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One or other is probably \u2018Un piccolo bassorilievo esprimente un Baccanale, con forme di cera\u2019 in the factory\u2019s late 18th century inventory of models. In Die Modellsammlung der Porzellan-manufaktur Doccia, Klaus Lankeit also noted a payment to Vincenzo Foggini in 1746 for a \u2018bassorilievo di un baccanale\u2019, which might also refer to one or other relief. Dr Jennifer Montagu pointed out that the Fitzwilliam\u2019s relief was ultimately derived from he central part of a French engraving, Le Printems: L'hymen de Zephyr et de Flore by Jean Baptiste de Poilly (1669-1728) after the first of Pierre I Mignard (1612-95) cycle of four seasons painted in 1677 for the Galerie d'Apollon in the Chateau de Sait-Cloud."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106451","uid":"adlib-term-106451","uuid":"9cdfd62c-ee07-3884-ae08-c797aad08631"},"summary_title":"18th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-120391","uid":"adlib-term-120391","uuid":"497501dd-eadb-380b-bb74-525ba197c6cc"},"summary_title":"Marchese Ginori period"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-117018","uid":"adlib-term-117018","uuid":"577d78b9-6ccb-3b87-a80b-3a69b68c9473"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Tuscany"}],"summary_title":"Tuscany","type":"region"}]],"summary_title":"Doccia"}]}]},"materials":[{"note":[{"value":"greyish-white"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-37627","uid":"adlib-term-37627","uuid":"254febfe-0021-3e45-89a7-d57ba40044c7"},"summary_title":"hard-paste porcelain"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"15.2"},{"dimension":"Width","units":"cm","value":"21.6"}]},"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-110143","uid":"adlib-term-110143","uuid":"7880ba6f-ffc7-3954-a9b0-88af32dbff6c"},"summary_title":"panel"}}],"note":[{"type":"history note","value":"Sotheby\u2019s, 14 November, 1924, lot 30; bought for \u00a32.5.0 by Dr J.W.L. Glaisher, Trinity College, Cambridge"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. Vol. I, p. 414, no. 3207","page":"414","type":"reference"},"admin":{"id":"publication-1031","uid":"adlib-publication-1031","uuid":"a5cc6cb3-2b6f-390a-af51-7e9d123e55ed"},"summary_title":"Catalogue of the Glaisher Collection of Pottery and Porcelain in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. p. 32, D11","page":"32","type":"reference"},"admin":{"id":"publication-992","uid":"adlib-publication-992","uuid":"e26b9de8-5607-3d6e-82c1-bba7d8cb57c4"},"summary_title":"Plagiarism Personified? European Pottery and Porcelain Figures"},{"@link":{"notes":"Publ. p. 100-01, illustrated p. 101, fig. 1; the print source, p. 102, fig. 1a","page":"100-02","type":"reference"},"admin":{"id":"publication-200003003","uid":"adlib-publication-200003003","uuid":"11573bb7-662c-3f88-8d43-9202e761565b"},"summary_title":"Doccia Porcelain in the Fitzwilliam Museum"},{"@link":{"notes":"Cf.  p. 134, no. 70 and pl. 200, the wax model for this relief","page":"134","type":"reference"},"admin":{"id":"publication-1259","uid":"adlib-publication-1259","uuid":"11e54f3d-a022-3a0d-829d-eed19240fd5e"},"summary_title":"Die Modellsammlung der Porzellanmanufaktur Doccia"},{"@link":{"notes":"Cf. p. 41, figure 21 Jean Baptiste de Poilly after Pierre I. Mignard. Le Printems, c. 1710. Engraving 51.7 x 769.4 cm. British Museum 1951-1-6-21 (may be incorrectly hyphenated). The right side of the engraving and two flying winged figures were omitted; the figures to the left of the putto kneeling with a basket on his head are different. . The bearded herm is not included.","page":"35-52","type":"reference"},"admin":{"id":"publication-200002221","uid":"adlib-publication-200002221","uuid":"1693d3c4-0624-3fc4-a052-73af7c71def5"},"summary_title":"Two Pieces of Porcelain Decorated by Ignaz Preissler in the J. Paul Getty Museum"}],"subjects":[{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-67570","uid":"adlib-term-67570","uuid":"4eb45990-2f34-3650-beff-c2c56ea7274c"},"summary_title":"couch"},{"@link":{"relation":"animal","type":"reference"},"admin":{"id":"term-106419","uid":"adlib-term-106419","uuid":"6a020a7a-d710-3cb6-af17-8cd664abcf90"},"summary_title":"bird"},{"@link":{"type":"literal"},"name":[{"value":"couch"}],"summary_title":"couch"},{"@link":{"type":"literal"},"name":[{"value":"bird"}],"summary_title":"bird"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-110143","uid":"adlib-term-110143","uuid":"7880ba6f-ffc7-3954-a9b0-88af32dbff6c"},"summary_title":"panel"}},"summary_title":"panel","techniques":[{"description":[{"value":"greyish-white soft-paste porcelain, press-moulded, and glazed."