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The model is supported on a shallow straight-sided square base which has chamfered sides on the closed underside and an off-centre ventilation hole. The  factory mark 'WOOD & CALDWELL' is impressed diagonally across it. Falstaff stands on a circular based with rococo scrolls at the front, and a green tree stump decorated with applied flowers at the back. The corpulent actor has his weight on his right foot and holds a sword in his right hand (all but its handle missing). An oval shield decorated with a yellow sunburst is  strapped to his left upper arm. He has shoulder length black hair, a black beard a ruddy complexion and a paunch.  He wears a black hat with pale red and white plumes round its brim, a frilled collar, a sleeveless lilac coat with yellow edges and buttons, a red, and black striped and patterned waistcoat with yellow trimming and buttons, a black belt, red breeches, and black boots with grey tops."}],"identifier":[{"accession_number":"C.906-1928","primary":true,"type":"accession number","value":"C.906-1928"},{"priref":"76340","type":"priref","value":"76340"},{"source":"Glaisher MS Catalogue, vol. 2 and Typed Catalogue","type":"old object number","value":"2329"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76340","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76340"}],"inscription":[{"location":"on underside of base","method":"impressed","transcription":[{"value":"WOOD & CALDWELL"}],"type":"factory mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J. 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The flat underside is unglazed, and has three patch marks, and a circular ventilation hole to rear of centre. The roughly oval base has a tall, thick tree stump at the back, and rococo scrolls at the front, above which are three groups of applied flowers and leaves. Quinn stands facing the front, with his feet apart. His right hand holds an upright sword (missing), and an oval shield is strapped to his upper left arm, the clenched hand of which rests on his hip. He has a ruddy complexion, a grey beard and white hair, over which is a white broad-brimmed hat with a mauve underside, and white feathers. He wears a soft white ruff, a yellow sleeved doublet with gold borders, pockets, and red cuffs, a red and gold belt, a pink sleeveless coat with a gold edge, red breeches, and pale brown high boots. A bill projects from his right waistcoat pocket. The flowers on either side of his feet are mauve, and yellow, and those between his feet, are mauve, yellow, and red. The scrolls are picked out in gold. The sword blade has been replaced by a steel blade, now separate."}],"identifier":[{"accession_number":"C.50 & A-1918","primary":true,"type":"accession number","value":"C.50 & A-1918"},{"priref":"42629","type":"priref","value":"42629"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/42629","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/42629"}],"inscription":[{"method":"incised","transcription":[{"value":"No 200"}],"type":"number"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Ralph Griffin, MA, FSA"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-151196","uid":"adlib-agent-151196","uuid":"70c394ca-7483-3017-9867-b0191829b8bf"},"summary_title":"Griffin, Ralph, MA, FSA"}],"date":[{"earliest":1918,"latest":1918,"value":"1918-08-28"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1918-08-28"}]}],"creation":[{"date":[{"earliest":1765,"era":["CE"],"latest":1765,"precision":"circa","value":"1765"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-35888","uid":"adlib-agent-35888","uuid":"0244b335-51c5-3535-a626-9ed7f3d33894"},"summary_title":"Derby Porcelain Factory"},{"@link":{"type":"reference"},"admin":{"id":"agent-157812","uid":"adlib-agent-157812","uuid":"d6c503ac-f737-3861-9907-14fd8b4759bf"},"summary_title":"William Duesbury & Co."