[{"admin":{"added":1592951367000,"created":1312633193000,"id":"publication-200001098","indexed":1707847465601,"modified":1707827064000,"processed":1707847461662,"source":"adlib","stream":"fitz-online","uid":"adlib-publication-200001098","uuid":"15fd53b4-8d44-3674-849b-a3a5edc2b2c4","version":3},"summary_title":"Francesco Xanto Avelli's Pucci Service (1532-1533): Part Two","title":[{"primary":true,"value":"Francesco Xanto Avelli's Pucci Service (1532-1533): Part Two"}],"type":{"base":"publication"}},{"current_page":1,"data":[{"_index":"ciim","_type":"data","_id":"adlib-object-79992","_score":20.072933,"_source":{"admin":{"added":1592984334000,"created":1312637261000,"flag":"Standard Record","id":"object-79992","indexed":1755021868321,"modified":1714467858000,"processed":1755021865424,"source":"adlib","stream":"fitz-online","uid":"adlib-object-79992","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/79992","uuid":"0afccc3e-6f13-3dfe-9750-e7da10ea83f2","version":12},"agents":[{"@link":{"note":[{"value":"Marmaduke Langdale Horn was born on 23 November 1889 at 'Holmwood' at Walkerville in South Australia, and was one of three brothers who served in the Royal Flying Corp during the First World War. He served in an administrative capacity and was awarded the Croix de Guerre with bronze star for his services. After the War he became a director of Horn Trust and Investments and Kuala Selanger Rubber Co. Ltd., and settled in England at Stoke Charity, where he had spent many of his younger years at Old Stoke. During the Second World War he acted as Chuchwarden for St Mary and St Michael, Stoke Charity, and later contributed to the restoration of the church. He became an art collector, and also built up an extensive collection of cigarette cards. He died at Stoke Charity on 18 August 1953. \n\nInformation taken from biography by Chas Schaedel, History Group South Australian Aviation Museum, see https:\/\/www.saam.org.au\/aviatorprofiles.html"}],"type":"reference"},"admin":{"id":"agent-207524","uid":"adlib-agent-207524","uuid":"08f9ec74-320f-3c60-aad1-c985ed27cc46"},"summary_title":"Horn, Marmaduke Langdale (1889-1953)"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-156780","uid":"adlib-agent-156780","uuid":"4470d805-70b9-3338-8d75-aa85567e6cd1"},"summary_title":"Orlando"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-160419","uid":"adlib-agent-160419","uuid":"9b481813-5e1b-380f-8947-db27e4986cf0"},"summary_title":"Ruggiero"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108348","uid":"adlib-term-108348","uuid":"667e7a19-db33-3d85-bd9b-c2dafd8e02ff"},"summary_title":"tin-glazed earthenware"}],"department":{"value":"Applied Arts"},"description":[{"value":"Maiolica plate, painted in polychrome with Orlando finds Ruggiero's Charger Frontino, his Armour and Sword on board an abandoned Ship."},{"value":"Pale buff earthenware, tin-glazed overall; there is a fault in the glaze on the left of the front; the reverse is off-white. Painted in blue, green, turquoise-green, yellow, orange, stone, brown, manganese-purple, black, and white.\nShape 52. Circular with a wide, gently sloping rim and shallow well, slightly and unevenly convex in the middle.\nOrlando finds Ruggiero's Charger Frontino, his Armour and Sword on board an abandoned Ship. Oliver stands on the right holding Ruggiero's armour. Brandimarte is aboard the ship, holding out his arms towards Frontino, who is partly hidden by three shields and an awning. Orlando, girt with the sword Balisarda, sits with his back to the viewer on a rock in the foreground. Hanging from the mast is a shield, charged with the Pucci arms argent, a moor's head proper wearing a headband argent charged with three hammers sable, with behind, a papal ombrellino. In the background to left there is a tree, and on the right, a rocky island. The edge is yellow. The back is inscribed in the middle in dark blue: `.1532.\/Nel agitato Legno truova\/Orlando di Ruggier' l'armi\/Nel.XXXVII. cato del furioso d\/.M.L. Ariosto.\/fra: Xato .A.