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He served in an administrative capacity and was awarded the Croix de Guerre with bronze star for his services. After the War he became a director of Horn Trust and Investments and Kuala Selanger Rubber Co. Ltd., and settled in England at Stoke Charity, where he had spent many of his younger years at Old Stoke. During the Second World War he acted as Chuchwarden for St Mary and St Michael, Stoke Charity, and later contributed to the restoration of the church. He became an art collector, and also built up an extensive collection of cigarette cards. He died at Stoke Charity on 18 August 1953. \nInformation from biography by Chas Schaedel, History Group South Australian Aviation Museum, see https:\/\/www.saam.org.au\/aviatorprofiles.html"}],"type":"reference"},"admin":{"id":"agent-207524","uid":"adlib-agent-207524","uuid":"08f9ec74-320f-3c60-aad1-c985ed27cc46"},"summary_title":"Horn, Marmaduke Langdale (1889-1953)"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-160362","uid":"adlib-agent-160362","uuid":"44ce5876-ae4f-3a12-adf7-bda70173856e"},"summary_title":"Ulysses"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-160360","uid":"adlib-agent-160360","uuid":"f08ddf1e-3622-3c74-adf8-61c8a09dfc58"},"summary_title":"Circe"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108348","uid":"adlib-term-108348","uuid":"667e7a19-db33-3d85-bd9b-c2dafd8e02ff"},"summary_title":"tin-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"}],"component":[{"materials":[{"note":[{"value":"blue, turquoise-green, yellowish-green, yellow, orange, beige, brown, manganese, black, and white"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108364","uid":"adlib-term-108364","uuid":"115b8729-a560-35c1-b654-4b9d2fc5f68b"},"summary_title":"high-temperature colours"}}],"name":"Decoration","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}]}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-1111","uid":"adlib-term-1111","uuid":"46c949dd-f376-3538-878f-397baee5be09"},"summary_title":"mythology"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Maiolica bowl with broad rim, painted in polychrome with Ulysses commanding Circe to restore his Companions to their Rightful Forms."},{"value":"Buff earthenware, tin-glazed overall; the reverse pale beige and tinged with green. Painted in blue, turquoise-green, yellowish-green, yellow, orange, beige, brown, manganese, black, and white. Shape 58. Circular with a wide, slightly sloping rim and small, deep well.\nUlysses commanding Circe to restore his Companions to their Rightful Forms. Ulysses stands on the left, his head turned towards Circe, and his left arm pointing to one of his companions with a swine's hind limbs and head, who reclines in the foreground. In the middle, two of his men with swine's hind legs bear vessels to Circe; the one on the left has a covered dish and the other a ewer and basin. Behind them is a doorway with the date `1532' inscribed in a panel above it. On the right, Circe sits on a throne, holding a sceptre or wand in her right hand. Above her, imposed on a draped curtain is a shield charged with the arms of Pucci of Florence: argent, a moor's head proper wearing a headband argent charged with three hammers sable, with behind, a papal ombrellino. The edge is yellow. The back is inscribed in the middle in dark blue: `.1532.\/Vlisse chiede a Circe\/i suoi compagni\/Nel .XIIII. Li d  Ouidio Met:\/.fra: Xanto.A.\/da Rovi...i \/ Urbi . . .' (Ulysses asks Circe for his companions In the 14th Book of Ovid's Metamorphoses:.francesco Xanto.Avelli of Rovigo in Urbino)."}],"exhibitions":[{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"}],"identifier":[{"accession_number":"C.11-1953","primary":true,"type":"accession number","value":"C.11-1953"},{"priref":"71355","type":"priref","value":"71355"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71355","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71355"}],"inscription":[{"location":"on the back","method":"incised","transcription":[{"value":"'af' and '83'"}],"type":"mark"},{"location":"in the middle of the back","method":"painted in","transcription":[{"value":"1532.