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See also Appendix IV.","page":"114-15","type":"reference"},"admin":{"id":"publication-3445","uid":"adlib-publication-3445","uuid":"b4abb02c-ee94-3ae6-b615-941fe7fbc6b8"},"summary_title":"Bernard Palissy in search of Earthly Paradise"},{"@link":{"notes":"Publ. p. 38, pl. 34.","page":"38","type":"reference"},"admin":{"id":"publication-1076","uid":"adlib-publication-1076","uuid":"acbefc51-07ab-373a-b40f-e69c780f634a"},"summary_title":"Tempus, The Art of Time"},{"@link":{"notes":"Publ. p. 84 and 86, no. 12, and p. 85 a reproduction from Delange and Sauzay, 1862, pl. 15.","page":"84-6","type":"reference"},"admin":{"id":"publication-3714","uid":"adlib-publication-3714","uuid":"92567474-9b72-3203-b2a4-e51b41ae543b"},"summary_title":"Un bestiaire fantastique, Avisseau et la fa\u00efence de Tours (1840-1910)"},{"@link":{"notes":"Publ. ill. p. 261","page":"261","type":"reference"},"admin":{"id":"publication-400002358","uid":"adlib-publication-400002358","uuid":"30ba3516-6530-3e0a-b5ce-fbd68dd906a6"},"summary_title":"Ceramic, Art and Civilisation"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10604","uid":"adlib-term-10604","uuid":"1e7fbf60-43c9-3c5a-852a-c014514e9f77"},"summary_title":"Mannerist"}],"subjects":[{"@link":{"relation":"animal","type":"reference"},"admin":{"id":"term-32171","uid":"adlib-term-32171","uuid":"bd4d5321-bd4e-3fcc-959e-8cb18825ff01"},"summary_title":"lizard"},{"@link":{"type":"literal"},"name":[{"value":"lizard"}],"summary_title":"lizard"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}},"summary_title":"dish","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-111179","uid":"adlib-term-111179","uuid":"be5c887b-c0ed-3d89-82b2-c3a870e72a68"},"summary_title":"moulding"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120062","uid":"adlib-term-120062","uuid":"d05176fb-17b8-3888-bba1-6c5e6c77d206"},"summary_title":"lead-glazing"}}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-71896","_score":17.06149,"_source":{"admin":{"added":1592999572000,"created":1312637261000,"flag":"Standard Record","id":"object-71896","indexed":1747160235496,"modified":1725358274000,"processed":1747159409017,"source":"adlib","stream":"fitz-online","uid":"adlib-object-71896","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71896","uuid":"83e3dac5-981d-3dc6-8b54-bfff73a7fe39","version":5},"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108348","uid":"adlib-term-108348","uuid":"667e7a19-db33-3d85-bd9b-c2dafd8e02ff"},"summary_title":"tin-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-134531","uid":"adlib-term-134531","uuid":"c3a89f7e-3b73-3a3b-a25f-d52eda4e4476"},"summary_title":"Spanish lustreware"}],"component":[{"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-121112","uid":"adlib-term-121112","uuid":"4be9649c-682d-30d8-9849-cde36da2f63c"},"summary_title":"reduced-pigment lustre"}}],"name":"Decoration","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120105","uid":"adlib-term-120105","uuid":"e33f30c5-7d7b-3ef5-8d75-ef724c7172c0"},"summary_title":"lustre-painting"}}]}],"department":{"value":"Applied Arts"},"description":[{"value":"moulded earthenware dish tin-glazed and painted in copper lustre"},{"value":"Buff earthenware, moulded, tin-glazed cream, and painted in pale brown lustre. Circular with a central boss, curved well, and wide sloping rim with twenty-one slanting gadroons. On the boss there is a plant motif within a circle, surrounded by a broad band of lustre. The sides of the well are divided by four wide radiating stripes into compartments each containing a fruit and two leaves. Beyond this there is a border of oval shapes flanked by curved and angular lines. The gadroons are alternately lustred overall, or decorated with a plant motif or a dotted diaper pattern. A broad band encircles the edge.  Radiating from the centre of the reverse there are four narrow concentric bands, a broader band, and six narrow bands, beyond which is a border of six coiling stems bearing fern-like leaves, oval leaves and buds (?).  A suspension hole has been pierced in slightly off centre at the top of the rim."