\/da Rouigoi \/Urbino.' (In the tossing vessel Orlando finds Ruggiero's arms, In the 37th canto of the furioso of Messer Ludovico Ariosto. Francesco Xanto Avelli da Rovigo in Urbino.)."}],"exhibitions":[{"@link":{"catalogue":"5247","type":"reference"},"admin":{"id":"exhibition-1265","uid":"adlib-exhibition-1265","uuid":"723e9b4e-5a35-3d5f-933e-29f6c9da35fe"},"summary_title":"Special Exhibition of Works of Art of the Mediaeval, Renaissance and More Recent Periods"},{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"}],"identifier":[{"accession_number":"C.10-1953","primary":true,"type":"accession number","value":"C.10-1953"},{"priref":"79992","type":"priref","value":"79992"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/79992","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/79992"}],"inscription":[{"location":"on base","method":"inscribed in dark blue","transcription":[{"value":".1532.\/Nel agitato Legno truova\/Orlando di Ruggier' l'armi\/Nel.XXXVII. cato del furioso d\/.M.L. Ariosto.\/fra: Xato .A.\/da Rouigoi \/Urbino."}],"type":"inscription"},{"description":[{"value":"rectangular"}],"method":"typed","transcription":[{"value":"From the Pucco [sic] service"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"M.L. Horn Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-153306","uid":"adlib-agent-153306","uuid":"ffdbdb9b-fb52-37d0-befe-c60f946304c6"},"summary_title":"Horn, Marmaduke Langdale"}],"date":[{"earliest":1953,"latest":1953,"value":"1953-10-22"}],"method":{"value":"bequeathed"}}],"creation":[{"date":[{"earliest":1532,"era":["CE"],"latest":1532,"note":[{"value":"dated"}],"value":"1532"}],"maker":[{"@link":{"role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-5335","uid":"adlib-agent-5335","uuid":"abbd62ad-dff5-32f6-8881-6cc828e21322"},"summary_title":"Avelli, Francesco Xanto"},{"@link":{"qualifier":"after","role":[{"value":"engraver"}],"type":"reference"},"admin":{"id":"agent-112340","uid":"adlib-agent-112340","uuid":"a9104dd3-daf9-32ba-b083-c074b588b652"},"summary_title":"Raimondi, Marcantonio"}],"note":[{"value":"The dish was painted by Francesco Xanto Avelli, a native of Rovigo, near Padua, and was recorded in Urbino between 1530 and 1542. During that period he marked or signed numerous dishes and panels, many of which are also inscribed with their subject and its literary source. Xanto's reference on the back of this dish to canto 37 (stanzas 25-9) of Orlando Furioso, shows that he used the first edition, published in 1516 and reprinted in 1521, 1524, and each year until 1531. In the second edition of 1532 and subsequent editions, the action takes place in canto 41 (stanzas 25-9). These editions had no illustrations to serve as a basis for the illustration on the dish. So Xanto followed his usual practice of constructing a scene with figures taken from prints, in this case just one, the Abduction of Helen, engraved by Marcantonio Raimondi after Raphael. The first illustrated Orlando Furioso with a simple woodcut to each canto had been published in 1530, but it was not until 1542 that really lively illustrations appeared in the edition by Gabrielli Giolito de' Ferrari of Venice."},{"value":"This is one of thirty-six dishes surviving from a service bearing the arms of a member of the Pucci family of Florence. Thirty-four are dated 1532 and two, 1533. The identity of the owner of the service is uncertain. Piero Maria Pucci of Florence (b. 1467) is one member of the family who has been suggested. Another was Roberto Pucci, whose wife having died in 1526,  entered the Church, becoming Bishop of Pistoia in 1541, and a Cardinal in 1542, after which he impaled the Farnese arms with Pucci. He died aged eighty-three in 1547. Most of the dishes are decorated with scenes from classical mythology or history, but this dish and another in the British Museum differ in having scenes from one of the greatest romantic epic poems, Orlando Furioso by Ludovico Ariosto (1474-1533). The action shown on the Fitzwilliam's dish takes place after the hero, Ruggiero, had abandoned his ship in a storm off the coast of Egypt, leaving on board his horse, Frontino, his armour and his magic sword, Belisarda. These were found by a Christian warrior, Orlando, who took the sword for himself, and distributed the armour and horse to his companions, Oliviero, and Brandimarte, in preparation for a battle with a Saracen, Gradasso."