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Job admonished by his wife and tempted by Satan with the inscription \u2018ET NOVS INDVIS POINT\/EN TENTATION\u2019 (And lead us not into temptation). One of a set of plaques with M.49A-D & F-1904."},{"value":"Rectangular convex copper plaque with a hole in each corner, enamelled en grisaille with a little pink, and red, on a black ground, and gilded. Clear, uneven counter-enamel with several blobs on the right side. Job sits on ashes, menaced from behind by Satan, and admonished by his wife who stands in front of him on the right. Job faces to his left with his head turned to his right, He is bearded, and naked apart from a white cloth over his knees. His body is covered with red boils.. Satan holds a blazing red switch, and behind him is a furnace spouting flames. Job\u2019s wife wears sixteenth-century costume and has her back to the vewer. God appears in a semi-circle of clouds in the top right corner. Gold lines run round the edges of the garments. Running across the bottom of the plaque is a white panel inscribed in black with gold over it, \u2018ET NOVS INDVIS POINT\/EN TENTATION\u2019 (And lead us not into temptation) followed by two curved gold lines. A gold line runs round the edge of scene and the inscription. The reverse is inscribed in black with the number \u2018VII\u2019. The plaque is set in an ill-fitting, rectangular, gilt-metal frame with repeating formal leaf border. The plaque is held into the frame by four bent over pins attached to the cardinal points on the reverse."}],"exhibitions":[{"@link":{"type":"reference"},"admin":{"id":"exhibition-2107","uid":"adlib-exhibition-2107","uuid":"07086265-735b-3fd0-90c6-7b1c4f93cb94"},"summary_title":"Fitzwilliam Museum, McClean Bequest, Catalogue of the Mediaeval Ivories, Enamels, Jewellery, Gems and Miscellaneous Objects Bequeathed to the Museum By Frank McClean, M.A., F.R.S."}],"identifier":[{"accession_number":"M.49E-1904","primary":true,"type":"accession number","value":"M.49E-1904"},{"priref":"156439","type":"priref","value":"156439"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/156439","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/156439"}],"inscription":[{"location":"on front at bottom","method":"painted in black and gold","transcription":[{"value":"ET NOVS INDVIS POINT\/EN TENTATION\u2019"}],"type":"inscription"},{"description":[{"value":"Roman seven"}],"location":"on back","method":"painted in black","transcription":[{"value":"VII"}],"type":"number"},{"description":[{"value":"almost square label with a serrated edge and blue printed beaded border; underlined as far as 401"}],"location":"on back","method":"hand-written in black ink","transcription":[{"value":"4899\/sar (5\/T000\/N000\/401\/di una\/venduta separat . ."}],"type":"label"},{"description":[{"value":"a strip cut out of a sale catalogue"}],"location":"on back","method":"printed in black","transcription":[{"value":"289 SIX PLAQUES en \u00e9mail de Pierre Remond, repr\u00e9sentant des sc\u00e8nes de pri\u00e8res avec inscriptions au bas en vieux fran\u00e7ais. Petit collection tres rare et digne d\u2019un mus\u00e9e. Vois illustration page 3.\u2019 and handwritten in black ink \u2018CAT.B (or D) AVD"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Frank McClean Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-172414","uid":"adlib-agent-172414","uuid":"73d94f64-8c0d-30c1-9764-25b005f3ce1d"},"summary_title":"McClean, Frank"}],"date":[{"earliest":1904,"latest":1904,"value":"1904"}],"method":{"value":"bequeathed"},"note":[{"value":"McClean died on 8 November 1904 in Brussels"}]}],"creation":[{"date":[{"earliest":1540,"from":{"earliest":1540,"era":["CE"],"latest":1540,"precision":"circa","value":"1540"},"latest":1550,"range":true,"to":{"earliest":1550,"era":["CE"],"latest":1550,"value":"1550"}}],"maker":[{"@link":{"qualifier":"probably","role":[{"value":"maker"}],"type":"reference"},"admin":{"id":"agent-99908","uid":"adlib-agent-99908","uuid":"376e1128-04f6-3812-88a6-e4928cb7732d"},"summary_title":"Nouailher, Colin"},{"@link":{"qualifier":"after","role":[{"value":"designer"}],"type":"reference"},"admin":{"id":"agent-63808","uid":"adlib-agent-63808","uuid":"2ed7b47b-c05b-3fcc-879c-c3f517ea1682"},"summary_title":"Holbein, Hans, the younger"},{"@link":{"qualifier":"after","role":[{"value":"printmaker"}],"type":"reference"},"admin":{"id":"agent-93853","uid":"adlib-agent-93853","uuid":"f6c72949-df13-3991-afdb-164610d10ab4"},"summary_title":"Monogrammist C. V."}],"note":[{"value":"This plaque was originally the seventh in a series of eight panels illustrating the Lord's Prayer, of which six are in the Fitzwilliam (M.49A-F-1904). The first plaque shows 'Christ instructing the Disciples how to pray', the others have scenes associated with the Lord's Prayer which follows. The words are written in French below each scene. This plaque illustrates \u2018 Lead us not into temptation\u2019 (Matthew VI, 13). It shows a Job sitting in despair among ashes after Satan has afflicted him with boils from top to toe in order to tempt him to speak ungratefully of God. (Job, 2, 7-8).There are at least three other recorded plaques of this subject, see Documentation\n\nTwo plaques from the series decorated in the same style in the Louvre were attributed to Colin Nouailher by Alfred Darcel (1867) and this was upheld by J.J. Marquet de Vasselot (1919-20) and Sophie Baratte (2000). This attribution was confirmed by the presence of the initials CN below the title on a plaque from the Lord\u2019s Prayer decorated with the 'Deliver us from Evil' scene, acquired by the Mus\u00e9e de l\u2019\u00c9v\u00each\u00e9, Limoges, in 2007 (2007.5.2) with another plaque of the 'Give us our daily bread' scene (2007.5.1).\n\nThe scenes illustrating the lines of the prayer were inspired by a set of metalcuts by the Basel monogrammist C.V. after Holbein which appeared in Desiderio Erasmus's 'Precatio dominica in septem portiones', published by both Johann Froben and Johannes Bebel successively in Basle in 1524. The work was first published without illustrations in 1523, and was rapidly translated into modern languages. The illustrations in the Froben and Bebel editions have the inscriptions in Latin, but a set of eight prints issued separately probably a little later with inscriptions in French, signed CV, is in the British Museum (1904.0206, 64,1-8;) and seven of the set (no. 4 is missing) are in the Cabinet des Estampes, Biblioth\u00e8que nationale, Paris (EA 25c in fol., p. 57). While the iconography of all the plaques was derived from these prints, the details differ considerably, in some scenes more than others. \n\nLord's Prayer plaques were also executed probably by Jean II or III P\u00e9nicaud, and an enameller who signed 'KIP' or' KI'. These are in very different styles from the Nouailher plaques and include some scenes which were not based on the Holbein\/CV illustrations."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-110475","uid":"adlib-term-110475","uuid":"223ae6a7-2f91-3314-ae3c-da3233ae47dc"},"summary_title":"16th Century, Mid"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-15498","uid":"adlib-term-15498","uuid":"61725bf5-360f-3837-8aab-3c90b956a537"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"France"}],"summary_title":"France","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Haute Vienne"}],"summary_title":"Haute 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A white panel running across the bottomof the plaque is inscribed in black with gilding over it \u2018TON ROYAINNE VIENNE\/A NOUS\u2019 (Thy kingdom come to us) preceded by two adorsed C scrolls, and followed by two small scrolls. A gold line runs round the edge of the scene and inscription.  The reverse is inscribed in pale black with the number \u2018III\u2019. The plaque is set in an ill-fitting, rectangular, gilt-metal frame with repeating formal leaf border. 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Five more plaques of the Pentecost scene are recorded. \n\nThe scenes in the plaques were inspired by a set of metalcuts by the Basel monogrammist C.V. after Holbein which appeared in Desiderio Erasmus's 'Precatio dominica in septem portiones', published by both Johann Froben and Johannes Bebel successively in Basle in 1524. The work was first published without illustrations in 1523, and was rapidly translated into modern languages. The illustrations in the Froben and Bebel editions have the inscriptions in Latin, but a set of eight prints issued separately a little later with inscriptions in French, signed CV, is in the British Museum (1904.0206, 64,1-8;) and seven of the set (no. 4 is missing) are in the Cabinet des Estampes, Biblioth\u00e8que nationale, Paris (EA 25c in fol., p. 57). They may have been made for a French illustrated edition of Erasmus's book which was not published. While the iconography of all the plaques was derived from these prints, the details differ considerably, in some scenes more than others. The text on the plaques does not exactly follow the French text on the prints in the British Museum.