[{"admin":{"added":1592951386000,"created":1312633193000,"id":"publication-200002187","indexed":1616539747528,"modified":1312671109000,"processed":1615826074770,"source":"adlib","stream":"fitz-online","uid":"adlib-publication-200002187","uuid":"f9f16b05-5b20-37cd-905c-9e8c0492a734","version":2},"lifecycle":{"publication":[{"date":[{"value":"1908"}],"place":[{"@link":{"type":"literal"},"name":[{"value":"Limoges"}],"summary_title":"Limoges"}]}]},"summary_title":"Catalogue des artistes limousins","title":[{"primary":true,"value":"Catalogue des artistes limousins"}],"type":{"base":"publication"}},{"current_page":1,"data":[{"_index":"ciim","_type":"data","_id":"adlib-object-156458","_score":18.568094,"_source":{"admin":{"added":1592964914000,"created":1312637261000,"flag":"Standard Record","id":"object-156458","indexed":1765994446969,"modified":1765984703000,"processed":1765994444890,"source":"adlib","stream":"fitz-online","uid":"adlib-object-156458","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/156458","uuid":"a0946f4b-fde1-3287-848b-c60b6d2f7172","version":15},"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-179448","uid":"adlib-agent-179448","uuid":"2f9707da-e89b-3501-a115-e62baaf6b7ae"},"summary_title":"Fountaine, Andrew IV"},{"@link":{"note":[{"value":"Martin Colnaghi (1821-1908) was a nephew of Dominic Charles Colnaghi (1790\u20131879). In 1884 he was the proprietor of the London art dealer, Colnaghi. He was the buyer of at least fourteen lots at the Fountaine sale, see Westgarth, 2009, p. 82."}],"type":"reference"},"admin":{"id":"agent-207578","uid":"adlib-agent-207578","uuid":"2d4b736d-af47-3add-b7a5-ed1412c08ec5"},"summary_title":"Colnaghi, Martin (1821\u20131908)"},{"@link":{"note":[{"value":"Stephenson Clarke (1824-1891) inherited the shipping firm, Stephenson Clarke Shipping Ltd, from his father in 1849, and also built up a highly remunerative coal distribution business. See Obituary in the 'Croydon Advertiser and East Surrey Reporter', 4 April 1891. Father of the Fitzwilliam's Director 1937-46, Louis C.G. Clarke, and of his elder sister, Mrs Dendy Marshall, who donated two Limoges enamels, and several pieces of lace to the Fitzwilliam in 1954."}],"type":"reference"},"admin":{"id":"agent-179456","uid":"adlib-agent-179456","uuid":"9b692350-6f66-36f2-a448-08610bee7624"},"summary_title":"Clarke, Stephenson"},{"@link":{"note":[{"value":"Born Adela Rose Clarke (1872\/3-1955), Mrs Marshall was the daughter of an immensely wealthy coal factor, Stephenson Clarke (1824-91), who had inherited the shipping firm, Stephenson Clarke & Co. from his father, and lived at West Hoathly, Sussex, and Croyden Lodge, Surrey. Mrs Marshall was the widow of the railway historian, Chapman Dendy Marshall (1872\u20131945), of Chinthurst Lodge, Wonersh, near Guildford. Her younger  brother, Louis Colville Grey Clarke (1881-1960), was Curator of the Cambridge University Museum of Archaeology and Anthropology, 1922-37, and Director of the Fitzwilliam Museum, 1937-1946. See a letter from her about the two Passion plaques  (M.3 and M.4-1954) which she had inherited from her father, written to his successor, Carl Winter, Fitzwilliam Museum Archives, 00345."}],"type":"reference"},"admin":{"id":"agent-169195","uid":"adlib-agent-169195","uuid":"d3a5738f-cc77-3a50-84bf-79659d5eb388"},"summary_title":"Marshall, Dendy, Mrs"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-149696","uid":"adlib-agent-149696","uuid":"c1d7b5bf-63d4-3ba4-a080-9810b80bf16c"},"summary_title":"Christ"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-179457","uid":"adlib-agent-179457","uuid":"6a898a2d-3230-3e44-a5e6-0c3f5c494407"},"summary_title":"moneylender"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-107563","uid":"adlib-term-107563","uuid":"38dcd825-1de1-3222-82c6-15a95729b5ff"},"summary_title":"enamels"},{"@link":{"type":"reference"},"admin":{"id":"term-125750","uid":"adlib-term-125750","uuid":"2b10ac09-63c3-34ed-87d5-487058c1c344"},"summary_title":"Limoges