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B. Marlay"}],"component":[{"materials":[{"note":[{"value":"blue, turquoise-green, yellow, orange, black, grey, and white"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108364","uid":"adlib-term-108364","uuid":"115b8729-a560-35c1-b654-4b9d2fc5f68b"},"summary_title":"high-temperature colours"}}],"name":"Decoration","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}]}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-23385","uid":"adlib-term-23385","uuid":"4c17df77-7d4e-32bf-8ec9-921b71d218a2"},"summary_title":"religion"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Maiolica cover from an accouchement set bowl, painted in polychrome with the Holy Family."},{"value":"Pale buff earthenware, tin-glazed overall. Painted in blue, turquoise-green, yellow, orange, black, grey, and white. Circular with a flange on the underside; the upper surface flat with a convex rim.\nThe Holy Family in an architectural setting; on the rim, bound leaves and berries between concentric yellow bands. On the back, two putti standing on clouds support a shield bearing the arms sable, a fess or, a chief party per pale gules and argent two rosettes counterchanged flanked by the letters `ELI' and `PYA'; below, a winged putto's head. The background is blue above the arms and brown below. The flange and rim are yellow."}],"exhibitions":[{"@link":{"catalogue":"245","type":"reference"},"admin":{"id":"exhibition-3305","uid":"adlib-exhibition-3305","uuid":"534a3247-91a9-398f-abe9-7b419586f568"},"summary_title":"Feast and Fast: The Art of Food in Europe (1500-1800)"},{"@link":{"catalogue":"340","type":"reference"},"admin":{"id":"exhibition-1610","uid":"adlib-exhibition-1610","uuid":"ce06b5fd-cb8c-31a1-8be4-bebc8b56e19d"},"summary_title":"Specimens of Hispano-Moresque and Majolica Pottery exhibited in 1887"},{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"},{"@link":{"type":"reference"},"admin":{"id":"exhibition-1848","uid":"adlib-exhibition-1848","uuid":"6fcd371a-ed21-39fa-8912-93a6a46066c8"},"summary_title":"The Times of our Lives: Rites of Passage"},{"@link":{"catalogue":"plate 33","type":"reference"},"admin":{"id":"exhibition-2806","uid":"adlib-exhibition-2806","uuid":"6e1b65bf-b6bc-3f65-8be7-5ea2aab18496"},"summary_title":"Madonnas and Miracles. 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Childbirth, the most dangerous experience in most women\u2019s lives, required nourishing food, like sweetmeats or broths. In Romagna and the Marches these became known as 'un servizio da impagliata' because the word 'impagliata' was used to describe a woman during her lying-in. According to Cipriano Piccolpasso (c. 1523\/4-79) in I tre libri del Arte del Vasaio, written about 1557, the services usually had five pieces arranged on top of each other: a standing bowl covered by a plate, a drinking bowl on a foot, and a salt and its cover.\nThese sets are mentioned in many fifteenth and sixteenth century inventories but apart from a salt in the Victoria and Albert Museum, only bowls and covers appear to have survived. Most of them are decorated with scenes of childbirth, the washing of babies, or women with small children. Others have childbirth scenes from the Bible or classical mythology, or subjects connected with qualities, such as valour, which it was hoped the child would acquire. \nThe Holy Family on the top of this cover was derived from the 'Adoration of the Shepherds', engraved by Giovanni Giacomo  Caraglio after Parmigianino (1503-40).  It shows the Virgin Mary, Joseph and a female saint, around the new-born baby Jesus, who is cradled in the arms of a woman who has no halo, and was perhaps a midwife. The scene was intended to inspire the new mother, who would have looked to the Virgin and St Anne as models of motherhood. The reverse is painted with two putti, the family\u2019s coat-of- arms, and the initials, \u2018ELI\u2019 and \u2018PYA\u2019, said to be for the name of the father, \u2018Elisio Piani\u2019, an official of the Monte Piet\u00e0 in Urbino in early sixteenth-century Urbino. A dish painted with the 'Judgement of Paris' by Francesco Xanto in 1531 bears the same coat-of-arms (Fitzwilliam Museum, C.86-1961)."