\n\nTwo Lord's Prayer plaques in the Louvre were attributed to Colin Nouailher by Alfred Darcel (1867) and his attribution was upheld by J.J. Marquet de Vasselot (1919-20) and Sophie Baratte (2000). This attribution was confirmed for plaques in the same style by the presence of the initials CN below the title on a plaque from the Lord\u2019s Prayer decorated with the 'Deliver us from Evil' scene, acquired by the Mus\u00e9e de l\u2019\u00c9v\u00each\u00e9 (now Mus\u00e9e des Beaux-Arts), Limoges, in 2007 (2007.5.2) with another plaque of the 'Give us our daily bread' scene (2007.5.1). \n\nSets of Lord's Prayer plaques are also attributed to Jean II or III Penicaud, and to an enameller who signed 'KIP'. These differ considerably in style and details from Noualher's plaques and include one or two scenes which are completely different from the metalcuts after Holbein."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-110475","uid":"adlib-term-110475","uuid":"223ae6a7-2f91-3314-ae3c-da3233ae47dc"},"summary_title":"16th Century, Mid"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-15498","uid":"adlib-term-15498","uuid":"61725bf5-360f-3837-8aab-3c90b956a537"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"France"}],"summary_title":"France","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Haute Vienne"}],"summary_title":"Haute 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A preacher in a canopied pulpit addresses a congregation. In the background a man and woman dine in front of a house. Below is an inscription \u2018DONNE NOVSAVIOVR DHVY\u2022NOS\/TRE PAIN COTIDIAN\u2019 (Give us today our daily bread). One of a set with M.49A, B & D-F-1904"},{"value":"Rectangular convex copper plaque with a small hole in each corner, enamelled in grisaille technique in opaque white with enlevage with a little pink, and one spot of red on a black ground, and gilded. The counter enamel is clear, and unevenly applied with thick blobs at the top and left side. On the left, a preacher stands in a canopied pulpit inscribed 'VERI\/TAS' on its side. He addresses a congregation of women seated in the middle, and men standing on the right. A woman seated on the right holds a closed book. Another in the middle holds an infant on her lap, and another with her back to the pulpit has a cloak draped around her. A partly shown figure behind them has a red jewel in his turban-like cap. Only two of the men are shown in detail. Both wear square hats and long gowns. In the background there are columns and a man and woman dining at a table in front of a house. The man offers a cup to the woman. The sky is powdered with gold, and there are four gold plants in the foreground. A white panel running across the bottom of the plaque is inscribed in black with gilding over it 'DONNE NOVSAVIOVR DHVY\\bullet NOS\/TRE PAIN COTIDIAN' (Give us today our daily bread). A gold line runs round the scene and the inscription. The reverse is inscribed in black with the Roman numeral 'V'.\nThe plaque is set in an ill-fitting, rectangular, gilt-metal frame with repeating formal leaf border. The plaque is held into the frame by four bent over pins attached to the cardinal points on the reverse."}],"exhibitions":[{"@link":{"catalogue":"224","type":"reference"},"admin":{"id":"exhibition-3305","uid":"adlib-exhibition-3305","uuid":"534a3247-91a9-398f-abe9-7b419586f568"},"summary_title":"Feast and Fast: The Art of Food in Europe (1500-1800)"},{"@link":{"type":"reference"},"admin":{"id":"exhibition-2107","uid":"adlib-exhibition-2107","uuid":"07086265-735b-3fd0-90c6-7b1c4f93cb94"},"summary_title":"Fitzwilliam Museum, McClean Bequest, Catalogue of the Mediaeval Ivories, Enamels, Jewellery, Gems and Miscellaneous Objects Bequeathed to the Museum By Frank McClean, M.A., F.R.S."}],"identifier":[{"accession_number":"M.49C-1904","primary":true,"type":"accession number","value":"M.49C-1904"},{"priref":"156437","type":"priref","value":"156437"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/156437","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/156437"}],"inscription":[{"location":"on front","method":"painted in black and gold","transcription":[{"value":"DONNE NOVSAVIOVR DHVY\u2022NOS\/TRE PAIN COTIDIAN\u2019"}],"type":"inscription"},{"description":[{"value":"Roman five"}],"location":"on back","method":"painted in black","transcription":[{"value":"V"}],"type":"number"},{"description":[{"value":"almost square label with two serrated edges, and blue printed beaded border; text underlined as far as the H"}],"location":"on back","method":"hand-written in black ink","transcription":[{"value":"3) 4899 sei\/T000\/N000\/H 10 di una\/venduta separato ...\u2019."}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Frank McClean Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-172414","uid":"adlib-agent-172414","uuid":"73d94f64-8c0d-30c1-9764-25b005f3ce1d"},"summary_title":"McClean, Frank"}],"date":[{"earliest":1904,"latest":1904,"value":"1904"}],"method":{"value":"bequeathed"},"note":[{"value":"Frank McClean died on 8 November 1904"}]}],"creation":[{"date":[{"earliest":1540,"from":{"earliest":1540,"era":["CE"],"latest":1540,"precision":"circa","value":"1540"},"latest":1550,"range":true,"to":{"earliest":1550,"era":["CE"],"latest":1550,"value":"1550"}}],"maker":[{"@link":{"qualifier":"probably","role":[{"value":"maker"}],"type":"reference"},"admin":{"id":"agent-99908","uid":"adlib-agent-99908","uuid":"376e1128-04f6-3812-88a6-e4928cb7732d"},"summary_title":"Nouailher, Colin"},{"@link":{"qualifier":"after","role":[{"value":"designer"}],"type":"reference"},"admin":{"id":"agent-63808","uid":"adlib-agent-63808","uuid":"2ed7b47b-c05b-3fcc-879c-c3f517ea1682"},"summary_title":"Holbein, Hans, the younger"},{"@link":{"qualifier":"after","role":[{"value":"printmaker"}],"type":"reference"},"admin":{"id":"agent-93819","uid":"adlib-agent-93819","uuid":"08bff0de-c601-3f77-b0ac-fe18f53ce404"},"summary_title":"Monogrammist C V B"}],"note":[{"value":"This plaque was originally the fifth of a set of eight illustrating the Lord's Prayer of which six are in the Fitzwilliam (M.49A-F-1904). The first plaque shows Christ instructing his disciples how to pray (Matthew, VI, 6-7), and the others have scenes associated with the petitions of the Lord's Prayer which follows (Matthew, VI, 8-13). The words are written in French at the bottom of each plaque. This plaque illustrates the line 'Give us our daily bread' (Matthew, VI, 11). At least seven more plaques are known illustrating this line, see Documentation \n\nThe literal interpretation of the petition is represented by a couple taking a meal in the background, but the significant message of the scene is that the congregation should feed their minds and souls on the spiritual food of the Word of God expounded by the preacher. The viewers would probably have familiar with Jesus words to to Satan during his Temptation in the Wilderness, that 'Man shall not live by bread alone, but by every word that proceedeth out of the mouth of God' (Matthew IV:4), and with his words after the Feeding of the Five Thousand, 'I am the bread of life: he that cometh to me shall never hunger; and he that believes in me shall never thirst' (John VI: 35). \n\nThe scenes in this Lord's Prayer series were inspired by a set of metalcuts by the Basel monogrammist C.V. after Holbein which appeared in Desiderio Erasmus's 'Precatio dominica in septem portiones' (The Lord's Prayer in seven parts), published by both Johann Froben and Johannes Bebel successively in Basle in 1524. The work was first published without illustrations in 1523, and was rapidly translated into modern languages. The illustrations in the Froben and Bebel editions have the inscriptions in Latin, but a set of eight prints issued separately a little later with inscriptions in French, signed CV, is in the British Museum (1904.0206, 64,1-8;) and seven of the set (no. 4 is missing) are in the Cabinet des Estampes, Biblioth\u00e8que nationale, Paris (EA 25c in fol., p. 57). While the iconography of all the plaques by Colin Nouailler was derived from these metalcuts, their details differ considerably, in some scenes more than others. See Documentation. The preacher on the plaques, who unlike the one in Precatio domenica ..., wears a biretta, seems likely to have been influenced by the woodcut for the Preacher in Holbein's 'The Dance of Death', published in Lyon in 1538. \n\nThe iconography of this plaque differs greatly from the Holbein version, which presents an orthodox view of this line as a petition for everyday food together with the spiritual bread of the Eucharist and the Word of God. Possibly significantly the enameller omitted a priest administering the Eucharist in the middle of the metalcut scene. The word 'VERITAS' (Truth) on the side of the pulpit is not present in the print, nor on the other plaques of this subect. It may refer to the Latin text of St John's Gospel 17: 17, in which Christ, while praying to God for his disciples before his arrest asked 'Sanctify them through thy truth: thy word is truth'. Its presence can also be related to Erasmus's text in' Precatio dominica . . .', where he wrote  in Latin 'Your Son is the truth, and the truth of the gospel is the bread that he left us for spiritual nourishment.'  