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The cabinet is supported by a rectangular stand with turned twisted legs (K) and has a key (L)."},{"value":"Cabinet, veneered with ebony, and oak panels painted in oils. Rectangular with an iron ring on each end, a cavetto moulded superstructure with a hinged lid, an apron drawer at the bottom, two fielded panelled doors, enclosing nine drawers, and a central cupboard with doric columns on each side, and a broken pediment above, enclosing an ivory pillared and mirrored perspective (illusionistic room) with a chequered floor. The interior of the panelled doors, and the underside of the lid are painted with three large scenes from the story of the Prodigal Son: the departure (R door); feasting (L door) and the return (underside of lid). The drawer fronts, and the central doors are painted with smaller scenes from the story. On the right: the Prodigal sleeps under a tree; begs beside a wayside Cross; stands in rags outside a cave; and tends swine. Below the central door, he prays beside the swine. On the left from the bottom up, he (?) is shown riding; shooting; begging; and being driven away from an inn. On the centre door, a couple, probably his parents, stand with their back to the viewer looking down an avenue of trees towards a small figure of the Prodigal.  The central door opens to reveal  an illusionistic room with a chequered floor, and full-length figures of a man (right) and woman (left). only visible in the mirrors on the sides. 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Circular with wide sloping rim and shallow curved well, convex in the centre.\nThe front is decorated overall with the Suicide of Hero. In the foreground, Leander lies drowned in the Hellespont. On the right, a man seated on a rock looks towards him, raising his right arm. On the left, Cupid stands holding a flaming torch. In the background there is an archway inscribed 'AMOR.NE. CAVSA' (Love is the cause of it), the lower part of a tower, and a doorway with a window above. Hero is shown throwing herself from a window in the tower. The edge is encircled by a very narrow black band and a wide yellow band. The back is decorated with a wreath of blue leaves on a continuous wavy stem. The base is inscribed in blue, 'Leandro in Mare &.\/Hero alla finestra\/.61.\/.S."}],"identifier":[{"accession_number":"C.21-1995","primary":true,"type":"accession number","value":"C.21-1995"},{"priref":"79589","type":"priref","value":"79589"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/79589","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/79589"}],"inscription":[{"location":"on arch","method":"painted","transcription":[{"value":"AMOR.NE.CAVSA"}],"type":"inscription"},{"location":"on base","method":"painted","transcription":[{"value":"Leandro in Mare &.\/Hero alla finestra\/.61.\/.S."}],"type":"inscription"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Purchased with the F. Leverton Harris Fund and the Leonard D. Cunliffe Fund"},"lifecycle":{"acquisition":[{"date":[{"earliest":1995,"latest":1995,"value":"1995"}],"method":{"value":"bought"},"note":[{"value":"Entry date: 1995"}]}],"creation":[{"date":[{"earliest":1561,"era":["CE"],"latest":1561,"note":[{"value":"dated '61'"}],"precision":"dated","value":"1561"}],"maker":[{"@link":{"role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-160372","uid":"adlib-agent-160372","uuid":"02812d23-6ab3-39e0-a4c3-f8e746eed805"},"summary_title":"Sforza di Marcantonio"},{"@link":{"role":[{"value":"printmaker"}],"type":"reference"},"admin":{"id":"agent-97017","uid":"adlib-agent-97017","uuid":"50d126f7-214f-3e19-b339-bffa736d939b"},"summary_title":"Veneziano, Agostino"},{"@link":{"role":[{"value":"printmaker"}],"type":"reference"},"admin":{"id":"agent-35821","uid":"adlib-agent-35821","uuid":"7864b6fe-8b62-333d-b6ff-dcc5decb8942"},"summary_title":"Dente, Marco (Marco da Ravenna)"}],"note":[{"value":"During the second and third decades of the sixteenth century the maiolica industry in Pesaro was less flourishing than in the previous century. This situation improved after Guidobaldo II della Rovere succeeded to the dukedom of Urbino in 1538, because he preferred to live at Pesaro. The presence of the court stimulated local industries, and from around 1540 Pesaro became a significant producer of istoriato maiolica, that is, painted with narrative scenes."