}],"identifier":[{"accession_number":"C.138-1933","primary":true,"type":"accession number","value":"C.138-1933"},{"priref":"71896","type":"priref","value":"71896"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71896","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71896"}],"inscription":[{"description":[{"value":"oval white paper stick-on label with narrow black line border"}],"location":"on back","method":"printed in black","transcription":[{"value":"FITZWILLIAM MUSEUM\/GIVEN BY\/ALFRED A. 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Painted in manganese and copper-green. Shape 22 (Poole 1995). Circular with carinated sides, standing on a low, solid foot; the sides curve upwards and outwards to the widest point and then rise vertically for c. 3.5 cm, to the rim which is flat on top.\nIn the middle, a woman stands between rampant antelopes and branches bearing heart-shaped leaves reserved in cross-hatching. She wears a crown and a long gown, and holds a long-necked ewer in her right hand, and a beaker in her raised left hand. The sides are encircled by a green chain with a manganese band above and below. The top of the rim is decorated with oblique green lines."}],"exhibitions":[{"@link":{"catalogue":"115","type":"reference"},"admin":{"id":"exhibition-2261","uid":"adlib-exhibition-2261","uuid":"eca7377d-62d2-3acc-a87b-07ffba3b6dab"},"summary_title":"Panama-Pacific International Exposition"},{"@link":{"type":"reference"},"admin":{"id":"exhibition-1613","uid":"adlib-exhibition-1613","uuid":"14ebcb02-6902-3d77-86f1-2632430766a6"},"summary_title":"The Fine Art and Antiques Fair"},{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"}],"identifier":[{"accession_number":"C.130-1933","primary":true,"type":"accession number","value":"C.130-1933"},{"priref":"47343","type":"priref","value":"47343"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/47343","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/47343"}],"inscription":[{"description":[{"value":"rectangular with cut corners and printed royal blue border"}],"method":"inscribed in black ink","transcription":[{"value":"An Orvieto deep dish or basin\/for washing hands. 14\"\/decorated with a female\/Saint supported by stags\/in pale green and aubergine\/Canessa & de Pass Colls"}],"type":"label"},{"description":[{"value":"rectangular with cut corners and printed royal blue border"}],"method":"inscribed","transcription":[{"value":"This resembles to\/Catalan faience at\/Barcelona Museum\/if not Orvieto it must be Spain"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Alfred A. De Pass in memory of his son, Crispin (d. 1918)"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-153140","uid":"adlib-agent-153140","uuid":"f5bf2584-5b68-39cb-ae7a-96c84bb52a36"},"summary_title":"de Pass, Alfred A."}],"date":[{"earliest":1933,"latest":1906,"value":"1933-06"}],"method":{"value":"given"}}],"creation":[{"date":[{"earliest":1275,"from":{"earliest":1275,"era":["CE"],"latest":1275,"precision":"circa","value":"1275"},"latest":1375,"range":true,"to":{"earliest":1375,"era":["CE"],"latest":1375,"precision":"circa","value":"1375"}}],"maker":[{"@link":{"role":[{"value":"pottery"}],"type":"reference"},"admin":{"id":"agent-189314","uid":"adlib-agent-189314","uuid":"4d883aaf-0c3a-3a04-8455-7f21ea917527"},"summary_title":"Unidentified Orvieto pottery"}],"note":[{"value":"The carinated shape of the bowl is similar to a bowl decorated with a crowned woman standing beside a siren, in the Bargello Museum, Florence, and to a bowl decorated with a crowned, bifurcated siren whose tails are decorated with two shields charged with the arms of Monaldeschi of Orvieto and one charged with fleur-de-lys. The latter arms were identified by Pericale Perali as those of Charles of Anjou who visited Orvieto in 1267 and 1273, and Giuseppe Liverani modified this by pointing out that it would have been before  1273 when the arms of Anjou were combined with those of Jerusalem. However, the fleur-de-lys were also a charge on the Farnese family's shield of arms, and in 1993 Alberto Satolli hypothesized that the two shields on the dish might have been intended for Bartolomeo Farnese and Violante Monaldeschi della Cervara who were married about 1316-20.  The similarities of form and style of decoration indicate that the Fitzwilliam's bowl was probably made at about the same time, probably in the early 14th century rather than the 1260s or 1270s."