\/Vlisse chiede a Circe\/i suoi compagni\/Nel .XIIII. Li d  Ouidio Met:\/.fra: Xanto.A.\/da Rovi...i \/ Urbi . . .'"}],"type":"inscription"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"M.L. 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The two servants were adapted and transposed from the servants at the banquet given in Aeneas' honour by Dido, in the lowest right panel of the 'Quos Ego' engraved by Marcantonio Raimondi. The man with a swine's head in the foreground was probably derived from a figure in the 'Battle of the Romans and Carthaginians' engraved by Marco Dente after Raphael or Giulio Romano."},{"value":"This plate belongs to a service made for a member of the Pucci family of Florence, which comprises a salt,  thirty-four dishes dated 1532, and two dishes dated 1533. The plate is decorated with the story of Ulysses and Circe which is told in Ovid's Metamorphoses, Book XIV, 248-307, the incident portrayed on the dish in lines 293-8.  Circe had transformed Ulysses' companions into swine after giving them poisoned wine at a feast in her palace. Only one, Eurylochus, refrained from drinking and escaped to tell Ulysses. When the latter arrived at the palace he refused the poisoned cup offered by Circe and threatened her with his sword. Then, having made a marriage pact with her, he demanded as a wedding gift that she return his companions to their rightful forms. This subject also occurs on a dish of 1533 in the Louvre, which has the same figures of Ulysses and Circe, but is otherwise rendered differently."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-120009","uid":"adlib-term-120009","uuid":"690a6332-cfc1-3411-a716-4dd4ec7d9a65"},"summary_title":"16th Century, second 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Fr\u00e8res et dont la vente aura lieu \u00e0 Cologne dans la grande salle du casino (Augustinerplatz 7) du mercredi 19 au jerdi 27 octobre 1904, lot 93; Dr Alfred Pringsheim; Sotheby's, 20 July 1939, Catalogue of the renowned collection of Italian majolica, the property of Dr Alfred Pringsheim of Munich, lot 390; Marmaduke Langdale Horn (1890-1953)."}],"objects":[{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-79992","uid":"adlib-object-79992","uuid":"0afccc3e-6f13-3dfe-9750-e7da10ea83f2"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-34935","uid":"adlib-term-34935","uuid":"b6750733-fe79-33fc-b39a-c296fcd223b4"},"summary_title":"plate"}},"summary_title":"plate"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. p. 14, no. 49","page":"p. 14","type":"reference"},"admin":{"id":"publication-3035","uid":"adlib-publication-3035","uuid":"3064cc6f-227c-3011-80f7-1d2bb0eef991"},"summary_title":"Del Museo Pasolini in Faenza, Descrizione"},{"@link":{"type":"reference"},"admin":{"id":"publication-3243","uid":"adlib-publication-3243","uuid":"d5ca76d7-4fe9-38fd-be5a-5ec6c2e12af6"},"summary_title":"Catalogue d'une belle collection de majoliques italiennes des diverses fabriques des XVe, XVIe & XVIIe si\u00e8cles"},{"@link":{"type":"reference"},"admin":{"id":"publication-3211","uid":"adlib-publication-3211","uuid":"fed40c31-3ea0-30bf-83ed-c01c57ecab80"},"summary_title":"Catalogue of the celebrated Fountaine collection of majolika, Henry II ware, Palissy ware, Nevers ware, Limoges enamels, carvings in ivory, hone stone and rock crystal, Greek and Roman coins, ancient armour &c. &c., removed from Narford Hall, Norfolk"},{"@link":{"type":"reference"},"admin":{"id":"publication-3248","uid":"adlib-publication-3248","uuid":"652d18eb-394c-32a9-85e3-3629ddcba65d"},"summary_title":"Collection Bourgeois Fr\u00e8res, Catalogue des objets d'art et e haute curiosit\u00e9 composant la collection Bourgeois Fr\u00e8res et dont la vente aura lieu \u00e0 Cologne dans la grande salle du casino (Augustinerplatz 7) du mercredi 19 au jerdi 27 octobre 1904"},{"@link":{"type":"reference"},"admin":{"id":"publication-3201","uid":"adlib-publication-3201","uuid":"e21a58a9-f96d-3513-b0fd-be8aadf7e292"},"summary_title":"Die Majolikasammlung Alfred Pringsheim in M\u00fcnchen, II"},{"@link":{"notes":"Publ. pp. 105-19, mentioned p. 113","page":"pp. 