from":{"earliest":1524,"era":["CE"],"latest":1524,"precision":"circa","value":"1524"},"latest":1525,"range":true,"to":{"earliest":1525,"era":["CE"],"latest":1525,"value":"1525"}}],"maker":[{"@link":{"role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-99016","uid":"adlib-agent-99016","uuid":"d1d63237-ac23-350a-897d-50f3369e87e8"},"summary_title":"Nicola di Gabriele Sbraghe da Urbino"}],"note":[{"value":"The potter, Nicola di Gabriele Sbraghe, known as Nicola da Urbino, was a workshop owner in Urbino from at least 1520 until his death at the end of 1537 or in January 1538. He was also a brilliant maiolica painter, whose work has been identified by comparison with five pieces of istoriato maiolica monogrammed or signed by him. Nicola painted in an exquisitely delicate manner, and was unusually imaginative in his adaptation of printed sources and in the creation of architectural and landscape backgrounds. His output of the 1520s, which includes several armorial services, is regarded as the acme of maiolica decoration."},{"value":"This exquisite dish formed part of a service which belonged to Isabella d'Este (1474-1539), widow of Francesco Gonzaga, fourth Marchese of Mantua (1466-1519).  It was made between 1522 and 1525, and may have been the service given to Isabella probably in November 1524 by her daughter, Eleanora, Duchess of Urbino, who thought that she might like to use it in her villa at Porto near Mantua. Twenty-two dishes and one fragmentary dish are known, two decorated with biblical scenes and the rest with subjects from classical mythology or history. Each dish also bears the arms of Gonzaga impaling Este, and one or more of Isabella's imprese (a device or emblem) or her initials YS intertwined. On this dish the arms are surrounded by bianco sopra bianco decoration, and the rim is decorated with the story of Peleus and Thetis from Ovid's Metamorphoses, Book XI. Having found the sea goddess Thetis asleep on the shore, Peleus entreated her to make love, but she refused and escaped by transforming herself into different forms. After praying to the sea god Proteus for advice, Peleus successfully overcame the goddess's scruples and she conceived the ill-fated hero, Achilles. Nicola based the figures on a woodcut illustration in Giovanni dei Bonsignori's Ovidio methamorphoseos vulgare, Venice (Giovanni Rosso da Vercelli for Lucantonio Giunta), 1497 or a later edition. Two imprese are shown: `XXVII' sounding like vinti s\u00e8te, (you are defeated), and gold bars in a crucible, which Isabella's husband adopted in 1495 to signify his integrity after successfully withstanding an accusation of 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Mentioned and illustrated p. 256, fig. VIII","page":"256","type":"reference"},"admin":{"id":"publication-200000981","uid":"adlib-publication-200000981","uuid":"d52556bc-fa74-31cc-b6dd-a883bfdb7474"},"summary_title":"The Damiron Collection of Italian Maiolica II"},{"@link":{"notes":"Publ. Mentioned on p. 92, and illustrated pl. XXII. Other dishes from the services are listed.","page":"92","type":"reference"},"admin":{"id":"publication-200000982","uid":"adlib-publication-200000982","uuid":"7a02b5b1-63e9-39d9-af7c-eb3225aa4293"},"summary_title":"Ancora nuovi piatti del servizio d'Isabella d'Este-Gonzaga"},{"@link":{"notes":"Publ. Vol. II, p. 16, fig. 120, and see vol. I, p. 30","page":"16","type":"reference"},"admin":{"id":"publication-3029","uid":"adlib-publication-3029","uuid":"80945d1b-c823-332c-b5d2-29f0090b906e"},"summary_title":"R\u00e9pertoire de la majolique italienne"},{"@link":{"notes":"Publ. 