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120085","uid":"adlib-term-120085","uuid":"68c62b7c-aaf4-38a5-a1be-4d6c615c0714"},"summary_title":"press-moulding"}}],"title":[{"value":"Bacchanale with reclining Ariadne"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-48237","_score":17.17142,"_source":{"admin":{"added":1592999476000,"created":1312637261000,"flag":"Standard Record","id":"object-48237","indexed":1747246339413,"modified":1735653685000,"processed":1747245848890,"source":"adlib","stream":"fitz-online","uid":"adlib-object-48237","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/48237","uuid":"f91d4d2f-00b2-3996-ac23-f4e8edf2391b","version":6},"agents":[{"@link":{"note":[{"value":"either Marcioni or Lucatelli"}],"type":"reference"},"admin":{"id":"agent-182660","uid":"adlib-agent-182660","uuid":"816f2ad1-527f-3a34-8015-49dc6cd70f3b"},"summary_title":"Marcioni, Arcangelo"},{"@link":{"note":[{"value":"either Lucatelli or Marcioni"}],"type":"reference"},"admin":{"id":"agent-182659","uid":"adlib-agent-182659","uuid":"c7f016d2-bbbc-3a7f-83c2-0863efb6b691"},"summary_title":"Lucatelli, Ferdinando"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-210172","uid":"adlib-agent-210172","uuid":"84de709e-6c48-3d7d-aa07-69e968842011"},"summary_title":"Pope Sixtus II (d. 258 CE)"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-98228","uid":"adlib-term-98228","uuid":"3d747999-296f-3944-9a84-2936c3ae9f5c"},"summary_title":"sculpture"},{"@link":{"type":"reference"},"admin":{"id":"term-113354","uid":"adlib-term-113354","uuid":"934184d4-1286-3f29-8b17-dce2bde310b3"},"summary_title":"tin-glazed terracotta"}],"component":[{"materials":[{"note":[{"value":"cobalt producing opaque lavender-blue lighter translucent blue, and manganese-purple"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-109907","uid":"adlib-term-109907","uuid":"a881f27f-ee88-3a17-9f6b-e4f2864825a3"},"summary_title":"metallic oxides"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}}],"name":"Decoration","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120059","uid":"adlib-term-120059","uuid":"dfa315b5-819d-37ab-ab22-bddfdbb3cbe7"},"summary_title":"tin-glazing"}}]},{"name":"Figures","techniques":[{"description":[{"value":"buff, slightly pinkish terracotta, tin-glazed white on the front; dribbles of glaze on the back. Glaze colours: opaque lavender-blue lighter translucent blue, and manganese-purple."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120072","uid":"adlib-term-120072","uuid":"f2a6661f-ccfe-38cf-a4f5-d56df121ce83"},"summary_title":"moulding in relief"}}]}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-23385","uid":"adlib-term-23385","uuid":"4c17df77-7d4e-32bf-8ec9-921b71d218a2"},"summary_title":"religion"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Buff, slightly pinkish moulded terracotta, tin-glazed white on the front; dribbles of glaze on the back. Triangular framgent with flat lower edge. The back is hollowed out where it projects at the front. The right edge is smooth and has some cement attached to the middle; the left side has been broken irregularly. Glaze colours: opaque lavender-blue lighter translucent blue, and manganese-purple.\nA pope, Sixtus II (St), kneels in profile to right. His head is raised and his left hand rests on his chest; his right hand is held just above waist level and originally had the fingers extended. He is bearded and bareheaded; his tiara rests on a bank of clouds behind him and there is another bank of clouds in front of him."}],"identifier":[{"accession_number":"M.2-1928","primary":true,"type":"accession number","value":"M.2-1928"},{"priref":"48237","type":"priref","value":"48237"},{"source":"Art UK","type":"external ID","value":"CAM_CCF_M_2_1928"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/48237","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/48237"}],"inscription":[{"description":[{"value":"rectangular with serrated edge on left and a red line printed down that side"}],"method":"inscribed in pencil","transcription":[{"value":"6939"}],"type":"label"},{"description":[{"value":"half an octagonal label with fancy blue printed border"}],"method":"inscribed in black ink","transcription":[{"value":"...09"}],"type":"label"},{"description":[{"value":"lot number in Marcioni-Lucatelli sale in 1914"}],"location":"on back","method":"hand-written in pencil","transcription":[{"value":"317"}],"type":"inscription"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by the Friends of the Fitzwilliam Museum"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149645","uid":"adlib-agent-149645","uuid":"10925b71-6838-30f7-a8dd-b68a2afaa14d"},"summary_title":"The Friends of the Fitzwilliam Museum"}],"date":[{"earliest":1928,"latest":1928,"value":"1928-07-05"}],"method":{"value":"given"},"note":[{"value":"M.1-1928 was entered on 5 July 1928 and nothing else before this item."}]}],"creation":[{"date":[{"earliest":1853,"era":["CE"],"latest":1853,"note":[{"value":"Accessioned as sixteenth century, but  mid nineteenth century."}],"precision":"in or after","value":"1853"}],"maker":[{"@link":{"qualifier":"style of","role":[{"value":"workshop"}],"type":"reference"},"admin":{"id":"agent-35506","uid":"adlib-agent-35506","uuid":"96e5f49c-1ec6-3f34-b799-3b11533c41b7"},"summary_title":"Della Robbia, Giovanni"},{"@link":{"qualifier":"probably","role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-52285","uid":"adlib-agent-52285","uuid":"c3446dd9-cacf-31e2-96e7-110d3656f4b0"},"summary_title":"Ginori family"}],"note":[{"value":"This fragment of a larger lunette-shaped relief shows a kneeling Pope, his status indicated by the papal tiara resting on the clouds behind him. When sold in Sotheby\u2019s sale of the Marcioni and Lucatelli collections of Italian maiolica on 17 February 1914, it was described as \u2018a very fine piece of Della Robbia ware\u2019. And when presented to the Museum by the Friends of the Fitzwilliam in 1928, it was still attributed to the Della Robbia workshop.  