105-19","type":"reference"},"admin":{"id":"publication-200001097","uid":"adlib-publication-200001097","uuid":"b4478edd-f3c0-302b-ab2f-b38dec094f48"},"summary_title":"Rimpianto (Due collezioni faentine disperse)"},{"@link":{"notes":"Publ. p. 21, no. 50, figs. 47, 251R","page":"p. 21","type":"reference"},"admin":{"id":"publication-3247","uid":"adlib-publication-3247","uuid":"22d81b28-1e7d-397d-8b1a-ca77d4f27d2b"},"summary_title":"Corpus della maiolica italiana, II, Le maioliche datate dal l53l al l535"},{"@link":{"type":"reference"},"admin":{"id":"publication-3210","uid":"adlib-publication-3210","uuid":"eaaf753e-ee13-36ac-9da2-fe5a45660bbb"},"summary_title":"Catalogue of the renowned collection of Italian majolica, the property of Dr Alfred Pringsheim of Munich"},{"@link":{"notes":"Publ. p. 444","page":"p. 444","type":"reference"},"admin":{"id":"publication-200001086","uid":"adlib-publication-200001086","uuid":"508c33f0-935b-3dda-bc6b-02d7f8119b1b"},"summary_title":"The Fountaine collection of maiolica"},{"@link":{"notes":"Publ. p. 267-9, no. 26 and pl. LIIa and b.","page":"26-9","type":"reference"},"admin":{"id":"publication-200001098","uid":"adlib-publication-200001098","uuid":"15fd53b4-8d44-3674-849b-a3a5edc2b2c4"},"summary_title":"Francesco Xanto Avelli's Pucci Service (1532-1533): Part Two"},{"@link":{"notes":"Ref.pp. 32-43 for information about the service","page":"32-43","type":"reference"},"admin":{"id":"publication-200001155","uid":"adlib-publication-200001155","uuid":"7f5c49e5-d61a-3b67-a370-15c67ad64021"},"summary_title":"Francesco Xanto's Pucci Service (1532-1533): Part One"},{"@link":{"notes":"Publ. p. 254, no. 80.13","page":"p. 254","type":"reference"},"admin":{"id":"publication-200000984","uid":"adlib-publication-200000984","uuid":"66e91566-e73d-3cc0-83a5-b0e3ce3bcb1c"},"summary_title":"Xanto and Ariosto"},{"@link":{"notes":"Publ. pp. 338-340, no. 391; for the printed sources see p. 318, fig. 19, p. 313, fig. 17, p. 328, fig. 24, and p. 339, fig. 31","page":"pp. 338-340","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Ref. p. 10-18, for a discussion of whether or not Monogrammist IB can be identified with Georg Pencz. Landau's view is that they are not the same person.","page":"10-18","type":"reference"},"admin":{"id":"publication-1466","uid":"adlib-publication-1466","uuid":"c8db8cda-c826-3edb-912e-3bf5c48be1cc"},"summary_title":"Catalogo completo dell'opera grafica di Georg Pencz"},{"@link":{"type":"reference"},"admin":{"id":"publication-7213","uid":"adlib-publication-7213","uuid":"b9763f84-28b0-37a4-9c6b-acae3494b9b2"},"summary_title":"The Art of the Italian Potter, Maiolica and Porcelain from a Private Collection"},{"@link":{"notes":"Cf. pp. 182-3, no. 57, a large dish from the Pucci service decorated with the Woman of Sestos.","page":"182-3","type":"reference"},"admin":{"id":"publication-8274","uid":"adlib-publication-8274","uuid":"7be4693f-9344-330a-8733-2ca7558ee846"},"summary_title":"Maiolica: Italian Renaissance Ceramics in the Metropolitan Museum of Art"},{"@link":{"notes":"Cf. pp. 188-9, a dish from the Pucci service in the McEwan Collection, Polesden Lacy, Surrey (National Trust). It is 26.1 cm in diameter and is decorated with Bacchus transforming the Thracian Maenads into oak trees, as a punishment for murdering Orpheus. The base is inscribed '1532\/Le Baccanti Coverse i\/verdi frasche.\/Nel XI libro d Ovidio Meth:\/fra. Xanto A.\/da Rovigo I\/Urbino'","page":"188-9","type":"reference"},"admin":{"id":"publication-8407","uid":"adlib-publication-8407","uuid":"c2ab7f09-de03-38d7-b05a-2d9deb284d12"},"summary_title":"Ceramics. 400 Years of British Collecting in 100 Masterpieces"},{"@link":{"notes":"Cf. pp. 242-4, no. 105, and 245, no. 106, two plates from the Pucci Service, both dated 1532, respectively 'Anchises, Ascanius, Aeneas, and Creusa', and 'Aesacus and Hesperia'","page":"242-5","type":"reference"},"admin":{"id":"publication-8571","uid":"adlib-publication-8571","uuid":"1c526257-c1d6-33b1-a279-b3248fce0bcc"},"summary_title":"The Golden Age of Maiolica-Painting. Catalogue of a Private Collection"},{"@link":{"notes":"Ref.  