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This thesis provides details of the other known pieces, except for a then undiscovered fragmentary dish.","page":"67-8","type":"reference"},"admin":{"id":"publication-3034","uid":"adlib-publication-3034","uuid":"6df14384-a05b-3962-8d7d-12035f415ebf"},"summary_title":"A Maiolica Service for Isabella d'Este"},{"@link":{"notes":"Publ. No. 136.","page":"177-8","type":"reference"},"admin":{"id":"publication-1570","uid":"adlib-publication-1570","uuid":"587a2fe6-cae3-3832-a62b-2a2a1a3714e5"},"summary_title":"Splendours of the Gonzaga"},{"@link":{"notes":"Publ. Illustrated no. 67.3. Cf. p. 160 under no. 116 where other dishes from the service are listed","page":"247","type":"reference"},"admin":{"id":"publication-200000984","uid":"adlib-publication-200000984","uuid":"66e91566-e73d-3cc0-83a5-b0e3ce3bcb1c"},"summary_title":"Xanto and Ariosto"},{"@link":{"notes":"Publ. Illustrated, fig. 2","page":"72","type":"reference"},"admin":{"id":"publication-200000979","uid":"adlib-publication-200000979","uuid":"91511d08-b85d-306a-9662-81a0f76fa57b"},"summary_title":"Art on the Table"},{"@link":{"notes":"Publ. Illustrated in colour","page":"16","type":"reference"},"admin":{"id":"publication-200000985","uid":"adlib-publication-200000985","uuid":"ffddfa11-9999-3fac-afa7-83e016eaf9d9"},"summary_title":"Le maioliche italiane del Fitzwilliam in mostra"},{"@link":{"notes":"Publ. Illustrated fig. 1.","page":"14","type":"reference"},"admin":{"id":"publication-200000986","uid":"adlib-publication-200000986","uuid":"d741d506-4041-3c33-993e-041dbf2a711d"},"summary_title":"Ceramiche italiane a Cambridge\/Italian Pottery in Cambridge"},{"@link":{"notes":"Publ. p. 46, partially illustrated in article advertising the Fitzwilliam's maiolica exhibition of 1995","page":"46","type":"reference"},"admin":{"id":"publication-200002224","uid":"adlib-publication-200002224","uuid":"ad924f7e-133c-3af2-8d5d-3c5d891d1d38"},"summary_title":"Potted History"},{"@link":{"notes":"Publ. No. 376 for a full description of the dish, its design, coat of arms and imprese, and references to  publications on the other dishes in the service.","page":"304-7","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. pp. 58-9, no. 24","page":"58-9","type":"reference"},"admin":{"id":"publication-3378","uid":"adlib-publication-3378","uuid":"e4a41d6d-c98c-3959-bcb4-041c12eeb88c"},"summary_title":"Fitzwilliam Museum Handbooks, Italian Maiolica"},{"@link":{"notes":"Publ.","page":"135","type":"reference"},"admin":{"id":"publication-382","uid":"adlib-publication-382","uuid":"ee5148de-e3eb-3d38-88db-9a331edf70b6"},"summary_title":"Treasures of the Fitzwilliam Museum"},{"@link":{"notes":"Publ. p. 28 short text with colour illustration","page":"28","type":"reference"},"admin":{"id":"publication-200001843","uid":"adlib-publication-200001843","uuid":"4fa33587-103a-3608-9de5-1afa6891542b"},"summary_title":"Earth and Fire"},{"@link":{"type":"reference"},"admin":{"id":"publication-7751","uid":"adlib-publication-7751","uuid":"cfa79c6e-ae29-31e3-85fa-3a838db1be3c"},"summary_title":"Treasured Possessions from the Renaissance to the Enlightenment"},{"@link":{"notes":"Ref. For the myth of Peleus and Thetis, see Book XI, lines 217-65.","page":"134-9","type":"reference"},"admin":{"id":"publication-3032","uid":"adlib-publication-3032","uuid":"424dff59-c2f4-34e7-b563-5ecaa3f39497"},"summary_title":"Ovid in Six Volumes IV Metamorphoses with an English translation by Frank Justus Miller, II, Books IX-XV"},{"@link":{"type":"reference"},"admin":{"id":"publication-3033","uid":"adlib-publication-3033","uuid":"dc9c073e-004e-3afd-a79a-6958c5c6642b"},"summary_title":"Ovidio methamorphoseos vulgare"},{"@link":{"notes":"Ref. For Isabella d'Este's imprese, and citations of earlier literature.","page":"65-6","type":"reference"},"admin":{"id":"publication-200000987","uid":"adlib-publication-200000987","uuid":"3fec68e9-fd46-3068-bf23-7a791ff224ce"},"summary_title":"The Gonzaga Devices"},{"@link":{"notes":"Ref. For documentary evidence for the identification of Nicola da Urbino as Nicola di Gabriele Sbraghe","page":"13-20","type":"reference"},"admin":{"id":"publication-200000988","uid":"adlib-publication-200000988","uuid":"e96beca4-b04a-3029-acbb-38b39618029c"},"summary_title":"Nicol\u00f2 Pellipario: ceramista fantasma"},{"@link":{"notes":"Cf. pp. 24-26, lot 50, a plate with central arms musical notes below, Atalanta's race against Hippomenes, NEC SPE\/NEC METV, lottery tickets on shield, and XXV\/II on pedestal on extreme right, d. 27.5 cm. Estimate: \u00a390,000-130,000\/E 100,000-150,000","page":"24-26","type":"reference"},"admin":{"id":"publication-6806","uid":"adlib-publication-6806","uuid":"d7c91d4c-4d81-3a56-a39d-2187de2eac4c"},"summary_title":"500 