},{"@link":{"qualifier":"derived from","role":[{"value":"engraver"}],"type":"reference"},"admin":{"id":"agent-89519","uid":"adlib-agent-89519","uuid":"ea3158a3-a006-3779-8563-872e5de078ec"},"summary_title":"McArdell, James"},{"@link":{"qualifier":"after","role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-60297","uid":"adlib-agent-60297","uuid":"9217fa7d-f61d-37bb-8b8c-cbb59a1886cc"},"summary_title":"Hayman, Francis"}],"note":[{"value":"This model represents the actor, James Quinn (1693-1766), in the role of Sir John Falstaff.The first model was derived from an engraving of about 1760 by James McArdell after a portrait by Francis Hayman, 'Mr Quinn in the character of Sir John Falstaff'. Sold at the Golden Head in Covent Garden. See an example in the British Museum. 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The earliest Derby version of Falstaff is model E4 in Bradshaw's list of Derby figures, see, p. 95. It recurs as no. 231, see pp. 314-6 and, in five different sizes, as no. 291, see p. 339","page":"pp. 314-6","type":"reference"},"admin":{"id":"publication-2845","uid":"adlib-publication-2845","uuid":"aed83438-5cba-3d3d-914c-0603afed5d46"},"summary_title":"Derby Porcelain Figures 1750-1848"},{"@link":{"notes":"Ref. An unglazed fragment of Falstaff's doublet, with the list protruding from the pocket, was found in a kiln dump at the site of the China Works between Nottingham Road and Wood Street, in 1990 (now occupied by playing fields, car park and landscaping of the nearby Derby Technology College). See pp. 229-39, mentioned on pp. 231-2, illustrated p. 232, fig. 6, and a figure on p. 231, fig. 5, an example at Burghley House.","page":"pp. 229-39","type":"reference"},"admin":{"id":"publication-200000898","uid":"adlib-publication-200000898","uuid":"3db35781-cf62-3582-ac9b-54500b67e315"},"summary_title":"A 1770-1790 Kiln Dump of the Derby China Works"},{"@link":{"notes":"Cf. A model in the Victoria and Albert Museum, see p. 65, no. 305, and pl. 35, 13\" high.\nCf. A white Bow example in the Victoria and Albert Museum, see p. 10, no. 2, and pl. 8","page":"pp. 10, 65","type":"reference"},"admin":{"id":"publication-1013","uid":"adlib-publication-1013","uuid":"e6774d16-9d42-373b-a20c-90a966447f48"},"summary_title":"Victoria and Albert Museum Department of Ceramics, Catalogue of English Porcelain, Earthenware, Enamels and Glass collected by Charles Schreiber Esq., M.P.,  and the Lady Charlotte Elizabeth Schreiber, and presented to the Museum in 1884, Volume I, Porcelain"},{"@link":{"notes":"Cf. An earthenware Quinn by Wood & Caldwell in the Glaisher Collection, see vol. 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Other examples are cited and the reference given to Henry IV, Part I, Act II, Scene IV, in which Prince Hal and Peto investigate the contents of the sleeping Falstaff's pockets and find the itemised bill for food.","page":"p. 50","type":"reference"},"admin":{"id":"publication-984","uid":"adlib-publication-984","uuid":"b49b3bba-0038-3f3d-a4c1-70885283ce9f"},"summary_title":"European Ceramics at Burghley House"},{"@link":{"notes":"Cf. p. 55, of interest but not strictly comparable, B76, probably by Samson of Paris, B77, French or German, 19th century, and B78, Staffordshire pottery, 20th century. Illustrated on p. 54","page":"pp. 54-5","type":"reference"},"admin":{"id":"publication-4683","uid":"adlib-publication-4683","uuid":"c44183d2-20e3-3f22-b143-bf60e169519c"},"summary_title":"The Richard Bebb Collection in the Garrick Club, A Catalogue of Figures, Sculpture and Paintings"},{"@link":{"notes":"Ref. pp. 122-6 prints by James McArdell used for porcelain figures. See p. 122, fig. 55, a mezzotint by Richard Earlom of a self portrait of James McArdell, and pp. 122-6 for his career and the use of his prints as sources for English porcelain figures. Cf. p. 124, fig. 58, the prin of Falstaff, Victoria & Albert Museum S.24-2009, and fig. 59 a Bow, white porcelain Falstaff, dated to c. 1752. 