The Pope bears a resemblance to kneeling figures by Andrea Della Robbia, such as the Apostles in his Pentecost of c. 1500-05 in San Matteao, Memmenano, but the modelling is much shallower. It is now known to have been produced in 1853 or shortly after by the Ginori factory at Doccia in Tuscany. \n\nThe figure formed part of the left side of a lunette with reliefs of a standing Madonna and Child with Saint Sixtus (Pope Sixtus II, d. 258 CE)  kneeling in adoration on the left, and St Barbara standing on the right, closely based on the painting known as the 'Sistine Madonna' by Raphael (1483-1520) which had been commissioned in 1512 for the church of San Sisto (Sixtus) in Piacenza, and now in the Gem\u00e4ldegalerie Alte Meister in Dresden. \nSix of these Della Robbia style lunettes were commissioned by a wealthy art collector and benefactor, Francis Joseph Sloane (1794-1871), who installed one of them in the Villa Medici at Careggi which he had acquired in 1848. Sloane\u2019s great wealth was partly derived from his co-proprietorship of a copper mine at Corporciano, near Montecatini Val di Cecina in Tuscany, and two of the lunettes were installed there: one the fa\u00e7ade of an oratory dedicated to the Madonna and St Barbara, the patron Saint of miners, and the other in a subterranean chapel in the mine. Two more reliefs were placed in churches in the via in the via delle Masse, Florence, and at Briglia. These lunettes were a new departure for the Ginori factory which had previously produced tin-glazed terracotta reliefs based on fifteenth-century sculpture by the Della Robbia family. They were clearly identified as modern products by the presence of a shield bearing the Ginori arms and the inscription \u2018Manifattura Ginori 1853\u2019 situated behind the kneeling Saint Sixtus.\n\nThe history of this fragment is not known before it came to England in 1914, but it seems likely to have been part of the relief whose whereabouts is not known, or of a later example. Its right edge follows the division between the left and central sections of the surviving lunettes, but the left side is unevenly broken, and the shield of arms is missing. This may have resulted from accidental damage, but seems more likely to have been the result of deliberate intervention to remove evidence of the relief\u2019s true date. The fragment demonstrates how the high quality of Della Robbia-style reliefs legitimately made by the Ginori factory permitted them to be passed off as Renaissance works on the art market within a fairly short time of their manufacture. Another example of this, by an unidentified maker,  is the Madonna and Child, M.2 & A-1935."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106851","uid":"adlib-term-106851","uuid":"e155f998-1e0b-3f2a-851c-24f44d05dd59"},"summary_title":"19th Century, Mid"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-117018","uid":"adlib-term-117018","uuid":"577d78b9-6ccb-3b87-a80b-3a69b68c9473"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"}]],"note":[{"value":"probably Doccia"}],"summary_title":"Doccia"},{"@link":{"type":"reference"},"admin":{"id":"term-106508","uid":"adlib-term-106508","uuid":"f7f1399b-d092-3a3d-8f96-c3aee3ad8fd5"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"}]],"note":[{"value":"possibly Florence"}],"summary_title":"Florence"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Depth","units":"cm","value":"8.1"},{"dimension":"Height","units":"cm","value":"55.3"},{"dimension":"Width","units":"cm","value":"47.5"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-18062","uid":"adlib-media-18062","uuid":"3c645932-633e-32fb-b03f-c46dc673b0e8"},"processed":{"large":{"format":"jpeg","location":"aa\/aa5\/M_2_1928_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1742581271034,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa5\/mid_M_2_1928_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":649},{"dimension":"width","units":"pixels","value":500}]},"modified":1742581271034,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa5\/M_2_1928_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1742581271034,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa5\/preview_M_2_1928_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":325},{"dimension":"width","units":"pixels","value":250}]},"modified":1742581271034,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}},{"@link":{"type":"reference"},"admin":{"id":"media-18063","uid":"adlib-media-18063","uuid":"59db93d2-8a01-3bfb-9ba6-51cb2dff3eb5"},"processed":{"large":{"format":"jpeg","location":"aa\/aa5\/M_2_1928_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1742581285447,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa5\/mid_M_2_1928_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":649},{"dimension":"width","units":"pixels","value":500}]},"modified":1742581285447,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa5\/M_2_1928_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1742581285447,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa5\/preview_M_2_1928_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":325},{"dimension":"width","units":"pixels","value":250}]},"modified":1742581285447,"resizable":true,"type":"image"}},"sort":"1","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-98879","uid":"adlib-term-98879","uuid":"a807b416-0933-32ec-ac29-34611d921ed9"},"summary_title":"relief"}},{"value":"fragment of a relief"}],"note":[{"type":"history note","value":"Formerly Arcangelo Marcioni or Ferdinando Lucatelli of Orvieto;  sold Sotheby's, 17th February, 1914, Catalogue of the collections of early Italian pottery formed by Signor Avvocato Marcioni and Cavaliere Capitano Lucatelli of Orvieto, p. 32, lot 317; Sotheby's, 18 June 1928, Continental and English Pottery, lot 29; Alfred Spero, from whom purchased."