Ans  Arts D\u00e9coratifs Europ\u00e9ens"},{"@link":{"notes":"Cf. p. 124, colour pl., an example in the Victoria & Albert Museum, a broad-rimmed bowl with Hippolytus and Phaedra with arms and devices of Isabella d\u2019Este,  XX\/VII, NEC SPE NEC METU and musical notes. By Nicola da Urbino. D. 27.2 cm. (V. & A. inv. no. C.2229-1910).","page":"124","type":"reference"},"admin":{"id":"publication-7526","uid":"adlib-publication-7526","uuid":"ceb92dd4-7854-3192-82d7-ddfa5f0f3dd4"},"summary_title":"Italian Renaissance Maiolica"},{"@link":{"notes":"Cf. pp. 82-7,inv. no. 470-D3, a shallow plate from the same service decorated with Jupiter and Semele and the imprese, NEC SPE NEC METU and XXVII. See p. 84 for a list of all the 23 plates by shape, size and title, and the one recorded ewer","page":"82-7","type":"reference"},"admin":{"id":"publication-8435","uid":"adlib-publication-8435","uuid":"6bb1d864-ca6a-3640-a048-6288582518f7"},"summary_title":"Italian Maiolica in the Collection of the National Gallery of Victoria"},{"@link":{"notes":"Publ. in Sannipoli, Ettore A.,  'Note sugli storiati \"a due orizzonti\", pp. 205-30, on p. 217, fig. 37, as an example of a design in which the deep well of the dish is occupied by a coat-of-arms.","page":"217","type":"reference"},"admin":{"id":"publication-8899","uid":"adlib-publication-8899","uuid":"7dafeb30-f997-369f-b2f1-e01a67ce47a9"},"summary_title":"La maiolica italiana del Rinascimento, Studi e ricerche"},{"@link":{"notes":"Cf. pp. 180-3, no 78, part of a plate with the 'Fall of Phaeton'. On pp. 181-2, the author lists the other known pieces from the service, in which the Fitzwilliam's dish is no. 3 of the 23 known.","page":"180-3","type":"reference"},"admin":{"id":"publication-8571","uid":"adlib-publication-8571","uuid":"1c526257-c1d6-33b1-a279-b3248fce0bcc"},"summary_title":"The Golden Age of Maiolica-Painting. Catalogue of a Private Collection"},{"@link":{"notes":"Cf. pp. 74-6, no. 37, a plate with Hippomenes and Atalanta, surrounding the arms of Gonzaga impaling Este, and the mottoes and devices: NEC SPE NEC METU, XXVII, a bundle of lottery tickets, and a band of musical notation.","page":"74-6","type":"reference"},"admin":{"id":"publication-8915","uid":"adlib-publication-8915","uuid":"53de1acc-24ac-39fd-8418-d4ffc3f13e3b"},"summary_title":"Tin-glaze and Image Culture: the MAK Maiolica Collection in its Wider Context"},{"@link":{"notes":"Ref. p. 187, no. 241 a large dish decorated with the martyrdom of St Cecilia, and signed NICOLO in monogram above 'Ihistoria de sancta Cicilia la qualle e fata in botega de guido da castello durante\/In Urbino1528..","page":"187","type":"reference"},"admin":{"id":"publication-8977","uid":"adlib-publication-8977","uuid":"9396b466-54b6-378f-93a2-987508bde686"},"summary_title":"Maiolica and Ceramics in the National Museum of the Bargello"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"subjects":[{"@link":{"type":"reference"},"admin":{"id":"term-125761","uid":"adlib-term-125761","uuid":"bce2de03-432e-3676-bb62-4a5042d2c1d3"},"summary_title":"dining"},{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-110720","uid":"adlib-term-110720","uuid":"a3c10876-e889-3e8d-a458-73e817c04520"},"summary_title":"coat-of-arms"},{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-103604","uid":"adlib-term-103604","uuid":"257ec14c-a4ba-357a-9e8d-7f14d7201851"},"summary_title":"impresa"},{"@link":{"relation":"named event","type":"reference"},"admin":{"id":"term-110721","uid":"adlib-term-110721","uuid":"f0f47e45-6e74-3a04-b1ef-baefeff1abd8"},"summary_title":"Peleus and Thetis"},{"@link":{"type":"literal"},"name":[{"value":"coat-of-arms"}],"summary_title":"coat-of-arms"},{"@link":{"type":"literal"},"name":[{"value":"impresa"}],"summary_title":"impresa"},{"@link":{"type":"literal"},"name":[{"value":"Peleus and Thetis"}],"summary_title":"Peleus and Thetis"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}},"summary_title":"dish","techniques":[{"description":[{"value":"earthenware, tin-glazed overall; the reverse pale beige and speckled. 