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The unglazed underside has one obvious patch mark and a central circular ventilation hole. The group is on a high, heavily scrolled base picked out in turquoise-green and gold. Winged and bearded Time is seated on a tree trunk with his right leg forward, the foot resting on a sheaf of arrows. He holds Cupid over his left knee with his left hand and is about to clip Cupid's wing with a pair of small shears held in his right hand. Time wears a purple robe decorated with large and small circular motifs, which is held up by red cross bands. Cupid has a yellow drape. On the base to the viewer's right there is a crown, a sceptre, and an hourglass, and on the left, a globe."}],"exhibitions":[{"@link":{"catalogue":"F19","type":"reference"},"admin":{"id":"exhibition-1070","uid":"adlib-exhibition-1070","uuid":"2cb713dc-899f-35df-9c15-515a05f38d48"},"summary_title":"Plagiarism Personified? European Pottery and Porcelain Figures"},{"@link":{"catalogue":"case 14","type":"reference"},"admin":{"id":"exhibition-1077","uid":"adlib-exhibition-1077","uuid":"a9790b74-5102-3534-9d71-e4f0dc4f89f3"},"summary_title":"Tempus, The Art of Time"}],"identifier":[{"accession_number":"C.38-1932","primary":true,"type":"accession number","value":"C.38-1932"},{"priref":"42667","type":"priref","value":"42667"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/42667","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/42667"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Mrs W.D. Dickson"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-180712","uid":"adlib-agent-180712","uuid":"855e3948-593a-3b3c-9d66-028df74284fe"},"summary_title":"Dickson, W. D. (Frances Louisa), Mrs"}],"date":[{"earliest":1932,"latest":1932,"value":"1932-06-13"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1932"}]}],"creation":[{"date":[{"earliest":1765,"from":{"earliest":1765,"era":["CE"],"latest":1765,"precision":"circa","value":"1765"},"latest":1780,"range":true,"to":{"earliest":1780,"era":["CE"],"latest":1780,"value":"1780"}}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-35888","uid":"adlib-agent-35888","uuid":"0244b335-51c5-3535-a626-9ed7f3d33894"},"summary_title":"Derby Porcelain Factory"},{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-157812","uid":"adlib-agent-157812","uuid":"d6c503ac-f737-3861-9907-14fd8b4759bf"},"summary_title":"William Duesbury & Co."},{"@link":{"qualifier":"derived from","role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-40359","uid":"adlib-agent-40359","uuid":"e690ed3f-a5c9-359c-ab67-e1064cfeabaf"},"summary_title":"Dyck, Anthony van"},{"@link":{"qualifier":"after","role":[{"value":"printmaker"}],"type":"reference"},"admin":{"id":"agent-89519","uid":"adlib-agent-89519","uuid":"ea3158a3-a006-3779-8563-872e5de078ec"},"summary_title":"McArdell, James"}],"note":[{"value":"The figure (also known as Time clipping the Wings of Cupid) was derived from the painting of Time Clipping the Wings of Love by Sir Anthony van Dyck (1599-1641), now in the Mus\u00e9e Jacquemart Andr\u00e9, Paris, inv. no. 419, probably after an undated mezzotint of this by the Irish artist, James MacArdell (c. 1729-65), working in London. The print of this subject by Charles Phillips, is dated 1772, and is therefore too late to have been used for the earliest versions of the model. A coloured etching of this subject made c. 1633-4, by Fran\u00e7ois Perrier (1594-1649) bears an inscription derived from Virgil, 'Omnia vincit Amor, vincit mox tempus Amorem'. The theme, however, may have been inspired by a more recent work, Otto van Veen's Amorum Emblemata (1608), which included the verse:\n\t'Loues harrte is euer young\n\tT'is onlie tyme that can the winges of Cupid clip,\n\tAnd make him fly more low than he was wont to doo,\n\tBut Tyme clips not away his good will thereunto,\n\tThe aged carter loves to heare the lashing whip.'"