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Painted in dark blue, pale blue, pale green, yellow, orange, and opaque white. There are three small spur marks in the well. Shape approximately 59 (Poole 1995), slightly convex in the middle. Circular with a broad rim, and deep curved well, slightly convex in the middle.\nThe central medallion contains a landscape in which a stream of arrows speeds towards a young man who is bound to a stake, while a young woman is either tying him up or releasing him. The sides are decorated with bianco sopra bianco and orange Vs between rows of simulated beading. On the rim are grotesques reserved in a dark blue ground: four labels inscribed `1520', each flanked by cornucopiae and scrolls and surmounted by a winged putto's head, alternating with four grotesque masks, each flanked by dolphin scrolls and surmounted by a palmette. The rim is yellow.\nThe middle of the back is painted in blue with three concentric circles, crossed by two lines. One quarter contains a small circle, the other three an arrow pointing towards the centre. Radiating from the base are two rows of blue petals, the inner row transversely striped in blue and the outer in orange. The spaces between the petals are filled with blue transverse lines, and three narrow concentric blue bands encircle the edge."}],"exhibitions":[{"@link":{"catalogue":"no. 948 L","type":"reference"},"admin":{"id":"exhibition-7","uid":"adlib-exhibition-7","uuid":"402373ec-9de7-3594-a5c1-e9a53ff076ce"},"summary_title":"Exhibition of Italian Art 1200-1900"},{"@link":{"type":"reference"},"admin":{"id":"exhibition-1613","uid":"adlib-exhibition-1613","uuid":"14ebcb02-6902-3d77-86f1-2632430766a6"},"summary_title":"The Fine Art and Antiques Fair"},{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"}],"identifier":[{"accession_number":"EC.36-1942","primary":true,"type":"accession 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1942-10-16"}]}],"creation":[{"date":[{"earliest":1520,"era":["CE"],"latest":1520,"note":[{"value":"dated"}],"value":"1520"}],"maker":[{"@link":{"role":[{"value":"maker"}],"type":"reference"},"admin":{"id":"agent-160580","uid":"adlib-agent-160580","uuid":"596dd7c6-f0e6-363f-a2ca-465b66682793"},"summary_title":"'Assumption Painter'"}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106602","uid":"adlib-term-106602","uuid":"bbb4c00f-eefa-3d64-9441-7a75aa07736e"},"summary_title":"16th Century"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-108597","uid":"adlib-term-108597","uuid":"3730ea9f-6a64-338b-bdbd-0662bf55b8d2"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Emilia-Romagna"}],"summary_title":"Emilia-Romagna","type":"region"}]],"summary_title":"Faenza"}]}]},"materials":[{"note":[{"value":"in dark blue, pale blue, pale green, yellow, orange, and opaque white"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108364","uid":"adlib-term-108364","uuid":"115b8729-a560-35c1-b654-4b9d2fc5f68b"},"summary_title":"high-temperature 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with broad rim"}],"note":[{"type":"history note","value":"Sir Otto Beit; Sir Alfred Beit; Sotheby's, 16 October 1942, Catalogue of important Italian majolica, the property of Sir Alfred Beit Bt, MP, lot 22."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. pp. 69-70, no. 711 & pl. 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Painted in dark blue, pale blue, pale green, yellow, orange, and opaque white. There are three small spur marks in the well."