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Leverton Harris"}],"component":[{"materials":[{"note":[{"value":"metallic oxide colours"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108364","uid":"adlib-term-108364","uuid":"115b8729-a560-35c1-b654-4b9d2fc5f68b"},"summary_title":"high-temperature colours"}}],"name":"Decoration","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}]},{"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"40.4"}]},"name":"Rim"}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-109546","uid":"adlib-term-109546","uuid":"b51de94f-8382-3b95-905a-0ff3f4165fc8"},"summary_title":"Roman history"}]},"department":{"value":"Applied Arts"},"description":[{"value":"tin-glazed painted in polychrome with Caesar's Horse from a Triumph of Caesar."},{"value":"Buff earthenware, tin-glazed overall; on the reverse the glaze is off-white and has crawled in several places. Painted in dark blue, light blue, green, yellow, orange, and brownish-red. Shape approximately 67 but shallower. Circular with shallow, concave sides, which have warped in firing, standing on a solid base. Caesar's Horse, from a Triumph of Caesar. On the left are two nude musicians, with bells round their ankles, holding aloft, and blowing, double pipes. Behind them is a hound with bells on its collar, and a harness round its belly. Caesar's horse follows, its right foreleg raised; its harness and blanket with lettered border are bedecked with bells, and it has a unicorn's horn attached to its forehead. A youth holding a branch with a globe on its tip is mounted on its back and a monkey sits behind him. In the foreground there is a stony track and grass, and an 'H'. The background is dark blue and the rim yellow. The back is dated in the middle in blue, '1514' over the alchemical sign for tin, within three narrow concentric circles. Beyond the base there are three narrow, one broad and three narrow concentric circles, repeated nearer to the rim. A yellow band encircles the edge."}],"exhibitions":[{"@link":{"catalogue":"229","type":"reference"},"admin":{"id":"exhibition-1610","uid":"adlib-exhibition-1610","uuid":"ce06b5fd-cb8c-31a1-8be4-bebc8b56e19d"},"summary_title":"Specimens of Hispano-Moresque and Majolica Pottery exhibited in 1887"},{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"}],"identifier":[{"accession_number":"C.86-1927","primary":true,"type":"accession number","value":"C.86-1927"},{"priref":"47191","type":"priref","value":"47191"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/47191","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/47191"}],"inscription":[{"location":"on the back","method":"painted","transcription":[{"value":"1514 over a 2 with a vertical stroke through the horizontal line"}],"type":"inscription"},{"description":[{"value":"rectangular paper label with scarlet edge, printed 26 in scarlet"}],"location":"on the back","method":"printed in scarlet","transcription":[{"value":"26"}],"type":"label"},{"description":[{"value":"scrap of paper label printed 22 in black"}],"location":"on the back","method":"printed in black","transcription":[{"value":"22"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"F. Leverton Harris Bequest, 1926"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-151483","uid":"adlib-agent-151483","uuid":"26fbb332-a159-3961-80ad-ff1bd1a618c2"},"summary_title":"Harris, Frederick Leverton"}],"date":[{"earliest":1927,"latest":1927,"value":"1927"}],"method":{"value":"bequeathed"},"note":[{"value":"Entry date: 1927"}]}],"creation":[{"date":[{"earliest":1514,"era":["CE"],"latest":1514,"note":[{"value":"Dated on reverse; see inscription"}],"precision":"dated","value":"1514"}],"maker":[{"@link":{"qualifier":"attributed to","role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-159070","uid":"adlib-agent-159070","uuid":"eaf73665-d237-3472-ba41-3d20d11430ef"},"summary_title":"Jacopo di Stefano Schiavone"},{"@link":{"qualifier":"possibly","role":[{"value":"pottery"}],"type":"reference"},"admin":{"id":"agent-159102","uid":"adlib-agent-159102","uuid":"eb63d021-f963-35f4-aae7-31c18b9036af"},"summary_title":"Unidentified"}],"note":[{"value":"Probably made in the workshop in Cafaggiolo founded in 1498 by Piero and Stefano di Filippo di Dimitri Schiavone from Montelupo. The dish has been attributed to Jacopo on the grounds of similarities to a dish decorated with an equestrian Judith with the Head of Holofernes, signed 'Japo in chaffagguolo' which is in the Victoria and Albert Museum. Jacopo di Stefano di Filippo died in 1576, and questions have been raised as to whether he and the painter of the dishes was the same man. It is also possible that the dish was made in Montelupo."