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"project":[{"@link":{"role":[{"value":"reference number"}],"type":"literal"},"name":[{"type":"name","value":"Sculpture UK"}],"summary_title":"Sculpture UK"}],"publications":[{"@link":{"notes":"Publ. p. 32, lot 317","page":"p. 32","type":"reference"},"admin":{"id":"publication-3176","uid":"adlib-publication-3176","uuid":"db0123f1-4cf4-3dcb-95d2-d4afd9031305"},"summary_title":"Catalogue of the collections of early Italian pottery formed by Signor Avvocato Marcioni and Cavaliere Capitano Lucatelli of Orvieto"},{"@link":{"type":"reference"},"admin":{"id":"publication-905","uid":"adlib-publication-905","uuid":"5b4f6f57-dec2-380d-8bea-975e31bf9dac"},"summary_title":"Friends of the Fitzwilliam Museum, Twentieth Annual Report, 1928"},{"@link":{"notes":"Publ. pp. 110-11, brief mention as Ginori of c. 1853, of the other lunettes and this fragment","page":"110-11","type":"reference"},"admin":{"id":"publication-200003003","uid":"adlib-publication-200003003","uuid":"11573bb7-662c-3f88-8d43-9202e761565b"},"summary_title":"Doccia Porcelain in the Fitzwilliam Museum"},{"@link":{"notes":"Cf. I, pp. 246-7, kneeling fiure","page":"246-7","type":"reference"},"admin":{"id":"publication-3449","uid":"adlib-publication-3449","uuid":"92060a5e-9ba4-339c-b435-3f3a3655f1c1"},"summary_title":"I Della Robbia. La scultura invetriata nel Rinascimento"},{"@link":{"notes":"Cf. catalogue of an exhibition held at the Villa Corsi-Salviati at Sesto Fiorentino, p. 85, for mention of the relief, and p. 107, no. 54, lunette of the Madonna and Child with St Gregory? and St Barbara","page":"85, 107","type":"reference"},"admin":{"id":"publication-6433","uid":"adlib-publication-6433","uuid":"b27729b2-d663-33ef-ba7f-92b467ade5ce"},"summary_title":"Immagini di devozione ceramiche votive nell'area fiorentina dal XVI al XIX secolo"},{"@link":{"notes":"Ref.","page":"408-11","type":"reference"},"admin":{"id":"publication-200002999","uid":"adlib-publication-200002999","uuid":"3b02af54-47d1-3358-b0dc-7dbdb9db6100"},"summary_title":"Montecatini Val di Cecina. L'oratorio della miniera di Caporciano. Sotria, arte, tradizioni, curiosit\u00e0"},{"@link":{"notes":"Ref. p. 57, Francesca Petrucci, 'Una Lunetta della manifattura Ginori nel vano attiguo alla cappella', where the lunette at Careggi is illustrated in pl. 57.","page":"57","type":"reference"},"admin":{"id":"publication-7959","uid":"adlib-publication-7959","uuid":"50363207-39c5-3300-ad6e-6463e994c720"},"summary_title":"La villa medicea di Careggi e il suo giardino. Storia, rilievi e analisi per il restauro"},{"@link":{"notes":"Ref. For the production techniques of Della Robbia sculpture, see pp. 97-116, Maria Grazia Vaccari, 'Tecniche e metodi di lavorazione'.","page":"97-116","type":"reference"},"admin":{"id":"publication-9060","uid":"adlib-publication-9060","uuid":"5726b776-98ca-3b34-a905-c10483184f46"},"summary_title":"I Della Robbia e l'arte nuova della scultura invetriata"},{"@link":{"notes":"Ref. 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Circular with a wavy moulded edge with six indents and lobes, slightly concave rim, curved sides and almost flat central area, standing on a footrim, formed by recessing the base.  The well is decorated 'al tulipano' with a large red flower with serrated petals, surrounded by other red and blue flowers and green and red foliage, the latter outlined and veined in gold. The rim has six sprays of blue and green foliage and flowers, with gold centres.  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The figure stands on a roughly rectangular base with cut corners, hollowed out slightly underneath where there is a large ventilation hole leading up into the body. On the back proper right top corner there is a square pedestal on which stands an urn. It has a circular foot and short incurved stem, and is of flattened ovoid form with swirling fluting on the neck and shoulders, a flat rim, and two handles, the one on the outside (right) in the form of an outward scroll with a mummy-like form below it. Monarchy wears baroque-style classical dress comprising a round-necked, high-waisted, tunic over a long skirt, and a cloak which is fastened in front of her left shoulder with a rosette-shaped brooch, is draped across her body and right arm at the front, and falls down to the ground at the back. She has wavy hair, and on the back of her head has a scrunched up ribbon, whose ends wave outwards onto her right and left shoulders. Her head is turned slightly to her left. She stands on her right leg, with her left relaxed at the knee and resting on the ball of foot behind her. 