The author discusses Xanto's use of prints after Raphael, and illustrates several dishes and prints","page":"21-35","type":"reference"},"admin":{"id":"publication-200003336","uid":"adlib-publication-200003336","uuid":"b2a62799-cb4f-339b-875e-ded0ff83c2f4"},"summary_title":"Ancora sul ruolo di Raffaello nell'opera di Xanto Avelli"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"subjects":[{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"},{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-88137","uid":"adlib-term-88137","uuid":"eeab1777-4158-31f4-8f8a-0015cb1910f7"},"summary_title":"ewer"},{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-89303","uid":"adlib-term-89303","uuid":"7012fd66-769f-33c8-bb38-d805db27c8c9"},"summary_title":"basin"},{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-69145","uid":"adlib-term-69145","uuid":"784af795-5401-382f-b51a-79b0f2b2dab1"},"summary_title":"curtains"},{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-107516","uid":"adlib-term-107516","uuid":"146a0bfc-a677-3f01-8f8a-18d01ec5f2f2"},"summary_title":"shield"},{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-110720","uid":"adlib-term-110720","uuid":"a3c10876-e889-3e8d-a458-73e817c04520"},"summary_title":"coat-of-arms"},{"@link":{"relation":"animal","type":"reference"},"admin":{"id":"term-108479","uid":"adlib-term-108479","uuid":"f2ffb61a-dbec-3e42-b692-d0a04263041a"},"summary_title":"swine"},{"@link":{"relation":"place type","type":"reference"},"admin":{"id":"term-3818","uid":"adlib-term-3818","uuid":"e63ad2a0-36b3-3768-9da4-45eb7c2f7a61"},"summary_title":"interior"},{"@link":{"type":"literal"},"name":[{"value":"dish"}],"summary_title":"dish"},{"@link":{"type":"literal"},"name":[{"value":"ewer"}],"summary_title":"ewer"},{"@link":{"type":"literal"},"name":[{"value":"basin"}],"summary_title":"basin"},{"@link":{"type":"literal"},"name":[{"value":"curtains"}],"summary_title":"curtains"},{"@link":{"type":"literal"},"name":[{"value":"shield"}],"summary_title":"shield"},{"@link":{"type":"literal"},"name":[{"value":"coat-of-arms"}],"summary_title":"coat-of-arms"},{"@link":{"type":"literal"},"name":[{"value":"swine"}],"summary_title":"swine"},{"@link":{"type":"literal"},"name":[{"value":"interior"}],"summary_title":"interior"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-125345","uid":"adlib-term-125345","uuid":"044a81eb-350e-3229-9e5e-72ab4fb784aa"},"summary_title":"bowl with broad rim"}},"summary_title":"bowl with broad rim","techniques":[{"description":[{"value":"buff earthenware, tin-glazed overall; the reverse pale beige and tinged with green. Painted in blue, turquoise-green, yellowish-green, yellow, orange, beige, brown, manganese, black, and white."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-111179","uid":"adlib-term-111179","uuid":"be5c887b-c0ed-3d89-82b2-c3a870e72a68"},"summary_title":"moulding"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120059","uid":"adlib-term-120059","uuid":"dfa315b5-819d-37ab-ab22-bddfdbb3cbe7"},"summary_title":"tin-glazing"}}],"title":[{"value":"Ulysses commanding Circe to restore his Companions to their Rightful Forms"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-47188","_score":19.10626,"_source":{"admin":{"added":1592996542000,"created":1312637261000,"flag":"Standard Record","id":"object-47188","indexed":1747332253516,"modified":1747334399000,"processed":1747332251818,"source":"adlib","stream":"fitz-online","uid":"adlib-object-47188","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/47188","uuid":"f49f9386-a01a-3cd8-b876-aecf6f8c7c3e","version":19},"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-181542","uid":"adlib-agent-181542","uuid":"da006a67-b6de-3204-8166-b772b46fcd1c"},"summary_title":"Este, Isabella d'"},{"@link":{"type":"reference"},"admin":{"id":"agent-181541","uid":"adlib-agent-181541","uuid":"cd2d2c81-dd28-3634-b243-32957ae97b81"},"summary_title":"Damiron, Charles"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-152828","uid":"adlib-agent-152828","uuid":"bf1eaa77-6bb1-32f5-84b3-31c915eaad0d"},"summary_title":"Peleus"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-152819","uid":"adlib-agent-152819","uuid":"4ae7c947-95ea-3b89-9fdf-73e88151f96b"},"summary_title":"Thetis"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108348","uid":"adlib-term-108348","uuid":"667e7a19-db33-3d85-bd9b-c2dafd8e02ff"},"summary_title":"tin-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"}],"component":[{"materials":[{"note":[{"value":"metallic