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This inkstand has had the inkpot on the right incorrectly restored. On other examples the pot is not cylindrical, but of a bulbous from. 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European Pottery and Porcelain Figures"},{"@link":{"notes":"Publ. pp. 242-4, no. 324, attributed doubtfully to Faenza, where further examples, some dated, and literature are cited","page":"pp. 242-4","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Ref.","page":"86-93","type":"reference"},"admin":{"id":"publication-200001128","uid":"adlib-publication-200001128","uuid":"5d506ce9-c5d4-3e37-ac4f-f6aaf9cb8ca0"},"summary_title":"Di un calamaio in maiolica del rinascimento al Museo delle Arti Applicati di Budapest"},{"@link":{"notes":"Publ. p. 10, fig. 6. Cf. Another inkstand with flat base with the original ink container on the right, showing that the Fitzwilliam's was incorrectly restored to match the candle holder. See p. 9 for information about various members of the Manzoni family.","page":"10","type":"reference"},"admin":{"id":"publication-200003165","uid":"adlib-publication-200003165","uuid":"4758aab1-2193-390d-902b-fc41ef893d47"},"summary_title":"I Calamai del Manzoni"},{"@link":{"type":"reference"},"admin":{"id":"publication-8422","uid":"adlib-publication-8422","uuid":"849d6b11-70f3-3a5b-9261-5930e598885c"},"summary_title":"Madonnas and Miracles. The Holy Home in Renaissance Italy"},{"@link":{"notes":"Publ. p. 65, no. 17, dated 1510. Cf. p. 63, nos. 16-19, and no. 20,  examples with flat bases, and pp. 62-3, the 15 examples raised on lions or hounds, also the larger Adoration group without inkwell in the Fitzwilliam, all illustrated pp. 64-5.","page":"62-3, 65","type":"reference"},"admin":{"id":"publication-6085","uid":"adlib-publication-6085","uuid":"9e9f66b5-9967-3864-a61a-19e7c8db8cf5"},"summary_title":"Le maioliche rinascimentali nelle collezioni della Fondazione Cassa di Risparmio di Perugia, Vol. II"},{"@link":{"type":"reference"},"admin":{"id":"publication-7526","uid":"adlib-publication-7526","uuid":"ceb92dd4-7854-3192-82d7-ddfa5f0f3dd4"},"summary_title":"Italian Renaissance Maiolica"},{"@link":{"notes":"Cf. pp. 198-201, a completely different inkstand showing how complex these objects could be around 1490-1500. It has an architectural base, four seated  female figures holding attributes, with four pots between them, and a partly covered case supported on their shoulders.","page":"198-201","type":"reference"},"admin":{"id":"publication-8439","uid":"adlib-publication-8439","uuid":"28a20a57-b6c1-390d-898a-0896650411e9"},"summary_title":"Maiolica before Raphael. Italian ceramics before 1500"},{"@link":{"type":"reference"},"admin":{"id":"publication-8662","uid":"adlib-publication-8662","uuid":"bb57772c-a9f8-35bc-be2b-fbfbe2ce42bb"},"summary_title":"La Grazia dell'Arte. Collezione Grimaldi Fava, Maioliche"},{"@link":{"notes":"Ref. Chapter six, for discussion of how these small religious models were experienced by their owners. Cf. p. 59, fig. 47 an inkstand raised lions, Museum Ariana, Geneva (inv. no. AR 4092;  p. 59, fig. 48, an inkstand raised on hounds, V. & A. (inv. no. 396-1889), p. 72, fig. 68,  an inkstand on lions, Museum of Applied Arts, Budapest (inv. no. 69.1564.1). 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