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See Documentation, Lankheit."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106451","uid":"adlib-term-106451","uuid":"9cdfd62c-ee07-3884-ae08-c797aad08631"},"summary_title":"18th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-120390","uid":"adlib-term-120390","uuid":"d0515a6e-3add-3932-ae90-c041b5387830"},"summary_title":"Marchese Carlo Ginori period"},{"@link":{"type":"reference"},"admin":{"id":"term-107736","uid":"adlib-term-107736","uuid":"e93a8dd1-d76d-320b-be9b-afa352e322a1"},"summary_title":"George 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For the wax model, numbered 864, showing Monarchia holding a small crown in her right hand, see pl. 153, and her companion, Prudence, numbered 883, holding a mirror in he left hand, pl. 154. Lankheit, mistakenly attributes the models to Giovanni Battista Foggini.","page":"129","type":"reference"},"admin":{"id":"publication-1259","uid":"adlib-publication-1259","uuid":"11e54f3d-a022-3a0d-829d-eed19240fd5e"},"summary_title":"Die Modellsammlung der Porzellanmanufaktur Doccia"},{"@link":{"notes":"Cf. p. 325, figs. 3 and 4, the marble statue of c.1710 from which the porcelain Monarchy was derived, and pp. 326-7 for Prudence. 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Museo Richard-Ginori della Manifattura di Doccia, Sesto Fiorentino. See also p. 50, figs. 5 and 6 another and its mark with star below crown., n the colelction of Andrew Meacci, Montespertoli.","page":"46-7","type":"reference"},"admin":{"id":"publication-200002996","uid":"adlib-publication-200002996","uuid":"a8fb0e3e-38b0-3f4e-ab37-ebad1d7646ef"},"summary_title":"La Manifattura di Giuseppe e Bartolomeo Ginori a San Donato in Polverosa"},{"@link":{"notes":"Cf. pp. 54-5, lot 96, dated c. 1770. Estimate \u00a3700-1000. See also a different version painted only in green, p. 52, lot 91. Dated to c. 1760. 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The mermaid is supported on a rectangular base with rounded corners and a scrolled edge painted blue and puce. Her front half is sphinx like, and she has long brown hair, dark brown eyes and pale red lips, two green fins on her back, and a green-edged tail which curves upwards to support a shell dish,which is also supported by her backward tilting head. The shell is outlined in puce and blue and has a green leaf at the hinge end. The interior is striped horizontally in puce, yellow and reddish-brown."}],"identifier":[{"accession_number":"C.78-1950","primary":true,"type":"accession number","value":"C.78-1950"},{"priref":"140364","type":"priref","value":"140364"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/140364","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/140364"}],"inscription":[{"location":"on base","method":"painted in pale purple enamel","transcription":[{"value":"6."}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Mrs W.D. Dickson"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-180712","uid":"adlib-agent-180712","uuid":"855e3948-593a-3b3c-9d66-028df74284fe"},"summary_title":"Dickson, W. D. 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The rim is encircled by a gold band."}],"identifier":[{"accession_number":"C.231 & A-1918","primary":true,"type":"accession number","value":"C.231 & A-1918"},{"priref":"73330","type":"priref","value":"73330"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/73330","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/73330"}],"inscription":[{"description":[{"value":"solid gold"}],"location":"on the base of saucer close to the footrim","method":"painted in gold","transcription":[{"value":"star"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Ralph Griffin, MA, FSA"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-166982","uid":"adlib-agent-166982","uuid":"379e05a8-af03-3c3f-8302-1ff6e68b6c8b"},"summary_title":"Griffin, Ralph"}],"date":[{"earliest":1918,"latest":1918,"value":"1918-08-28"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1918-08-28"}]}],"creation":[{"date":[{"earliest":1765,"from":{"earliest":1765,"era":["CE"],"latest":1765,"precision":"circa","value":"1765"},"latest":1780,"note":[{"value":"formerly dated 1760-65"}],"range":true,"to":{"earliest":1780,"era":["CE"],"latest":1780,"value":"1780"}}],"maker":[{"@link":{"role":[{"value":"production"}],"type":"reference"},"admin":{"id":"agent-166157","uid":"adlib-agent-166157","uuid":"23fd678a-dde8-3d1b-bc25-0d84c569975e"},"summary_title":"Doccia Porcelain Factory"}],"note":[{"value":"This style of decoration, with frames around small scenes of varous subjects, was inspired by Meissen porcelain of the 1720s and 1730s, which had Chinoiserie or European scenes surround by' laub und bandelwerk'. It was known at the Doccia factory as decoration  'alla Sassone' because Meisson was in Saxony . One of the painters known from the factory's records to have executed decoration in this style was Angiolo Fiaschi who was working at Doccia between 1738 and 1774."