The presence of the word VERITAS therefore suggests that the patron or enameller was familiar with Erasmus' text as well as the illustrations. \n\nTwo plaques from this Lord's Prayer series in the Louvre were attributed to Colin Nouailher by Alfred Darcel (1867) and his attribution was upheld by J.J. Marquet de Vasselot (1919-20) and Sophie Baratte (2000). This attribution was confirmed for plaques in the same style by the presence of the initials CN below the title on a plaque from the Lord\u2019s Prayer decorated with the 'Deliver us from Evil' scene, acquired by the Mus\u00e9e de l\u2019\u00c9v\u00each\u00e9, (now the Mus\u00e9e des Beaux-Arts), Limoges, in 2007 (2007.5.2) with another plaque of the 'Give us our daily bread' scene (2007.5.1). Sets of plaques illustrating the Lord's Prayer were also executed by at two more Limoges enamellers: one signing himself KIP or KI; and the other probably Jean II or III P\u00e9nicaud. Their sets include some scenes which differ completely from the Holbein\/CV prints, and their text follows the French of the prints in the British Museum."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-110475","uid":"adlib-term-110475","uuid":"223ae6a7-2f91-3314-ae3c-da3233ae47dc"},"summary_title":"16th Century, Mid"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-15498","uid":"adlib-term-15498","uuid":"61725bf5-360f-3837-8aab-3c90b956a537"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"France"}],"summary_title":"France","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Haute Vienne"}],"summary_title":"Haute 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Christ visiting a dying man. Inscribed below MAIS DELIVRE NOVS DV\u2019\/two shallow scrolls with fleur-de-lys below, \u2018MALIN AMEN\u2019 (But deliver us from evil, Amen). One of a set with M.49A-E-1904."},{"value":"Rectangular convex copper plaque with a hole in each corner, enamelled en grisaille with some pink and a spot of red, on a black ground, and gilded.  Clear, uneven  counter-enamel with several blobs in the middle of the right side, and near to the lower left and lower right corners. An outdoor setting with trees on the right and in the centre. A sick or dying man lies propped up on cushions on a bed covered by a blanket. He looks towards Christ, who stands behind bed. A lame man stands at its end. A woman wearing a cloak over her head stands or sits beside the bed close to the invalid holding a candle with a red flame. Behind and to the left is a man wearing a hat, and a younger bare-headed man moves towards the centre. In the left foreground in front of the bed, is a small table decorated with gold scrolls, with a dish and a jar on it. Across the bottom of the plaque is a white panel inscribed in black and gold,\u2018MAIS DELIVRE NOVS DV\u2019\/two shallow scrolls with fleur-de-lys below, \u2018MALIN AMEN\u2019 (But deliver us from evil, Amen). A gold line runs round the scene and inscription. The reverse is inscribed in black with the number \u2018VIII\u2019. The plaque is set in an ill-fitting, rectangular, gilt-metal frame with repeating formal leaf border. The plaque is held into the frame by four bent over pins attached to the cardinal points on the reverse."}],"exhibitions":[{"@link":{"type":"reference"},"admin":{"id":"exhibition-2107","uid":"adlib-exhibition-2107","uuid":"07086265-735b-3fd0-90c6-7b1c4f93cb94"},"summary_title":"Fitzwilliam Museum, McClean Bequest, Catalogue of the Mediaeval Ivories, Enamels, Jewellery, Gems and Miscellaneous Objects Bequeathed to the Museum By Frank McClean, M.A., F.R.S."}],"identifier":[{"accession_number":"M.49F-1904","primary":true,"type":"accession number","value":"M.49F-1904"},{"priref":"156440","type":"priref","value":"156440"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/156440","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/156440"}],"inscription":[{"description":[{"value":"between the words, two shallow scrolls with fleur-de-lys below"}],"location":"on front","method":"painted in black and gold","transcription":[{"value":"MAIS DELIVRE NOVS DV\u2019 and \u2018MALIN AMEN'"}],"type":"inscription"},{"description":[{"value":"Roman eight"}],"location":"on back","method":"painted in black","transcription":[{"value":"VIII"}],"type":"number"},{"description":[{"value":"rectangular with serrated edges, and printed blue beaded border;"}],"location":"on back","method":"hand-written in black","transcription":[{"value":"6)4899Ser\/ T000\/N000\/A10 di una\/venduta se[arata ]? mente"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Frank McClean Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-172414","uid":"adlib-agent-172414","uuid":"73d94f64-8c0d-30c1-9764-25b005f3ce1d"},"summary_title":"McClean, Frank"}],"date":[{"earliest":1904,"latest":1904,"value":"1904"}],"method":{"value":"bequeathed"},"note":[{"value":"McClean died on 8 November 1904 in Brussels"}]}],"creation":[{"date":[{"earliest":1540,"from":{"earliest":1540,"era":["CE"],"latest":1540,"precision":"circa","value":"1540"},"latest":1550,"note":[{"value":"Marquet de Vasselt in April 1911 attributed this series of plaques to Colin or Couly Nouailher, c. 1540"}],"range":true,"to":{"earliest":1550,"era":["CE"],"latest":1550,"precision":"circa","value":"1550"}}],"maker":[{"@link":{"role":[{"value":"maker"}],"type":"reference"},"admin":{"id":"agent-99908","uid":"adlib-agent-99908","uuid":"376e1128-04f6-3812-88a6-e4928cb7732d"},"summary_title":"Nouailher, Colin"},{"@link":{"qualifier":"after","role":[{"value":"printmaker"}],"type":"reference"},"admin":{"id":"agent-93853","uid":"adlib-agent-93853","uuid":"f6c72949-df13-3991-afdb-164610d10ab4"},"summary_title":"Monogrammist C. V."},{"@link":{"qualifier":"after","role":[{"value":"designer"}],"type":"reference"},"admin":{"id":"agent-63808","uid":"adlib-agent-63808","uuid":"2ed7b47b-c05b-3fcc-879c-c3f517ea1682"},"summary_title":"Holbein, Hans, the younger"}],"note":[{"value":"This plaque originally formed part of a set of eight illustrating the Lord's Prayer, of which six are in the Fitzwilliam (M.49A-F-1904). The first shows ' Christ instructing the Disciples how to pray' (Matthew, VI, 6-8), the others have scenes associated with the seven petitions of the Lord's Prayer which follow (Matthew VI, 9-13). The last,  'But deliver us from evil, Amen'  (Matthew VI, 13) is illustrated by Christ curing a sick or dying man. The choice of this image  indicates that the words were interpreted as a petition for deliverance from worldly misfortune, such as sickness, as well as from past or future sin. This image was appropriate for this petition of the prayer because in the Gospels the miraculous cures effected by Christ were sometimes followed by him granting the sufferers forgiveness of their sins. \n\nTwo Lord's Prayer plaques in similar style in the Louvre were attributed to Colin Nouailher by Alfred Darcel (1867) and this was upheld by J.J. Marquet de Vasselot (1919-20) and Sophie Baratte (2000). This attribution was  confirmed by the presence of the initials CN below the title on a Lord\u2019s Prayer plaque decorated with the 'Deliver us from Evil' scene, acquired by the Mus\u00e9e de l\u2019\u00c9v\u00each\u00e9 (now the Mus\u00e9e des Beaux-Arts), Limoges, in 2007 (2007.5.2) with another plaque of the 'Give us our daily bread' scene (2007.5.1). \n\nThe scenes on Nouailher's plaques were inspired by a set of metalcuts by the Basel monogrammist C.V. after Hans Holbein the Younger which appeared in Desiderio Erasmus's 'Precatio dominica in septem portiones', (The Lords Prayer in seven parts) published by both Johann Froben and Johannes Bebel successively in Basel in Switzerland in 1524. The work was first published in Basel without illustrations in 1523, and was rapidly translated into modern European languages. The illustrations in the Froben and Bebel editions have the inscriptions in Latin, but a set of eight prints issued separately, probably  a little later, with inscriptions in French, signed CV, is in the British Museum (1904.0206, 64,1-8;) and seven of the set (no. 4 is missing) are in the Cabinet des Estampes, Biblioth\u00e8que nationale, Paris (EA 25c in fol., p. 57). Possibly they were intended for a French illustrated edition which was never published. While the iconography of all the plaques was derived from these illustrations, the scenes were transposed (left to right) and details differ considerably, in some scenes more than others.