},{"value":"If not painted by the 'Milan Marsyas Painter' this cover was probably painted by Francesco Xanto Avelli da Rovigo"}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-120009","uid":"adlib-term-120009","uuid":"690a6332-cfc1-3411-a716-4dd4ec7d9a65"},"summary_title":"16th Century, second quarter"},{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110708","uid":"adlib-term-110708","uuid":"ef038505-1555-3c61-b6e2-cadcedf6c42a"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"the Marche"}],"summary_title":"the 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Alessandro Castellani; Paris, H\u00f4tel Drouot, 28 May 1878, Catalogue des fa\u00efences italiennes . . . et de deux pi\u00e8ces de la c\u00e9l\u00e8bre porcelaine des Medicis, composant l'importante collection de M. Alessandro Castellani, lot 292; C.B. Marlay before 1887."}],"objects":[{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-76242","uid":"adlib-object-76242","uuid":"4fe95d0f-2c96-3192-8a98-0a11c8c2e24d"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}},"summary_title":"dish"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"type":"reference"},"admin":{"id":"publication-3237","uid":"adlib-publication-3237","uuid":"641efb1b-182f-38f5-ad20-f731e926aca0"},"summary_title":"Catalogue des fa\u00efences italiennes . . . et de deux pi\u00e8ces de la c\u00e9l\u00e8bre porcelaine des Medicis, composant l'importante collection de M. Alessandro Castellani"},{"@link":{"notes":"Publ. p. 49, no. 340","page":"p. 49","type":"reference"},"admin":{"id":"publication-3222","uid":"adlib-publication-3222","uuid":"46285040-527c-3f90-ae0b-6eaf4d86f6d0"},"summary_title":"Catalogue of Specimens of Hispano-Moresque and Majolica Pottery Exhibited in 1887"},{"@link":{"notes":"Publ. pp. 333-5, no. 389; for the printed source, see p. 335, fig. 28","page":"pp. 333-5","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. pp. 64-5, no. 27","page":"64-5","type":"reference"},"admin":{"id":"publication-3378","uid":"adlib-publication-3378","uuid":"e4a41d6d-c98c-3959-bcb4-041c12eeb88c"},"summary_title":"Fitzwilliam Museum Handbooks, Italian Maiolica"},{"@link":{"notes":"Publ. p. 147 illustrated.  Ref. See especially Chapter 4, Maiolica Wares for Childbirth, but there are many illustrations of comparable objects throughout the book.","page":"pp. 146-7","type":"reference"},"admin":{"id":"publication-3396","uid":"adlib-publication-3396","uuid":"1f086d4f-3635-34a1-9650-449561193ba3"},"summary_title":"The Art and Ritual of Childbirth in Renaissance Italy"},{"@link":{"notes":"Publ. p. 93, and pl. I a.","page":"93","type":"reference"},"admin":{"id":"publication-200001832","uid":"adlib-publication-200001832","uuid":"d1ca394e-d49d-3eec-b9c6-d1d1dc813ca2"},"summary_title":"The Identification of Maiolica from Sanseverino"},{"@link":{"notes":"Publ. pp. 32-3, plate 33; front illustrated on p. 33 and back on p. 32. Fig. 12 reproduces the accouchement set cup in Cipriano Piccolpasso, 'Li tre libri dell'arte del vasaio'.","page":"32-33","type":"reference"},"admin":{"id":"publication-8422","uid":"adlib-publication-8422","uuid":"849d6b11-70f3-3a5b-9261-5930e598885c"},"summary_title":"Madonnas and Miracles. The Holy Home in Renaissance Italy"},{"@link":{"notes":"Publ. p. 213, fig. 7.18, and p. 253, cat. 245","page":"p. 213, 253","type":"reference"},"admin":{"id":"publication-8743","uid":"adlib-publication-8743","uuid":"a86a8f73-aae5-372c-930d-aa215bd02c9b"},"summary_title":"Feast & Fast. The Art of Food in Europe 1500-1800"},{"@link":{"notes":"Ref. For the social background for accouchement sets.  