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-134365","uid":"adlib-term-134365","uuid":"dad59d3a-9228-3827-b4eb-ca882b35ddf5"},"summary_title":"Lorenzo Ginori period (1758-91)"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-117018","uid":"adlib-term-117018","uuid":"577d78b9-6ccb-3b87-a80b-3a69b68c9473"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"}]],"summary_title":"Doccia"}]}]},"materials":[{"note":[{"value":"containing tin 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The cup stands on a narrow footring. It has deep sloping sides, a slightly everted rim, and a handle formed by two entwined stems. The circular saucer is concave and stands on a footring. The exterior of the cup is decorated in relief with Apollo in the chariot of the Sun, travelling leftwards towards a small obelisk on a rectangular pedestal with a hound lying to its right. Further to the left, winged female figure reclines on the ground and a male figure holding a green snake, and wrapped in a billowing yellow cloak strides towards the right. One of the handle stems is enamelled green.  Inside there is a central sprig, and at the top of the sides three sprigs, all painted in gold. A gold band encircles the rim and the footring. The saucer is decorated in relief with four cartouches containing shells from which are suspended four swags of flowers and foliage, surrounding four small floral sprigs in the middle, all painted in polychrome and gilded. The edge is encircled by a dentilated gold band."}],"identifier":[{"accession_number":"C.69 & A-1950","primary":true,"type":"accession number","value":"C.69 & A-1950"},{"priref":"206735","type":"priref","value":"206735"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/206735","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/206735"}],"inscription":[{"location":"on base of saucer","method":"printed in blue overglalze","transcription":[{"value":"N below a crown"}],"type":"factory mark"},{"location":"on base of cup","method":"hand-written in red and black ink  and pencil","transcription":[{"value":"Capodimonte [in red ink] deleted with line over which DOCCIA [in black ink] and below,  late 19th [in pencil]"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Mrs W.D. 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It was used on relief-moulded wares in 18th century style, described as 'Capodimonte'. This cup and saucer were attributed to Capodimonte on accession, probably because of their similarity to a set attributed to Capodimonte by Hannover in 1925 (see Documentation) but  they were reattributed to Doccia by Arthur Lane in August 1962. In his book on Italian Porcelain (1954) Lane explained the misconceptions about their precursors. The 18th century examples were not made at Capodimonte, but at Doccia and were described as having 'bassorilievo istoriati' (stories in low relief) because of the stories from mythological mythology portrayed in the reliefs. Apollo in the Chariot of the Sun on this cup was probably derived from the illustration in Abb\u00e9 Banier's translation of Ovid's 'Metamorphoses', 1732, vol I, p. 121."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-108070","uid":"adlib-term-108070","uuid":"7e278258-23e3-3d5b-a4ff-ab5ecacb4bf3"},"summary_title":"19th Century, Late"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-117018","uid":"adlib-term-117018","uuid":"577d78b9-6ccb-3b87-a80b-3a69b68c9473"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Tuscany"}],"summary_title":"Tuscany","type":"region"}]],"summary_title":"Doccia"}]}]},"materials":[{"note":[{"value":"clear"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-32652","uid":"adlib-term-32652","uuid":"82d8ae3b-f165-395c-ba93-dfa1c282b7be"},"summary_title":"glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-37642","uid":"adlib-term-37642","uuid":"8f36efe3-4fe1-3da2-9944-000db5687ad7"},"summary_title":"porcelain"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107532","uid":"adlib-term-107532","uuid":"f00fbddb-30d4-39ff-bcf3-a87fbac64158"},"summary_title":"cup and saucer"}}],"note":[{"type":"history note","value":"Unknown before  donor, Mrs W.D. 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European Porcelain"},{"@link":{"notes":"Ref. pp. 38-40 Lane discusses the so-called 'Capodimonte' relief-decorated wares and the misconceptions concerning their origin in the 18th century","page":"38-40","type":"reference"},"admin":{"id":"publication-4911","uid":"adlib-publication-4911","uuid":"06fd9fc8-9d5a-343d-8584-88264da28960"},"summary_title":"Italian Porcelain, with a note on Buen Retiro"},{"@link":{"notes":"Ref. For information about the use of the N crowned mark and production of 'Capodimonte' relief wares. Cf. p. 76, fig. 16 a saucer with a relief design which appears to be similar to this saucer, although painted in different colours, and not having sprigs in the centre, accompanied by a cup with twisted handle, but lower sides than this example. Dated to c. 1870-80. Museo Richard-Ginori della Manifattura di Doccia, Sesto Fiorentino, inv. 6747\/6754.  