\n\nSets of Lord's Prayer plaques were also executed probably by Jean II or III P\u00e9nicaud, and an enameller who signed 'KIP'. These are in very different styles from the Nouailher plaques and include two scenes which were not based on the Holbein\/CV illustrations."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-110475","uid":"adlib-term-110475","uuid":"223ae6a7-2f91-3314-ae3c-da3233ae47dc"},"summary_title":"16th Century, Mid"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-15498","uid":"adlib-term-15498","uuid":"61725bf5-360f-3837-8aab-3c90b956a537"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"France"}],"summary_title":"France","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Haute Vienne"}],"summary_title":"Haute 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Or, although smaller, G.H. Morland; sold Christie's, 10 May 1866, one of six plaques in gilt-metal frames in lot 437. An unidentified French sale in which the six plaques formed lot 289. An unidentified Italian owner or dealer before or after the sale. 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Cf. p. 230, no. 8 formerly Chabri\u00e8res-Arles collection, Paris; p. 232, no. 8, possibly Strauss collection, location unknown to Marquet de Vasselot","page":"231","type":"reference"},"admin":{"id":"publication-200002170","uid":"adlib-publication-200002170","uuid":"06575876-e5c8-362b-93fd-a20f0679b18f"},"summary_title":"Quelques \u00e9maux de Colin Noailher et leurs mod\u00e8les grav\u00e9s"},{"@link":{"notes":"Ref. p. 284 for the source of the designs on the Lord's Prayer plaques","page":"284","type":"reference"},"admin":{"id":"publication-200002171","uid":"adlib-publication-200002171","uuid":"a8c2f19e-5c1e-3d49-8f24-ab741ecd8bc7"},"summary_title":"Holbein\u2019s Thatigkeit f\u00fcr Baseler Verleger"},{"@link":{"notes":"Ref. pp. 488-90, no. 436, for the illustrated editions of Erasmus's Precatio dominica in septem portiones","page":"488-90","type":"reference"},"admin":{"id":"publication-7080","uid":"adlib-publication-7080","uuid":"36d387ec-0109-3ca5-8194-f63ec1767c0a"},"summary_title":"Oberrheinische buchillustration 2. Basler Buchillustration 1500 bis 1545"},{"@link":{"notes":"Cf.  p. 4, inscribed below the scene \u2018+MAIS+DELIVRE+NOVS+\/+DV+MALIN+AMEN+\/+CN+\u2019. Has a chip on top left corner. Said to be a pair with another plaque of the subject 'Give us our daily bread'.","page":"4","type":"reference"},"admin":{"id":"publication-6136","uid":"adlib-publication-6136","uuid":"91a54493-ae80-3454-9624-e1a6a3a47029"},"summary_title":"Works of Art, Newsletter"},{"@link":{"notes":"Cf. pp. 296-9, a set of all eight Lord's Prayer plaques by Colin Nouailher mounted in a wooden triptych frame, with above, at top centre, an arched plaque of the Crucifixion with the Virgin and St John, probably from the workshop of Pierre Reymond. These plaques, like the Fitzwilliam's, have the inscriptions at the bottom. Purchased at Christie's London, 4 July 2000, lot 22, attributed to Pierre Reymond. Mus\u00e9e municipal de l\u2019Ev\u00each\u00e9, inv. no. 2000.10.1","page":"296-9","type":"reference"},"admin":{"id":"publication-200002664","uid":"adlib-publication-200002664","uuid":"b15e6464-77a8-34fa-9ad7-9bbbcd063ed8"},"summary_title":"Les acquisitions du Mus\u00e9e municipal de l\u2019Ev\u00each\u00e9 - mus\u00e9e de l\u2019Email de Limoges"},{"@link":{"notes":"Cf. pp. 298-9, illustrated p. 297, fig. 11, a plaque decorated with 'Deliver us from Evil', initialled CN acquired from Bernard Descheemaeker for the Mus\u00e9e municipal de l\u2019\u00c9v\u00each\u00e9 in 2007, inv. 2007.5.2, with another plaque of the 'Give us our daily bread' scene (2007.5.1)","page":"297-9","type":"reference"},"admin":{"id":"publication-200002402","uid":"adlib-publication-200002402","uuid":"ad98cb72-1d1d-338c-883d-4f5668b1e141"},"summary_title":"Les acquisitions du Mus\u00e9e municipal de l\u2019\u00c9v\u00each\u00e9 de Limoges en 2007"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"subjects":[{"@link":{"type":"reference"},"admin":{"id":"term-102735","uid":"adlib-term-102735","uuid":"9ffebc71-0d53-3435-b13f-9ab850955082"},"summary_title":"prayer"},{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-106409","uid":"adlib-term-106409","uuid":"cf38689b-f0cd-3a76-9e24-496891523312"},"summary_title":"bed"},{"@link":{"relation":"plant","type":"reference"},"admin":{"id":"term-58471","uid":"adlib-term-58471","uuid":"ce00216e-da4e-37b3-974c-c2b6377d6c19"},"summary_title":"tree"},{"@link":{"relation":"activity","type":"reference"},"admin":{"id":"term-147452","uid":"adlib-term-147452","uuid":"e2196bac-6cc3-38dd-b4a4-e7d5e924f14f"},"summary_title":"forgiving"},{"@link":{"type":"literal"},"name":[{"value":"bed"}],"summary_title":"bed"},{"@link":{"type":"literal"},"name":[{"value":"tree"}],"summary_title":"tree"},{"@link":{"type":"literal"},"name":[{"value":"forgiving"}],"summary_title":"forgiving"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107484","uid":"adlib-term-107484","uuid":"935e21d3-0b7f-3ca6-9987-b79c82e054fd"},"summary_title":"plaque"}},"summary_title":"plaque","title":[{"value":"The Lord's Prayer VIII Christ visiting a Sick or Dying Man"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-156435","_score":17.850773,"_source":{"admin":{"added":1592970669000,"created":1312637261000,"flag":"Standard Record","id":"object-156435","indexed":1755194558732,"modified":1714468128000,"processed":1755194515997,"source":"adlib","stream":"fitz-online","uid":"adlib-object-156435","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/156435","uuid":"6351a77b-d5f9-3f74-8fb0-82fa55ee758f","version":12},"agents":[{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-149696","uid":"adlib-agent-149696","uuid":"c1d7b5bf-63d4-3ba4-a080-9810b80bf16c"},"summary_title":"Christ"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-160581","uid":"adlib-agent-160581","uuid":"2982d843-ac50-316d-8268-b6acf83cc0d2"},"summary_title":"Disciples"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-107563","uid":"adlib-term-107563","uuid":"38dcd825-1de1-3222-82c6-15a95729b5ff"},"summary_title":"enamels"},{"@link":{"type":"reference"},"admin":{"id":"term-125750","uid":"adlib-term-125750","uuid":"2b10ac09-63c3-34ed-87d5-487058c1c344"},"summary_title":"Limoges painted enamels"}],"collection":[{"@link":{"type":"reference"},"admin":{"id":"term-120007","uid":"adlib-term-120007","uuid":"00af7c97-d937-3d5c-a1af-d2a83fe2785b"},"summary_title":"Frank McClean"}],"component":[{"materials":[{"note":[{"value":"black, white, flesh pink"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-32638","uid":"adlib-term-32638","uuid":"97b8d1a5-7b8f-3a2a-a275-7d001aeaae2b"},"summary_title":"enamel"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39593","uid":"adlib-term-39593","uuid":"e3e2a3f8-2433-3f63-9bcf-e776644d312d"},"summary_title":"gold"}}],"name":"Decoration","techniques":[{"description":[{"value":"rectangular convex copper plaque with a small hole in each corner, enamelled en grisaille with a little flesh pink on a black ground, and gilded. 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Christ teaching the disciples how to pray, inscribed below, 'IHESVS\u2022 DICT\u2022A\u2022SES\u2022DISEIPSIES QVANT\/VOVS PRIEREZ HE PARSEZ: PAS\u2022BEAV:\/COP MAIS PRIEZ AMSY (sprig)  MAT  V'1. One of a set with M.49B-F-1904"},{"value":"Rectangular copper convex plaque with a small hole in each corner, enamelled in grisaille with a little flesh pink on a black round, and gilded.  