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Two larger maiolica busts of younger women are respectively in the Boston Museum of Fine Arts (54.146), attributed possibly to Montelupo, and the Cleveland Museum of Art (40.344), which has more pronounced modelling, thicker white glaze, and a plain blue bodice, is attributed to Tuscany. A smaller female bust, actually a ewer, was once in the collection of Mrs Maxwell Macdonald of Pollok House, Pollokshaws, Glasgow. The Fitzwilliam's bust stands apart from these three-dimensional belle donne in its candid portrayal of gap-toothed middle age.  The male maiolica busts which have survived from this period are more sculptural in style. An impressive polychrome bust of Christ is in the Getty Museum, Malibu, busts of the young St John the Baptist are n the Ashmolean Museum, Oxford and the Museo di Capodimonte, Naples. An uncoloured bust of Christ, attributed to Sansovino, is in a collection at Arezzo, and one of Pope Paul III is in the Museo Internazionale delle Ceramiche, Faenza."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106437","uid":"adlib-term-106437","uuid":"59e72604-922d-3194-ac46-27c1c5ac76a4"},"summary_title":"15th Century, Late"},{"@link":{"type":"reference"},"admin":{"id":"term-106256","uid":"adlib-term-106256","uuid":"1bd8ad44-09c2-3c55-825a-635e463bb56b"},"summary_title":"16th Century, 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Painted in dark blue, green, yellow, orange, and manganese-purple. Shape 66. Circular with shallow curved sides, slightly everted at the rim.\nDoge Agostino Barbarigo supervising the loading of Money into a Ship destined for the Relief of Naples. The ship is moored beside a wharf on the right. At the foot of the mast there are six money bags, five of which bear a label inscribed with the name of the coins they contain: `docate papal' (papal ducats), `docate ugar' (Hungarian ducats), `docatti ancon' (Ancona ducats), `docate ve' (Venetian ducats), and `venetia' (Venetian ?). A rectangular notice suspended from the rigging is inscribed `fatte fatte fatte\/et non parole' (deeds, deeds, deeds and not words). The Doge stands in the middle, pointing to the label with his left hand and to the money with his right. Four togati stand behind him and, on the extreme left, a sailor approaches carrying four more bags, two of which are labelled `March' (small silver marchesane or marcelli) and `Troni' (silver lira introduced by Doge Niccol\u00f2 Tron). The foreground is green and the background dark blue with pronounced vertical brush strokes. The back is decorated with a central blue spiral surrounded by concentric circles: wide blue, orange and blue, two narrow blue, and a yellow zig-zag border filled with transverse blue lines. The edge is encircled by a blue band."}],"exhibitions":[{"@link":{"type":"reference"},"admin":{"id":"exhibition-7","uid":"adlib-exhibition-7","uuid":"402373ec-9de7-3594-a5c1-e9a53ff076ce"},"summary_title":"Exhibition of Italian Art 1200-1900"},{"@link":{"catalogue":"no. 218","type":"reference"},"admin":{"id":"exhibition-1665","uid":"adlib-exhibition-1665","uuid":"63658816-1634-3848-a45b-3eee31f953ac"},"summary_title":"Ceramic Art of the Italian Renaissance"},{"@link":{"type":"reference"},"admin":{"id":"exhibition-1685","uid":"adlib-exhibition-1685","uuid":"a01642b1-8257-3866-82b5-e1b33c5544d2"},"summary_title":"Christopher Columbus, Ships and the Sea"},{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"},{"@link":{"type":"reference"},"admin":{"id":"exhibition-1709","uid":"adlib-exhibition-1709","uuid":"e7f4099b-cc56-3b21-a8ae-accb7e1c4eaf"},"summary_title":"I Borgia, l'arte del potere"},{"@link":{"catalogue":"55","type":"reference"},"admin":{"id":"exhibition-2573","uid":"adlib-exhibition-2573","uuid":"992d85e4-5168-30d5-8235-23b6ec4bc04e"},"summary_title":"Majolique. 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Leverton Harris Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-151483","uid":"adlib-agent-151483","uuid":"26fbb332-a159-3961-80ad-ff1bd1a618c2"},"summary_title":"Harris, Frederick Leverton"}],"date":[{"earliest":1926,"latest":1926,"value":"1926"}],"method":{"value":"bequeathed"},"note":[{"value":"Previously thought to be bought probably from Raphael Stora, Paris."}]}],"creation":[{"date":[{"earliest":1495,"from":{"earliest":1495,"era":["CE"],"latest":1495,"precision":"circa","value":"1495"},"latest":1520,"range":true,"to":{"earliest":1520,"era":["CE"],"latest":1520,"value":"1520"}}],"maker":[{"@link":{"qualifier":"uncertain","role":[{"value":"maker"}],"type":"reference"},"admin":{"id":"agent-149652","uid":"adlib-agent-149652","uuid":"0d4f90dc-b166-3d4b-b0db-25f4118b6e98"},"summary_title":"Unknown"}],"note":[{"value":"This is a rare portrayal on maiolica of a recent historical event. The French had invaded Naples in February 1495 and the ousted Aragonese King, Ferdinand II, appealed to Venice for help. By the end of March, an anti-French treaty known as The Holy League had been concluded. The League was made public on Palm Sunday, 1495 and afterwards money was collected and despatched by sea to Ferdinand II. The sacks on the ship are labelled with their contents: Papal, Hungarian, Ancona, and Venetian ducats. The two carried by the sailor on the left are labelled `March', probably small silver marchesane or marcelli, and `Troni', silver lire introduced by Doge Niccol\u00f2 Tron (1471-4). The notice on the ship's rigging, `fate fate fatte\/et non parole' (action, action, action and not words), indicates that Venice was sending practical assistance and not just vain promises.\nThe attribution of the dish has caused much speculation. The subject is so specifically Venetian that it is only natural to consider that it was painted there soon after the event. However, no firm evidence for the manufacture of maiolica in Venice in 1495 has been published, and istoriato dishes from any centre before 1500 are uncommon. In view of the dish's shape, certain aspects of the figures, and the decoration of the reverse, it is more likely to have been made in Faenza between about 1500 and 1520. 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