oxide colours"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108364","uid":"adlib-term-108364","uuid":"115b8729-a560-35c1-b654-4b9d2fc5f68b"},"summary_title":"high-temperature colours"}}],"name":"Decoration","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}]},{"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"30.2"}]},"name":"Rim"}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-107486","uid":"adlib-term-107486","uuid":"234fe16e-17e4-3db8-881a-443636aac5ca"},"summary_title":"classical mythology"},{"@link":{"type":"reference"},"admin":{"id":"term-23550","uid":"adlib-term-23550","uuid":"bce302cf-3608-34aa-abf7-dcb9acdd4024"},"summary_title":"heraldry"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Maiolica dish, painted in polychrome with, in the well, the arms of Gonzaga impaling Este, and, on the rim, Peleus and Thetis."},{"value":"Earthenware, tin-glazed overall; the reverse pale beige and speckled. Painted in blue, green, yellow, orange, stone, brown, manganese-purple, black, and white. Shape 56 (Poole 1995). circular with broad, almost flat rim, and deep well; the underside of the rim moulded with three bands of reeding.In the well, within narrow blue and yellow concentric circles, two putti support a shield charged with the arms of Gonzaga impaling Este: argent, a cross patty gules cantoned by four eagles displayed sable (Gonzaga modern granted 1433), an escutcheon overall, quarterly, 1, 4, gules a lion rampant argent (Bohemia), 2, 3, barry of six or and sable (Gonzaga ancient) impaling Este, quarterly, 1, 4, azure three fleurs-de-lis or a bordure indented gules, 2, 3, azure an eagle displayed argent (gules shown orange throughout). Below on a scroll is the impresa `XXVII'. The sides are decorated in bianco sopra bianco with palmettes and scrolls, and a blue line encircles the shoulder. The rim is decorated with Peleus and Thetis. Peleus stands beneath a tree, gazing at Thetis, who sleeps nude on the ground in front of him. Further to the right she is transformed into a swan-like bird as he embraces her, and then into a dragon from which he turns away in horror. Higher up on the right, a goddess appears to Peleus who kneels before an altar. In the distance there is a mountainous landscape and sky. Suspended from the tree there is a shield of testa di cavallo form charged with the impresa of gold rods in a crucible surrounded by flames in a blue ground. The edge is yellow. On the back there is a narrow yellow band round the base and a wider band on the edge."}],"exhibitions":[{"@link":{"catalogue":"No. 136","type":"reference"},"admin":{"id":"exhibition-1607","uid":"adlib-exhibition-1607","uuid":"067f0641-1c25-3855-871f-ee848d69bdc9"},"summary_title":"Splendours of the Gonzaga"},{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"},{"@link":{"catalogue":"211","type":"reference"},"admin":{"id":"exhibition-2376","uid":"adlib-exhibition-2376","uuid":"3e2208a0-ad25-3b64-b03f-cb63aa00fd02"},"summary_title":"Treasured Possessions from the Renaissance to the Enlightenment"},{"@link":{"type":"reference"},"admin":{"id":"exhibition-3944","uid":"adlib-exhibition-3944","uuid":"efb64902-4239-3ac6-accf-83ab547bb095"},"summary_title":"National Treasures: Botticelli in Cambridge"}],"identifier":[{"accession_number":"EC.30-1938","primary":true,"type":"accession number","value":"EC.30-1938"},{"priref":"47188","type":"priref","value":"47188"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/47188","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/47188"}],"inscription":[{"description":[{"value":"Rectangular with cut corners, printed in black `UNION\/CENTRALE' and inscribed in faded black ink with `155\/3657' between the two words"}],"location":"on the back","method":"printed in black and inscribed in faded black ink","transcription":[{"value":"'UNION\/1555\/3657\/CENTRALE'"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Purchased with the Glaisher