Clear, unevenly applied clear counter-enamel. Christ stands on a flat rock on the right addressing his disciples who stand slightly below him in a group on the left. He is barefooted, and has a gold aureole, long hair, and a beard, and wears a long gown with a cloak over it. The first disciple on the left, probably St Peter, is old and bearded, and wears a long gown with a cloak which he holds up in his right hand and clutches to his chest with his left hand. The disciple behind him, probably St John, is younger and clean-shaven  with golden hair, and wears a long gown and cloak fastened together over his chest with a brooch. The head of another disciple is shown behind him, but only the tops of the heads of the rest of the group behind them are shown. A large tree stands in the background between Christ and the disciples. Gold lines run round the edges of their clothing, and there are small gold plants on the rock and beyond the tree, which is entwined by a delicate gold vine. \nA white panel running across the bottom of the plaque is inscribed in black with gilding over it \u2018IHESVS\u2022 DICT\u2022A\u2022SES\u2022DISEIPSIES QVANT\/VOVS PRIEREZ HE PARSEZ: PAS\u2022BEAV:\/COP MAIS PRIEZ AMSY (sprig)  MAT  V1\u2019  (Jesus said to his disciples \u2018When you pray do not speak too much but pray thus\u2019 Matthew V1) . A gold line runs round the edge of the scene and inscription. The reverse is painted in black with the number \u20181\u2019.\nThe plaque is set in an ill-fitting, rectangular, gilt-metal frame with repeating formal leaf border. The plaque is held into the frame by four bent over pins attached to the cardinal points on the reverse."}],"exhibitions":[{"@link":{"type":"reference"},"admin":{"id":"exhibition-2107","uid":"adlib-exhibition-2107","uuid":"07086265-735b-3fd0-90c6-7b1c4f93cb94"},"summary_title":"Fitzwilliam Museum, McClean Bequest, Catalogue of the Mediaeval Ivories, Enamels, Jewellery, Gems and Miscellaneous Objects Bequeathed to the Museum By Frank McClean, M.A., F.R.S."}],"identifier":[{"accession_number":"M.49A-1904","primary":true,"type":"accession number","value":"M.49A-1904"},{"priref":"156435","type":"priref","value":"156435"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/156435","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/156435"}],"inscription":[{"description":[{"value":"sprig between AMSY and MAT VI"}],"location":"on front","method":"painted in black and gold","transcription":[{"value":"IHESVS\u2022 DICT\u2022A\u2022SES\u2022DISEIPSIES QVANT\/VOVS PRIEREZ HE PARSEZ: PAS\u2022BEAV:\/COP MAIS PRIEZ AMSY         MAT  V1"}],"type":"inscription"},{"location":"reverse","method":"painted in black","transcription":[{"value":"1"}],"type":"inscription"},{"description":[{"value":"almost square paper label with serrated edge on three sides, and blue printed beaded border"}],"location":"on back","method":"hand-written in black ink","transcription":[{"value":"1) 4899\/Sei\/T000\/N000\/A10 di un\/venduta\/separato . . ."}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Frank McClean Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-172414","uid":"adlib-agent-172414","uuid":"73d94f64-8c0d-30c1-9764-25b005f3ce1d"},"summary_title":"McClean, Frank"}],"date":[{"earliest":1904,"latest":1904,"value":"1904"}],"method":{"value":"bequeathed"},"note":[{"value":"Frank McClean died on 8 November 1904 in Brussels"}]}],"creation":[{"date":[{"earliest":1540,"from":{"earliest":1540,"era":["CE"],"latest":1540,"precision":"circa","value":"1540"},"latest":1550,"range":true,"to":{"earliest":1550,"era":["CE"],"latest":1550,"value":"1550"}}],"maker":[{"@link":{"role":[{"value":"maker"}],"type":"reference"},"admin":{"id":"agent-99908","uid":"adlib-agent-99908","uuid":"376e1128-04f6-3812-88a6-e4928cb7732d"},"summary_title":"Nouailher, Colin"},{"@link":{"qualifier":"after","type":"reference"},"admin":{"id":"agent-63808","uid":"adlib-agent-63808","uuid":"2ed7b47b-c05b-3fcc-879c-c3f517ea1682"},"summary_title":"Holbein, Hans, the younger"},{"@link":{"qualifier":"after","role":[{"value":"printmaker"}],"type":"reference"},"admin":{"id":"agent-93853","uid":"adlib-agent-93853","uuid":"f6c72949-df13-3991-afdb-164610d10ab4"},"summary_title":"Monogrammist C. V."}],"note":[{"value":"This plaque was originally the first of a set of eight illustrating the Lord's Prayer of which six are in the Fitzwilliam (M.49A-F-1904). The second and fourth plaques are missing. The first plaque shows Christ instructing his disciples how to pray (Matthew, VI, 6-7), and the others have scenes associated with the lines of the Lord's Prayer which follows (Matthew, VI, 8-13). The words are written in French at the bottom of each plaque. The subject of the first plaque is shown out-of-doors, because this passage in the Gospel forms part of the Sermon on the Mount. \n\nSo far no documentary evidence for the use of the plaques has been found. However, it seems likely that framed sets could have been used as teaching aids. Their production needs to be viewed in the context of efforts by evangelical Protestant and Gallican Catholic reformers to improve the religious education of the clergy and laity. Learning to repeat and understand the Lord's Prayer was a fundamental aspect of Christian education. The publication of Luther\u2019s commentaries on the Creed and Lord\u2019s Prayer in 1518 and 1519 inspired a spate of comparable works, ranging from learned works for scholars to simple pamphlets with the Lord's Prayer, Creed, and Hail Mary printed in Latin and French for the laity. \n\nThe scenes on the enamelled Lord's Prayer plaques were derived from a set of metalcuts by the Basel monogrammist C.V. after Holbein which appeared in Desiderio Erasmus's 'Precatio dominica in septem portiones', published by both Johann Froben and Johannes Bebel successively in Basle in 1524. The work was first published without illustrations in 1523, and was rapidly translated into modern languages. The illustrations in the Froben and Bebel editions have the inscriptions in Latin, but a set of eight prints issued separately a little later with inscriptions in French, signed CV, is in the British Museum (1904,0206. 64.1-8;) and seven of the set (no. 4 is missing) are in the Cabinet des Estampes, Biblioth\u00e8que nationale, Paris (EA 25c in fol., p. 57). A French translation of 'Precation dominica' was not published, and the rarity of the prints with French text, makes it seem more likely that Colin Nouailher, had access to an illustrated Latin edition. The inscriptions on the plaques attributed to him do not match all lines of the cuts with French text. While the iconography of all the plaques was derived from these prints, the details differ considerably, in some scenes more than others, and the sets by by Jean P\u00e9nicaud II or III and the enameller who signed 'KIP'  include scenes which are completely different. \n\nOnly five sets of grisaille Lord's Prayer plaques surviving together are known, of which two are attributed to Colin Nouailher, and about thirty-five in smaller groups or single plaques are in his style, which differs greatly from the other sets attributed to Jean P\u00e9nicaud II or III and 'KIP'. Two plaques in the Louvre were attributed to Colin Nouailher by Alfred Darcel (1867) and his attribution was upheld by J.J. Marquet de Vasselot (1919-20) and Sophie Baratte (2000). This attribution was confirmed by the presence of the initials CN below the title on a plaque decorated with the 'Deliver us from Evil' scene, acquired by the Mus\u00e9e de l\u2019\u00c9v\u00each\u00e9, (now Mus\u00e9e des Beaux-Arts) Limoges, in 2007 (2007.5.2) with another plaque of the 'Give us our daily bread' scene (2007.5.1)."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-110475","uid":"adlib-term-110475","uuid":"223ae6a7-2f91-3314-ae3c-da3233ae47dc"},"summary_title":"16th Century, Mid"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-15498","uid":"adlib-term-15498","uuid":"61725bf5-360f-3837-8aab-3c90b956a537"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"France"}],"summary_title":"France","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Haute Vienne"}],"summary_title":"Haute 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An unidentified French sale in which the six plaques formed lot 289. An unidentified Italian owner or dealer before or after the sale. Frank McClean MA, FRS (1837\u20131904), Rusthall House, near Tunbridge Wells"}],"objects":[{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-156436","uid":"adlib-object-156436","uuid":"be846ed0-3d5d-35a7-9e1d-9caa50238288"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-107484","uid":"adlib-term-107484","uuid":"935e21d3-0b7f-3ca6-9987-b79c82e054fd"},"summary_title":"plaque"}},"summary_title":"plaque"},{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-156437","uid":"adlib-object-156437","uuid":"b54901a7-9a74-3ae3-a38c-9a43b179d5b2"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-107484","uid":"adlib-term-107484","uuid":"935e21d3-0b7f-3ca6-9987-b79c82e054fd"},"summary_title":"plaque"}},"summary_title":"plaque"},{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-156438","uid":"adlib-object-156438","uuid":"6f5d2df2-fd58-3c26-a778-f4bf0695323a"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-107484","uid":"adlib-term-107484","uuid":"935e21d3-0b7f-3ca6-9987-b79c82e054fd"},"summary_title":"plaque"}},"summary_title":"plaque"},{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-156439","uid":"adlib-object-156439","uuid":"75f8f71d-2c8f-30d8-a48f-f5510e03f42f"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-107484","uid":"adlib-term-107484","uuid":"935e21d3-0b7f-3ca6-9987-b79c82e054fd"},"summary_title":"plaque"}},"summary_title":"plaque"},{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-156440","uid":"adlib-object-156440","uuid":"8783ea79-cad6-352d-b68c-4b9086c04d3e"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-107484","uid":"adlib-term-107484","uuid":"935e21d3-0b7f-3ca6-9987-b79c82e054fd"},"summary_title":"plaque"}},"summary_title":"plaque"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ., p. 112, no. 67","page":"112-13","type":"reference"},"admin":{"id":"publication-4060","uid":"adlib-publication-4060","uuid":"0f6d91a4-87ab-338c-b868-7d56c66bc250"},"summary_title":"Fitzwilliam Museum, McClean Bequest, Catalogue of the Mediaeval Ivories, Enamels, Jewellery, Gems and Miscellaneous Objects Bequeathed to the Museum by Frank McClean, M.A., F.R.S."