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120059","uid":"adlib-term-120059","uuid":"dfa315b5-819d-37ab-ab22-bddfdbb3cbe7"},"summary_title":"tin-glazing"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}],"title":[{"value":"Maiolica dish with a broad rim"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-80702","_score":20.076452,"_source":{"admin":{"added":1592996700000,"created":1312637261000,"flag":"Standard Record","id":"object-80702","indexed":1747246360156,"modified":1730304813000,"processed":1747245848890,"source":"adlib","stream":"fitz-online","uid":"adlib-object-80702","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/80702","uuid":"38683447-50e9-30da-801f-1dea53a34e5b","version":18},"agents":[{"@link":{"note":[{"value":"1819-1881"}],"type":"reference"},"admin":{"id":"agent-206904","uid":"adlib-agent-206904","uuid":"1fa42290-ed07-383e-b42a-e0b2cc66d9d7"},"summary_title":"Fillon, Benjamin"},{"@link":{"type":"reference"},"admin":{"id":"agent-206905","uid":"adlib-agent-206905","uuid":"e47cd43c-ef5a-3509-9b4a-4a414b1d761b"},"summary_title":"Oppenheimer, Henry (1859-1932)"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-149742","uid":"adlib-agent-149742","uuid":"1d4d164f-45d5-3cec-ad71-bbc83cea9b86"},"summary_title":"woman"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108348","uid":"adlib-term-108348","uuid":"667e7a19-db33-3d85-bd9b-c2dafd8e02ff"},"summary_title":"tin-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"}],"component":[{"materials":[{"note":[{"value":"dark blue, green, yellow, orange, manganese-purple, and black"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108364","uid":"adlib-term-108364","uuid":"115b8729-a560-35c1-b654-4b9d2fc5f68b"},"summary_title":"high-temperature colours"}}],"name":"Decoration","techniques":[{"note":[{"value":"in dark blue, green, yellow, orange, manganese-purple, and black"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}]},{"name":"Exterior","techniques":[{"note":[{"value":"underside unglazed"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120059","uid":"adlib-term-120059","uuid":"dfa315b5-819d-37ab-ab22-bddfdbb3cbe7"},"summary_title":"tin-glazing"}}]}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-110500","uid":"adlib-term-110500","uuid":"6dc34c6c-d553-36b2-b489-9797a89deeea"},"summary_title":"society\/human life"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Maiolica bust of an old woman, painted in polychrome."},{"value":"Pale buff earthenware, tin-glazed on the exterior; underside unglazed. Painted in dark blue, green, yellow, orange, manganese-purple, and black. Modelled in the round; hollow underneath.\nThe old woman faces front, her head inclined to her right. She has a broad, smooth brow, a large nose, high cheek-bones, wide-set eyes and a slight double chin. Her mouth is set in a wide grimace showing the gaps in her teeth. She wears a close-fitting cap, half green, half yellow, with blue zig-zag stitching on the seams and two blue strings hanging down at the back. Her dress has a low neckline edged in yellow, above which is the top of her chemise, edged in blue and orange. The bodice is partly blue and partly green at the front, and partly manganese and partly brown with a black spiralling pattern at the back. Her right sleeve is purple and her left has a geometrical pattern in orange, yellow and black. She has a square jewel on a cord round her brow and a string of beads round her neck."}],"exhibitions":[{"@link":{"type":"reference"},"admin":{"id":"exhibition-1680","uid":"adlib-exhibition-1680","uuid":"ae4f21f2-b55b-3cdb-931f-71b62890e666"},"summary_title":"L'art ancien \u00e0 l'exposition de 1878"},{"@link":{"type":"reference"},"admin":{"id":"exhibition-7","uid":"adlib-exhibition-7","uuid":"402373ec-9de7-3594-a5c1-e9a53ff076ce"},"summary_title":"Exhibition of Italian Art 1200-1900"},{"@link":{"catalogue":"B1","type":"reference"},"admin":{"id":"exhibition-1070","uid":"adlib-exhibition-1070","uuid":"2cb713dc-899f-35df-9c15-515a05f38d48"},"summary_title":"Plagiarism Personified? European Pottery and Porcelain Figures"},{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"},{"@link":{"catalogue":"no number","type":"reference"},"admin":{"id":"exhibition-1947","uid":"adlib-exhibition-1947","uuid":"b001f7b2-b704-38f8-a5e1-729cd26e4aff"},"summary_title":"La scultura al tempo di Andrea Mantegna"}],"identifier":[{"accession_number":"C.1-1955","primary":true,"type":"accession number","value":"C.1-1955"},{"priref":"80702","type":"priref","value":"80702"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/80702","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/80702"}],"inscription":[{"description":[{"value":"rectangular with cut corners"}],"location":"on the back","method":"inscribed in black ink","transcription":[{"value":"CAFFAGIOLO.