[{"admin":{"added":1703014272000,"created":1702988970000,"id":"publication-200003283","indexed":1703014344933,"modified":1702991452000,"processed":1703014342703,"source":"adlib","stream":"fitz-online","uid":"adlib-publication-200003283","uuid":"0fbd54ee-2857-34b2-8903-ae320f4c7ab5","version":1},"summary_title":"La maiolica nel Museo del Bargello. Genesi e fortuna di una roccolta","title":[{"primary":true,"value":"La maiolica nel Museo del Bargello. Genesi e fortuna di una roccolta"}],"type":{"base":"publication"}},{"current_page":1,"data":[{"_index":"ciim","_type":"data","_id":"adlib-object-79986","_score":20.073072,"_source":{"admin":{"added":1592996680000,"created":1312637261000,"flag":"Standard Record","id":"object-79986","indexed":1747246359926,"modified":1714467858000,"processed":1747245848890,"source":"adlib","stream":"fitz-online","uid":"adlib-object-79986","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/79986","uuid":"b14c2cf0-123d-3d89-959a-b8da1e99e217","version":10},"agents":[{"@link":{"note":[{"value":"Probably in the Medici Collection, Florence up to 1784 inventory."}],"type":"reference"},"admin":{"id":"agent-207502","uid":"adlib-agent-207502","uuid":"976ca9f3-eec2-3273-9349-cc5bcc593c31"},"summary_title":"Medici Collection"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-95937","uid":"adlib-agent-95937","uuid":"1b124579-0a0c-3c28-97a3-c749f6562ba6"},"summary_title":"Moses"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-160746","uid":"adlib-agent-160746","uuid":"f434c5bd-54dd-3e7b-af94-ae075d6c8473"},"summary_title":"Pharoah"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-152759","uid":"adlib-agent-152759","uuid":"5c091042-4a5e-35cc-b5f3-2152afa269e4"},"summary_title":"putto"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108348","uid":"adlib-term-108348","uuid":"667e7a19-db33-3d85-bd9b-c2dafd8e02ff"},"summary_title":"tin-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"}],"component":[{"materials":[{"note":[{"value":"blue, green, yellow, orange, stone, brown, manganese-purple, black, grey, and white"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108364","uid":"adlib-term-108364","uuid":"115b8729-a560-35c1-b654-4b9d2fc5f68b"},"summary_title":"high-temperature colours"}}],"name":"Decoration"}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-23385","uid":"adlib-term-23385","uuid":"4c17df77-7d4e-32bf-8ec9-921b71d218a2"},"summary_title":"religion"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Maiolica dish, painted in polychrome, with the Crossing of the Red Sea."},{"value":"Earthenware, tin-glazed overall; on the reverse, where visible, the glaze is pale cream. Painted in blue, green, yellow, orange, stone, brown, manganese-purple, black, grey, and white. Circular with shallow, curved sides and flat centre. On the underside there are two concentric ribs surrounding the junction with the foot, now missing. The Crossing of the Red Sea. On the right Pharoah, seated in front of his camp, raises his right arm angrily at Moses standing on the opposite shore of the Red Sea. The Children of Israel cross safely in a long procession from right to left while, in the right foreground, the Egyptian forces are prevented from following by the piled-up waves. The yellow rim is decorated with brown-outlined petals with white centres. On the back, five putti fly above clouds, four holding branches and one a drape. The outer rib is surrounded by petals with black centres, outlined in orange-brown on a yellow ground, flanked by diagonal strokes. The yellow rim is decorated with orange petals."