},{"@link":{"notes":"Publ. pp. 230-1, and see other examples of plaques of the Lord's Prayer listed pp. 229-33. The author mentions two plaques of this subject:  p. 229, no. 3, from the Chabri\u00e8res-Arl\u00e8s Collection, Paris illustrated framed with the other plaques in a set; and p. 233, no. 3, from the collections of W. Bemrose, Derby, and the Rev. E.A. Coghill, Southwell.","page":"230-1","type":"reference"},"admin":{"id":"publication-200002170","uid":"adlib-publication-200002170","uuid":"06575876-e5c8-362b-93fd-a20f0679b18f"},"summary_title":"Quelques \u00e9maux de Colin Noailher et leurs mod\u00e8les grav\u00e9s"},{"@link":{"notes":"Ref. pp. 64-8 for Erasmus' interpretation of this petition of the Prayer","page":"pp. 64-8","type":"reference"},"admin":{"id":"publication-8964","uid":"adlib-publication-8964","uuid":"6f011cc1-7b4a-3d50-b591-c1c95407c1da"},"summary_title":"Collected Works of Erasmus, vol. 69, Spiritualia and Pastoralia . . . . Precatio domenica . . ."},{"@link":{"notes":"Ref. p. 244, for the sources of the designs of the Lord's Prayer series. See also Hieronymous, 1984, below.","page":"240-","type":"reference"},"admin":{"id":"publication-200002171","uid":"adlib-publication-200002171","uuid":"a8c2f19e-5c1e-3d49-8f24-ab741ecd8bc7"},"summary_title":"Holbein\u2019s Thatigkeit f\u00fcr Baseler Verleger"},{"@link":{"notes":"Ref. Vol. XIVA,  p. 127-8, 65a-h by CV after Holbein. These illustrations have the inscriptions in latin, but a set of seven engravings (no. 4 is missing) also signed CV with inscriptions in French is in the Cabinet des Estampes, Biblioth\u00e8que nationale, Paris (EA 25c in fol., p. 57). A complete set is in the  British Museum, 1904,0206.64.1-8.","page":"127-8","type":"reference"},"admin":{"id":"publication-1297","uid":"adlib-publication-1297","uuid":"3e83284b-b9d8-3db5-b16c-20ea5e9ce0d6"},"summary_title":"German engravings, etchings and woodcuts, ca. 1400-1700"},{"@link":{"type":"reference"},"admin":{"id":"publication-7076","uid":"adlib-publication-7076","uuid":"690aa8fb-c1a1-3eb1-bef6-060731b874c3"},"summary_title":"Le Premier recueil des oeuvres de la muse cosmopolitique, laquelle par ses artz gentilz guerit toute ladrerye"},{"@link":{"notes":"Ref. pp. 488-90, no. 436 for information about the editions of Erasmus's Precatio dominica in septem portiones","page":"488-90","type":"reference"},"admin":{"id":"publication-7078","uid":"adlib-publication-7078","uuid":"6c624450-e32a-3e51-8e72-05e16b794d8d"},"summary_title":"Oberrheinische Buchillustration 2, Basler Buchillustration 1500-1545"},{"@link":{"notes":"Cf. pp. 296-99, a set of all eight Lord's Prayer plaques attributed to Colin Nouailher framed as a triptych with above, at top centre, an arched plaque of the Crucifixion with the Virgin and St John, probably from the workshop of Pierre Reymond. These plaques, like the Fitzwilliam's, have the titles at the bottom. Purchased at Christie's on 4 July 2000, lot 22, attributed to Pierre Reymond. Mus\u00e9e municipal de l\u2019Ev\u00each\u00e9 , inv. no. 2000.10.1. The museum is now the Mus\u00e9e des Baux-Arts, Limoges.","page":"296-99","type":"reference"},"admin":{"id":"publication-200002664","uid":"adlib-publication-200002664","uuid":"b15e6464-77a8-34fa-9ad7-9bbbcd063ed8"},"summary_title":"Les acquisitions du Mus\u00e9e municipal de l\u2019Ev\u00each\u00e9 - mus\u00e9e de l\u2019Email de Limoges"},{"@link":{"notes":"Possibly the Fitzwilliam's plaques, see p. 124, 1610,1611, 1612, 1613, 1614, 1615 A SERIES OF SIX LIMOGES GRISAILLE ENAMEL PLAQUES; subjects illustrating the Lord\u2019s Prayer. Circa 1560. H.\/ 4\u00bd  W. 3 in.","page":"124","type":"reference"},"admin":{"id":"publication-3241","uid":"adlib-publication-3241","uuid":"1d47fb56-e7df-39de-ba96-738952ca03e4"},"summary_title":"Catalogue of the Works of Art forming the Collection of Robert Napier of West Shandon, Dumbartonshire"},{"@link":{"type":"reference"},"admin":{"id":"publication-8043","uid":"adlib-publication-8043","uuid":"01902463-7de0-31c0-ad08-c25781c451d4"},"summary_title":"Catalogue of the very choice and important collection of objects of art and vertu, formed during a long series of years by that well-inown connoisseur, G.H. Morland, Esq. Comprising fine Limoges Enamels . . . . and Pictures by Ancient and Modern Artists"},{"@link":{"type":"reference"},"admin":{"id":"publication-8963","uid":"adlib-publication-8963","uuid":"c66f1209-85db-3b4f-9cad-3406d5013342"},"summary_title":"Piety and the People : Religious Printing in French 1511-1551"},{"@link":{"notes":"Ref.","page":"105-27","type":"reference"},"admin":{"id":"publication-200003287","uid":"adlib-publication-200003287","uuid":"c2790566-3721-3a00-a181-298d8b678e13"},"summary_title":"Theology for the Layman in the French Reformation 1520-1550"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107484","uid":"adlib-term-107484","uuid":"935e21d3-0b7f-3ca6-9987-b79c82e054fd"},"summary_title":"plaque"}},"summary_title":"plaque","title":[{"value":"The Lord's Prayer I: Christ teaching the Disciples how to Pray"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-156447","_score":17.850773,"_source":{"admin":{"added":1592961194000,"created":1312637261000,"flag":"Standard Record","id":"object-156447","indexed":1755194558930,"modified":1714475166000,"processed":1755194515997,"source":"adlib","stream":"fitz-online","uid":"adlib-object-156447","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/156447","uuid":"c7a55d42-7b4e-3e08-b9e0-a72144468f8b","version":11},"agents":[{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-149696","uid":"adlib-agent-149696","uuid":"c1d7b5bf-63d4-3ba4-a080-9810b80bf16c"},"summary_title":"Christ"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-154123","uid":"adlib-agent-154123","uuid":"2fef3fa1-e550-35f4-b4de-2ced0eb2272a"},"summary_title":"Virgin Mary"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-153247","uid":"adlib-agent-153247","uuid":"363ad1b4-deb4-39c5-b401-49f5079f98bb"},"summary_title":"St John"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-107563","uid":"adlib-term-107563","uuid":"38dcd825-1de1-3222-82c6-15a95729b5ff"},"summary_title":"enamels"}],"collection":[{"@link":{"type":"reference"},"admin":{"id":"term-107444","uid":"adlib-term-107444","uuid":"571df7cf-e062-3968-ae5e-bec9d5a82f92"},"summary_title":"C. 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Marlay"}],"component":[{"materials":[{"note":[{"value":"clear counter-enamel"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-32638","uid":"adlib-term-32638","uuid":"97b8d1a5-7b8f-3a2a-a275-7d001aeaae2b"},"summary_title":"enamel"}}],"name":"Back Of Plaque"},{"materials":[{"note":[{"value":"pale greyish-blue, pale bluish-green, pale mulberry, flesh pink, pale straw-yellow, red, black, and white"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-32638","uid":"adlib-term-32638","uuid":"97b8d1a5-7b8f-3a2a-a275-7d001aeaae2b"},"summary_title":"enamel"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39593","uid":"adlib-term-39593","uuid":"e3e2a3f8-2433-3f63-9bcf-e776644d312d"},"summary_title":"gold"}}],"name":"Decoration","techniques":[{"description":[{"value":"rectangular slightly convex copper plaque with arched top, enamelled in pale greyish-blue, pale bluish-green, pale mulberry, flesh pink, pale straw-yellow, red, black, and white enamels, and gilded. The outlines are in black. The reverse has clear counter-enamel."