},{"value":"The source for this scene was one of a set of twelve large woodcuts forming a Triumph of Caesar by Jacob Argentoratensis (Jacob of Strasbourg) to designs by Benedetto Bordon, published in Venice in 1504. The Triumph follows Appian's account of Scipio's entry into Rome at the end of the Second Punic War but details relating to Caesar were incorporated. His horse, for example, was based on Suetonius' description of it as having 'feet that were almost human; for its hoofs were cloven in such a way as to look like toes'. The maiolica painter followed the woodcut closely, including this feature, but omitted the small nude boy behind the horse. Each section of the Triumph is labelled with a letter from A to L, hence the 'H' below the scene. The next section, labelled 'I', occurs on a dish in the Victoria and Albert Museum, also dated 1514, but in Roman numerals. Prints of scenes from the 'Passion of Christ' by Jacob of Strasbourg were also used as sources of designs by maiolica painters, for example. a large dish decorated with the Flagellation  within a border of grotesques in the Hermitage, St Petersburg."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106256","uid":"adlib-term-106256","uuid":"1bd8ad44-09c2-3c55-825a-635e463bb56b"},"summary_title":"16th Century, Early"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110780","uid":"adlib-term-110780","uuid":"17d4199b-8038-380b-b5df-ce198a1dc5db"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"}]],"summary_title":"Cafaggiolo"},{"@link":{"type":"reference"},"admin":{"id":"term-113219","uid":"adlib-term-113219","uuid":"166f4ea1-bd03-3f2e-bc7c-ce2145959ec5"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"}]],"summary_title":"Montelupo"}]}]},"materials":[{"note":[{"value":"buff"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"5.2"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-17667","uid":"adlib-media-17667","uuid":"45bcb9d2-eb25-3571-9bc7-7537bb58abd2"},"processed":{"large":{"format":"jpeg","location":"aa\/aa19\/C_86_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":757},{"dimension":"width","units":"pixels","value":760}]},"modified":1742581231393,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa19\/mid_C_86_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":498},{"dimension":"width","units":"pixels","value":500}]},"modified":1742581231393,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa19\/C_86_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":757},{"dimension":"width","units":"pixels","value":760}]},"modified":1742581231393,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa19\/preview_C_86_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":249},{"dimension":"width","units":"pixels","value":250}]},"modified":1742581231393,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"},"type":"object name"},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"},"type":"category"}],"note":[{"type":"history note","value":"Auguste Ricard de Montferrande; sold Christie's, 14-16 November 1859, Catalogue of the very extensive and valuable collection of majolica ware, the property of that well-known amateur, Monsieur Auguste Ricard de Montferrand of St Petersburgh . . .; p. 18, lot 283 (\u00a393.9); Alexander Barker; Sir Francis Cook, Bt.;Wyndham F. Cook; Humphrey Wyndham Cook; sold Christie's, 7 July 1925, Catalogue of an important collection of objects of art of the Middle Ages and Renaissance, the property of Humphrey W. Cook, Esq., and removed from 8 Cadogan Square, S.W., being a portion of the celebrated collection formed by the late Sir Francis Cook, Bart., p. 9, lot 21; The Right  Hon. F. Leverton Harris."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. 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