The Fitzwilliam's accouchement bowl cover is mentioned on p. 90. Cf. p. 91, fig. 41, a cover decorated with the Holy Family after Parmigianino in the Museo Correr, Venice.","page":"59-109","type":"reference"},"admin":{"id":"publication-200001160","uid":"adlib-publication-200001160","uuid":"31b6bd04-cece-3a33-9cb9-82b67774b1d7"},"summary_title":"\"Delle Impagliate\" ossia annotazioni intorno alle maioliche da puerpera cinquecentesche"},{"@link":{"notes":"Cf. p. 151, pl. 178, colour, a trencher from accouchement set with birth of Hercules. D. 28 cm. (V. & A. inv. no. C.755-1925) and p. 151, pl. 179 colour, a broth bowl and cover with birthing scene, astrologer on right, attributed to Nicola da Urbino, c. 1533-8. H. 9.8 D. 17.9 cm. (V. & A. inv. no. C.2258-1910)","page":"151","type":"reference"},"admin":{"id":"publication-7526","uid":"adlib-publication-7526","uuid":"ceb92dd4-7854-3192-82d7-ddfa5f0f3dd4"},"summary_title":"Italian Renaissance Maiolica"},{"@link":{"notes":"Cf. pp. 62-4, no. 23, three pieces from a later birth set with grotesque decoration surrounding the scenes, attributed to the Fontana or Patanazzi family, c. 1560-80, in the Detroit Institute of Arts, inv. no. 59.124a-c.","page":"62-4","type":"reference"},"admin":{"id":"publication-200002979","uid":"adlib-publication-200002979","uuid":"61fcf129-2716-3e72-a188-e9dc442fea54"},"summary_title":"Italian Renaissance and Later Ceramics, Entries"},{"@link":{"notes":"Cf. pp. 196-7, no. 62, a bowl from an accouchement set decorated with a birth scene and Diana and Actaeon","page":"196-7","type":"reference"},"admin":{"id":"publication-8274","uid":"adlib-publication-8274","uuid":"7be4693f-9344-330a-8733-2ca7558ee846"},"summary_title":"Maiolica: Italian Renaissance Ceramics in the Metropolitan Museum of Art"},{"@link":{"notes":"Cf. pp. 230-33, nos. 192-4, childbirth bowls , and covers, no. 195, with different types of decoration. See p. 230 for an illustration of three pieces from a set with childbirth scenes surrounded by borders of grotesques in the Detroit Institute of Arts, (59.124).","page":"230-33","type":"reference"},"admin":{"id":"publication-8915","uid":"adlib-publication-8915","uuid":"53de1acc-24ac-39fd-8418-d4ffc3f13e3b"},"summary_title":"Tin-glaze and Image Culture: the MAK Maiolica Collection in its Wider Context"},{"@link":{"type":"reference"},"admin":{"id":"publication-200003335","uid":"adlib-publication-200003335","uuid":"bebe9680-70a2-341e-b6fc-69896ed7549d"},"summary_title":"Una \"schudella\" e un portauovo di Xanto"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"subjects":[{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-110720","uid":"adlib-term-110720","uuid":"a3c10876-e889-3e8d-a458-73e817c04520"},"summary_title":"coat-of-arms"},{"@link":{"relation":"named event","type":"reference"},"admin":{"id":"term-113276","uid":"adlib-term-113276","uuid":"38dcc195-7e86-3b6d-b46e-666531f4c675"},"summary_title":"The Holy Family"},{"@link":{"type":"literal"},"name":[{"value":"coat-of-arms"}],"summary_title":"coat-of-arms"},{"@link":{"type":"literal"},"name":[{"value":"The Holy Family"}],"summary_title":"The Holy Family"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107478","uid":"adlib-term-107478","uuid":"81002e74-5083-37b8-a429-4a303fc40695"},"summary_title":"cover"}},"summary_title":"cover","techniques":[{"description":[{"value":"pale buff earthenware, tin-glazed overall, and painted in blue, turquoise-green, yellow, orange, black, grey, and white."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120059","uid":"adlib-term-120059","uuid":"dfa315b5-819d-37ab-ab22-bddfdbb3cbe7"},"summary_title":"tin-glazing"}}],"title":[{"value":"The Holy Family"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-76333","_score":19.102745,"_source":{"admin":{"added":1592970427000,"created":1312637261000,"flag":"Standard Record","id":"object-76333","indexed":1756836094141,"modified":1725555732000,"processed":1756836091182,"source":"adlib","stream":"fitz-online","uid":"adlib-object-76333","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76333","uuid":"07464e7b-b6d4-3c7f-8824-efdfbea6df42","version":7},"agents":[{"@link":{"note":[{"value":"Gualtieri was appointed a cardinal in 1706."