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Lozenge-shaped with deep, sloping sides, pierced to resemble stylised leaves with an anthemion in the centre of each side. The rim is scalloped and the lower part of the outer edge of the footring is moulded to resemble basketwork. There is a suspension hole in the footring. The ground is bleu celeste decorated with garlands of gilt husks. In the centre there is an oval reserve framed by a band of chased gilding, and painted in polychrome enamels with a bouquet of flowers. The interior and exterior of the sides have a bleu celeste ground alternating with reserved white zones outlined with gold.\n\nOne of a pair with C.41A-1961."}],"identifier":[{"accession_number":"C.41B-1961","primary":true,"type":"accession number","value":"C.41B-1961"},{"priref":"93587","type":"priref","value":"93587"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93587","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93587"}],"inscription":[{"description":[{"value":"in script with S sideways"}],"location":"on base right up against the footring","method":"incised","transcription":[{"value":"cs"}],"type":"incised mark"},{"description":[{"value":"narrow rectangular white paper label"}],"location":"on base","method":"hand-written in ink","transcription":[{"value":"Collection of\/Viscount Harcourt"}],"type":"label"},{"description":[{"value":"oval white paper label"}],"location":"on base","method":"in ink and print","transcription":[{"value":"FROM THE\/CH\u00c9R\u00c9MET\u00c8FF S\u00c8VRES\/COLLECTION.\nMrs Burns\nASHER WERTHEIMER,\/158, NEW BOND STREET,\/LONDON."}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. 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The house became Brooks Club."}]}],"creation":[{"date":[{"earliest":1769,"era":["CE"],"latest":1769,"note":[{"value":"The tray bears the date letter for 1769"}],"value":"1769"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-161360","uid":"adlib-agent-161360","uuid":"7b3ff8f7-d7ff-380d-8d45-22cbd06ada8e"},"summary_title":"S\u00e8vres Porcelain Manufactory"},{"@link":{"qualifier":"possibly","role":[{"value":"r\u00e9pareur"}],"type":"reference"},"admin":{"id":"agent-162415","uid":"adlib-agent-162415","uuid":"baae0116-646d-3d9d-b238-79fa655e11e6"},"summary_title":"Censier, Charles"}],"note":[{"value":"David Peters (Documentation 2005) has posited that the bulk of this service, mainly for dessert, was purchased on 5 November 1768 by an unnamed buyer, whom he considered may have been the Monsieur de Cotensky who on on 9 March 1769 purchased 24 plates and 2 ice buckets, pieces which were items not included in the order of 5 November 1768. Monsieur de Cotensky was possibly Nikolai Konstantinovich Chotinski, Russian charg\u00e9 d\u2019affaires to France from 24 December 1767 to January 1774. There were two corbeilles losanges at 216 livres in the November 1768 order, which as the Fitzwilliam's are dated 1769 raises a question of whether they are the same ones, particularly as there are two in the Dodge Collection (71.222, 71,223), which have similar gilding, and reserves painted with birds after Buffon. Those however, were painted by Aloncle. In the exhibition of S\u00e8vres from the Sheremeteff collection held  by Asher Wertheimer in Bond Street, two plateaux-corbeilles losanges ajour\u00e9es were nos. 10 and 11, said to be painted by Dodin, and a further two, nos. 12 and 13 by Le Bel. It seems possible that the last two were the two now in the Fitzwilliam and that the identification of the painter who signed L. as Le Bel was in error for Lev\u00e9, although the catalogue appears to indicate that all the pieces in this service in the list were painted with birds."},{"value":"The plateau -corbeille lozange was introduced in 1755"},{"value":"This plateau-corbeille losange ajour\u00e9e, and its pair (C.41A-1961) with two compotiers ronds C.37A & B-1961, are all decorated with swags of husks or wheat ear, and probably formed part of a service decorated with birds from Buffon or  flowers, which in the 19th century belonged to Count A.D. 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These plateaux have the same gilded decoration as the Fitzwilliam's examples with floral bouquets in the centre. The author, Clare Corbeiller cites Peters, as her source for the use of plateaux lozenges as stands for sauceboats in addition to their use with a cup but is not referring to the basket-like variety.","page":"194-5","type":"reference"},"admin":{"id":"publication-5305","uid":"adlib-publication-5305","uuid":"da091c04-392c-3f11-add1-632cea602e03"},"summary_title":"The Dodge Collection of Eighteenth-Century French and English Art in the Detroit Institute of Arts"},{"@link":{"notes":"Ref.Vol. II, pp. 401-02, for the bleu c\u00e9leste ground service formerly in the Ch\u00e9r\u00e9m\u00e8eff Collection, which Peters considers is likely to have been a service, mainly for dessert, sold on 5 November 1768 to an unnamed buyer, who may have been a Monsieur de Cotensky who on 9 March 1769 purchased 24 plates and 2 ice buckets, pieces missing from the earlier order. 