},{"value":"The partly striped gown of the crowned woman and the flanking plants resemble those on three large bowls of different shapes which were formerly in the Imbert collection and are now in the Museum of Art, San Paolo, Brazil. 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Pale red earthenware, covered with off-white tin-glaze. Painted in blue, green, yellow, and orange.\nCircular with a wavy rim, the curved sides moulded with alternately wide and narrow flutes radiating from a circular convex area in the middle; low trumpet-shaped foot.\nIn the middle, framed by two concentric blue circles, is a bust of a woman in profile to left. She wears a cap and dress, both painted in yellow and orange, the shoulders of the latter decorated with foliated scrolls. Behind her is a scroll inscribed in blue, `NIN\/NCEN\/TIA.B'; the background is green. The sides are decorated with blue foliated scrolls with yellow and orange flowers, interrupted at the top by a stylised plant, and, at the bottom, by a bunch of fruit and foliage. The rim is yellow."}],"exhibitions":[{"@link":{"catalogue":"none","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"}],"identifier":[{"accession_number":"C.135-1933","primary":true,"type":"accession number","value":"C.135-1933"},{"priref":"71854","type":"priref","value":"71854"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71854","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71854"}],"inscription":[{"description":[{"value":"oval"}],"method":"printed in black","transcription":[{"value":"FITZWILLIAM MUSEUM\/GIVEN BY ALFRED DE PASS\/1933"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Alfred A. 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Painted in blue, green, yellow, and orange."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120082","uid":"adlib-term-120082","uuid":"ea83ed85-6b07-3e7e-83fc-440cfda22f7e"},"summary_title":"throwing"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120059","uid":"adlib-term-120059","uuid":"dfa315b5-819d-37ab-ab22-bddfdbb3cbe7"},"summary_title":"tin-glazing"}}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-71883","_score":17.06149,"_source":{"admin":{"added":1592984295000,"created":1312637261000,"flag":"Standard Record","id":"object-71883","indexed":1747246343954,"modified":1740753545000,"processed":1747245848890,"source":"adlib","stream":"fitz-online","uid":"adlib-object-71883","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71883","uuid":"cd2a9541-8da1-3027-95f4-c40686ad9530","version":5},"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108348","uid":"adlib-term-108348","uuid":"667e7a19-db33-3d85-bd9b-c2dafd8e02ff"},"summary_title":"tin-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-134531","uid":"adlib-term-134531","uuid":"c3a89f7e-3b73-3a3b-a25f-d52eda4e4476"},"summary_title":"Spanish lustreware"}],"component":[{"name":"Decoration","techniques":[{"note":[{"value":"in reduced-pigment copper lustre"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}]}],"department":{"value":"Applied Arts"},"description":[{"value":"tin-glazed earthenware dish for a ewer painted in reduced-pigment copper-lustre"},{"value":"Earthenware, moulded,  tin-glazed, and painted in reduced-pigment copper-lustre. Circular with a wide sloping rim with slanting gadroons in low relief, pierced by two suspenson holes at the top; deep vertical sides, and flat base with a raised boss  with slanting gadroons in slight relief, and a circular medallion in the centre.  The medallion is decorated with a shield bearing the arms, a bend sinister with a mullet above and below. The gadroons on the boss and rim are decorated with highly stylized small floral motifs. The base is divided into panels filled alternately with rows of small circles between lines, and rows of strokes, surrounded by small wheel-like flowerheads reserved in a lustred band. On the sides there are panels of thistle-like flowers and leaves, separated by two panels of the same designs as on the base. the back is decorated overall with wavy stems of fern-like foliage."