}],"type":"reference"},"admin":{"id":"agent-207521","uid":"adlib-agent-207521","uuid":"2e1d55f1-29ee-3c2e-969c-d8ec824063bd"},"summary_title":"Gualtieri, Filippo Antonio (1660-1728)"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-153162","uid":"adlib-agent-153162","uuid":"bf8c2e94-bc1b-37ca-8924-7466546163ba"},"summary_title":"Madonna"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-160752","uid":"adlib-agent-160752","uuid":"8aa6316a-4aea-37a0-94f1-af69f4610c71"},"summary_title":"Christ Child"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-152774","uid":"adlib-agent-152774","uuid":"de99f35f-cc87-3d6f-95a7-70a6d0601039"},"summary_title":"putti"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108348","uid":"adlib-term-108348","uuid":"667e7a19-db33-3d85-bd9b-c2dafd8e02ff"},"summary_title":"tin-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"}],"component":[{"materials":[{"note":[{"value":"blue, green, yellow, orange, manganese-purple, black, white, and grey"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108364","uid":"adlib-term-108364","uuid":"115b8729-a560-35c1-b654-4b9d2fc5f68b"},"summary_title":"high-temperature colours"}}],"name":"Decoration","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}]}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-23385","uid":"adlib-term-23385","uuid":"4c17df77-7d4e-32bf-8ec9-921b71d218a2"},"summary_title":"religion"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Maiolica dish with broad rim. Painted in polychrome with, in the middle the Madonna and infant Christ, surrounded on the side of the well and the rim by a shield, putti, grotesques, and cameos."},{"value":"Pale buff earthenware, tin-glazed creamy-white overall. Painted in blue, green, yellow, orange, manganese-purple, black, white, and grey. Shape 59 with wider rim. Circular with broad, sloping rim and wide, deep well, standing on a footring.\nIn the middle, encircled by simulated beading, the Madonna sits on a bank of clouds with the infant Christ standing on her knee. On the side of the well are two putti separated by grotesques and above, a band of yellow and orange simulated beading. The rim is decorated with grotesques and cameos interrupted at the top by a cartouche containing an oval shield charged with the arms bendy or and azure, ensigned by a cross and a green hat, and flanked by three rows of green tassels. The yellow edge is decorated with orange, brown and white petals. The back is encircled by yellow bands: two on the footring, one outside it, three at the shoulder, and two by the edge."}],"exhibitions":[{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"}],"identifier":[{"accession_number":"C.90-1961","primary":true,"type":"accession number","value":"C.90-1961"},{"priref":"76333","type":"priref","value":"76333"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76333","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76333"}],"inscription":[{"location":"on back","method":"incised","transcription":[{"value":"af    13"}],"type":"collector's mark"},{"description":[{"value":"rectangular paper label"}],"location":"on back","method":"inscribed in faded black ink","transcription":[{"value":"Lot 198\/-Fountaine Collection\/Urbino dish. The\/Contarini arms.\/surmounted by Cardinals\/hat."}],"type":"label"},{"description":[{"value":"small rectangular paper label"}],"location":"on back","method":"inscribed","transcription":[{"value":"Croydon Lodge"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. Clarke Bequest, 1960"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149875","uid":"adlib-agent-149875","uuid":"89f52d0e-b912-3dc9-8b2c-61d6aa011b16"},"summary_title":"Clarke, Louis Colville Gray"}],"date":[{"earliest":1961,"latest":1961,"value":"1961-04-27"}],"method":{"value":"bequeathed"},"note":[{"value":"For the first two probable owners, see Documentation, Poole, 2003, p. 93 and 97."