}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-120880","uid":"adlib-term-120880","uuid":"91c8f217-47bf-321d-93f9-504a4a1305f0"},"summary_title":"18th Century, second half"},{"@link":{"type":"reference"},"admin":{"id":"term-107437","uid":"adlib-term-107437","uuid":"96f4b0d1-fc11-39ff-ae91-1b23d888d479"},"summary_title":"George III"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110521","uid":"adlib-term-110521","uuid":"b57fb046-bca3-3371-a721-2093adc3a282"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Derby"}]}]},"materials":[{"note":[{"value":"presumed lead"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107733","uid":"adlib-term-107733","uuid":"00160189-e3ce-3796-a88b-5aa8d6c808c4"},"summary_title":"lead-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"33"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-17393","uid":"adlib-media-17393","uuid":"51b4348b-8e0b-3f77-af13-f6799110b1a3"},"processed":{"large":{"format":"jpeg","location":"aa\/aa19\/C_38_1932.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":532}]},"modified":1702926508083,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa19\/mid_C_38_1932.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":714},{"dimension":"width","units":"pixels","value":500}]},"modified":1702926508083,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa19\/C_38_1932.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":532}]},"modified":1702926508083,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa19\/preview_C_38_1932.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":357},{"dimension":"width","units":"pixels","value":250}]},"modified":1702926508083,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-110220","uid":"adlib-term-110220","uuid":"e22d3544-a393-3f19-9be4-dc2632ca9942"},"summary_title":"figure group"}}],"note":[{"type":"history note","value":"unknown before donor, Mrs W.D. Dickson, Bournemouth"}],"objects":[{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-76303","uid":"adlib-object-76303","uuid":"d6899cb8-99ec-3317-a78b-4a43ef0ff3e8"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-110220","uid":"adlib-term-110220","uuid":"e22d3544-a393-3f19-9be4-dc2632ca9942"},"summary_title":"figure group"}},"summary_title":"figure group"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. p. 42, F19, and pl. 28. For an undated mezzotint of of Time Clipping the Wings of Cupid by James MacArdell (c. 1729-65), in the Fitzwilliam, see p. 42, no. F20.","page":"p. 42","type":"reference"},"admin":{"id":"publication-992","uid":"adlib-publication-992","uuid":"e26b9de8-5607-3d6e-82c1-bba7d8cb57c4"},"summary_title":"Plagiarism Personified? European Pottery and Porcelain Figures"},{"@link":{"notes":"Ref. In his 'Price List of Groups and Single Figures'  Haslem cites  this model as no. 124 in three sizes, but does not give measurements for the first two.","page":"173","type":"reference"},"admin":{"id":"publication-2850","uid":"adlib-publication-2850","uuid":"d5dcd4d0-9032-35ca-b870-c7d2cb1b5ca6"},"summary_title":"The Old Derby China Factory"},{"@link":{"notes":"Publ. pp. 30-1, and pl. 30","page":"pp. 30-1","type":"reference"},"admin":{"id":"publication-1076","uid":"adlib-publication-1076","uuid":"acbefc51-07ab-373a-b40f-e69c780f634a"},"summary_title":"Tempus, The Art of Time"},{"@link":{"notes":"Ref. The porcelain group was mentioned in the catalogue of the first Chelsea and Derby sale held by Mr Christie from 17 to 20 April 1771, on the second day, lot 25: 'A curious figure of Time clipping of (sic) Cupid's wing, finely enamel'd and ornamented with burnish'd gold 1l. 9s'. See Appendix, p.22. lot 25.