painted enamels"}],"component":[{"materials":[{"note":[{"value":"dark mulberry-brown appearing black, white, pale pink; clear counter-enamel"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-32638","uid":"adlib-term-32638","uuid":"97b8d1a5-7b8f-3a2a-a275-7d001aeaae2b"},"summary_title":"enamel"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39593","uid":"adlib-term-39593","uuid":"e3e2a3f8-2433-3f63-9bcf-e776644d312d"},"summary_title":"gold"}}],"name":"Decoration","techniques":[{"description":[{"value":"rectangular very convex copper plaque, enamelled en grisaille and with pale pink on a black ground, and gilded. The black appears dark mulberry-brown round the edges.The technique of enlevage was used to model the figures. The reverse has cloudy, and bubbly translucent counter-enamel with many pin holes of different sizes, and red oxydization spots."}],"note":[{"value":"dark mulberry-brown appearing black, white, pale pink"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28662","uid":"adlib-term-28662","uuid":"dd47e505-ccda-3f2b-b576-6104109430e8"},"summary_title":"enamelling"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28681","uid":"adlib-term-28681","uuid":"c1f659e2-1209-31cf-8ff4-154e11452559"},"summary_title":"gilding"}}]},{"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39588","uid":"adlib-term-39588","uuid":"b17ff981-06b2-30a2-b9a9-b514fe84a191"},"summary_title":"copper"}}],"name":"Plaque"}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-107707","uid":"adlib-term-107707","uuid":"cbae1ed2-5069-35db-a029-700dc23ada11"},"summary_title":"Christian religion"}]},"department":{"value":"Applied Arts"},"description":[{"value":"copper, enamelled in grisaille with Christ driving the Moneylenders from the Temple, and gilded. Signed \u2018M.D.\u2019 with a dot inside the D."},{"value":"Rectangular very convex copper plaque, enamelled in grisaille and with pale pink on a black ground, and gilded. The black appears dark mulberry-brown round the edges. The technique of enlevage was used to model the figures. The reverse has cloudy, and bubbly translucent counter-enamel with many pin holes of different sizes, and red oxidization spots.                                 \nThe action takes place inside the temple. On the left is a doorway with a horizontal architrave, and on the right, an archway with a circular window above it. To left of centre there is a row of receding cylindrical columns and to the right on the wall, a sconce with a lighted candle. Christ stands in front of the columns, whielding a twisted rope in his right hand to drive the money lenders away. His back is turned to the viewer and he looks down towards a money lender who lies on his back on the ground at his feet, with an upturned stool table, a bag of money and a heap of gold coins beside him. Two men flee towards the arch on the right, in which are three other men, and a priest who is looking towards the action. On the left is an upturned stool, a man holding a sacrificial sheep, and three partly visible figures, one a woman, standing beside the doorway. Above the circular window there is a tabella ansata bearing the initials \u2018M.D.\u2019 with a dot inside the D. The gilding is restricted to the heap of coins, Christ\u2019s aureole, the candle flame, and a line round the edge of the scene."