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106602","uid":"adlib-term-106602","uuid":"bbb4c00f-eefa-3d64-9441-7a75aa07736e"},"summary_title":"16th Century"},{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110708","uid":"adlib-term-110708","uuid":"ef038505-1555-3c61-b6e2-cadcedf6c42a"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"The Marches"}],"summary_title":"The 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Berney, Bracon Hall, Norfolk, lot 22; Alfred Spero; Marmaduke Langdale Horn (1890-1953), Stoke Charity, near Winchester."}],"objects":[{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-71355","uid":"adlib-object-71355","uuid":"84045478-a491-382b-a8da-ca9ebe04f817"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-125345","uid":"adlib-term-125345","uuid":"044a81eb-350e-3229-9e5e-72ab4fb784aa"},"summary_title":"bowl with broad rim"}},"summary_title":"bowl with broad rim"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"type":"reference"},"admin":{"id":"publication-3246","uid":"adlib-publication-3246","uuid":"9fe31e95-6d6d-3983-9506-ec78ebd5cffd"},"summary_title":"Catalogue of fine Italian majolica, medieval and renaissance works of art, etc. . . . 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The back is inscribed in the middle in dark blue: `Di Car   'de et Scilla\/Il parlameto.\/fabula y' (Of Car    de and Scilla The conversation [?]. fable y)."}],"exhibitions":[{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"}],"identifier":[{"accession_number":"C.83-1961","primary":true,"type":"accession number","value":"C.83-1961"},{"priref":"76197","type":"priref","value":"76197"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76197","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76197"}],"inscription":[{"location":"on the back","method":"inscribed in dark blue","transcription":[{"value":"Di Car   . 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After Galatea had told Scylla and the nymphs about her love for Acis and the jealousy of the Cyclops, they returned to the sea, but Scylla remained alone on the shore (lines 898-900).  Although unsigned, this dish can be attributed to Xanto Avelli da Rovigo on the basis of style, the literary and printed sources used, and handwriting on the reverse. One of the most characteristic features of his istoriato designs was that he frequently created scenes by copying figures from different printed sources. On this dish they were taken from two prints. Scylla was copied from the Muse Euterpe in the engraving of Parnassus by Marcantonio Raimondi after Raphael.The ultimate source for this figure was the famous antique marble Ariadne in the Vatican.This figure appears in several of Xanto's composi\u00actions, for example, as Circe on the Fitzwilliam's dish decorated with 'Ulysses commanding Circe to restore his Companions to their Rightful Forms' (C.1-1953). The Cupid is either a reversed and upside-down version of the lower of two putti on the right of the same print or the middle putto of three on the other side. The four nymphs were drawn from Muses on the left of the' Contest between the Muses and the Pierides' engraved by G.G. Caraglio after Rosso Fiorentino. \nXanto used the word favola or fabula (fable) at the end of inscriptions on his work between 1528-31, after which he signed with several versions of his name or shortened forms of it.  \nThe same figure of Scylla and and the nymphs appear together on at least three further dishes of the same wide-rimmed bowl form. One in the Victoria and Albert Museum (C.2233-1910), decorated with the same figure of Scylla and a group of five nymphs from the same printed sources, but with a different background and a central coat-of-arms, is inscribed 'Exorta Galatha silla ad amare fabula y' (Galatea exhorts Scylla to love fable y). The second from the Pucci Service, dated 1532, is decorated with Galatea, Scylla and the Cyclops, and inscribed 'A' Scylla parla Galath\/ea d'amore' (Galatea speaks to Scylla of love), The third in the Hatton Gallery, Newcastle upon Tyne (Tyne and Wear Archive and Museums inv. NEWHG;S0004)is  decorated with Scylla, and two groups of nymphs and a central shield charged with a man astride a lion wrenching its jaws open (perhaps Hercules), and inscribed .1531.\/Di Silla & di Carib\/di parlamenti. favola.\/\/fra:Xato.A.Rov\/igiese i Urbino\/pi:'(Discussions of Scylla and Charybdis. Fable. Francesco Xanto Avelli of Rovigo painted it in Urbino).\nTimothy Wilson has suggested, probably rightly, that the partly missing word at the beginning of the inscription on the Fitzwilliam's dish was probably Caribde rather than Cupide, although the painter seems to have made a mistake in associating Carybdis with the story about Scylla and Galatea on the front."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-147443","uid":"adlib-term-147443","uuid":"afab8093-e38a-3b82-a24a-a30e3e76091d"},"summary_title":"second quarter of 16th century"},{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110708","uid":"adlib-term-110708","uuid":"ef038505-1555-3c61-b6e2-cadcedf6c42a"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"}]],"summary_title":"Urbino"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"26.2"},{"dimension":"Height","units":"cm","value":"3.5"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-47111","uid":"adlib-media-47111","uuid":"ffc7af9b-a3b6-3133-89e3-e988a16a8954"},"processed":{"large":{"format":"jpeg","location":"aa\/aa9\/C_83_1961_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1742583574875,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa9\/mid_C_83_1961_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":649},{"dimension":"width","units":"pixels","value":500}]},"modified":1742583574875,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa9\/C_83_1961_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1742583574875,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa9\/preview_C_83_1961_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":325},{"dimension":"width","units":"pixels","value":250}]},"modified":1742583574875,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}},{"@link":{"type":"reference"},"admin":{"id":"media-47112","uid":"adlib-media-47112","uuid":"49be5a3f-f65c-318e-ad10-648f40ef2d24"},"processed":{"large":{"format":"jpeg","location":"aa\/aa9\/C_83_1961_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1742583548075,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa9\/mid_C_83_1961_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":649},{"dimension":"width","units":"pixels","value":500}]},"modified":1742583548075,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa9\/C_83_1961_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1742583548075,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa9\/preview_C_83_1961_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":325},{"dimension":"width","units":"pixels","value":250}]},"modified":1742583548075,"resizable":true,"type":"image"}},"sort":"1","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-125345","uid":"adlib-term-125345","uuid":"044a81eb-350e-3229-9e5e-72ab4fb784aa"},"summary_title":"bowl with broad rim"}},{"value":"dish"}],"note":[{"type":"history note","value":"Unknown before Louis C.G. 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Painted in blue, turquoise-green, yellowish-green, yellow, orange, beige, brown, manganese, black, and white. Shape 58. Circular with a wide, slightly sloping rim and small, deep well.