\/ FROM\\BENJ FELLON COLLECN\/ILLUSTD\/GAZETTE BEAUX ART\/1875"}],"type":"label"},{"description":[{"value":"rectangular loan form for the 1930 Exhibition of Italian Art"}],"method":"typed inscription","transcription":[{"value":"`Bust of old woman' and `Henry Oppenheimer Esq. 9 Kensington Palace Gdns.'"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by L.C.G. Clarke"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149875","uid":"adlib-agent-149875","uuid":"89f52d0e-b912-3dc9-8b2c-61d6aa011b16"},"summary_title":"Clarke, Louis Colville Gray"}],"date":[{"earliest":1955,"latest":1955,"value":"1955"}],"method":{"value":"given"}}],"creation":[{"date":[{"earliest":1490,"from":{"earliest":1490,"era":["CE"],"latest":1490,"precision":"circa","value":"1490"},"latest":1510,"range":true,"to":{"earliest":1510,"era":["CE"],"latest":1510,"value":"1510"}}],"maker":[{"@link":{"qualifier":"probably","role":[{"value":"maker"}],"type":"reference"},"admin":{"id":"agent-149652","uid":"adlib-agent-149652","uuid":"0d4f90dc-b166-3d4b-b0db-25f4118b6e98"},"summary_title":"Unknown"}],"note":[{"value":"The commemoration of individuals by realistic portraits, medals or busts became increasingly common in Italy during the fifteenth century. The earliest maiolica busts, excluding those decorated with coloured glazes from the Della Robbia workshop, were probably made between about 1490 and 1510. In the nineteenth century this bust was attributed to Cafaggiolo near Florence, but no evidence for the manufacture of maiolica sculpture there has yet come to light, and it seems more likely that the bust was made in Emilia-Romagna or the Marches. The colouring and glaze are comparable to maiolica relief sculpture attributed to Faenza or Pesaro, such as a large 'Lamentation over the Dead Christ' dated 1487 in the Metropolitan Museum of Art, New York (1904.04.26a,b). The floral and geometrical motifs on the woman's costume are comparable to those on domestic and pharmaceutical pottery from those centres. Two larger maiolica busts of younger women are respectively in the Boston Museum of Fine Arts (54.146), attributed possibly to Montelupo, and the Cleveland Museum of Art (40.344), which has more pronounced modelling, thicker white glaze, and a plain blue bodice, is attributed to Tuscany. A smaller female bust, actually a ewer, was once in the collection of Mrs Maxwell Macdonald of Pollok House, Pollokshaws, Glasgow. The Fitzwilliam's bust stands apart from these three-dimensional belle donne in its candid portrayal of gap-toothed middle age.  The male maiolica busts which have survived from this period are more sculptural in style. An impressive polychrome bust of Christ is in the Getty Museum, Malibu, busts of the young St John the Baptist are n the Ashmolean Museum, Oxford and the Museo di Capodimonte, Naples. An uncoloured bust of Christ, attributed to Sansovino, is in a collection at Arezzo, and one of Pope Paul III is in the Museo Internazionale delle Ceramiche, Faenza."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106437","uid":"adlib-term-106437","uuid":"59e72604-922d-3194-ac46-27c1c5ac76a4"},"summary_title":"15th Century, Late"},{"@link":{"type":"reference"},"admin":{"id":"term-106256","uid":"adlib-term-106256","uuid":"1bd8ad44-09c2-3c55-825a-635e463bb56b"},"summary_title":"16th Century, 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