}],"identifier":[{"accession_number":"M.4-1954","primary":true,"type":"accession number","value":"M.4-1954"},{"priref":"156458","type":"priref","value":"156458"},{"source":"Fountaine Collection","type":"old object number","value":"af 7"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/156458","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/156458"}],"inscription":[{"description":[{"value":"Rectangular label printed with \u20187\u2019 in black"}],"location":"on back","method":"printed in black","transcription":[{"value":"7"}],"type":"label"},{"description":[{"value":"af (the label) 7"}],"location":"on back flanking the label","method":"incised","transcription":[{"value":"af           7"}],"type":"inscription"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Mrs Dendy Marshall"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-169195","uid":"adlib-agent-169195","uuid":"d3a5738f-cc77-3a50-84bf-79659d5eb388"},"summary_title":"Marshall, Dendy, Mrs"}],"date":[{"earliest":1954,"latest":1954,"value":"1954-10-21"}],"method":{"value":"given"}}],"creation":[{"date":[{"earliest":1550,"from":{"earliest":1550,"latest":1550,"precision":"circa","value":"1550"},"latest":1575,"range":true,"to":{"earliest":1575,"latest":1575,"value":"1575"}}],"maker":[{"@link":{"role":[{"value":"enameller"}],"type":"reference"},"admin":{"id":"agent-178519","uid":"adlib-agent-178519","uuid":"f09950f9-7d77-35d4-aa99-ed0820ccdd27"},"summary_title":"Ydieux, Martial"},{"@link":{"qualifier":"after","role":[{"value":"printmaker"}],"type":"reference"},"admin":{"id":"agent-39996","uid":"adlib-agent-39996","uuid":"0109fd57-0cc2-3304-9d79-0f4bb8846434"},"summary_title":"D\u00fcrer, Albrecht"}],"note":[{"value":"The event depicted, Christ driving the Money-changers from the Temple, is described in the Gospel of St John 2, 13-16. On arriving at Jerusalem before the Passover, Jesus entered the temple and found it full of money changers and vendors of sacrificial animals. Incensed, he made a scourge and drove them out, upsetting their tables and money, and saying to the dove sellers \u201cTake these things hence; make not my Father\u2019s house a house of merchandise.\u201d \n\nThe enameller, Martial Ydeux (active from the late 1540s to about 1570)  was one of the finest exponents of the grisaille technique, who seems to have worked mainly on plaques. His best work is extraordinarily refined and expressive, with soft gradations of grey to white on a manganese-black ground producing painterly sfumato effects. Other plaques, also signed, have more obvious hatching and cross-hatching in the manner of an engraving, executed by enlevage through the pale upper layer to reveal the darker toned enamel below, as on the Fitzwilliam's M.3-1954, where it is particularly pronounced.\n\nThis scene was enamelled after one of the thirty-seven woodcuts in the series known as the  'Small Passion' by Albrecht D\u00fcrer (1471\u20131528), executed between 1509 and publication in book form in 1511, or a copy after it. The subject is not one which would stand alone well, and the plaque is therefore likely to have been part of a Passion group, which, depending on its numbers, could have been framed as an altarpiece, as polychrome Passion plaques were, or as a smaller triptych or panel for devotional use. However, no large groups of grisaille Passion plaques have survived from this period in their original frame. The most extensive group attributed to Martial Ydeux comprises ten larger plaques in the Louvre, three of which are signed in the same way as the Fitzwilliam's plaque, M.3-1954: \u2018M\u00b7D\u00b7\u2019 with I inside the D. There are several Passion plaques by Ydeux of about the same size as the Fitzwilliam's, including 'Christ washing St Peter\u2019s Feet' (Louvre OA 4004), and 'Christ before Pilate' in the British Museum (Inv. 1913,1220.75), which could be from the same set, and can be seen on these museums' websites."