\nUlysses commanding Circe to restore his Companions to their Rightful Forms. Ulysses stands on the left, his head turned towards Circe, and his left arm pointing to one of his companions with a swine's hind limbs and head, who reclines in the foreground. In the middle, two of his men with swine's hind legs bear vessels to Circe; the one on the left has a covered dish and the other a ewer and basin. Behind them is a doorway with the date `1532' inscribed in a panel above it. On the right, Circe sits on a throne, holding a sceptre or wand in her right hand. Above her, imposed on a draped curtain is a shield charged with the arms of Pucci of Florence: argent, a moor's head proper wearing a headband argent charged with three hammers sable, with behind, a papal ombrellino. The edge is yellow. The back is inscribed in the middle in dark blue: `.1532.\/Vlisse chiede a Circe\/i suoi compagni\/Nel .XIIII. Li d  Ouidio Met:\/.fra: Xanto.A.\/da Rovi...i \/ Urbi . . .' (Ulysses asks Circe for his companions In the 14th Book of Ovid's Metamorphoses:.francesco Xanto.Avelli of Rovigo in Urbino)."}],"exhibitions":[{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"}],"identifier":[{"accession_number":"C.11-1953","primary":true,"type":"accession number","value":"C.11-1953"},{"priref":"71355","type":"priref","value":"71355"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71355","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71355"}],"inscription":[{"location":"on the back","method":"incised","transcription":[{"value":"'af' and '83'"}],"type":"mark"},{"location":"in the middle of the back","method":"painted in","transcription":[{"value":"1532.\/Vlisse chiede a Circe\/i suoi compagni\/Nel .XIIII. Li d  Ouidio Met:\/.fra: Xanto.A.\/da Rovi...i \/ Urbi . . .'"}],"type":"inscription"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"M.L. Horn Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-153306","uid":"adlib-agent-153306","uuid":"ffdbdb9b-fb52-37d0-befe-c60f946304c6"},"summary_title":"Horn, Marmaduke Langdale"}],"date":[{"earliest":1953,"latest":1953,"value":"1953-10-22"}],"method":{"value":"bequeathed"}}],"creation":[{"date":[{"earliest":1532,"era":["CE"],"latest":1532,"precision":"dated","value":"1532"}],"maker":[{"@link":{"role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-5335","uid":"adlib-agent-5335","uuid":"abbd62ad-dff5-32f6-8881-6cc828e21322"},"summary_title":"Avelli, Francesco Xanto"},{"@link":{"qualifier":"after","role":[{"value":"printmaker"}],"type":"reference"},"admin":{"id":"agent-112340","uid":"adlib-agent-112340","uuid":"a9104dd3-daf9-32ba-b083-c074b588b652"},"summary_title":"Raimondi, Marcantonio"},{"@link":{"qualifier":"after","role":[{"value":"printmaker"}],"type":"reference"},"admin":{"id":"agent-182276","uid":"adlib-agent-182276","uuid":"cb8a3144-a25c-3442-a37f-b502434af8e9"},"summary_title":"Monogrammist I. 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The two servants were adapted and transposed from the servants at the banquet given in Aeneas' honour by Dido, in the lowest right panel of the 'Quos Ego' engraved by Marcantonio Raimondi. The man with a swine's head in the foreground was probably derived from a figure in the 'Battle of the Romans and Carthaginians' engraved by Marco Dente after Raphael or Giulio Romano."},{"value":"This plate belongs to a service made for a member of the Pucci family of Florence, which comprises a salt,  thirty-four dishes dated 1532, and two dishes dated 1533. The plate is decorated with the story of Ulysses and Circe which is told in Ovid's Metamorphoses, Book XIV, 248-307, the incident portrayed on the dish in lines 293-8.  Circe had transformed Ulysses' companions into swine after giving them poisoned wine at a feast in her palace. Only one, Eurylochus, refrained from drinking and escaped to tell Ulysses. When the latter arrived at the palace he refused the poisoned cup offered by Circe and threatened her with his sword. Then, having made a marriage pact with her, he demanded as a wedding gift that she return his companions to their rightful forms. This subject also occurs on a dish of 1533 in the Louvre, which has the same figures of Ulysses and Circe, but is otherwise rendered differently."