}],"exhibitions":[{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"}],"identifier":[{"accession_number":"C.134-1933","primary":true,"type":"accession number","value":"C.134-1933"},{"priref":"79986","type":"priref","value":"79986"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/79986","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/79986"}],"inscription":[{"description":[{"value":"oval"}],"method":"printed in black","transcription":[{"value":"FITZWILLIAM MUSEUM\/GIVEN BY\/ALFRED A DE PASS\/1933"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Alfred A. De Pass, 1933, in memory of his son, Crispin (d. 1918)."},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-153140","uid":"adlib-agent-153140","uuid":"f5bf2584-5b68-39cb-ae7a-96c84bb52a36"},"summary_title":"de Pass, Alfred A."}],"date":[{"earliest":1933,"latest":1933,"value":"1933-06-15"}],"method":{"value":"given"},"note":[{"value":"Accessioned between 15th and 19th June 1933."}]}],"creation":[{"date":[{"earliest":1555,"from":{"earliest":1555,"era":["CE"],"latest":1555,"precision":"circa","value":"1555"},"latest":1570,"range":true,"to":{"earliest":1570,"era":["CE"],"latest":1570,"value":"1570"}}],"maker":[{"@link":{"qualifier":"probably","role":[{"value":"workshop"}],"type":"reference"},"admin":{"id":"agent-46294","uid":"adlib-agent-46294","uuid":"c10e7f72-ce26-3044-84dd-3f49daa49e79"},"summary_title":"Fontana, Orazio"},{"@link":{"qualifier":"possibly","role":[{"value":"decorator"}],"type":"reference"},"admin":{"id":"agent-203717","uid":"adlib-agent-203717","uuid":"8ac071a0-2203-3809-ac03-02bc4dc352cc"},"summary_title":"Patanazzi, Antonio"},{"@link":{"qualifier":"after","role":[{"value":"printmaker"}],"type":"reference"},"admin":{"id":"agent-120218","uid":"adlib-agent-120218","uuid":"498124b4-ad94-3072-bdb3-49eb5ca23d25"},"summary_title":"Salomon, Bernard"}],"note":[{"value":"This dish originally stood on a high foot which has been lost. The front is decorated with the Crossing of the Red Sea or Destruction of Pharaoh and his Army,which is described in the Bible, in Exodus, 14.21-31. The design was probably derived from the woodcut illustration headed `ESOD XIII' by Bernard Salomon in Damiano Maraffi, 'Figure del Vecchio Testamento con versi tos\u00accani', Lyon, 1554,the Italian edition of Claude Paradin, Quadrins historiques de la Bible, Lyon, 1553, or later editions which have similar, and additional woodcut illustrations. The dish was probably made in the workshop of Orazio Fontana (d. 1571) in Urbino, and may have been painted by him, or by Antonio Patanazzi (1515-87), who worked in close contact with him, and after his death succeeded him. It was formerly attributed to the workshop of Guido Durantino, the father of Orazio Fontana. \n                                                                                                                                                              \nThe putti or cherubs on the reverse are close in style to angels bearing Instru\u00acments of the Passion on the reverse of a standing dish decorated with the Cruci\u00acfixion after Bernard Salomon\u2019s woodcut in 'Figures du Nouveau Testament', Lyon, 1554, in the Gambier-Parry collection, at the Courtauld Gallery,  Somerset House, London  ( inv. no. O.1966.GP.90). There are also strong similarities between details on the front of that dish, such as the horse's head, and the depiction of costume, which suggest that they were decorated by the same painter. The backs of the two dishes are comparable to the back of one in Wisbech and Fenland Museum (1868.173), decorated with with angels holding musical instruments above clouds, but painted by a different hand on the front with 'Moses striking the Rock', possibly that of the painter of some of the dishes in the set bearing the arms of Guidobaldo II, duke of Urbino (1514-74) made as a gift for the Franciscan, Andrea da Volterra, which are usually attributed to the Fontana workshop.