See p. 75 for a table showing the marks used by the factory, dated 1939.","page":"58-93","type":"reference"},"admin":{"id":"publication-200002269","uid":"adlib-publication-200002269","uuid":"9e187d31-4fe0-353f-b874-f687bc6d8484"},"summary_title":"I marchi del giglio di Capodimonte e della \"N coronata\" ferdinandea nelle porcellane di Doccia"},{"@link":{"notes":"Cf. p. 31, no. 86, a cup and saucer dated to c. 1770, and p. 31, no. 88, and fig. 64, two cups and saucers with relief decoration, the saucer having garlands, but not the cartouches containing shells, dated to mid 19th century. Castello Sforzesco, Milan, respectively inv. nos. 1149 and 1150; and 1151, 1152, 1153, 1154.","page":"31","type":"reference"},"admin":{"id":"publication-7905","uid":"adlib-publication-7905","uuid":"073a3dce-40a5-30b1-b904-09a70db626d6"},"summary_title":"Museo d'Arti Applicate, Le Porcellane"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10624","uid":"adlib-term-10624","uuid":"c882b99a-0b49-320e-8d8a-fd72a34d8848"},"summary_title":"Baroque"}],"subjects":[{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-107505","uid":"adlib-term-107505","uuid":"c3d7bf9c-773c-34aa-80e1-8d38aa516639"},"summary_title":"chariot"},{"@link":{"relation":"animal","type":"reference"},"admin":{"id":"term-118890","uid":"adlib-term-118890","uuid":"ea7c42bb-5706-36b1-b276-500b1ad2f9ed"},"summary_title":"horse"},{"@link":{"relation":"animal","type":"reference"},"admin":{"id":"term-106792","uid":"adlib-term-106792","uuid":"9dad6dce-12d1-35e5-82ba-35b95d0e469a"},"summary_title":"hound"},{"@link":{"type":"literal"},"name":[{"value":"chariot"}],"summary_title":"chariot"},{"@link":{"type":"literal"},"name":[{"value":"horse"}],"summary_title":"horse"},{"@link":{"type":"literal"},"name":[{"value":"hound"}],"summary_title":"hound"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107532","uid":"adlib-term-107532","uuid":"f00fbddb-30d4-39ff-bcf3-a87fbac64158"},"summary_title":"cup and saucer"}},"summary_title":"cup and saucer","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-122641","uid":"adlib-term-122641","uuid":"d5fb75d8-097d-3fd7-8e70-87e9d96d77f7"},"summary_title":"glazing"}}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-140164","_score":17.088346,"_source":{"admin":{"added":1592970577000,"created":1312637261000,"flag":"Standard Record","id":"object-140164","indexed":1755194584897,"modified":1750243529000,"processed":1755194515997,"source":"adlib","stream":"fitz-online","uid":"adlib-object-140164","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/140164","uuid":"c2739cad-74f6-3c81-8458-6111fdb83513","version":5},"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-37627","uid":"adlib-term-37627","uuid":"254febfe-0021-3e45-89a7-d57ba40044c7"},"summary_title":"hard-paste porcelain"}],"collection":[{"@link":{"type":"reference"},"admin":{"id":"term-113183","uid":"adlib-term-113183","uuid":"d0b2833e-0e65-3606-934e-193dc9d8511d"},"summary_title":"Ralph Griffin"}],"component":[{"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-32638","uid":"adlib-term-32638","uuid":"97b8d1a5-7b8f-3a2a-a275-7d001aeaae2b"},"summary_title":"enamel"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39593","uid":"adlib-term-39593","uuid":"e3e2a3f8-2433-3f63-9bcf-e776644d312d"},"summary_title":"gold"}}],"name":"Decoration","techniques":[{"note":[{"value":"in"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120086","uid":"adlib-term-120086","uuid":"cdecca31-5ec3-3fe3-9e5d-455d9771fda5"},"summary_title":"painting overglaze"}}]},{"name":"Body","techniques":[{"description":[{"value":"hard-paste porcelain, the body thrown, with applied moulded handle and spout, glazed, painted in green, yellow, pale mauve, red and shades of brown enamel, and gilded"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120082","uid":"adlib-term-120082","uuid":"ea83ed85-6b07-3e7e-83fc-440cfda22f7e"},"summary_title":"throwing"}}]},{"name":"Handle And Spout","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-111179","uid":"adlib-term-111179","uuid":"be5c887b-c0ed-3d89-82b2-c3a870e72a68"},"summary_title":"moulding"}}]}],"department":{"value":"Applied Arts"},"description":[{"value":"hard-paste porcelain painted in enamels with putti mourning over urns, and gilt"},{"value":"Hard-paste porcelain, thrown, with applied moulded handle and spout, tin-glazed  and painted in green, yellow, pale purple, red, and shades of brown enamel, and gilt. The pear-shaped pot stands on a low foot. The loop handle is of shallow D section with a moulded leaf at the top and a slight upward kick at the lower end. The partly covered spout is applied below a projecting moulding round the top of the pot, and has foliage in relief at its base. The flat rim has two shallow rectangular indentations. The cover is flat on top with a stepped rim, and a knob in the shape of a pear-shaped jar and cover. Underneath it has a sloping hollow cylindrical centre with two rectangular projections which fit into the indentations in the rim of the pot, and when turned to right or left, prevent the top falling off when the jug is tipped forward. \nThe sides of the pot are decorated alla sassone with two different scenes of putti mourning broken-heartedly over urns on pedestals in a garden setting, surrounded by frames comprising two pale purple kidney-shaped and two smaller heart-shaped panels linked by strapwork and scrolls in gold and red. The edges and moulded foliage on the spout and handle are gilded and there are two gold bands round the foot and two round the rim. The cover has two pale purple kidney-shaped panels flanked by scrolls in gold and red, and two concentric gold bands round the rim. The knob has a gold band round the upper part of its sides and a gold top."