\nIt was also mentioned in the Christie and Ansell sale of Derby and Chelsea on 17 April 1780, first item 'A fine large figure of Time and Cupid 11s. 6d.' see Appendix, p. 58, no lot number.","page":"pp. 22, 58","type":"reference"},"admin":{"id":"publication-2576","uid":"adlib-publication-2576","uuid":"870654a9-2aff-3144-bcc3-8758472e4399"},"summary_title":"Contributions towards the History of Early English Porcelain from Contemporary Sources"},{"@link":{"notes":"Ref. The Louvre has a larger terracotta of this subject by Charles-Louis Corbet which is dated 1776, see Mabille, G\u00e9rard, 'Une terre cuite de Corbet: Le Temps coupant les ailes de l'Amour', La Revue du Louvre et des Mus\u00e9es de France, (2-1977), pp. 89-93, figs. 1-3, the Van Dyck, fig. 5, the Perrier print, fig. 5. This is very close to the painting, and seems likely to have been derived from the English print, which appears not to have been known to Mabille.","page":"pp. 89-93","type":"reference"},"admin":{"id":"publication-200000901","uid":"adlib-publication-200000901","uuid":"21e3beea-e021-3014-96b5-f2908cebb62f"},"summary_title":"Une terre cuite de Corbet: Le Temps coupant les ailes de l'Amour"},{"@link":{"notes":"Cf. An example in the Victoria and Albert Museum, see p. 70, no. 343","page":"p. 70","type":"reference"},"admin":{"id":"publication-1013","uid":"adlib-publication-1013","uuid":"e6774d16-9d42-373b-a20c-90a966447f48"},"summary_title":"Victoria and Albert Museum Department of Ceramics, Catalogue of English Porcelain, Earthenware, Enamels and Glass collected by Charles Schreiber Esq., M.P.,  and the Lady Charlotte Elizabeth Schreiber, and presented to the Museum in 1884, Volume I, Porcelain"},{"@link":{"notes":"Cf. A biscuit example with a clock by Benjamin Vuilliamy at Buckingham Palace, see p. 230, fig. 1.","page":"p. 230","type":"reference"},"admin":{"id":"publication-200000902","uid":"adlib-publication-200000902","uuid":"e84b4948-0c02-3cd5-b916-fed190e294b6"},"summary_title":"A Masterpiece of Clockmaking"},{"@link":{"notes":"Cf. p. 133, fig. 50 a clock by Benjamin Vulliamy with a biscuit group. No. 124, 1786. Overall height 307 cm. Royal Colelction Trust (the clock at Buckingham Palace discussed by L.G.G. Ramsay, mentioned above).","page":"115-34","type":"reference"},"admin":{"id":"publication-200003199","uid":"adlib-publication-200003199","uuid":"3fd59f1f-718c-3694-8f5b-23e23cc5064a"},"summary_title":"The Neo-classical style and Derby Biscuit figures 1771-1800"},{"@link":{"type":"reference"},"admin":{"id":"publication-2847","uid":"adlib-publication-2847","uuid":"632612a3-b59c-3d9f-934c-2ab43b83b78b"},"summary_title":"Derby Porcelain 1750-1848"},{"@link":{"notes":"Cf. p. 127, pl. 81, and pp. 47, and 193, no. 81. Dated after 1770.","page":"47, 127, 193","type":"reference"},"admin":{"id":"publication-2679","uid":"adlib-publication-2679","uuid":"f7491494-53a3-3a8d-a975-b85790bad8ed"},"summary_title":"Derby Porcelain: The Golden Years, 1750-1770"},{"@link":{"notes":"Cf. An example in a private collection, p. 269, no. 124","page":"p. 269","type":"reference"},"admin":{"id":"publication-2845","uid":"adlib-publication-2845","uuid":"aed83438-5cba-3d3d-914c-0603afed5d46"},"summary_title":"Derby Porcelain Figures 