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The Fitzwilliam's pair of plateau -corbeille losange ajour\u00e9 mentioned on p. 402 as possibly from the same service, but see the two with bird decoraton in the Dodge Collection.","page":"Vol. II, 401-02","type":"reference"},"admin":{"id":"publication-5542","uid":"adlib-publication-5542","uuid":"2a50a06d-9569-3541-8bd6-d98d1f9c6081"},"summary_title":"S\u00e8vres Plates and Services of the 18th Century"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-9010","uid":"adlib-term-9010","uuid":"ecd03def-5d2a-3b43-bb92-76be16fbabf6"},"summary_title":"Rococo"}],"subjects":[{"@link":{"relation":"plant","type":"reference"},"admin":{"id":"term-106795","uid":"adlib-term-106795","uuid":"619c7689-2029-3c57-b0e2-12f5b54bedb8"},"summary_title":"flower"},{"@link":{"relation":"plant","type":"reference"},"admin":{"id":"term-51570","uid":"adlib-term-51570","uuid":"60c9a2b0-88e3-31c4-a903-cb3bfbb73411"},"summary_title":"rose"},{"@link":{"type":"literal"},"name":[{"value":"flower"}],"summary_title":"flower"},{"@link":{"type":"literal"},"name":[{"value":"rose"}],"summary_title":"rose"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-89196","uid":"adlib-term-89196","uuid":"daa8a4b5-42b3-3b6b-bbb3-b5e1703fc2c4"},"summary_title":"tray"}},"summary_title":"tray","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120062","uid":"adlib-term-120062","uuid":"d05176fb-17b8-3888-bba1-6c5e6c77d206"},"summary_title":"lead-glazing"}}],"title":[{"value":"Plateau-corbeille losange \u00e0jour\u00e9"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-93586","_score":19.10273,"_source":{"admin":{"added":1592996782000,"created":1312637261000,"flag":"Standard Record","id":"object-93586","indexed":1755194530609,"modified":1702643244000,"processed":1755194515997,"source":"adlib","stream":"fitz-online","uid":"adlib-object-93586","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93586","uuid":"f27ce8bd-2cef-3976-83b8-5aa12def201b","version":9},"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}],"collection":[{"@link":{"type":"reference"},"admin":{"id":"term-117089","uid":"adlib-term-117089","uuid":"70d59fbc-64f7-304e-a336-bf6d65a433a8"},"summary_title":"Louis C. 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Lozenge-shaped with deep, sloping sides, moulded and pierced to resemble stylised leaves with an anthemion in the centre of each side. The rim is scalloped and the lower part of the outer edge of the footring is moulded to resemble basketwork. There is a suspension hole in the footring.   The ground is bleu c\u00e9leste decorated with garlands of gilt husks In the centre there is an oval reserve framed by a band of gilding tooled with scrolling leaves, and painted in polychrome enamels with a bouquet of flowers and foliage. The interior and exterior of the sides have a bleu celeste ground alternating with reserved white zones outlined with gold.\n\nOne of a pair with C.41B-1961."}],"identifier":[{"accession_number":"C.41A-1961","primary":true,"type":"accession number","value":"C.41A-1961"},{"priref":"93586","type":"priref","value":"93586"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93586","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93586"}],"inscription":[{"description":[{"value":"interlaced L's enclosing q"}],"location":"on base","method":"painted in blue enamel","type":"factory mark"},{"description":[{"value":"L in script"}],"location":"on base, below factory mark","method":"painted in blue enamel","transcription":[{"value":"L"}],"type":"painter's mark"},{"location":"on base","method":"hand-written in ink","transcription":[{"value":"Collection of\/Viscount Harcourt"}],"type":"label"},{"location":"on base","method":"in ink and print","transcription":[{"value":"FROM THE\/CH\u00c9R\u00c9MET\u00c8FF S\u00c8VRES\/COLLECTION\nMrs. Burns\nASHER WERTHEIMER,\/158, NEW BOND STREET,\/LONDON"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G.Clarke Bequest, 1960"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149875","uid":"adlib-agent-149875","uuid":"89f52d0e-b912-3dc9-8b2c-61d6aa011b16"},"summary_title":"Clarke, Louis Colville Gray"}],"date":[{"earliest":1961,"latest":1961,"value":"1961-04-27"}],"method":{"value":"bequeathed"}}],"creation":[{"date":[{"earliest":1769,"era":["CE"],"latest":1769,"note":[{"value":"The tray bears the date letter q for 1769"}],"precision":"dated","value":"1769"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-161360","uid":"adlib-agent-161360","uuid":"7b3ff8f7-d7ff-380d-8d45-22cbd06ada8e"},"summary_title":"S\u00e8vres Porcelain Manufactory"},{"@link":{"qualifier":"possibly","role":[{"value":"production"}],"type":"reference"},"admin":{"id":"agent-79183","uid":"adlib-agent-79183","uuid":"bb0bf7ee-5fbd-3c02-9c61-8d6072844779"},"summary_title":"Lev\u00e9, Denis"}],"note":[{"value":"The painter, Denis Lev\u00e9 is recorded as using a Roman L as his mark, but Riocreux also gives a script L which on this piece is followed by a dot. (MNS Vj\u20192). Peters, 2005, vol. I, p. 56. He worked at the factory between 1754 and 1793 and 1795 to 1805, concentrating on flowers, birds, and patterns."},{"value":"The plateau lozange, designed by Jean-Claude Duplessis,  was introduced in 1755."},{"value":"This plateau losange corbeille ajour\u00e9e and its pair, with two compotiers and a seau crenelle, all decorated with swags of husks or wheat ear, may have formed part of a service decorated with birds from Buffon or  flowers, which in the 19th century belonged to Count A.D. 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