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-125332","uid":"adlib-term-125332","uuid":"76f10b5d-9bf4-36d4-b4e3-f4df05af8260"},"summary_title":"16th Century, third quarter"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-15498","uid":"adlib-term-15498","uuid":"61725bf5-360f-3837-8aab-3c90b956a537"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"France"}],"summary_title":"France","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Haute Vienne"}],"summary_title":"Haute 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Ware, Palissy Ware, Nevers Ware, Limoges Enamels . . . Removed from Narford Hall, Norfolk, second day, p. 34, lot 260; M. Colnaghi (\u00a397.13.0 with lot 259). Stephenson Clarke (1824-91), Croydon Lodge, Surrey; his daughter, Mrs Dendy Marshall (n\u00e9e Adela Rose Clarke, 1872\/3\u20131955)."}],"objects":[{"@link":{"cascade":true,"role":[{"value":"same artist"}],"type":"reference"},"admin":{"id":"object-156457","uid":"adlib-object-156457","uuid":"0449fc26-c6a5-3cd3-9e77-068ded5ef20f"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-107484","uid":"adlib-term-107484","uuid":"935e21d3-0b7f-3ca6-9987-b79c82e054fd"},"summary_title":"plaque"}},"summary_title":"plaque"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. Second day, p. 34, lot 260","page":"34","type":"reference"},"admin":{"id":"publication-3211","uid":"adlib-publication-3211","uuid":"fed40c31-3ea0-30bf-83ed-c01c57ecab80"},"summary_title":"Catalogue of the celebrated Fountaine collection of majolika, Henry II ware, Palissy ware, Nevers ware, Limoges enamels, carvings in ivory, hone stone and rock crystal, Greek and Roman coins, ancient armour &c. &c., removed from Narford Hall, Norfolk"},{"@link":{"notes":"Ref. For maiolica and enamels in the Fountaine Collection. See pp. 442-3, on p. 443, nos. 22-6, 6 \u2018Four square pieces from Albert Dura (sic) The passions of our Saviour like the woodcut compleat in 36 plates\u2019. These seem likely to be the two plaques in the Fitzwilliam, and lots 261-2 bought by a different buyer at the sale in 1884 .","page":"435-47","type":"reference"},"admin":{"id":"publication-200001086","uid":"adlib-publication-200001086","uuid":"508c33f0-935b-3dda-bc6b-02d7f8119b1b"},"summary_title":"The Fountaine collection of maiolica"},{"@link":{"notes":"Ref. p. 118, no. 23 (119), Christ Driving the Moneylenders from the Temple from the Small Passion","page":"118","type":"reference"},"admin":{"id":"publication-6167","uid":"adlib-publication-6167","uuid":"c93f7702-15df-3797-9af5-c7fd4ed9f558"},"summary_title":"Illustrated Bartsch 10 Formerly Volume 7 (Part 1) Sixteenth Century German Artists Albrecht D\u00fcrer"},{"@link":{"notes":"Ref. record no. 50 under Peintres, enlumineurs, ecrivains, mentions \u2018Martial Ydeux dit le Pape possed\u00e9 avant le 28 ao\u00fbt 1553 une maison sise rue Manigne et qui a appartenu \u00e0 Pierre Ydeux brodeur.\u2019 (Limoges H\u00f4tel de Ville, GG221, folio 79 vo)","page":"119-209","type":"reference"},"admin":{"id":"publication-200002187","uid":"adlib-publication-200002187","uuid":"f9f16b05-5b20-37cd-905c-9e8c0492a734"},"summary_title":"Catalogue des artistes limousins"},{"@link":{"notes":"Ref. pp. 60-3, for the identification of Martial Ydeux dit le Pape","page":"60-3","type":"reference"},"admin":{"id":"publication-200002186","uid":"adlib-publication-200002186","uuid":"0080317e-d6d6-3a2f-a1e1-7d9ee90ebe1a"},"summary_title":"Br\u00e8ve hypoth\u00e8se concernant un \u00e9nigmatique \u00e9mailleur: M.D.PAPE"},{"@link":{"notes":"Cf. p. 115, no. OA 4004 Christ washing the Disciples Feet after D\u00fcrer's woodcut in the Small Passion, 155 x 125 mm, signed MD with I inside the D, and attributed to Martial Ydieux. The sfumato technique is very close to the Fitzwilliam's, and is of almost identical size.","page":"115","type":"reference"},"admin":{"id":"publication-6073","uid":"adlib-publication-6073","uuid":"273632b3-da99-366e-9c3b-efd466467b8e"},"summary_title":"Les \u00e9maux peints de Limoges. Mus\u00e9e du Louvre, D\u00e9partement des objets d'art"},{"@link":{"notes":"Cf. p. 256, no. 211, Christ before Pilate, 15.2 x 12.4 cm; the source p. 252, no.207g. 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