fund"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-150858","uid":"adlib-agent-150858","uuid":"d36d1847-4d6a-33eb-974b-f4b061db49f9"},"summary_title":"Sotheby's"}],"date":[{"earliest":1938,"latest":1938,"value":"1938-06-16"}],"method":{"value":"bought"},"note":[{"value":"accession date was given as the date of the sale, not of the Syndicate"}]}],"creation":[{"date":[{"earliest":1524,"from":{"earliest":1524,"era":["CE"],"latest":1524,"precision":"circa","value":"1524"},"latest":1525,"range":true,"to":{"earliest":1525,"era":["CE"],"latest":1525,"value":"1525"}}],"maker":[{"@link":{"role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-99016","uid":"adlib-agent-99016","uuid":"d1d63237-ac23-350a-897d-50f3369e87e8"},"summary_title":"Nicola di Gabriele Sbraghe da Urbino"}],"note":[{"value":"The potter, Nicola di Gabriele Sbraghe, known as Nicola da Urbino, was a workshop owner in Urbino from at least 1520 until his death at the end of 1537 or in January 1538. He was also a brilliant maiolica painter, whose work has been identified by comparison with five pieces of istoriato maiolica monogrammed or signed by him. Nicola painted in an exquisitely delicate manner, and was unusually imaginative in his adaptation of printed sources and in the creation of architectural and landscape backgrounds. His output of the 1520s, which includes several armorial services, is regarded as the acme of maiolica decoration."},{"value":"This exquisite dish formed part of a service which belonged to Isabella d'Este (1474-1539), widow of Francesco Gonzaga, fourth Marchese of Mantua (1466-1519).  It was made between 1522 and 1525, and may have been the service given to Isabella probably in November 1524 by her daughter, Eleanora, Duchess of Urbino, who thought that she might like to use it in her villa at Porto near Mantua. Twenty-two dishes and one fragmentary dish are known, two decorated with biblical scenes and the rest with subjects from classical mythology or history. Each dish also bears the arms of Gonzaga impaling Este, and one or more of Isabella's imprese (a device or emblem) or her initials YS intertwined. On this dish the arms are surrounded by bianco sopra bianco decoration, and the rim is decorated with the story of Peleus and Thetis from Ovid's Metamorphoses, Book XI. Having found the sea goddess Thetis asleep on the shore, Peleus entreated her to make love, but she refused and escaped by transforming herself into different forms. After praying to the sea god Proteus for advice, Peleus successfully overcame the goddess's scruples and she conceived the ill-fated hero, Achilles. Nicola based the figures on a woodcut illustration in Giovanni dei Bonsignori's Ovidio methamorphoseos vulgare, Venice (Giovanni Rosso da Vercelli for Lucantonio Giunta), 1497 or a later edition. Two imprese are shown: `XXVII' sounding like vinti s\u00e8te, (you are defeated), and gold bars in a crucible, which Isabella's husband adopted in 1495 to signify his integrity after successfully withstanding an accusation of 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Mentioned and illustrated p. 256, fig. VIII","page":"256","type":"reference"},"admin":{"id":"publication-200000981","uid":"adlib-publication-200000981","uuid":"d52556bc-fa74-31cc-b6dd-a883bfdb7474"},"summary_title":"The Damiron Collection of Italian Maiolica II"},{"@link":{"notes":"Publ. Mentioned on p. 92, and illustrated pl. XXII. Other dishes from the services are listed.","page":"92","type":"reference"},"admin":{"id":"publication-200000982","uid":"adlib-publication-200000982","uuid":"7a02b5b1-63e9-39d9-af7c-eb3225aa4293"},"summary_title":"Ancora nuovi piatti del servizio d'Isabella d'Este-Gonzaga"},{"@link":{"notes":"Publ. Vol. II, p. 16, fig. 120, and see vol. I, p. 30","page":"16","type":"reference"},"admin":{"id":"publication-3029","uid":"adlib-publication-3029","uuid":"80945d1b-c823-332c-b5d2-29f0090b906e"},"summary_title":"R\u00e9pertoire de la majolique italienne"},{"@link":{"notes":"Publ. 