}],"identifier":[{"accession_number":"C.206 & A-1918","primary":true,"type":"accession number","value":"C.206 & A-1918"},{"priref":"140164","type":"priref","value":"140164"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/140164","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/140164"}],"inscription":[{"location":"on base of pot","method":"incised by hand","transcription":[{"value":"B"}],"type":"incised mark"},{"location":"inside the cover","method":"painted in red enamel","transcription":[{"value":"an open six-pointed star"}],"type":"factory mark"},{"location":"on base of pot","method":"painted in pale purple enamel","transcription":[{"value":"6."}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Ralph Griffin, MA FSA"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-166982","uid":"adlib-agent-166982","uuid":"379e05a8-af03-3c3f-8302-1ff6e68b6c8b"},"summary_title":"Griffin, Ralph"}],"date":[{"earliest":1918,"latest":1918,"value":"1918-08-28"}],"method":{"value":"given"}}],"creation":[{"date":[{"earliest":1780,"from":{"earliest":1780,"era":["CE"],"latest":1780,"precision":"circa","value":"1780"},"latest":1800,"note":[{"value":"formerly dated c. 1770-75"}],"range":true,"to":{"earliest":1800,"era":["CE"],"latest":1800,"value":"1800"}}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-166157","uid":"adlib-agent-166157","uuid":"23fd678a-dde8-3d1b-bc25-0d84c569975e"},"summary_title":"Doccia Porcelain Factory"}],"note":[{"value":"Doccia porcelain decorated with scenes of various kinds surrounded by frames like the one on this pot were described as alla sassone because they were influenced by Meissen porcelain. The pale purple panels in the frame imitate panels of pinkish-purple lustre in the frames around Chinoiserie and European scenes on Meissen porcelain of the 1720s and 1730s.\nSee also a cup and saucer decorated in this style, C.231 & A-1918"}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-120902","uid":"adlib-term-120902","uuid":"7ad5748a-4503-39c2-9b0e-6460b2494524"},"summary_title":"18th Century, third quarter"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-134360","uid":"adlib-term-134360","uuid":"8a508dd9-dc6e-3a4e-aec1-663732714c03"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Tuscany"}],"summary_title":"Tuscany","type":"region"}]],"summary_title":"Sesto Fiorentino"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-32652","uid":"adlib-term-32652","uuid":"82d8ae3b-f165-395c-ba93-dfa1c282b7be"},"summary_title":"glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-37627","uid":"adlib-term-37627","uuid":"254febfe-0021-3e45-89a7-d57ba40044c7"},"summary_title":"hard-paste porcelain"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"22.5"},{"dimension":"Width","units":"cm","value":"15.2"}]},"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107660","uid":"adlib-term-107660","uuid":"c3480dba-ad2a-3736-b13e-200aef582a5d"},"summary_title":"coffee pot"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107478","uid":"adlib-term-107478","uuid":"81002e74-5083-37b8-a429-4a303fc40695"},"summary_title":"cover"}}],"note":[{"type":"history note","value":"unknown before donor"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. p. 107; illustrated p. 106, fig. 8","page":"106-07","type":"reference"},"admin":{"id":"publication-200003003","uid":"adlib-publication-200003003","uuid":"11573bb7-662c-3f88-8d43-9202e761565b"},"summary_title":"Doccia Porcelain in the Fitzwilliam Museum"},{"@link":{"type":"reference"},"admin":{"id":"publication-4911","uid":"adlib-publication-4911","uuid":"06fd9fc8-9d5a-343d-8584-88264da28960"},"summary_title":"Italian Porcelain, with a note on Buen Retiro"},{"@link":{"notes":"Cf. p. 34, a cup and saucer painted alla sassone with comparable frame with differently treated scrolls, dated c. 1760-65","page":"34","type":"reference"},"admin":{"id":"publication-200002216","uid":"adlib-publication-200002216","uuid":"d3ebfa13-d7ef-37a2-886f-341d355f8af7"},"summary_title":"I pittori della Manifattura di Doccia dal 1740 al 1784"},{"@link":{"notes":"Ref. pp. 73-4, for brief biography of the collector","page":"73-4","type":"reference"},"admin":{"id":"publication-200002106","uid":"adlib-publication-200002106","uuid":"d82cafb7-c6c6-3cb1-8e1b-13e2b9800dd0"},"summary_title":"Obituary Notices,  Ralph Hare Griffin"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107660","uid":"adlib-term-107660","uuid":"c3480dba-ad2a-3736-b13e-200aef582a5d"},"summary_title":"coffee pot"}},"summary_title":"coffee pot","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-122641","uid":"adlib-term-122641","uuid":"d5fb75d8-097d-3fd7-8e70-87e9d96d77f7"},"summary_title":"glazing"}}],"type":{"base":"object","type":"OBJECT"}}}],"first_page_url":"?page=1","from":1,"last_page":1,"last_page_url":"?page=1","links":[{"url":null,"label":"« Previous","active":false},{"url":"?page=1","label":"1","active":true},{"url":null,"label":"Next »","active":false}],"next_page_url":null,"path":"","per_page":24,"prev_page_url":null,"to":15,"total":15}]