}]}],"creation":[{"date":[{"earliest":1600,"era":["CE"],"latest":1600,"precision":"circa","value":"1600"}],"maker":[{"@link":{"qualifier":"probably","role":[{"value":"production"}],"type":"reference"},"admin":{"id":"agent-104572","uid":"adlib-agent-104572","uuid":"cb89605d-e2c6-3f69-80a6-2631c5d36181"},"summary_title":"Patanazzi family"}],"note":[{"value":"Symmetrical grotesque decoration painted on a white ground was fashionable on maiolica services during the late sixteenth and early seventeenth century. Initially it was used for the borders of istoriato scenes, and by the last decade of the century often occupied much of the surfaces of dishes and other vessels. This dish belonged to an armorial service of which at least nine other pieces are extant. Four circular dishes have a Saint in the middle and the arms on the rim above: St Paul, in the Walters Art Museum, Baltimore (48.1516); St Thomas, formerly in the Bak collection; St Mark formerly in the Pringsheim and Hannaford collections; and St John, formerly in the Ridout collection. A fifth with the arms in the well was sold anonymously by Sotheby's in 1980 and is now in the Gardiner Museum, Toronto (G83.1.405). Four oval dishes decorated respectively with a figure representing Spring, Summer, Autumn, and Winters, are in the  Museo d'Arti Applicate, Milan (inv. nos. 234, 240, 239 and 236). The service was probably made around 1600 because the style of its grotesque decoration is close to a dish in the Louvre, Paris, bearing the arms of Cardinal Paolo Emilio Zacchia (Cardinal 1598-1605), and attributed to the Patanazzi workshop in Urbino. The best-known family who bore the arms on this dish - bendy or and azure - was the Contarini of Venice. Possible members of the family who were either an archbishop or a bishop, indicated by the green hat and cross above the arms, were Tommaso Contarini who was Archbishop of Crete (1597-1605), or a less notable cleric, Gerolamo Contarini who was Bishop of Capo d'Istria (1600-20).                                                                                                                  \nThe dish is historically interesting because its ownership can be traced back to 1712 when it was sold with the dishes mentioned above  by Girolamo Talpa (1654-1739) of San Severino (Marche) to Cardinal Filippo Antonio Gualtieri (1660-1728). Five, including the Fitzwilliam's were later in the collection of Sir Andrew Fountaine of Narford Hall, Norfolk, and were sold by Christie, Manson & Woods in 1884."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106402","uid":"adlib-term-106402","uuid":"7466a5d6-293f-3bbc-9672-fa9dd41712be"},"summary_title":"16th Century, Late"},{"@link":{"type":"reference"},"admin":{"id":"term-106607","uid":"adlib-term-106607","uuid":"61babb74-f8fd-3e53-abf6-c2c2f5dd351b"},"summary_title":"17th Century, Early"},{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110708","uid":"adlib-term-110708","uuid":"ef038505-1555-3c61-b6e2-cadcedf6c42a"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"}]],"note":[{"value":"probably"}],"summary_title":"Urbino"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"33.4"},{"dimension":"Height","units":"cm","value":"5.6"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-47457","uid":"adlib-media-47457","uuid":"a01be7b9-9ba9-3d54-aa8a-a426dc57433e"},"processed":{"large":{"format":"jpeg","location":"aa\/aa19\/C_90_1961_283_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":753}]},"modified":1742583575819,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa19\/mid_C_90_1961_283_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":505},{"dimension":"width","units":"pixels","value":500}]},"modified":1742583575819,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa19\/C_90_1961_283_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":753}]},"modified":1742583575819,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa19\/preview_C_90_1961_283_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":252},{"dimension":"width","units":"pixels","value":250}]},"modified":1742583575819,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}},{"@link":{"type":"reference"},"admin":{"id":"media-47456","uid":"adlib-media-47456","uuid":"4e3d25a9-3bd1-3d81-8989-3652034c0b77"},"processed":{"large":{"format":"jpeg","location":"aa\/aa9\/C_90_1961_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