}],"note":[{"value":"pale greyish-blue, pale bluish-green, pale mulberry, flesh pink, pale straw-yellow, red, black, and white"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28662","uid":"adlib-term-28662","uuid":"dd47e505-ccda-3f2b-b576-6104109430e8"},"summary_title":"enamelling"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28681","uid":"adlib-term-28681","uuid":"c1f659e2-1209-31cf-8ff4-154e11452559"},"summary_title":"gilding"}}]},{"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39588","uid":"adlib-term-39588","uuid":"b17ff981-06b2-30a2-b9a9-b514fe84a191"},"summary_title":"copper"}}],"name":"Plaque"}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-107707","uid":"adlib-term-107707","uuid":"cbae1ed2-5069-35db-a029-700dc23ada11"},"summary_title":"Christian religion"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Copper, enamelled and gilt."},{"value":"Rectangular slightly convex copper plaque with arched top, enamelled in pale greyish-blue, pale bluish-green, pale mulberry, flesh pink, pale straw-yellow, red, black, and white enamels, and gilded. The outlines are in black. The reverse has clear counter-enamel.\nChrist hangs on a gold Cross with  \u2018INRI\u2019 written in gold on a white panel over it. He wears a green crown of thorns and a white drape which is being blown out on either side by the wind. Blood pours from the wounds in his head, hands, feet, and side. At the base of the cross there is a white skull with black eye sockets. On the left the Virgin stands with her hands together in prayer, looking away from the Cross. She wears a white wimple, and a pale blue mantle over a mulberry dress. St John stands on the right holding a bluish-green book with both hands, and looking towards the Virgin. He has pale straw-coloured hair, and wears a white mantle over a mulberry gown. The ground is bluish-green. The black background has a gold sun on the left of the Cross and a moon on the right, and below its arms is sem\u00e9 with shooting stars (tadpole-like shapes). A narrow gold band runs round the curved edge, and within it is a line broken at intervals by four oblique strokes."}],"identifier":[{"accession_number":"MAR.M.252-1912","primary":true,"type":"accession number","value":"MAR.M.252-1912"},{"priref":"156447","type":"priref","value":"156447"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/156447","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/156447"}],"inscription":[{"location":"on label at top of Cross","method":"hand-written in gold","transcription":[{"value":"INRI"}],"type":"inscription"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"C.B. Marlay Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149674","uid":"adlib-agent-149674","uuid":"de1bf9dd-2091-39ca-85f6-41e736f6e32b"},"summary_title":"Marlay, Charles Brinsley"}],"date":[{"earliest":1912,"latest":1912,"value":"1912"}],"method":{"value":"bequeathed"},"note":[{"value":"Marlay died on 18 June 1912"}]}],"creation":[{"date":[{"earliest":1545,"from":{"earliest":1545,"era":["CE"],"latest":1545,"precision":"circa","value":"1545"},"latest":1560,"range":true,"to":{"earliest":1560,"era":["CE"],"latest":1560,"value":"1560"}}],"maker":[{"@link":{"qualifier":"workshop of","role":[{"value":"maker"}],"type":"reference"},"admin":{"id":"agent-114217","uid":"adlib-agent-114217","uuid":"d84e37de-af7e-3317-8a55-c97eb4e99bcc"},"summary_title":"Reymond, Pierre"}],"note":[{"value":"Images of Christ on the Cross witnessed by the Virgin and St John were placed on church rood screens (jub\u00e9s), where they reminded the congregation of Christ\u2019s redemption of the world through his sacrifice. They also commemorated the poignant moment when the dying Christ commended his mother to the care of the unnamed disciple whom he loved, usually identified as the young St John, the only disciple recorded as a witness to the Crucifixion (John, 19 25-27). The initials INRI on a label at the top of the cross are an abbreviation of Iesus Nazarenus Rex Iudaeorum, the Latin version of a title, made also in Hebrew and Greek, which according to the Gospel was written by Pilate to be placed on the Cross (John 19, 19-20). Small enamelled plaques of this arched form were made for insertion into paxes which were kissed by the congregation during Mass, or were mounted as devotional images. The workshop of Pierre Reymond produced many of these small plaques with different subjects including the the Nativity (Fitzwilliam, M.41-1904), Virgin and Child Enthroned (Fitzwilliam, MAR.M.251-1912). the Piet\u00e0, St Jerome kneeling in Penitence, St John the Baptist, and St Francis of Assisi.\n\nBy the mid sixteenth-century there were many prints and book illustrations of the Crucifixion with the Virgin and St John, which could have served as a model for the enameller, and a specific source has not been identified. One possibility is a print by Martin Schongauer, although the figures are not identifical. (Bartsch, VI (Part 1), p. 129, no. 23; Illustrated Bartsch 8, formerly volume 6 (Part 1), Early German Artists, ed. Jane C.  Hutchison, New York, 1980, p. 237, no. 23.)\n\nApart from the presence of a skull below the Cross, the scene closely resembles a grisaille plaque attributed tentatively to Pierre Reymond, situated in a triptych above a set of enamelled plaques illustrating the Lord's Prayer by his contemporary, Colin Nouailher, in the Mus\u00e9e des Beaux-Arts, Limoges (Inv. 2000.10.1)."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-110475","uid":"adlib-term-110475","uuid":"223ae6a7-2f91-3314-ae3c-da3233ae47dc"},"summary_title":"16th Century, 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Clear counter-enamel unevenly applied with blobs in the top right quarter, and on the lower edge. A large red area of copper in that quarter."}],"note":[{"value":"white, pink, and black"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28662","uid":"adlib-term-28662","uuid":"dd47e505-ccda-3f2b-b576-6104109430e8"},"summary_title":"enamelling"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28681","uid":"adlib-term-28681","uuid":"c1f659e2-1209-31cf-8ff4-154e11452559"},"summary_title":"gilding"}}]},{"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39588","uid":"adlib-term-39588","uuid":"b17ff981-06b2-30a2-b9a9-b514fe84a191"},"summary_title":"copper"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"12"},{"dimension":"Width","units":"cm","value":"9.6"}]},"name":"Plaque"},{"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"13"},{"dimension":"Width","units":"cm","value":"10.6"}]},"name":"Frame"}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-107707","uid":"adlib-term-107707","uuid":"cbae1ed2-5069-35db-a029-700dc23ada11"},"summary_title":"Christian religion"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Rectangular copper plaque enamelled en grisailled with a little pink on a black ground, and gilded. Christ visiting the prisoners. Inscribed below T\u2022NO9\u2022PAIDONE\u2022.NOZ\u2022 FFESES\u2022 AINSY\/ E\u2022 NOVS\u2022 PARDONOS\u2022A. CEVLX\u2022\/Q\/ NOVS\u2022 ONT\u2022 OFFENSE\u2019 (And pardon our offences as we pardon them that offend us). One of a set wth M.49A-C, E & F-1904"},{"value":"Rectangular convex copper plaque with a hole in each corner, enamelled en grisaille with a little flesh pink on a black ground, and gilded. Clear counter-enamel unevenly applied with blobs in the top right quarter, and on the lower edge. A large red area of copper in that quarter. Two prisoners are seated side by side in front of a wall in which there is a barred arched window. Thier legs and arms are in stocks Christ enters from a doorway on the right. He has a gold aurole, and is bearded, long-haired, and bare-footed. He wears a long gown with a cloak over it. His arms are held out towards the prisoners. A gaoler with his back to the viewer, is unlocking the prisoner on the left. The gaoler wears a cap with a feather in it, a tunic, trunk hose and shoes. The edges of Christ\u2019s robes and the gaoler\u2019s clothes are outlined in gold. A white panel running across the bottom of the panel, is inscribed in black with gold over it, T\u2022NO9\u2022PAIDONE\u2022.NOZ\u2022 FFESES\u2022 AINSY\/ E\u2022 NOVS\u2022 PARDONOS\u2022A. CEVLX\u2022 Q\/NOVS\u2022ONT\u2022OFFENSE\u2019 (And pardon our offences as we pardon them that offend us). A gold line runs round the scene and the inscription. The reverse is inscribed in black with the number \u2018VI\u2019. ADD line over Q and N and O in PARDONOS\nThe plaque is set in an ill-fitting, rectangular, gilt-metal frame with repeating formal leaf border. The plaque is held into the frame by four bent over pins attached to the cardinal points on the reverse."}],"exhibitions":[{"@link":{"type":"reference"},"admin":{"id":"exhibition-2107","uid":"adlib-exhibition-2107","uuid":"07086265-735b-3fd0-90c6-7b1c4f93cb94"},"summary_title":"Fitzwilliam Museum, McClean Bequest, Catalogue of the Mediaeval Ivories, Enamels, Jewellery, Gems and Miscellaneous Objects Bequeathed to the Museum By Frank McClean, M.A., F.R.S."