}],"identifier":[{"accession_number":"C.137-1933","primary":true,"type":"accession number","value":"C.137-1933"},{"priref":"71883","type":"priref","value":"71883"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71883","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71883"}],"inscription":[{"description":[{"value":"rectangular paper label with cut-corners and blue printed border"}],"location":"on back","method":"hand-wrotten in black ink","transcription":[{"value":"Lustred Hispano Moresque\/dish for washing hands\/     16 centy\/colls Durlacher, de Pass"}],"type":"label"},{"description":[{"value":"oval paper stick-on label printed in black"}],"location":"on back","method":"printed in black","transcription":[{"value":"FITZWILLIAM MUSEUM\/GIVEN BY ALFED A. DE PASS\/1933"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Alfred A. 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De Pass (1861-1952), by whom given,"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. p. 247, no. VI.","page":"245-48","type":"reference"},"admin":{"id":"publication-200001003","uid":"adlib-publication-200001003","uuid":"85ba346d-d1d0-31b4-878f-4cbeaae5b964"},"summary_title":"The De Pass pottery in the Fitzwilliam Museum"},{"@link":{"type":"reference"},"admin":{"id":"publication-8180","uid":"adlib-publication-8180","uuid":"3db75f5f-91e5-3b66-8448-d0916e17a6c7"},"summary_title":"Biographical Notes on Alfred Aaron De Pass 1861-1952, Art Benefactor Extraordinary"},{"@link":{"type":"reference"},"admin":{"id":"publication-1627","uid":"adlib-publication-1627","uuid":"6884cd15-bb3e-3508-b3c7-af0b9c7b5f6f"},"summary_title":"Spanish Pottery 1248-1898 with a catalogue of the collection in the Victoria and Albert Museum"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-15187","uid":"adlib-term-15187","uuid":"9892dabc-9c73-3f27-829b-74cd16d4c983"},"summary_title":"Hispano-Moresque"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}},"summary_title":"dish","techniques":[{"description":[{"value":"earthenware, moulded, tin-glazed, painted in copper lustre, and fired in a reducing kiln"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-111179","uid":"adlib-term-111179","uuid":"be5c887b-c0ed-3d89-82b2-c3a870e72a68"},"summary_title":"moulding"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120059","uid":"adlib-term-120059","uuid":"dfa315b5-819d-37ab-ab22-bddfdbb3cbe7"},"summary_title":"tin-glazing"}}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-79986","_score":17.06149,"_source":{"admin":{"added":1592996680000,"created":1312637261000,"flag":"Standard Record","id":"object-79986","indexed":1747246359926,"modified":1714467858000,"processed":1747245848890,"source":"adlib","stream":"fitz-online","uid":"adlib-object-79986","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/79986","uuid":"b14c2cf0-123d-3d89-959a-b8da1e99e217","version":10},"agents":[{"@link":{"note":[{"value":"Probably in the Medici Collection, Florence up to 1784 inventory."}],"type":"reference"},"admin":{"id":"agent-207502","uid":"adlib-agent-207502","uuid":"976ca9f3-eec2-3273-9349-cc5bcc593c31"},"summary_title":"Medici Collection"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-95937","uid":"adlib-agent-95937","uuid":"1b124579-0a0c-3c28-97a3-c749f6562ba6"},"summary_title":"Moses"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-160746","uid":"adlib-agent-160746","uuid":"f434c5bd-54dd-3e7b-af94-ae075d6c8473"},"summary_title":"Pharoah"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-152759","uid":"adlib-agent-152759","uuid":"5c091042-4a5e-35cc-b5f3-2152afa269e4"},"summary_title":"putto"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108348","uid":"adlib-term-108348","uuid":"667e7a19-db33-3d85-bd9b-c2dafd8e02ff"},"summary_title":"tin-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"}],"component":[{"materials":[{"note":[{"value":"blue, green, yellow, orange, stone, brown, manganese-purple, black, grey, and white"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108364","uid":"adlib-term-108364","uuid":"115b8729-a560-35c1-b654-4b9d2fc5f68b"},"summary_title":"high-temperature colours"}}],"name":"Decoration"}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-23385","uid":"adlib-term-23385","uuid":"4c17df77-7d4e-32bf-8ec9-921b71d218a2"},"summary_title":"religion"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Maiolica dish, painted in polychrome, with the Crossing of the Red Sea."