1742583634673,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa9\/mid_C_90_1961_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":649},{"dimension":"width","units":"pixels","value":500}]},"modified":1742583634673,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa9\/C_90_1961_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1742583634673,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa9\/preview_C_90_1961_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":325},{"dimension":"width","units":"pixels","value":250}]},"modified":1742583634673,"resizable":true,"type":"image"}},"sort":"1","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}},{"value":"dish with broad rim"}],"note":[{"type":"history note","value":"Probably Girolamo Talpa (1654-1739),San Severino (Marche); sold by him to Cardinal Filippo Antonio Gualtieri (1660-1728), Orvieto and Rome. Andrew Fountaine IV; his heir; Christie's, 17 June 1884, Catalogue of the celebrated Fountaine collection of majolika, Henry II ware, Palissy ware, Nevers ware, Limoges enamels . . ., removed from Narford Hall, Norfolk, lot 198; M. Colnaghi. Stephenson Clarke (1824-91);  Louis C.G. Clarke, LL.D., (1881  -1960), Leckhampton, Cambridge."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"type":"reference"},"admin":{"id":"publication-3211","uid":"adlib-publication-3211","uuid":"fed40c31-3ea0-30bf-83ed-c01c57ecab80"},"summary_title":"Catalogue of the celebrated Fountaine collection of majolika, Henry II ware, Palissy ware, Nevers ware, Limoges enamels, carvings in ivory, hone stone and rock crystal, Greek and Roman coins, ancient armour &c. &c., removed from Narford Hall, Norfolk"},{"@link":{"notes":"Publ. p. 445","page":"p. 445","type":"reference"},"admin":{"id":"publication-200001086","uid":"adlib-publication-200001086","uuid":"508c33f0-935b-3dda-bc6b-02d7f8119b1b"},"summary_title":"The Fountaine collection of maiolica"},{"@link":{"notes":"Publ. pp. 403-05, no. 434, colour plate 46","page":"pp. 403-05","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. pp. 98-9, no. 44","page":"98-9","type":"reference"},"admin":{"id":"publication-3378","uid":"adlib-publication-3378","uuid":"e4a41d6d-c98c-3959-bcb4-041c12eeb88c"},"summary_title":"Fitzwilliam Museum Handbooks, Italian Maiolica"},{"@link":{"notes":"Publ. p. 97 and pl. 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A dish from the same armorial service with a standing figure of St Paul in the well.","page":"35","type":"reference"},"admin":{"id":"publication-8275","uid":"adlib-publication-8275","uuid":"541ba1f4-8f5f-3ddc-a49b-24ca89955104"},"summary_title":"Catalogue of the Italian Majolica in the Walters Art Gallery"},{"@link":{"notes":"Cf. pp. 232-5, nos. 239-42, four oval dishes decorated with grotesques and the same arms over a central oval panel enclosing respectively a standing figure emblematic of Spring, Summer, Autumn, and Winter.","page":"232-5","type":"reference"},"admin":{"id":"publication-3413","uid":"adlib-publication-3413","uuid":"8c672f50-56ae-3905-934c-aeda20f7cede"},"summary_title":"Milan, Museo d'Arti Applicate, Le ceramiche, Tomo primo"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"subjects":[{"@link":{"type":"reference"},"admin":{"id":"term-125761","uid":"adlib-term-125761","uuid":"bce2de03-432e-3676-bb62-4a5042d2c1d3"},"summary_title":"dining"},{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-107516","uid":"adlib-term-107516","uuid":"146a0bfc-a677-3f01-8f8a-18d01ec5f2f2"},"summary_title":"shield"},{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-4371","uid":"adlib-term-4371","uuid":"549d8bb0-3523-3835-85b8-eb453d057037"},"summary_title":"grotesque"},{"@link":{"type":"literal"},"name":[{"value":"shield"}],"summary_title":"shield"},{"@link":{"type":"literal"},"name":[{"value":"grotesque"}],"summary_title":"grotesque"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}},"summary_title":"dish","techniques":[{"description":[{"value":"pale buff earthenware, tin-glazed creamy-white overall. 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