}],"identifier":[{"accession_number":"M.49D-1904","primary":true,"type":"accession number","value":"M.49D-1904"},{"priref":"156438","type":"priref","value":"156438"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/156438","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/156438"}],"inscription":[{"location":"on front","method":"painted in black and gold","transcription":[{"value":"ET\u2022NO9\u2022PAIDONE\u2022.NOZ\u2022OFFESES\u2022AINSY\/ VE\u2022NOVS\u2022PARDONOS\u2022A. CEVLX\u2022Q\/NOVS\u2022ONT\u2022OFFENSE\u2019"}],"type":"inscription"},{"description":[{"value":"Roman six"}],"location":"on back","method":"painted in black","transcription":[{"value":"VI"}],"type":"number"},{"description":[{"value":"almost square label with serrated edges, printed in blue with a beaded border; text underlined as far as di"}],"location":"on back","method":"hand-written in black ink","transcription":[{"value":"4899 s(4\/T000\/N000\/A10\/di una\/venduta separato"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Frank McClean Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-172414","uid":"adlib-agent-172414","uuid":"73d94f64-8c0d-30c1-9764-25b005f3ce1d"},"summary_title":"McClean, Frank"}],"date":[{"earliest":1904,"latest":1904,"value":"1904"}],"method":{"value":"bequeathed"},"note":[{"value":"Frank McClean died on 8 November 1904 in Brussels"}]}],"creation":[{"date":[{"earliest":1530,"from":{"earliest":1530,"era":["CE"],"latest":1530,"precision":"circa","value":"1530"},"latest":1560,"range":true,"to":{"earliest":1560,"era":["CE"],"latest":1560,"value":"1560"}}],"maker":[{"@link":{"qualifier":"probably","role":[{"value":"maker"}],"type":"reference"},"admin":{"id":"agent-99908","uid":"adlib-agent-99908","uuid":"376e1128-04f6-3812-88a6-e4928cb7732d"},"summary_title":"Nouailher, Colin"},{"@link":{"qualifier":"after","role":[{"value":"designer"}],"type":"reference"},"admin":{"id":"agent-63808","uid":"adlib-agent-63808","uuid":"2ed7b47b-c05b-3fcc-879c-c3f517ea1682"},"summary_title":"Holbein, Hans, the younger"},{"@link":{"qualifier":"after","role":[{"value":"printmaker"}],"type":"reference"},"admin":{"id":"agent-93853","uid":"adlib-agent-93853","uuid":"f6c72949-df13-3991-afdb-164610d10ab4"},"summary_title":"Monogrammist C. V."}],"note":[{"value":"This plaque was originally the sixth of a set of eight representing the Lord's Prayer, of which six are in the Fitzwilliam (M.49A-F-1904). The first plaque shows 'Christ instructing his disciples how to pray', and the others, have scenes associated with the lines of the Lord's Prayer. The words are written below in French. This plaque, the sixth in the sequence, represents the line \u2018Forgive us our trespasses as we forgive them that trespass against us\u2019 (Matthew VI, 12). The subject, 'Christ delivering prisoners from captivity' is a reference to the words 'to bring out the prisoners from the prison and them sit in darkness out of the prison house' in Isaiah, 42.6-7. Three more plaques decorated with this subject have been recorded, see Documentation.\n\nThe scenes illustrating the lines of the prayer in were inspired by a set of metalcuts by the Basel monogrammist C.V. after Holbein which appeared in Desiderio Erasmus's 'Precatio dominica in septem portiones', published by both Johann Froben and Johannes Bebel successively in Basle in 1524. The work was first published without illustrations in 1523, and was rapidly translated into modern languages. The illustrations in the Froben and Bebel editions have the inscriptions in Latin, but a set of eight prints issued separately probably a little later with inscriptions in French, signed CV, is in the British Museum (1904.0206, 64,1-8;) and seven of the set (no. 4 is missing) are in the Cabinet des Estampes, Biblioth\u00e8que nationale, Paris (EA 25c in fol., p. 57). Possibly they were intended to be used in a French illustrated edition which was never published. While the iconography of all the plaques was derived from these prints, the details of the figures and settings differ, in some scenes more than others. \n\nTwo plaques enamelled in the same style in the Louvre were attributed to Colin Nouailher by Alfred Darcel (1867)and his attribution was upheld by J.J. Marquet de Vasselot (1919-20) and Sophie Baratte (2000). This attribution was confirmed by the presence of the initials CN below the title on a plaque from the Lord\u2019s Prayer decorated with the 'Deliver us from Evil' scene, acquired by the Mus\u00e9e de l\u2019\u00c9v\u00each\u00e9 (now Mus\u00e9e des Beaux-Arts), Limoges, in 2007 (2007.5.2) with another plaque of the 'Give us our daily bread' scene (2007.5.1). \n\nLord's Prayer plaques were also executed probably by Jean II or III P\u00e9nicaud, and an enameller who signed 'KIP' or' KI'. These are in very different styles from the Nouailher plaques and include some scenes which were not based on the Holbein\/CV illustrations."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-110475","uid":"adlib-term-110475","uuid":"223ae6a7-2f91-3314-ae3c-da3233ae47dc"},"summary_title":"16th Century, Mid"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-15498","uid":"adlib-term-15498","uuid":"61725bf5-360f-3837-8aab-3c90b956a537"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"France"}],"summary_title":"France","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Haute Vienne"}],"summary_title":"Haute 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Or, although smaller, G.H. Morland; sold Christie's, 10 May 1866, one of six plaques in gilt-metal frames in lot 437. An unidentified French sale in which the six plaques formed lot 289. An unidentified Italian owner or dealer before or after the sale. Frank McClean, MA, FRS (1837-1904), Rusthall House, near Tunbridge Wells."}],"objects":[{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-156436","uid":"adlib-object-156436","uuid":"be846ed0-3d5d-35a7-9e1d-9caa50238288"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-107484","uid":"adlib-term-107484","uuid":"935e21d3-0b7f-3ca6-9987-b79c82e054fd"},"summary_title":"plaque"}},"summary_title":"plaque"},{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-156435","uid":"adlib-object-156435","uuid":"6351a77b-d5f9-3f74-8fb0-82fa55ee758f"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-107484","uid":"adlib-term-107484","uuid":"935e21d3-0b7f-3ca6-9987-b79c82e054fd"},"summary_title":"plaque"}},"summary_title":"plaque"},{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-156437","uid":"adlib-object-156437","uuid":"b54901a7-9a74-3ae3-a38c-9a43b179d5b2"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-107484","uid":"adlib-term-107484","uuid":"935e21d3-0b7f-3ca6-9987-b79c82e054fd"},"summary_title":"plaque"}},"summary_title":"plaque"},{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-156439","uid":"adlib-object-156439","uuid":"75f8f71d-2c8f-30d8-a48f-f5510e03f42f"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-107484","uid":"adlib-term-107484","uuid":"935e21d3-0b7f-3ca6-9987-b79c82e054fd"},"summary_title":"plaque"}},"summary_title":"plaque"},{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-156440","uid":"adlib-object-156440","uuid":"8783ea79-cad6-352d-b68c-4b9086c04d3e"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-107484","uid":"adlib-term-107484","uuid":"935e21d3-0b7f-3ca6-9987-b79c82e054fd"},"summary_title":"plaque"}},"summary_title":"plaque"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ., p. 112, no. 67","page":"112","type":"reference"},"admin":{"id":"publication-4060","uid":"adlib-publication-4060","uuid":"0f6d91a4-87ab-338c-b868-7d56c66bc250"},"summary_title":"Fitzwilliam Museum, McClean Bequest, Catalogue of the Mediaeval Ivories, Enamels, Jewellery, Gems and Miscellaneous Objects Bequeathed to the Museum by Frank McClean, M.A., F.R.S."},{"@link":{"type":"reference"},"admin":{"id":"publication-200002170","uid":"adlib-publication-200002170","uuid":"06575876-e5c8-362b-93fd-a20f0679b18f"},"summary_title":"Quelques \u00e9maux de Colin Noailher et leurs mod\u00e8les grav\u00e9s"},{"@link":{"notes":"Ref. p. 244 for the source of the designs for this series of Lord's Prayer plaques","page":"244","type":"reference"},"admin":{"id":"publication-200002171","uid":"adlib-publication-200002171","uuid":"a8c2f19e-5c1e-3d49-8f24-ab741ecd8bc7"},"summary_title":"Holbein\u2019s Thatigkeit f\u00fcr Baseler Verleger"},{"@link":{"notes":"Ref. pp. 288-9-, no. 436 for the illustrated editions of Prectatio dominica in septem portiones","page":"288-90","type":"reference"},"admin":{"id":"publication-7080","uid":"adlib-publication-7080","uuid":"36d387ec-0109-3ca5-8194-f63ec1767c0a"},"summary_title":"Oberrheinische buchillustration 2. 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