\nThe dish in the Courtauld Gallery has the number 148 on the foot in writing similar to two others in its collection, all of which came from the famous Stowe sale in 1848 , and had previously belonged to the Grand Duke of Tuscany. Sani (see 2020 and 2023) found that although the number on the Courtauld\u2019s Crucifixion dish does not match a number in the 1784 inventory of the Medici collection, its description, and those of the other two plates discussed above, correspond with nos. 451, 455 and 452 respectively decorated with \u2018The Crucifixion of the Redeemer\u2019, the \u2018Crossing of the Red Sea\u2019, and \u2018Moses that quench the thirst of the Israelites. Which is broken in part.\u2019 For the subjects of all three dishes to match the inventory makes it unlikely that this is a coincidence, and it is therefore highly likely that the Fitzwilliam\u2019s dish was in the Grand Ducal collection in Florence, until at least 1784."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-125332","uid":"adlib-term-125332","uuid":"76f10b5d-9bf4-36d4-b4e3-f4df05af8260"},"summary_title":"16th Century, third quarter"},{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110708","uid":"adlib-term-110708","uuid":"ef038505-1555-3c61-b6e2-cadcedf6c42a"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"The Marche"}],"summary_title":"The Marche","type":"region"}]],"summary_title":"Urbino"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"26.6"},{"dimension":"Height","units":"cm","value":"3.4"}]},"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}}],"note":[{"type":"history note","value":"Probably Grand Ducal Collection, Florence before 1784. Uncertain. Alfred Aaron De Pass (1861-1952), Falmouth"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. p. 247, no. V","page":"p. 247","type":"reference"},"admin":{"id":"publication-200001003","uid":"adlib-publication-200001003","uuid":"85ba346d-d1d0-31b4-878f-4cbeaae5b964"},"summary_title":"The De Pass pottery in the Fitzwilliam Museum"},{"@link":{"notes":"Publ. pp. 372-3, no. 409; for the printed source of the design, see p. 374, fig. 41","page":"pp. 372-3","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. p. 156, front illustrated, fig. 4, back illustrated fig. 5, and see text continuing on p. 156. Cf. The reverse of a dish in the Courtauld Institute, p. 155, fig. 3, and the back of a dish in the Wisbech and Fenland Museum, p. 157, fig. 7.","page":"156","type":"reference"},"admin":{"id":"publication-200003227","uid":"adlib-publication-200003227","uuid":"4452ccec-0e0f-3a14-87c1-f283a94194f7"},"summary_title":"Un capolavoro della maiolica istoriata rinascimentale alla Courtauld Gallery: 'La Crocifissione Gambier Parry'"},{"@link":{"type":"reference"},"admin":{"id":"publication-3400","uid":"adlib-publication-3400","uuid":"a6e23473-1c42-3481-92c0-7fedc1cfd92e"},"summary_title":"Figure del Vecchio Testamento con versi toscani"},{"@link":{"notes":"Publ. p. 96, pl. 7a, attributed to Guido or Orazio Fontana.","page":"96","type":"reference"},"admin":{"id":"publication-200002310","uid":"adlib-publication-200002310","uuid":"5830258e-a7fd-3329-863e-56c347d3e0b0"},"summary_title":"Maioliche urbinati dal Fontana ai Patanazzi"},{"@link":{"notes":"Cf. p. p. 148, and p. 149, fig. 55 and p. 151.  Inv. no. O.1966. GP90","page":"148-9","type":"reference"},"admin":{"id":"publication-200003210","uid":"adlib-publication-200003210","uuid":"8a934c42-0f3a-3c7c-a510-c55ca5f0485e"},"summary_title":"Italian Maiolica in the Gambier-Parry Collection"},{"@link":{"notes":"Cf. pp. 123-4, no. 11b, colour pl. on p. 119, in Carmen Ravanelli Guidotti, 'Le ceramiche delle collezioni rinascimentali', pp. 6-14.","page":"123-4","type":"reference"},"admin":{"id":"publication-8763","uid":"adlib-publication-8763","uuid":"3c607ade-ea08-334c-a339-2f587151f71a"},"summary_title":"Ceramiche nelle civiche collezioni bresciane"},{"@link":{"notes":"Cf. pp. 169-73, no. 33, a dish lacking its foot decorated overall with the 'Crucifixion' after Bernard Salomon. The author compares that dish with the Fitzwilliam's dish decorated