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He served in an administrative capacity and was awarded the Croix de Guerre with bronze star for his services. After the War he became a director of Horn Trust and Investments and Kuala Selanger Rubber Co. Ltd., and settled in England at Stoke Charity, where he had spent many of his younger years at Old Stoke. During the Second World War he acted as Chuchwarden for St Mary and St Michael, Stoke Charity, and later contributed to the restoration of the church. He became an art collector, and also built up an extensive collection of cigarette cards. He died at Stoke Charity on 18 August 1953. \n\nInformation taken from biography by Chas Schaedel, History Group South Australian Aviation Museum, see https:\/\/www.saam.org.au\/aviatorprofiles.html"}],"type":"reference"},"admin":{"id":"agent-207524","uid":"adlib-agent-207524","uuid":"08f9ec74-320f-3c60-aad1-c985ed27cc46"},"summary_title":"Horn, Marmaduke Langdale (1889-1953)"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-156780","uid":"adlib-agent-156780","uuid":"4470d805-70b9-3338-8d75-aa85567e6cd1"},"summary_title":"Orlando"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-160419","uid":"adlib-agent-160419","uuid":"9b481813-5e1b-380f-8947-db27e4986cf0"},"summary_title":"Ruggiero"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108348","uid":"adlib-term-108348","uuid":"667e7a19-db33-3d85-bd9b-c2dafd8e02ff"},"summary_title":"tin-glazed earthenware"}],"department":{"value":"Applied Arts"},"description":[{"value":"Maiolica plate, painted in polychrome with Orlando finds Ruggiero's Charger Frontino, his Armour and Sword on board an abandoned Ship."},{"value":"Pale buff earthenware, tin-glazed overall; there is a fault in the glaze on the left of the front; the reverse is off-white. Painted in blue, green, turquoise-green, yellow, orange, stone, brown, manganese-purple, black, and white.\nShape 52. Circular with a wide, gently sloping rim and shallow well, slightly and unevenly convex in the middle.\nOrlando finds Ruggiero's Charger Frontino, his Armour and Sword on board an abandoned Ship. Oliver stands on the right holding Ruggiero's armour. Brandimarte is aboard the ship, holding out his arms towards Frontino, who is partly hidden by three shields and an awning. Orlando, girt with the sword Balisarda, sits with his back to the viewer on a rock in the foreground. Hanging from the mast is a shield, charged with the Pucci arms argent, a moor's head proper wearing a headband argent charged with three hammers sable, with behind, a papal ombrellino. In the background to left there is a tree, and on the right, a rocky island. The edge is yellow. The back is inscribed in the middle in dark blue: `.1532.\/Nel agitato Legno truova\/Orlando di Ruggier' l'armi\/Nel.XXXVII. cato del furioso d\/.M.L. Ariosto.\/fra: Xato .A.\/da Rouigoi \/Urbino.' (In the tossing vessel Orlando finds Ruggiero's arms, In the 37th canto of the furioso of Messer Ludovico Ariosto. Francesco Xanto Avelli da Rovigo in Urbino.)."}],"exhibitions":[{"@link":{"catalogue":"5247","type":"reference"},"admin":{"id":"exhibition-1265","uid":"adlib-exhibition-1265","uuid":"723e9b4e-5a35-3d5f-933e-29f6c9da35fe"},"summary_title":"Special Exhibition of Works of Art of the Mediaeval, Renaissance and More Recent Periods"},{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"}],"identifier":[{"accession_number":"C.10-1953","primary":true,"type":"accession number","value":"C.10-1953"},{"priref":"79992","type":"priref","value":"79992"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/79992","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/79992"}],"inscription":[{"location":"on base","method":"inscribed in dark blue","transcription":[{"value":".1532.\/Nel agitato Legno truova\/Orlando di Ruggier' l'armi\/Nel.XXXVII. cato del furioso d\/.M.L. Ariosto.\/fra: Xato .A.\/da Rouigoi \/Urbino."