},{"value":"Earthenware, tin-glazed overall; on the reverse, where visible, the glaze is pale cream. Painted in blue, green, yellow, orange, stone, brown, manganese-purple, black, grey, and white. Circular with shallow, curved sides and flat centre. On the underside there are two concentric ribs surrounding the junction with the foot, now missing. The Crossing of the Red Sea. On the right Pharoah, seated in front of his camp, raises his right arm angrily at Moses standing on the opposite shore of the Red Sea. The Children of Israel cross safely in a long procession from right to left while, in the right foreground, the Egyptian forces are prevented from following by the piled-up waves. The yellow rim is decorated with brown-outlined petals with white centres. On the back, five putti fly above clouds, four holding branches and one a drape. The outer rib is surrounded by petals with black centres, outlined in orange-brown on a yellow ground, flanked by diagonal strokes. The yellow rim is decorated with orange petals."}],"exhibitions":[{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"}],"identifier":[{"accession_number":"C.134-1933","primary":true,"type":"accession number","value":"C.134-1933"},{"priref":"79986","type":"priref","value":"79986"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/79986","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/79986"}],"inscription":[{"description":[{"value":"oval"}],"method":"printed in black","transcription":[{"value":"FITZWILLIAM MUSEUM\/GIVEN BY\/ALFRED A DE PASS\/1933"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Alfred A. De Pass, 1933, in memory of his son, Crispin (d. 1918)."},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-153140","uid":"adlib-agent-153140","uuid":"f5bf2584-5b68-39cb-ae7a-96c84bb52a36"},"summary_title":"de Pass, Alfred A."}],"date":[{"earliest":1933,"latest":1933,"value":"1933-06-15"}],"method":{"value":"given"},"note":[{"value":"Accessioned between 15th and 19th June 1933."}]}],"creation":[{"date":[{"earliest":1555,"from":{"earliest":1555,"era":["CE"],"latest":1555,"precision":"circa","value":"1555"},"latest":1570,"range":true,"to":{"earliest":1570,"era":["CE"],"latest":1570,"value":"1570"}}],"maker":[{"@link":{"qualifier":"probably","role":[{"value":"workshop"}],"type":"reference"},"admin":{"id":"agent-46294","uid":"adlib-agent-46294","uuid":"c10e7f72-ce26-3044-84dd-3f49daa49e79"},"summary_title":"Fontana, Orazio"},{"@link":{"qualifier":"possibly","role":[{"value":"decorator"}],"type":"reference"},"admin":{"id":"agent-203717","uid":"adlib-agent-203717","uuid":"8ac071a0-2203-3809-ac03-02bc4dc352cc"},"summary_title":"Patanazzi, Antonio"},{"@link":{"qualifier":"after","role":[{"value":"printmaker"}],"type":"reference"},"admin":{"id":"agent-120218","uid":"adlib-agent-120218","uuid":"498124b4-ad94-3072-bdb3-49eb5ca23d25"},"summary_title":"Salomon, Bernard"}],"note":[{"value":"This dish originally stood on a high foot which has been lost. The front is decorated with the Crossing of the Red Sea or Destruction of Pharaoh and his Army,which is described in the Bible, in Exodus, 14.21-31. The design was probably derived from the woodcut illustration headed `ESOD XIII' by Bernard Salomon in Damiano Maraffi, 'Figure del Vecchio Testamento con versi tos\u00accani', Lyon, 1554,the Italian edition of Claude Paradin, Quadrins historiques de la Bible, Lyon, 1553, or later editions which have similar, and additional woodcut illustrations. The dish was probably made in the workshop of Orazio Fontana (d. 1571) in Urbino, and may have been painted by him, or by Antonio Patanazzi (1515-87), who worked in close contact with him, and after his death succeeded him. It was formerly attributed to the workshop of Guido Durantino, the father of Orazio Fontana. \n                                                                                                                                                              \nThe putti or cherubs on the reverse are close in style to angels bearing Instru\u00acments of the Passion on the reverse of a standing dish decorated with the Cruci\u00acfixion after Bernard Salomon\u2019s woodcut in 'Figures du Nouveau Testament', Lyon, 1554, in the Gambier-Parry collection, at the Courtauld Gallery,  Somerset House, London  ( inv. no. O.1966.GP.90). There are also strong similarities between details on the front of that dish, such as the horse's head, and the depiction of costume, which suggest that they were decorated by the same painter. The backs of the two dishes are comparable to the back of one in Wisbech and Fenland Museum (1868.173), decorated with with angels holding musical instruments above clouds, but painted by a different hand on the front with 'Moses striking the Rock', possibly that of the painter of some of the dishes in the set bearing the arms of Guidobaldo II, duke of Urbino (1514-74) made as a gift for the Franciscan, Andrea da Volterra, which are usually attributed to the Fontana workshop.