with the 'Crossing of the Red Sea', and a dish at Wisbech decorated with 'Moses striking the Rock'. She concluded that the first two could be by the same painter, possibly Antonio Patanazzi, but that the dish at Wisbech was by another hand.","page":"169-73","type":"reference"},"admin":{"id":"publication-8943","uid":"adlib-publication-8943","uuid":"29e4cc2a-e0e8-3153-be27-f107624f1cd0"},"summary_title":"Italian Maiolica and Other Modern Ceramics in the Courtauld Gallery"},{"@link":{"notes":"Ref. pp. 71-79 the 'Inventario Generale della Real Galleria di Firenze compilato nel 1784 . . .'  in which no. 455 'Una d.a. simile [Una sottocoppa liscia], che rappresenta il passaggio' may have been the Fitzwilliam's dish. No. 451 was probably the dish decorated with the Crucifixion, now in the Courtauld Gallery (O.1966.GP.90), and no. 452 the dish decorated with 'Moses striking the Rock' now in Wisbech Museum.","page":"58-79","type":"reference"},"admin":{"id":"publication-200003283","uid":"adlib-publication-200003283","uuid":"0fbd54ee-2857-34b2-8903-ae320f4c7ab5"},"summary_title":"La maiolica nel Museo del Bargello. Genesi e fortuna di una roccolta"},{"@link":{"notes":"Cf., p. 386, fig. 38 & p. 391","page":"387-410","type":"reference"},"admin":{"id":"publication-200003211","uid":"adlib-publication-200003211","uuid":"7f0f6cc6-93be-3519-93b6-d87a6335c6fc"},"summary_title":"Battista Franco as a designer for maiolica"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"subjects":[{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-60647","uid":"adlib-term-60647","uuid":"04b30013-2292-36ec-a938-1109132ca164"},"summary_title":"tent"},{"@link":{"relation":"animal","type":"reference"},"admin":{"id":"term-78765","uid":"adlib-term-78765","uuid":"46e462e7-1543-3aaa-90c1-2562102b738f"},"summary_title":"horse (animal)"},{"@link":{"relation":"place type","type":"reference"},"admin":{"id":"term-58346","uid":"adlib-term-58346","uuid":"36a43f82-c62a-350b-b02c-bc5f4e6544af"},"summary_title":"sea"},{"@link":{"relation":"place name","type":"reference"},"admin":{"id":"term-126046","uid":"adlib-term-126046","uuid":"b16e184d-eb64-3d05-80bb-f5d4f623c61f"},"summary_title":"Red Sea"},{"@link":{"relation":"named event","type":"reference"},"admin":{"id":"term-113270","uid":"adlib-term-113270","uuid":"d14ff9d3-9b63-341f-9221-a9099cd45bf7"},"summary_title":"The Crossing of the Red Sea"},{"@link":{"type":"literal"},"name":[{"value":"tent"}],"summary_title":"tent"},{"@link":{"type":"literal"},"name":[{"value":"horse (animal)"}],"summary_title":"horse (animal)"},{"@link":{"type":"literal"},"name":[{"value":"sea"}],"summary_title":"sea"},{"@link":{"type":"literal"},"name":[{"value":"Red Sea"}],"summary_title":"Red Sea"},{"@link":{"type":"literal"},"name":[{"value":"The Crossing of the Red Sea"}],"summary_title":"The Crossing of the Red Sea"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}},"summary_title":"dish","techniques":[{"description":[{"value":"earthenware, tin-glazed overall; on the reverse, where visible, the glaze is pale cream. Painted in blue, green, yellow, orange, stone, brown, manganese-purple, black, grey, and white."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-111179","uid":"adlib-term-111179","uuid":"be5c887b-c0ed-3d89-82b2-c3a870e72a68"},"summary_title":"moulding"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120059","uid":"adlib-term-120059","uuid":"dfa315b5-819d-37ab-ab22-bddfdbb3cbe7"},"summary_title":"tin-glazing"}}],"title":[{"value":"The Crossing of the Red Sea"}],"type":{"base":"object","type":"OBJECT"}}}],"first_page_url":"?page=1","from":1,"last_page":1,"last_page_url":"?page=1","links":[{"url":null,"label":"« Previous","active":false},{"url":"?page=1","label":"1","active":true},{"url":null,"label":"Next »","active":false}],"next_page_url":null,"path":"","per_page":24,"prev_page_url":null,"to":1,"total":1}]