},{"value":"Hero was a priestess of Venus at Sestos. Leander, her lover, used to swim the Hellespont to see her, guided by a torch which she held up from the window of a high tower. One night in winter, when Hero had begged him to come despite the inclement weather, he was drowned, and she committed suicide by throwing herself from the tower. The lovers were mentioned in Ovid's Heroides, 18 and 19."},{"value":"Sforza di Marcantonio da Casteldurante was recorded as a potter, and sometimes also as a painter in documents in Pesaro between in 1550 and 1552, and almost every year from 1563 until 1580, when he made his will on 17 November, and probably died shortly after. He signed himself 'SFORZA' on two panels dated 1567, respectively in the British Museum and the Museo Civico Medievale, Bologna. Dishes signed '.S.' in 1561, as this one is, and in some years up to and including 1576, are attributed to him on the basis of similarities with these panels. Sforza's choice of subjects, iconography, and inscriptions suggest that during the late 1530s he had been contact with the Urbino maiolica painter, Francesco Xanto, whose latest signed works are dated in 1542. Several of Sforza's designs closely follow those on plates by Xanto, who painted several dishes with versions of 'Hero and Leander' between 1532 and 1538. Xanto probably knew the story from a translation of Ovid's Heroides, but on the backs of the dishes he quoted from Francesco Petrarch's Trionfi, III, 21 'Leandro in mare ed Hero a la fenestra'  (or Trionfi, II in editions with commentary by Bernardo Ilicini, first published in 1475).  The first dish decorated with this subject which is attributed to Sforza was painted in 1546 (Christie's, 25 May 1962, lot 110); the latest, in the Herzog Anton Ulrich-Museum, Braunschweig, is dated 1576, and initialled '.S.'  Both, like the Fitzwilliam's dish, have an inscription from Petrarch, and the figure of Leander used by Xanto, which was taken from a Marcantonio Raimondi school print, known as the 'Battle with the Cutlass' by Marco Dente (Bartsch, XIV, p 171, no. 211), or Agostino da Veneziano. The three dishes illustrate the persistence of popular themes over a long period, the influence of an outstanding maiolica painter on another, and the repetitive nature of much maiolica painting."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106602","uid":"adlib-term-106602","uuid":"bbb4c00f-eefa-3d64-9441-7a75aa07736e"},"summary_title":"16th Century"},{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113179","uid":"adlib-term-113179","uuid":"e74d25a1-07c3-3a30-b91b-004673211ee5"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"The Marches"}],"summary_title":"The Marches","type":"region"}]],"summary_title":"Pesaro"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"30"},{"dimension":"Height","units":"cm","value":"4.2"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-52825","uid":"adlib-media-52825","uuid":"f29d9a81-9e93-3fdd-9406-554647e4635c"},"processed":{"large":{"format":"jpeg","location":"aa\/aa19\/C_21_1995.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":748}]},"modified":1742584149739,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa19\/mid_C_21_1995.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":508},{"dimension":"width","units":"pixels","value":500}]},"modified":1742584149739,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa19\/C_21_1995.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":748}]},"modified":1742584149739,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa19\/preview_C_21_1995.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":254},{"dimension":"width","units":"pixels","value":250}]},"modified":1742584149739,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}}],"note":[{"type":"history note","value":"Purchased. Given to the vendor's husband by his mother, who bought it an antique shop."