\nThe dish in the Courtauld Gallery has the number 148 on the foot in writing similar to two others in its collection, all of which came from the famous Stowe sale in 1848 , and had previously belonged to the Grand Duke of Tuscany. Sani (see 2020 and 2023) found that although the number on the Courtauld\u2019s Crucifixion dish does not match a number in the 1784 inventory of the Medici collection, its description, and those of the other two plates discussed above, correspond with nos. 451, 455 and 452 respectively decorated with \u2018The Crucifixion of the Redeemer\u2019, the \u2018Crossing of the Red Sea\u2019, and \u2018Moses that quench the thirst of the Israelites. Which is broken in part.\u2019 For the subjects of all three dishes to match the inventory makes it unlikely that this is a coincidence, and it is therefore highly likely that the Fitzwilliam\u2019s dish was in the Grand Ducal collection in Florence, until at least 1784."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-125332","uid":"adlib-term-125332","uuid":"76f10b5d-9bf4-36d4-b4e3-f4df05af8260"},"summary_title":"16th Century, third quarter"},{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110708","uid":"adlib-term-110708","uuid":"ef038505-1555-3c61-b6e2-cadcedf6c42a"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"The Marche"}],"summary_title":"The Marche","type":"region"}]],"summary_title":"Urbino"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"26.6"},{"dimension":"Height","units":"cm","value":"3.4"}]},"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}}],"note":[{"type":"history note","value":"Probably Grand Ducal Collection, Florence before 1784. Uncertain. Alfred Aaron De Pass (1861-1952), Falmouth"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. p. 247, no. V","page":"p. 247","type":"reference"},"admin":{"id":"publication-200001003","uid":"adlib-publication-200001003","uuid":"85ba346d-d1d0-31b4-878f-4cbeaae5b964"},"summary_title":"The De Pass pottery in the Fitzwilliam Museum"},{"@link":{"notes":"Publ. pp. 372-3, no. 409; for the printed source of the design, see p. 374, fig. 41","page":"pp. 372-3","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. p. 156, front illustrated, fig. 4, back illustrated fig. 5, and see text continuing on p. 156. Cf. The reverse of a dish in the Courtauld Institute, p. 155, fig. 3, and the back of a dish in the Wisbech and Fenland Museum, p. 157, fig. 7.","page":"156","type":"reference"},"admin":{"id":"publication-200003227","uid":"adlib-publication-200003227","uuid":"4452ccec-0e0f-3a14-87c1-f283a94194f7"},"summary_title":"Un capolavoro della maiolica istoriata rinascimentale alla Courtauld Gallery: 'La Crocifissione Gambier Parry'"},{"@link":{"type":"reference"},"admin":{"id":"publication-3400","uid":"adlib-publication-3400","uuid":"a6e23473-1c42-3481-92c0-7fedc1cfd92e"},"summary_title":"Figure del Vecchio Testamento con versi toscani"},{"@link":{"notes":"Publ. p. 96, pl. 7a, attributed to Guido or Orazio Fontana.","page":"96","type":"reference"},"admin":{"id":"publication-200002310","uid":"adlib-publication-200002310","uuid":"5830258e-a7fd-3329-863e-56c347d3e0b0"},"summary_title":"Maioliche urbinati dal Fontana ai Patanazzi"},{"@link":{"notes":"Cf. p. p. 148, and p. 149, fig. 55 and p. 151.  