}],"type":"inscription"},{"description":[{"value":"rectangular"}],"method":"typed","transcription":[{"value":"From the Pucco [sic] service"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"M.L. Horn Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-153306","uid":"adlib-agent-153306","uuid":"ffdbdb9b-fb52-37d0-befe-c60f946304c6"},"summary_title":"Horn, Marmaduke Langdale"}],"date":[{"earliest":1953,"latest":1953,"value":"1953-10-22"}],"method":{"value":"bequeathed"}}],"creation":[{"date":[{"earliest":1532,"era":["CE"],"latest":1532,"note":[{"value":"dated"}],"value":"1532"}],"maker":[{"@link":{"role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-5335","uid":"adlib-agent-5335","uuid":"abbd62ad-dff5-32f6-8881-6cc828e21322"},"summary_title":"Avelli, Francesco Xanto"},{"@link":{"qualifier":"after","role":[{"value":"engraver"}],"type":"reference"},"admin":{"id":"agent-112340","uid":"adlib-agent-112340","uuid":"a9104dd3-daf9-32ba-b083-c074b588b652"},"summary_title":"Raimondi, Marcantonio"}],"note":[{"value":"The dish was painted by Francesco Xanto Avelli, a native of Rovigo, near Padua, and was recorded in Urbino between 1530 and 1542. During that period he marked or signed numerous dishes and panels, many of which are also inscribed with their subject and its literary source. Xanto's reference on the back of this dish to canto 37 (stanzas 25-9) of Orlando Furioso, shows that he used the first edition, published in 1516 and reprinted in 1521, 1524, and each year until 1531. In the second edition of 1532 and subsequent editions, the action takes place in canto 41 (stanzas 25-9). These editions had no illustrations to serve as a basis for the illustration on the dish. So Xanto followed his usual practice of constructing a scene with figures taken from prints, in this case just one, the Abduction of Helen, engraved by Marcantonio Raimondi after Raphael. The first illustrated Orlando Furioso with a simple woodcut to each canto had been published in 1530, but it was not until 1542 that really lively illustrations appeared in the edition by Gabrielli Giolito de' Ferrari of Venice."},{"value":"This is one of thirty-six dishes surviving from a service bearing the arms of a member of the Pucci family of Florence. Thirty-four are dated 1532 and two, 1533. The identity of the owner of the service is uncertain. Piero Maria Pucci of Florence (b. 1467) is one member of the family who has been suggested. Another was Roberto Pucci, whose wife having died in 1526,  entered the Church, becoming Bishop of Pistoia in 1541, and a Cardinal in 1542, after which he impaled the Farnese arms with Pucci. He died aged eighty-three in 1547. Most of the dishes are decorated with scenes from classical mythology or history, but this dish and another in the British Museum differ in having scenes from one of the greatest romantic epic poems, Orlando Furioso by Ludovico Ariosto (1474-1533). The action shown on the Fitzwilliam's dish takes place after the hero, Ruggiero, had abandoned his ship in a storm off the coast of Egypt, leaving on board his horse, Frontino, his armour and his magic sword, Belisarda. These were found by a Christian warrior, Orlando, who took the sword for himself, and distributed the armour and horse to his companions, Oliviero, and Brandimarte, in preparation for a battle with a Saracen, Gradasso."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106602","uid":"adlib-term-106602","uuid":"bbb4c00f-eefa-3d64-9441-7a75aa07736e"},"summary_title":"16th Century"},{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110708","uid":"adlib-term-110708","uuid":"ef038505-1555-3c61-b6e2-cadcedf6c42a"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"The Marches"}],"summary_title":"The 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Thomas A. Berney by 1862; Miss Berney; Sotheby's, 18 June 1946, Catalogue of fine Italian majolica, medieval and renaissance works of art, etc. . . . The property of Miss Berney formed by the late Rev. Thomas A. Berney, Bracon Hall, Norfolk, lot 22; Alfred Spero; Marmaduke Langdale Horn (1890-1953), Stoke Charity, near Winchester."}],"objects":[{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-71355","uid":"adlib-object-71355","uuid":"84045478-a491-382b-a8da-ca9ebe04f817"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-125345","uid":"adlib-term-125345","uuid":"044a81eb-350e-3229-9e5e-72ab4fb784aa"},"summary_title":"bowl with broad rim"}},"summary_title":"bowl with broad rim"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"type":"reference"},"admin":{"id":"publication-3246","uid":"adlib-publication-3246","uuid":"9fe31e95-6d6d-3983-9506-ec78ebd5cffd"},"summary_title":"Catalogue of fine Italian majolica, medieval and renaissance works of art, etc. . . . 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