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. Front cover, text p. 17","page":"p. 17","type":"reference"},"admin":{"id":"publication-656","uid":"adlib-publication-656","uuid":"e34cd340-f467-31dd-b9f5-160b9af3268b"},"summary_title":"The Fitzwilliam Museum Annual Report, 1995"},{"@link":{"notes":"Publ. pp. 76-7, no. 33","page":"76-7","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. pl. IX","page":"507","type":"reference"},"admin":{"id":"publication-200001861","uid":"adlib-publication-200001861","uuid":"1cca6257-ddc6-3bb1-ab40-c8f8ed41b9f2"},"summary_title":"Recent acquisitions (1995-2004) at the Fitzwilliam Museum, Cambridge"},{"@link":{"notes":"Cf. p. 28, lot 110, ill. pl. X, an unsigned dish decorated with the Suicide of Hero, dated 1546","page":"28","type":"reference"},"admin":{"id":"publication-3411","uid":"adlib-publication-3411","uuid":"fc56d3e1-2db5-3c4b-a36a-60b0a9ce09af"},"summary_title":"Catalogue of Fine Early Continental Glass, Important Italian Majolica"},{"@link":{"notes":"Ref. for Sforza di Marcantonio in Pesaro","page":"7-10","type":"reference"},"admin":{"id":"publication-200001162","uid":"adlib-publication-200001162","uuid":"94b3c1d5-3830-38b6-b5fa-fbb69fa437ba"},"summary_title":"Sforza di Marcantonio: figulo pesarese cinquecentesco"},{"@link":{"notes":"Cf. Dishes attributed to Sforza di Marcantonio, The dish dated 1576 is on p. 351, no. 496.","page":"345-51","type":"reference"},"admin":{"id":"publication-3402","uid":"adlib-publication-3402","uuid":"c8af0496-64ae-35b9-ad9f-d5671244769a"},"summary_title":"Italienische Majolika, Katalog der Sammlung"},{"@link":{"type":"reference"},"admin":{"id":"publication-3409","uid":"adlib-publication-3409","uuid":"24781af6-8b3f-3e49-b0e1-b76724c9bf6f"},"summary_title":"Ceramisti pesaresi nei documenti notarili dell'Archivio di Stato di Pesaro sec. XV-XVIII"},{"@link":{"notes":"Ref. See p. 94, n. 54 for reference to a document recording Sforza di Marcantonio's presence in Pesaro on 17 May 1548","page":"94","type":"reference"},"admin":{"id":"publication-9105","uid":"adlib-publication-9105","uuid":"5cfdd45c-0379-3268-b5ba-70bf8826921a"},"summary_title":"Girolamo e Giacomo Lanfranco dalle Gabicce maiolicari a Pesaro nel secolo XVI,"},{"@link":{"notes":"Ref. 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The writer of this catalogue entry, Grazia Biscontini Ugolini, provides a survey of the known biography of Sforza and his work. She cites a notarial document of 1564 which states that he had a little workshop in the San Giacomo quarter of Pesaro. (ASP, notaio  Paolo Ubaldi, 26.5;n. 154 B 443 V.10 [1564])","page":"251-2","type":"reference"},"admin":{"id":"publication-3413","uid":"adlib-publication-3413","uuid":"8c672f50-56ae-3905-934c-aeda20f7cede"},"summary_title":"Milan, Museo d'Arti Applicate, Le ceramiche, Tomo primo"},{"@link":{"notes":"Ref. pp. 357-8, no. 211 a devotional panel of the Annunciation, signed 'SFORZA.D.P.' and dated 1567.","page":"357-8","type":"reference"},"admin":{"id":"publication-6434","uid":"adlib-publication-6434","uuid":"4524f0a3-0484-3e51-8720-80332f8ac8a2"},"summary_title":"Italian Renaissance Ceramics: A Catalogue of the British Museum Collection, Volume I and Volume II"},{"@link":{"notes":"Cf. Vol. I, pp. 240-1, n. 728, vol. II, pl. 115. Inv. no. 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On the former there are alternating anthemions and palmettes, and on each of the latter, a rosette, all in relief, and gilt."}],"identifier":[{"accession_number":"M.55 & A-1997","primary":true,"type":"accession number","value":"M.55 & A-1997"},{"priref":"29970","type":"priref","value":"29970"},{"source":"Art UK","type":"external ID","value":"CAM_CCF_M_55 & A_1997"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/29970","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/29970"}],"inscription":[{"description":[{"value":"signed and dated"}],"location":"on back of altar","method":"inscribed","transcription":[{"value":"BOIZOT SCULPTOR REGIS FECIT\/Anno 1790"}],"type":"signature"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Purchased with the Cunliffe and Perrins Funds, with contributions from the National Art Collections Fund, and the M&GC Regional Fund administered by the Victoria and Albert Museum"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-156599","uid":"adlib-agent-156599","uuid":"d6c21c18-2848-3647-b25a-153fda997805"},"summary_title":"Daniel Katz Ltd."}],"date":[{"earliest":1997,"latest":1997,"value":"1997"}],"method":{"value":"bought"},"note":[{"value":"Entry date: 1997-12-05"}]}],"creation":[{"date":[{"earliest":1790,"era":["CE"],"latest":1790,"note":[{"value":"dated"}],"value":"1790"}],"maker":[{"@link":{"role":[{"value":"sculptor"}],"type":"reference"},"admin":{"id":"agent-14348","uid":"adlib-agent-14348","uuid":"b5e380f8-3def-3205-91d6-f1b3beda90b3"},"summary_title":"Boizot, Louis Simon"}],"note":[{"value":"Simon-Louis Boizot was born at Gobelins where his father was designer at the royal tapestry factory. 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