Inv. no. O.1966. GP90","page":"148-9","type":"reference"},"admin":{"id":"publication-200003210","uid":"adlib-publication-200003210","uuid":"8a934c42-0f3a-3c7c-a510-c55ca5f0485e"},"summary_title":"Italian Maiolica in the Gambier-Parry Collection"},{"@link":{"notes":"Cf. pp. 123-4, no. 11b, colour pl. on p. 119, in Carmen Ravanelli Guidotti, 'Le ceramiche delle collezioni rinascimentali', pp. 6-14.","page":"123-4","type":"reference"},"admin":{"id":"publication-8763","uid":"adlib-publication-8763","uuid":"3c607ade-ea08-334c-a339-2f587151f71a"},"summary_title":"Ceramiche nelle civiche collezioni bresciane"},{"@link":{"notes":"Cf. pp. 169-73, no. 33, a dish lacking its foot decorated overall with the 'Crucifixion' after Bernard Salomon. The author compares that dish with the Fitzwilliam's dish decorated with the 'Crossing of the Red Sea', and a dish at Wisbech decorated with 'Moses striking the Rock'. She concluded that the first two could be by the same painter, possibly Antonio Patanazzi, but that the dish at Wisbech was by another hand.","page":"169-73","type":"reference"},"admin":{"id":"publication-8943","uid":"adlib-publication-8943","uuid":"29e4cc2a-e0e8-3153-be27-f107624f1cd0"},"summary_title":"Italian Maiolica and Other Modern Ceramics in the Courtauld Gallery"},{"@link":{"notes":"Ref. pp. 71-79 the 'Inventario Generale della Real Galleria di Firenze compilato nel 1784 . . .'  in which no. 455 'Una d.a. simile [Una sottocoppa liscia], che rappresenta il passaggio' may have been the Fitzwilliam's dish. No. 451 was probably the dish decorated with the Crucifixion, now in the Courtauld Gallery (O.1966.GP.90), and no. 452 the dish decorated with 'Moses striking the Rock' now in Wisbech Museum.","page":"58-79","type":"reference"},"admin":{"id":"publication-200003283","uid":"adlib-publication-200003283","uuid":"0fbd54ee-2857-34b2-8903-ae320f4c7ab5"},"summary_title":"La maiolica nel Museo del Bargello. Genesi e fortuna di una roccolta"},{"@link":{"notes":"Cf., p. 386, fig. 38 & p. 391","page":"387-410","type":"reference"},"admin":{"id":"publication-200003211","uid":"adlib-publication-200003211","uuid":"7f0f6cc6-93be-3519-93b6-d87a6335c6fc"},"summary_title":"Battista Franco as a designer for maiolica"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"subjects":[{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-60647","uid":"adlib-term-60647","uuid":"04b30013-2292-36ec-a938-1109132ca164"},"summary_title":"tent"},{"@link":{"relation":"animal","type":"reference"},"admin":{"id":"term-78765","uid":"adlib-term-78765","uuid":"46e462e7-1543-3aaa-90c1-2562102b738f"},"summary_title":"horse (animal)"},{"@link":{"relation":"place type","type":"reference"},"admin":{"id":"term-58346","uid":"adlib-term-58346","uuid":"36a43f82-c62a-350b-b02c-bc5f4e6544af"},"summary_title":"sea"},{"@link":{"relation":"place name","type":"reference"},"admin":{"id":"term-126046","uid":"adlib-term-126046","uuid":"b16e184d-eb64-3d05-80bb-f5d4f623c61f"},"summary_title":"Red Sea"},{"@link":{"relation":"named event","type":"reference"},"admin":{"id":"term-113270","uid":"adlib-term-113270","uuid":"d14ff9d3-9b63-341f-9221-a9099cd45bf7"},"summary_title":"The Crossing of the Red Sea"},{"@link":{"type":"literal"},"name":[{"value":"tent"}],"summary_title":"tent"},{"@link":{"type":"literal"},"name":[{"value":"horse (animal)"}],"summary_title":"horse (animal)"},{"@link":{"type":"literal"},"name":[{"value":"sea"}],"summary_title":"sea"},{"@link":{"type":"literal"},"name":[{"value":"Red Sea"}],"summary_title":"Red Sea"},{"@link":{"type":"literal"},"name":[{"value":"The Crossing of the Red Sea"}],"summary_title":"The Crossing of the Red Sea"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}},"summary_title":"dish","techniques":[{"description":[{"value":"earthenware, tin-glazed overall; on the reverse, where visible, the glaze is pale cream. Painted in blue, green, yellow, orange, stone, brown, manganese-purple, black, grey, and white."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-111179","uid":"adlib-term-111179","uuid":"be5c887b-c0ed-3d89-82b2-c3a870e72a68"},"summary_title":"moulding"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120059","uid":"adlib-term-120059","uuid":"dfa315b5-819d-37ab-ab22-bddfdbb3cbe7"},"summary_title":"tin-glazing"}}],"title":[{"value":"The Crossing of the Red Sea"}],"type":{"base":"object","type":"OBJECT"}}}],"first_page_url":"?page=1","from":1,"last_page":1,"last_page_url":"?page=1","links":[{"url":null,"label":"« Previous","active":false},{"url":"?page=1","label":"1","active":true},{"url":null,"label":"Next »","active":false}],"next_page_url":null,"path":"","per_page":24,"prev_page_url":null,"to":10,"total":10}]