1750-1848"},{"@link":{"type":"reference"},"admin":{"id":"publication-200002924","uid":"adlib-publication-200002924","uuid":"98c0af0d-40d6-3726-bc19-9d7a87883484"},"summary_title":"Influence of the Baroque on English Porcelain"},{"@link":{"notes":"Cf. p. 57, a group in the Victoria & Albert Museum, 414:409-1885. See p. 122, fig. 55, a mezzotint by Richard Earlom of a self portrait of James McArdell, and pp. 122-6 for his career and the use of his prints as sources for porcelain figures","page":"122-6","type":"reference"},"admin":{"id":"publication-200003303","uid":"adlib-publication-200003303","uuid":"be044a32-e81a-3295-a9c7-86235aefc75d"},"summary_title":"'The Dublin Group' of mezzotint engravers and their imprint on early English porcelain and enamels"},{"@link":{"type":"reference"},"admin":{"id":"publication-2855","uid":"adlib-publication-2855","uuid":"6e415068-4bd7-344c-9a4b-cbd3dc0d1d96"},"summary_title":"Christie's Sale Catalogue"},{"@link":{"notes":"Cf. p. 25, lot 77 (unsold)","page":"p. 25","type":"reference"},"admin":{"id":"publication-2649","uid":"adlib-publication-2649","uuid":"9b08eb7f-6008-36b1-b224-09eb83b97d17"},"summary_title":"British Ceramics"},{"@link":{"notes":"Cf. p. 59, lot 325. H. 32 cm. Estimate \u00a3400-7600","page":"59","type":"reference"},"admin":{"id":"publication-6325","uid":"adlib-publication-6325","uuid":"8cbb0366-69fc-38fa-bbc7-049ba16aff80"},"summary_title":"The Autumn Country House Sale"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-9010","uid":"adlib-term-9010","uuid":"ecd03def-5d2a-3b43-bb92-76be16fbabf6"},"summary_title":"Rococo"}],"subjects":[{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-107586","uid":"adlib-term-107586","uuid":"a59baebc-1311-3f94-a412-7be3b6351e93"},"summary_title":"crown"},{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-110100","uid":"adlib-term-110100","uuid":"93543812-515b-3507-a8ea-ce6a919aaf40"},"summary_title":"sceptre"},{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-88051","uid":"adlib-term-88051","uuid":"20644ca9-cb04-34c2-b48b-0143c191b6ba"},"summary_title":"hourglass"},{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-87228","uid":"adlib-term-87228","uuid":"a57cbd4d-ad6a-3923-9bf3-ec56f7639213"},"summary_title":"arrows"},{"@link":{"type":"literal"},"name":[{"value":"crown"}],"summary_title":"crown"},{"@link":{"type":"literal"},"name":[{"value":"sceptre"}],"summary_title":"sceptre"},{"@link":{"type":"literal"},"name":[{"value":"hourglass"}],"summary_title":"hourglass"},{"@link":{"type":"literal"},"name":[{"value":"arrows"}],"summary_title":"arrows"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-110220","uid":"adlib-term-110220","uuid":"e22d3544-a393-3f19-9be4-dc2632ca9942"},"summary_title":"figure group"}},"summary_title":"figure group","techniques":[{"description":[{"value":"soft-paste porcelain, slip-cast, lead-glazed, and painted in blue (a little), turquoise-green, green (a little), flesh pink, pink, puce, purple, brown, and black enamels, and gilt"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120096","uid":"adlib-term-120096","uuid":"7cc05306-f07e-3189-849f-52addb9e2ca7"},"summary_title":"slip-casting"}},{"note":[{"value":"except for underside of base"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120062","uid":"adlib-term-120062","uuid":"d05176fb-17b8-3888-bba1-6c5e6c77d206"},"summary_title":"lead-glazing"}}],"title":[{"value":"Time Clipping the Wings of Love"}],"type":{"base":"object","type":"OBJECT"}}}],"first_page_url":"?page=1","from":1,"last_page":1,"last_page_url":"?page=1","links":[{"url":null,"label":"« Previous","active":false},{"url":"?page=1","label":"1","active":true},{"url":null,"label":"Next »","active":false}],"next_page_url":null,"path":"","per_page":24,"prev_page_url":null,"to":3,"total":3}]