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-120009","uid":"adlib-term-120009","uuid":"690a6332-cfc1-3411-a716-4dd4ec7d9a65"},"summary_title":"16th Century, second 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Fr\u00e8res et dont la vente aura lieu \u00e0 Cologne dans la grande salle du casino (Augustinerplatz 7) du mercredi 19 au jerdi 27 octobre 1904, lot 93; Dr Alfred Pringsheim; Sotheby's, 20 July 1939, Catalogue of the renowned collection of Italian majolica, the property of Dr Alfred Pringsheim of Munich, lot 390; Marmaduke Langdale Horn (1890-1953)."}],"objects":[{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-79992","uid":"adlib-object-79992","uuid":"0afccc3e-6f13-3dfe-9750-e7da10ea83f2"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-34935","uid":"adlib-term-34935","uuid":"b6750733-fe79-33fc-b39a-c296fcd223b4"},"summary_title":"plate"}},"summary_title":"plate"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. p. 14, no. 49","page":"p. 14","type":"reference"},"admin":{"id":"publication-3035","uid":"adlib-publication-3035","uuid":"3064cc6f-227c-3011-80f7-1d2bb0eef991"},"summary_title":"Del Museo Pasolini in Faenza, Descrizione"},{"@link":{"type":"reference"},"admin":{"id":"publication-3243","uid":"adlib-publication-3243","uuid":"d5ca76d7-4fe9-38fd-be5a-5ec6c2e12af6"},"summary_title":"Catalogue d'une belle collection de majoliques italiennes des diverses fabriques des XVe, XVIe & XVIIe si\u00e8cles"},{"@link":{"type":"reference"},"admin":{"id":"publication-3211","uid":"adlib-publication-3211","uuid":"fed40c31-3ea0-30bf-83ed-c01c57ecab80"},"summary_title":"Catalogue of the celebrated Fountaine collection of majolika, Henry II ware, Palissy ware, Nevers ware, Limoges enamels, carvings in ivory, hone stone and rock crystal, Greek and Roman coins, ancient armour &c. &c., removed from Narford Hall, Norfolk"},{"@link":{"type":"reference"},"admin":{"id":"publication-3248","uid":"adlib-publication-3248","uuid":"652d18eb-394c-32a9-85e3-3629ddcba65d"},"summary_title":"Collection Bourgeois Fr\u00e8res, Catalogue des objets d'art et e haute curiosit\u00e9 composant la collection Bourgeois Fr\u00e8res et dont la vente aura lieu \u00e0 Cologne dans la grande salle du casino (Augustinerplatz 7) du mercredi 19 au jerdi 27 octobre 1904"},{"@link":{"type":"reference"},"admin":{"id":"publication-3201","uid":"adlib-publication-3201","uuid":"e21a58a9-f96d-3513-b0fd-be8aadf7e292"},"summary_title":"Die Majolikasammlung Alfred Pringsheim in M\u00fcnchen, II"},{"@link":{"notes":"Publ. pp. 105-19, mentioned p. 113","page":"pp. 105-19","type":"reference"},"admin":{"id":"publication-200001097","uid":"adlib-publication-200001097","uuid":"b4478edd-f3c0-302b-ab2f-b38dec094f48"},"summary_title":"Rimpianto (Due collezioni faentine disperse)"},{"@link":{"notes":"Publ. p. 21, no. 50, figs. 47, 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LIIa and b.","page":"26-9","type":"reference"},"admin":{"id":"publication-200001098","uid":"adlib-publication-200001098","uuid":"15fd53b4-8d44-3674-849b-a3a5edc2b2c4"},"summary_title":"Francesco Xanto Avelli's Pucci Service (1532-1533): Part Two"},{"@link":{"notes":"Ref.pp. 32-43 for information about the service","page":"32-43","type":"reference"},"admin":{"id":"publication-200001155","uid":"adlib-publication-200001155","uuid":"7f5c49e5-d61a-3b67-a370-15c67ad64021"},"summary_title":"Francesco Xanto's Pucci Service (1532-1533): Part One"},{"@link":{"notes":"Publ. p. 254, no. 80.13","page":"p. 254","type":"reference"},"admin":{"id":"publication-200000984","uid":"adlib-publication-200000984","uuid":"66e91566-e73d-3cc0-83a5-b0e3ce3bcb1c"},"summary_title":"Xanto and Ariosto"},{"@link":{"notes":"Publ. pp. 338-340, no. 391; for the printed sources see p. 318, fig. 19, p. 313, fig. 17, p. 328, fig. 24, and p. 339, fig. 31","page":"pp. 338-340","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Ref. p. 10-18, for a discussion of whether or not Monogrammist IB can be identified with Georg Pencz. 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